 |
|
3:24 | 
|
||
|
from Kelis - Tasty (2003)
[Verse 1:]
I know that life has felt us many cards, Sometimes I swear he's trying to make it hard, and i don't want to have to hide me faults. But he got busy and let down the gaurds. [Chorus repeat 1x:] I need attention, from you, it's just the little things we do, pay attention it's on you, Cause i can't help it i just like it when you do, yeah. [Verse 2:] I don't wanna nag and start a fight. But sometimes you forget and i get tired. If he was out of sight and out of mind. So dawlin listen and just make it right. [Chorus repeat 1x] [Bridge:] You make my heart monsoon baby, and we could make life through baby, So take my hand and we'll glide the way. [Chorus repeat 1x] [Verse 3:] Why would you follow now? Just look me in my eyes. Remember what makes me smile, you use to make me high, let's go way Back in time, come baby lay me down. [Chorus until song fades]" |
|||||
 |
|
- |
|
||
|
from Avant - Avant (2009)
(feat. Snoop Dogg)
Yeah Attention attention It's ya boy big Snoop dogg Nephew Alla (alla alla) Like a flame in the dark Girl you light up the room No matter what's going all around it I'm only into you You're lips never moved But I swear I heard you speak Girl you had me in his arm What the hell you do to me Oh I never been in a position like this Come and make it quick down How you shaking them hips ohoh Let me stop mmmmh ***** together cause the night she'll get You get Attention I tried to get back No champagne tonight will do seems right Attention From here to the bedroom All night long Girl I'm here to stone you Now it's getting late Baby girl I'm on my way I know you're down for whatever So I won't procrastinate If you're ready to go Baby let me take control Cause everything about your Body is 'bout to make me explode I never been in a position like this Come and make it quick down How you shaking them hips ohoh Let me stop mmmmh ***** together cause the night she'll get You get Attention I tried to get back No champagne tonight will do seems right Attention From here to the bedroom All night long Belong for stoned you Attention I tried to get back No champagne tonight will do seems right From here to the bedroom All night long Belong for stoned you Conversation on the phone Rubbin on the bone Huggin me kissin me Lovin me at home And lovin you was right And I don't wanna a be a roam I guess me and you can get it on I met you on a set Set you on a jet They completly Washin me directly Recently elected Verbaly respected Two coups of ice cream Baby girl they ****** Liked it Loved it Face no more to party Whos comes the serviet Rubba dub dub D O double Jeezy Make your hit buzzy Baby girl get busy with me Brandy Hexlaw Candy Sexlaw Do it all night Push weed and I like so Wrap your back slow You broke my neck slow Tonight is the night Yeah you know I'm back yo Attention I tried to get back No champagne tonight will do seems right Attention From here to the bedroom All night long Belong for stoned you Attention |
|||||
 |
|
3:41 |
|
||
|
from The Raconteurs - Consolers Of The Lonely (2008)
Hey, now that you have my attention
What are you gonna do? You might have good intention But they're not coming through You're very pleased with yourself, I see It's like a walk in the park You weren't lying by anybody else 'Cause you can see in the dark Got a lock, got a key Got some kind of vice-like grip on me On a leash, by the reigns Got a look that puts me in chains I tried a subtle suggestion A more direct approach I can't make your connection You're beyond reproach No need for petty excuses No need for dumbing around I don't know what the use is But what you knowing down Got a lock, got a key Got some kind of vice-like grip on me On a leash, by the reigns Got a look that puts me in chains Do you like the reflection? Do you love the reflection? Do you like what you see? Do you like the attention? Do you like the attention you get from me? Now that you have my attention Got some kind of vice-like grip on me Got a lock Got a key |
|||||
 |
|
3:34 |
|
||
|
from Olivia Newton John - Back With A Heart (1998)
Here in my heart, there's a truth That no one could love me like you But lately you seem so far away Pretending that you hear what I say It's all I can do to get some attention from you Sometimes you look so unsure Has time left you longing for more Wishing you would let me back in I just wanna be home again It's all I can do to get some attention from you You mean too much to me to give up without a fight Lord knows we can't survive one more silent night I'd like to think there's a chance Some way to save our romance But if I have to do it alone I'd be better off on my own It's all I can do to get some attention from you Oh, what can I do to get some attention from you |
|||||
 |
|
3:28 |
|
||
|
from Guy Sebastian - Twenty Ten [compilation] (2011)
Your a jack of all trades but a master of none
Cos you forgot to be my lover you never made me number one A little birdy told me that you were up to no good But to be honest im not bothered girl I just got To see you soon You say that you got things to do I know your busy, but I am too It may be late, I got no shame So is it too late to ask you baby For a little more attention To relieve the tension Wont you give me some attention To relieve the tension Give me some attention See im not asking for your hand I just want to know where I stand But you keep taking out insurance Youre always making back up plans But how can u break your heart babe If its never there to damage Tell me how can I save this love If you give me nothing to salvage So if you know then let me know Come on and get me or let me go Dont play these games coz I cant wait So is it too late to ask you baby [Chorus] I dont even bother tryin to find another Cause I cant get enough of you The little that you give me, its enough to keep me I cant get enough of you So if you know then let me know Come on and get me or let me go Dont play these games coz I cant wait So is it too late to ask you baby [Chorus] |
|||||
 |
|
3:30 |
|
||
|
from Dragon Ash - Viva La Revolution (2004)
ピッと出てきて卽大盛況
핏토 데테키테 소쿠다이세-쿄- 휙 나갔다 오니 이미 대성황 Dance Number 今日も猛反響 Dance Number 쿄-모 모-한쿄- Dance Number 오늘도 엄청난 반향 Made in Japan の HIP HOP 最强 Made in Japan노 hip hop 사이쿄- Made in Japan의 힙합 최강 Microphone 握り汗ぬぐいさあ行こう Microphone 니기리 아세 누구이 사- 이코- Microphone 쥐고 땀을 닦고 자! 가자! DA を筆頭に さわげ存分に盛り上げようぜ 最高に DA오 힛토-니 사와게 존분니 모리아게요-제 사이코니 Dragon ash를 필두로 놀아 마음껏 분위기를 띄워봐 최고로 踊り明かそうぜ今宵盛大に 오도리아카소-제 코요이 세-다이니 춤추며 밤을 새자! 오늘밤 성대하게 How many people on the floor? So shiny Dive 嵐續く Show time Party tune Dive 아라시 츠즈쿠 Show time Party tune Dive 폭풍우가 계속되는 Show time Party tune 流しかますこの Rhyme 나가시카마스 코노 Rhyme 힘차게 흐르는 이 Rhyme Beat にのっけて鳴らす韻の Beat니 놋케테 나라스 이노 Beat에 실어서 울리는 운의 Chime さあ登りつめよう高く Climb chime 사- 노보리츠메요- 타카쿠 climb Chime 자! 정상까지 오르자! 높이 Climb 時代を邁進 常に前進 せまり來るぜ長針と短針 지다이오 마이신 츠네니 젠신 세마리 쿠루제 쵸-신토 탄신 시대를 매진 언제나 전진 다가올꺼야 시계의 긴 바늘과 짧은 바늘 世代の知性今だ未完成の感性 にぎりしめて挑戰 세다이노 치세- 이마다 미칸세-노 칸죠- 니기리시메테 쵸센 세대의 지성 아직까지 미완성인 감정을 꽉 쥐고 도전 導かれた Center position 旣に 미치비카레타 Center position 스데니 인도된 Center position 이미 High tension 氣にもしない Condition High tension 키니모 시나이 condition High tension 신경쓰지도 않는 Condition ここに集う仲間と共に 코코니 츠도- 나카마토 토모니 이곳에 모인 친구들과 함께 Check 1,2 からはじまる Session check 1,2 카라 하지마루 session Check 1,2로 부터 시작되는 session Microphone 手にして 'Attention' Microphone 테니시테 Attention Microphone 손에 쥐고 'Attention' あふれ出す言葉は Non fiction 아후레다스 코토바와 non fiction 흘러 넘치는 말들은 Non fiction Punks, B boy 鮮やかな Fashion Punks, B boy 아자야카나 fashion Punks, B boy 선명한 Fashion 肌で感じてけこの Emotion 하다데 칸지테케 코노 emotion 피부로 느껴가 이 Emotion Turntable, Pitch adjust set Smooth に a-dat Reset かけぬける Bass Snare drum Rim shot 카케누케루 Bass Snare drum Rim shot 빠져 나가 Bass Snare drum Rim shot 足もとえぐる Neo tiger shoot 아시모토 에구루 Neo tiger shoot 발 밑을 도려내는 Neo tiger shoot Drive shoot 突き破れ Drive shoot 츠키야부레 Drive shoot 돌파해 Goal net 時に仲間のために Assist Goal net 토키니 나카마노 타메니 assist Goal net 때로는 친구들을 위해서 assist 'チェスト!' ぶちのめせ恐怖心 체스토 부치노세테 쿄-후싱 '가슴!' 때려눕혀 공포심을 そしたら決めてけ Hair style set 소시타라 키메테케 Hair style set 그렇다면 정하고 가 Hair style set かけ立てられ Floor では Moosh 카케타테라레 Floor데와 moosh 두드러지게 세워진 Floor에는 Moosh 飛び交う Flash 脫ぎな Chemical wash 토비카우 Flash 누기나 Chemical wash 어지럽게 날아다니고 Flash 벗어 Chemical wash ここに集う仲間と共にまき起こす 코코니 츠도- 나카마토 토모니 마키오코스 여기에 모인 친구들과 함께 일으켜 Boom あくまでも Stylish Boom 아쿠마데모 stylish Boom 끝까지 Stylish Smash 打ちこむ Lyric Smash 우치코무 lyric Smash 쳐넣은 Lyric 辛いとき思い出しなあの坂 Dash 카라이 토키 오모이다시나 아노 사카 Dash 힘들 때를 떠올려 그 언덕으로 Dash Finish 決める Last pass Center Finish 키메루 Last pass Center Finish 결정해 Last pass Center とばしてみせる Screw pass 토바시테 미세루 Screw pass 날려 버려 보여 Screw pass Allow me to pass, Look at back stage pass 首から下げた選ばれた キラッとヒカル百合のしるし 쿠비카라 사게타 에라바레타 키랏토 히카루 유리노 시루시 목에 걸린 선택된 번쩍번쩍 빛나는 백합의 표시 そのもとに集まる眞の戰士 소노 모토니 아츠마루 신노 센시 그 아래 모이는 진정한 전사 好奇心常に持つ精神 코-키싱 츠네니 모츠 세-신 언제나 호기심을 갖는 정신, Antenna からそこら中に發信 antenna 카라 소코라쥬-니 핫신 안테나에서 그 부근으로 발신 進化を續け眞實かかげ いくぜ音樂 Scene 突進 신카오 츠츠케 신지츠 카카게 이쿠제 온가쿠 scene 톳신 계속 진화해 진실을 내세우고 가자! 음악 scene 돌진! |
|||||
 |
|
3:32 |
|
||
|
from Dragon Ash - Best of Best Dragon Ash [compilation] (2006)
ピッと出てきて卽大盛況
핏토 데테키테 소쿠다이세-쿄- 휙 나갔다 오니 이미 대성황 Dance Number 今日も猛反響 Dance Number 쿄-모 모-한쿄- Dance Number 오늘도 엄청난 반향 Made in Japan の HIP HOP 最强 Made in Japan노 hip hop 사이쿄- Made in Japan의 힙합 최강 Microphone 握り汗ぬぐいさあ行こう Microphone 니기리 아세 누구이 사- 이코- Microphone 쥐고 땀을 닦고 자! 가자! DA を筆頭に さわげ存分に盛り上げようぜ 最高に DA오 힛토-니 사와게 존분니 모리아게요-제 사이코니 Dragon ash를 필두로 놀아 마음껏 분위기를 띄워봐 최고로 踊り明かそうぜ今宵盛大に 오도리아카소-제 코요이 세-다이니 춤추며 밤을 새자! 오늘밤 성대하게 How many people on the floor? So shiny Dive 嵐續く Show time Party tune Dive 아라시 츠즈쿠 Show time Party tune Dive 폭풍우가 계속되는 Show time Party tune 流しかますこの Rhyme 나가시카마스 코노 Rhyme 힘차게 흐르는 이 Rhyme Beat にのっけて鳴らす韻の Beat니 놋케테 나라스 이노 Beat에 실어서 울리는 운의 Chime さあ登りつめよう高く Climb chime 사- 노보리츠메요- 타카쿠 climb Chime 자! 정상까지 오르자! 높이 Climb 時代を邁進 常に前進 せまり來るぜ長針と短針 지다이오 마이신 츠네니 젠신 세마리 쿠루제 쵸-신토 탄신 시대를 매진 언제나 전진 다가올꺼야 시계의 긴 바늘과 짧은 바늘 世代の知性今だ未完成の感性 にぎりしめて挑戰 세다이노 치세- 이마다 미칸세-노 칸죠- 니기리시메테 쵸센 세대의 지성 아직까지 미완성인 감정을 꽉 쥐고 도전 導かれた Center position 旣に 미치비카레타 Center position 스데니 인도된 Center position 이미 High tension 氣にもしない Condition High tension 키니모 시나이 condition High tension 신경쓰지도 않는 Condition ここに集う仲間と共に 코코니 츠도- 나카마토 토모니 이곳에 모인 친구들과 함께 Check 1,2 からはじまる Session check 1,2 카라 하지마루 session Check 1,2로 부터 시작되는 session Microphone 手にして 'Attention' Microphone 테니시테 Attention Microphone 손에 쥐고 'Attention' あふれ出す言葉は Non fiction 아후레다스 코토바와 non fiction 흘러 넘치는 말들은 Non fiction Punks, B boy 鮮やかな Fashion Punks, B boy 아자야카나 fashion Punks, B boy 선명한 Fashion 肌で感じてけこの Emotion 하다데 칸지테케 코노 emotion 피부로 느껴가 이 Emotion Turntable, Pitch adjust set Smooth に a-dat Reset かけぬける Bass Snare drum Rim shot 카케누케루 Bass Snare drum Rim shot 빠져 나가 Bass Snare drum Rim shot 足もとえぐる Neo tiger shoot 아시모토 에구루 Neo tiger shoot 발 밑을 도려내는 Neo tiger shoot Drive shoot 突き破れ Drive shoot 츠키야부레 Drive shoot 돌파해 Goal net 時に仲間のために Assist Goal net 토키니 나카마노 타메니 assist Goal net 때로는 친구들을 위해서 assist 'チェスト!' ぶちのめせ恐怖心 체스토 부치노세테 쿄-후싱 '가슴!' 때려눕혀 공포심을 そしたら決めてけ Hair style set 소시타라 키메테케 Hair style set 그렇다면 정하고 가 Hair style set かけ立てられ Floor では Moosh 카케타테라레 Floor데와 moosh 두드러지게 세워진 Floor에는 Moosh 飛び交う Flash 脫ぎな Chemical wash 토비카우 Flash 누기나 Chemical wash 어지럽게 날아다니고 Flash 벗어 Chemical wash ここに集う仲間と共にまき起こす 코코니 츠도- 나카마토 토모니 마키오코스 여기에 모인 친구들과 함께 일으켜 Boom あくまでも Stylish Boom 아쿠마데모 stylish Boom 끝까지 Stylish Smash 打ちこむ Lyric Smash 우치코무 lyric Smash 쳐넣은 Lyric 辛いとき思い出しなあの坂 Dash 카라이 토키 오모이다시나 아노 사카 Dash 힘들 때를 떠올려 그 언덕으로 Dash Finish 決める Last pass Center Finish 키메루 Last pass Center Finish 결정해 Last pass Center とばしてみせる Screw pass 토바시테 미세루 Screw pass 날려 버려 보여 Screw pass Allow me to pass, Look at back stage pass 首から下げた選ばれた キラッとヒカル百合のしるし 쿠비카라 사게타 에라바레타 키랏토 히카루 유리노 시루시 목에 걸린 선택된 번쩍번쩍 빛나는 백합의 표시 そのもとに集まる眞の戰士 소노 모토니 아츠마루 신노 센시 그 아래 모이는 진정한 전사 好奇心常に持つ精神 코-키싱 츠네니 모츠 세-신 언제나 호기심을 갖는 정신, Antenna からそこら中に發信 antenna 카라 소코라쥬-니 핫신 안테나에서 그 부근으로 발신 進化を續け眞實かかげ いくぜ音樂 Scene 突進 신카오 츠츠케 신지츠 카카게 이쿠제 온가쿠 scene 톳신 계속 진화해 진실을 내세우고 가자! 음악 scene 돌진! |
|||||
 |
|
- | 
|
||
| from 롬롬 - Attention [digital single] (2020) | |||||
 |
|
2:31 |
|
||
|
from The Waifs - Shelter Me (2005)
I was thinking about something else I must admit
I didn't hear a word that you said Remember to remind me not to forget To pay more attention now, attention now When you talk to me you can expect it To go into one ear and out of the next Ask me a question about something you said All I remember's what's stuck in my head You say that I shouldn't be so Vague, inattentive, a law to myself I guess that I live in a world of my own And all that I know now is all that I've known Sometimes life is like Russian roulette It's a wonder that I'm still around Twenty-four years I'm the first to admit I don't know nothin' 'bout nothin' 'bout it All of our lives we're alone Though we may have someone to call our own I could be right but I'm probably wrong I don't know nothin' 'bout nothin' 'bout it I don't know nothin' 'bout nothin' 'bout it I don't know nothin' 'bout nothin' 'bout it |
|||||
 |
|
4:00 |
|
||
|
from Pretty Maids - Jump The Gun (2001)
Someone dies and as we close our eyes
Another hungry child will starve away Say a prayer, we've got to be aware If we're the ones to face another day When my pleasure turns to pain When I'm scared I'm caught in a lifetime Since the world has gone insane Try to hold on Open your eyes Pay attention The end is not that far away Attention We're heading towards judgement day Run run away Identify yourself, dehumanised Too much computerized Man of tomorrow We can't avoid A worldwide suicide If we don't Hold back the fire that's coming on When my pleasure turns to pain When I'm scared I'm caught in a lifetime Since the world has gone insane Try to hold on Open your eyes [Chorus] I've seen the new horizons There is no true escape There ain't no compromising Can't pull the breaks And so we're living in the shadows Of supernational fools Who reign and rule Control our destiny This is an emergency It's not the way it's meant to be [Chorus] |
|||||
 |
|
- |
|
||
|
from Pretty Maids - The Best Of...back To Back [compilation] (2003)
Someone dies and as we close our eyes
Another hungry child will starve away Say a prayer, we've got to be aware If we're the ones to face another day When my pleasure turns to pain When I'm scared I'm caught in a lifetime Since the world has gone insane Try to hold on Open your eyes Pay attention The end is not that far away Attention We're heading towards judgement day Run run away Identify yourself, dehumanised Too much computerized Man of tomorrow We can't avoid A worldwide suicide If we don't Hold back the fire that's coming on When my pleasure turns to pain When I'm scared I'm caught in a lifetime Since the world has gone insane Try to hold on Open your eyes [Chorus] I've seen the new horizons There is no true escape There ain't no compromising Can't pull the breaks And so we're living in the shadows Of supernational fools Who reign and rule Control our destiny This is an emergency It's not the way it's meant to be [Chorus] |
|||||
 |
|
- |
|
||
| from BOBYTO - ATTENTION [digital single] (2023) | |||||
 |
|
- |
|
||
| from Justin Bieber, Omah Lay - Attention [digital single] (2022) | |||||
 |
|
- |
|
||
| from Disclosure, Omah Lay - Attention [Disclosure Remix] [remix] (2022) | |||||
 |
|
- |
|
||
| from Omah Lay - Boy Alone (2022) | |||||
 |
|
- |
|
||
| from Omah Lay - Boy Alone (Deluxe) (2023) | |||||
 |
|
- |
|
||
| from U.O - Attention [digital single] (2020) | |||||
 |
|
- |
|
||
| from JYYE - Attention (Download Ver.) [digital single] (2019) | |||||
 |
|
- |
|
||
| from JYYE - Attention (Streaming Ver.) [digital single] (2019) | |||||
 |
|
- |
|
||
| from Normal puppy - Attention [digital single] (2017) | |||||
 |
|
3:58 |
|
||
|
from Lady - Attention (2005)
Baby tell me how baby tell me how
그 남자를 유혹하기 위해서라도 Just take me out just take me out 나를 감출 순 없지 Never regret never regret 언젠가는 네게 밝혀질 거라면 Hey let me out hey let me out 솔직해질게 내가 너라면 나를 미워할 수도 있겠지 라라라 나를 욕할필욘 없잖아 who uh a oh 내게 신경을 꺼 사귈 것도 아니었잖아 그런 용기도 없으면서 라라라라라라 내게 신경을 써 이 노래가 맘에 든다면 그럼 이제 나와 춤을 춰 라라라라라라 Baby tell me how baby tell me how 이 세상을 살아가기 위해서라면 Just take me out just take me out 나를 바꿀 순 있어 Never regret never regret 언젠가는 모두 떠나갈지라도 Hey let me out hey let me out 솔직해질게 내가 너라면 나를 미워할 수도 있겠지 라라라 나를 욕할필욘 없잖아 who uh a oh 내게 신경을 꺼 사귈 것도 아니었잖아 그런 용기도 없으면서 라라라라라라 내게 신경을 써 이 노래가 맘에 든다면 그럼 이제 나와 춤을 춰 라라라라라라 내게 신경을 꺼 사귈 것도 아니었잖아 그런 용기도 없으면서 라라라라라라 내게 신경을 써 이 노래가 맘에 든다면 그럼 이제 나와 춤을 춰 라라라라라라 화끈하게 날 신경 꺼 착한척할 필요 없어 어쩔 수 없어 우리인연이 적이 돼 사랑 같은 건 필요 없어 난 이대로 멈출 순 없어 넌 그대로 바보처럼 멈춰서 있어 머리 쓸 필요 뭐 있어 그냥 문 열고 내가 떠나주겠어 미니미니마니모 time to go 미니미니마니모 Time to blow 기치기치가치고 got to go 같이 졸린 인생살수 없어 미니미니마니모 time to go 미니미니마니모 Time to blow 기치기치가치고 got to go 같이 졸린 인생살수 없어 내게 신경을 꺼 사귈 것도 아니었잖아 그런 용기도 없으면서 라라라라라라 내게 신경을 써 이 노래가 맘에 든다면 그럼 이제 나와 춤을 춰 라라라라라라 |
|||||
|
|
4:04 |
|
||
|
from Lady - Attention (2005)
Baby tell me how baby tell me how
그 남자를 유혹하기 위해서라도 Just take me out just take me out 나를 감출 순 없지 Never regret never regret 언젠가는 네게 밝혀질 거라면 Hey let me out hey let me out 솔직해질게 내가 너라면 (prechorus) 나를 미워할 수도 있겠지 / 라라라/ 나를 욕할필욘 없잖아 who uh a oh (chorus) 내게 신경을 꺼 / 사귈 것도 아니었잖아 그런 용기도 없으면서 / 라라라라라라 / 내게 신경을 써 / 이 노래가 맘에 든다면 그럼 이제 나와 춤을 춰 / 라라라라라라 (verse2) Baby tell me how baby tell me how 이 세상을 살아가기 위해서라면 Just take me out just take me out 나를 바꿀 순 있어 Never regret never regret 언젠가는 모두 떠나갈지라도 Hey let me out hey let me out 솔직해질게 내가 너라면 (prechorus) 나를 미워할 수도 있겠지 / 라라라/ 나를 욕할필욘 없잖아 who uh a oh (chorus) 내게 신경을 꺼 / 사귈 것도 아니었잖아 그런 용기도 없으면서 / 라라라라라라 / 내게 신경을 써 / 이 노래가 맘에 든다면 그럼 이제 나와 춤을 춰 / 라라라라라라 (chorus) 내게 신경을 꺼 / 사귈 것도 아니었잖아 그런 용기도 없으면서 / 라라라라라라 / 내게 신경을 써 / 이 노래가 맘에 든다면 그럼 이제 나와 춤을 춰 / 라라라라라라 (rap) 확-끈하게 날 신경 꺼 착한척할 필요 없어 어쩔 수 없어 우리인연이 적이 돼 사랑 같은 건 필요 없어 난 이대로 멈출 순 없어 넌 그대로 바보처럼 멈춰서 있어 머리 쓸 필요 뭐 있어 그냥 문 열고 내가 떠나주겠어 미니미니마니모 time to go 미니미니마니모 Time to blow 기치기치가치고 got to go 같이 졸린 인생살수 없어 미니미니마니모 time to go 미니미니마니모 Time to blow 기치기치가치고 got to go 같이 졸린 인생살수 없어 (chorus) 내게 신경을 꺼 / 사귈 것도 아니었잖아 그런 용기도 없으면서 / 라라라라라라 / 내게 신경을 써 / 이 노래가 맘에 든다면 그럼 이제 나와 춤을 춰 / 라라라라라라 |
|||||
|
|
4:00 |
|
||
| from Lady - Attention (2005) | |||||
 |
|
- |
|
||
| from F1 The Album (에프 원 더 무비) by Hans Zimmer [ost] (2025) | |||||
 |
|
- |
|
||
| from Big Ocean - Underwater [ep] (2025) | |||||
 |
|
- |
|
||
| from 미키 17 (Mickey 17) (Original Motion Picture Soundtrack) by 정재일 [ost] (2025) | |||||
 |
|
- |
|
||
| from 이은석 - pARTy in my LIFE [ep] (2024) | |||||
 |
|
- |
|
||
| from GEMINI - Love Sick [ep] (2023) | |||||
 |
|
- |
|
||
| from Benlon - Attention [digital single] (2021) | |||||
 |
|
- |
|
||
| from NewJeans - New Jeans / NewJeans 1st EP [ep] (2022) | |||||
 |
|
- |
|
||
| from P-ARTIST - Attention [digital single] (2020) | |||||
 |
|
- |
|
||
| from Kep1er - DOUBLAST [ep] (2022) | |||||
 |
|
- |
|
||
| from Les Patrons - Tresor [digital single] (2021) | |||||
 |
|
- |
|
||
| from Rola - VENUS (2021) | |||||
 |
|
- |
|
||
| from NEXT - THE FIRST Ⅲ [digital single] (2020) | |||||
 |
|
- |
|
||
| from add_P - 2018 최신 팝챠트 No.1 (2018) | |||||
 |
|
- |
|
||
| from add_P - 최신 팝 Piano Collection (2018) | |||||
강민국 [OST]
 |
|
- |
|
||
| from 마리안느와 마가렛 OST by 강민국 [single, ost] (2017) | |||||
 |
|
- |
|
||
| from Sebastian Gnewkow - This Is My House (2016) | |||||
오준성 [작곡]
 |
|
1:48 |
|
||
| from 시티헌터 The Score by 오준성 [ost] (2011) | |||||
 |
|
3:33 |
|
||
| from Sean Falyon - Be Everywhere (2011) | |||||
 |
|
3:01 |
|
||
| from Sean Falyon - Be Everywhere [ep] (2011) | |||||
 |
|
4:28 |
|
||
| from Mowmow Lulu Gyaban - Beveci Calopueno (2011) | |||||
 |
|
8:18 |
|
||
| from Vuuv Festival Vol.1 [compilation] (2011) | |||||
RoBERT [프랑스 여성]
 |
|
4:41 |
|
||
| from RoBERT - Free Dub Vol.1 (2009) | |||||
프릭하우즈(Freakhouze) [프로듀서]
 |
|
4:33 |
|
||
| from Freakhouze - Dancefloor Freakin′ (2009) | |||||
|
|
6:47 |
|
||
| from Freakhouze - Dancefloor Freakin′ (2009) | |||||
 |
|
- |
|
||
| from Sebadoh - Sebadoh 3 (1998) | |||||
 |
|
- |
|
||
| from Sebadoh - The Freed Man (2008) | |||||
 |
|
- |
|
||
| from Charly Antolini - Drum Beat (2005) | |||||
 |
|
5:27 |
|
||
| from Charly Antolini - Power Drummer (2007) | |||||
|
|
- |
|
||
| from D.B. Current - Demerit (2007) | |||||
 |
|
3:52 |
|
||
| from D.B. Current - Demerit (2007) | |||||
|
|
- |
|
||
| from Rouge Rouge - Attention (넷스팟스윙 CF삽입곡) (2003) | |||||
 |
|
- |
|
||
| from World Groove [compilation] (2005) | |||||
 |
|
3:54 |
|
||
| from CF Plus (2006) | |||||
 |
|
- |
|
||
| from Rouge Rouge - Ce Soir Apres Diner (2006) | |||||
 |
|
3:51 |
|
||
| from Pschent Sampler 2003 (0000) | |||||
 |
|
- |
|
||
| from The Annual 2005 [compilation] (2005) | |||||
 |
|
- |
|
||
| from Clubber's Guide 2005 [compilation] (2005) | |||||
 |
|
- |
|
||
| from The Very Best Euphoric Funky House Breakdown [compilation] (2005) | |||||
 |
|
- |
|
||
| from The Very Best Of Tried & Tested Euphoria/ Mixed By Judge Jules [compilation] (2005) | |||||
 |
|
3:35 |
|
||
| from The Spring Annual 2005 - Set [compilation] (2005) | |||||
 |
|
6:34 |
|
||
|
from Mario Lopez presents TranceLoad Vol.1 [compilation] (2011)
Come on, don't hesitate, hesitate
And show me your attention Come on, don't hesitate, hesitate Show me what you're feeling |
|||||
 |
|
- |
|
||
| from Betty Carter, Carmen Mcrae - Live At The Great American/ Music Hall San Franciso (1998) | |||||
 |
|
6:33 |
|
||
| from Picassoman - Overthrow Stereotype (2008) | |||||
 |
|
- |
|
||
| from Disclosure, Omah Lay - Attention / Disclosure Remix [digital single, remix] (2022) | |||||
|
|
- |
|
||
| from Disclosure, Omah Lay - Attention [Disclosure Remix] [remix] (2022) | |||||
 |
|
7:07 |
|
||
| from Digital Kings - Attention (2010) | |||||
|
|
5:31 |
|
||
| from Digital Kings - Attention (2010) | |||||
|
|
3:20 |
|
||
| from Digital Kings - Attention (2010) | |||||
 |
|
3:20 |
|
||
| from Dancefloor Club Summer 2010 Vol.1 [compilation] (2010) | |||||
 |
|
7:07 |
|
||
| from Anthology Clubbing [compilation] (2010) | |||||
 |
|
7:07 |
|
||
| from Club DJ Selection Top 10 (2010) | |||||
 |
|
3:20 |
|
||
| from Dancefloor Clubbing Party [compilation] (2010) | |||||
 |
|
3:20 |
|
||
| from 20 Hits Dancefloor [compilation] (2010) | |||||
 |
|
7:07 |
|
||
| from Sexy Bitch Vol.2 [compilation] (2010) | |||||
 |
|
3:18 |
|
||
| from Dancefloor Rockaz - Attention [single] (2004) | |||||
|
|
2:46 |
|
||
| from Dancefloor Rockaz - Attention [single] (2004) | |||||
|
|
5:55 |
|
||
| from Dancefloor Rockaz - Attention [single] (2004) | |||||
|
|
6:02 |
|
||
| from Dancefloor Rockaz - Attention [single] (2004) | |||||
 |
|
3:19 |
|
||
| from African Dope`s Greatest Hit Vol. 2 (2008) | |||||
 |
|
3:19 |
|
||
| from African Dope''s Greatest Hit Vol. 2 (2008) | |||||
 |
|
9:02 |
|
||
| from Jo Berte - Attention [single] (2010) | |||||
|
|
6:45 |
|
||
| from Jo Berte - Attention [single] (2010) | |||||
 |
|
5:01 |
|
||
| from Dismantled - Standard Issue (2006) | |||||
 |
|
8:44 |
|
||
| from DIY Best (2009) | |||||
 |
|
0:11 |
|
||
| from The Sun Harbor's Chorus-Documentary Recordings - America's bugle calls (2002) | |||||
|
|
0:10 |
|
||
| from The Sun Harbor's Chorus-Documentary Recordings - America's bugle calls (2002) | |||||
 |
|
- |
|
||
| from Omah Lay - Attention [Disclosure Remix] [remix] (2022) | |||||
 |
|
1:08 |
|
||
|
from Oppa 2집 - Reincarnation (2000)
지금부터 우리를 주목해 봐 새로운 시대가 열렸다(열렸다)
Down your minds(minds) change the sounds(sounds) Ressurection' son the way it's time for you to pay 이제 너희를 우리의 포로로 만들거야 잠시라도 한눈을 팔 틈을 주지 않을거야 너희의 눈과 귀와 모든것을!! 우리에게 맡겨 우리에게 맡겨!! |
|||||
 |
|
- |
|
||
| from Musicsum - 인기 POP MR반주곡 모음 7 (2019) | |||||
Kickaflo [힙합]
 |
|
4:11 |
|
||
|
from Kickaflo - 차렷 [single] (2011)
#HOOK
차렷. 열중쉬어. 차렷. 열중쉬어. 쉬어. 차렷. 쓸떼없이 다른생각하지 말고 정신 똑바로 차려. 차렷. 열중쉬어. 차렷. 열중쉬어. 쉬어. 차렷. 절대 움직이지 않습니다. 그 자리에서 똑바로 차렷. #VERSE1 중도 포기. 눈치보기. 툭 하면 울기. 투정부리고 어린애처럼 굴기. 밤이 될때마다 놀러나갈 준비. 결국에는 소심하게 부비부비만해. 마음놓고 놀지도 못 할 꺼면서. 순간의 쾌락 때문에 중심을 잃어 버렸어? 생각이 어렸어? 넌 아직 멀었어. 속이 텅 빈 허세? 별로 멋 없어. 노력하는 사람 생각보다 많은 반면. 성공하는 삶을 사는 사람은 딱 한명. 경쟁이란 그늘. 그 속에 가려 빛을 보지 못 하는 사람도 수천만명. 어중간한 태도? 그 따위는 잘 먹히지도 않아. 사춘기 시절 자위는 딱 여기까지. 이젠 어른이 될 차례. 잔머리 굴리지 말고 네 할 일이나 잘해. #VERSE2 직업은 학생인데 놀기바빠 학업은 뒷전. 그렇다고 갈때까지 가지 못 해 금방 지쳐. 죄 짓고 실수한다는 불편한 심정 때문에 머리아파 돌아버리기 직전. 이도저도 아닌 현실. 그 속에서도 정신 못 차리고 지 꼴리는대로 편식. 덩치만 컸지. 개념없이 행동하는 당신에게 꼭 필요한건 근면 성실. 허구한 날 술판에 불평 불만에 푸념뿐인 모습 보기 불쌍해. 매일 똑같은 주제도 많이 구차해. 재미 감동또한 없어 그만해. 오늘도 넌 바쁘다는 핑계. 괜찮아 괜찮은데. 세상은 그리 쉽게 잘 받아주지않아. 변화되지 않는다면 모면하지 못 해. 거지같은 신세. #BRIDGE 빛을 보지못해 막혀있다는 생각만해 스스로 아무것도 못해 거짓말에 비겁한 변명만해 잘 선택해 니 미래 #VERSE3 집안 환경. 학벌. 갖출건 다 갖춘 당신이 간절히 원하는 건 일상 탈출. 멜로 영화처럼 낯선 여자와의 달콤한 입 맞춤. 빛나는 청춘. 찬란한 미래? 쾌락뿐인 현재. 그건 언제까지나 본인의 자유로운 선택. 동생. 형 아니면 후배. 선배. 그 중에 뭐가 되고 싶은지는 네가 정해. |
|||||
|
|
4:09 |
|
||
| from Kickaflo - 차렷 [single] (2011) | |||||
 |
|
6:21 |
|
||
| from Berliner Philharmoniker, Herbert Von Karajan - Debussy: PelléAs Et MéLisande (2005) | |||||
|
|
3:06 |
|
||
| from Berliner Philharmoniker, Herbert Von Karajan - Debussy: PelléAs Et MéLisande (2005) | |||||
 |
|
4:58 |
|
||
| from Friday's Child - Boy Without a Name (1999) | |||||
 |
|
- |
|
||
|
from Pete Rock - Underground Classics (2006)
[Ras Luv]
The streets battle grows hottest over hour plays a role of murarder touching evey land or earth like a Harlem Globetrotter With a message it prays tellin brothers to rasie their hands And take a stand because we all hourstand You have to bake the cake with grease and let the battle release and make enough so that we all get a piece A slice for Mama Do, a slice for Papa Do I come from Uptown and kid that's how we do I only speak for I.N.I. can't speak for your crew so why would I watse my time to even stress you I keep my mind on billed, and plus I keeping some skill Consant thought about the madness can't hear the ldol chatters about So I escape and take the funk rotue out, histroy's taught me what is all about My destiny is profilled when I'm over and out But I'll leave apart of me to cover all my acounts and I'm out [Pete Rock] Chorus: You always wanna be in the spotlight (right) The Center of Attention I also like to mention I.N.I. rocks the spot It's like that cuz we keeping it hot [Rob-O] Check it out, yo You see I prefer the player's approach so bust it joint's bumping lovely, skins is thick like custom plus the weapons that keep me steppin' while I proflex the ( ? ) microphone check-in. You flow slick for a second but now It's Rob-O's ditz your sweatin and at my show, you see theatin. Why you stressing the tense to quench the strengh of this wiff microphonist, your bicth attention is the bonest. Midatonest, crusin all this I got rhym goddamn. Confuse the funk music, rock, and jam. Pakistan stacks and grands and at the female fans at the Local Thea-ther the vocal creator slash I show blast beacuse you can't fuck with me. I guess this is the way your luck will be. Frontin much nevre, with the rep that you can't preserve step to +I+ and '95 you gettin' served the method of Center of Attention Chorus [Grap Luva] Doesn't truly pay to be the Center of Attention the main atraction gettin' all the action People stoppin' the +I+ with question after question I spit a few replies and keep with my my self and never in the weapon carrying type but I'll insite a riot oragnize and never quiet Don't it try it, dissin the +I+ is no use I bounce like Cashar tape and get loose Grippin the mic, spittin words I write Or the pad or the paper or this pretictular caper Got nuff up's and down's instry clowns Jealous niggas tryin to keep countin my fingers But yo, Im a spirtal millionarie dropping bombs Like King David when he wrote the songs So what you need to do to listen up remain calm not riding a wave refuse to be a salve cause I'm the center Chorus Ho-low, the Center of Attention Meccalicous you the Center of Attention Terence I be the Center of Attention My man Tito the Center of Attention Money Tazz you the Center of Attention And Grand Banga you the Center of Attention Lou Bizzy you the Center of Attention Pete Red the Center of Attention ( ? ) you know the Center of Attention you be Ward G, the Center of Attention you be G-O the Center of Attention My man Ropa-loc Center of Attention Dave Ice is the Center of Attention My brother Heavy D you the Center of Attention All the boros be the Center of Attention Pete Rock you the Center of Attention let's bounce |
|||||
 |
|
4:31 |
|
||
|
from Sister Act 2 : Back In The Habit (시스터 액트 2) by Marc Shaiman [ost] (1995)
If you wanna be somebody If you wanna go somewhere You better wake up and pay attention Hey... So you think you've got the answers To all that lies ahead Well, in my mind I thought the same one time And I hear you spouting much talk 'Bout how you ain't being lead Ain't no one telling you what to do But attitude will catch up with you And keep you from your destiny If you wanna be somebody If you wanna go somewhere You better wake up and pay attention When the time is now or never To make your dreams come true You gotta wake up and pay attention I ain't buyin' no more lyin' 'Cause truth don't cost a thing Denyin' what's inside's too much to pay It's 'bout sweatin' without stressin' There ain't no other way You know you can't get much without much givin' Oh, expect from yourself and you'll respect yourself You control your destiny If you wanna be somebody If you wanna go somewhere You better wake up and pay attention When the time is now or never To make your dreams come true You gotta wake up and pay attention If you wanna be somebody If you wanna go somewhere You better wake up and pay attention When the time is now or never To make your dreams come true You gotta wake up and pay attention Time to wake up, everybody Time to wake up, children Wake up, everybody (ooh...) If you wanna be somebody (wake up) Go somewhere Wake up and pay attention When the time is now or never To make your dreams come true You gotta wake up and pay attention If you wanna be somebody If you wanna go somewhere You better wake up and pay attention When the time is now or never To make your dreams come true You gotta wake up and pay attention If you wanna be somebody If you wanna go somewhere You better wake up and pay attention When the time is now or never To make your dreams come true You gotta wake up and pay attention -
|
|||||
 |
|
3:05 |
|
||
|
from 비비드 - Attention Me [ep] (2012)
V.I.V.I.D. V.I.V.I.D
지 지금 부터 나를 주목해 다 다른 애들은 빠져있어 나만 보면 돼 it`s me 그런저런 애들은 쳐다도 보지마 attention Me 나나난 너무 예뻐 랄랄랄랄랄라 랄랄라 나나난 너무 기뻐 랄랄랄랄랄라 랄랄라 나나난 너무 예뻐 랄랄랄랄랄라 랄랄라 나나난 너무 기뻐 랄랄랄랄랄라 랄랄라 attention Me 왜 너만 안보는거야 무시하는거야 왜 너만 잘난척을해 넌 싸가지야 왜 너만 안보는거야 무시하는거야 왜 너만 잘난척을해 넌 싸가지야 내가뭐라했어 넌나를바라보라했어 aaaaaaaattention Me 넌날무시하지마 니니가후회한다했어 aaaaaaaaaattention Me 지지금 부터 나를 주목해 나나난 남들과는 다른Girl 나만 보면 돼 it`s me 그런저런 애들은 쳐다도 보지마 attention Me 나나난 너무 예뻐 랄랄랄랄랄라 랄랄라 나나난 너무 기뻐 랄랄랄랄랄라 랄랄라 나나난 너무 예뻐 랄랄랄랄랄라 랄랄라 나나난 너무 기뻐 랄랄랄랄랄라 랄랄라 attention Me 왜 나만 즐기는거야 들떠있는거야 왜 나만 신나놀아대 넌 내숭이야 왜 나만 즐기는거야 들떠있는거야 왜 나만 신나놀아대 넌 내숭이야 attention Me 나나난 너무 예뻐 V I V I D 나나난 너무 예뻐 V I V I D 나나난 너무 예뻐 V I V I D 나나난 너무 예뻐 V I V I D 나나난 너무 예뻐 V I V I D 나나난 너무 예뻐 V I V I D 나나난 너무 예뻐 V I V I D 나나난 너무 예뻐 V I V I D 나나난 너무 예뻐 너무 예뻐 너무 예뻐 나나난 너무 예뻐 랄랄랄랄랄라 랄랄라 나나난 너무 기뻐 랄랄랄랄랄라 랄랄라 나나난 너무 예뻐 랄랄랄랄랄라 랄랄라 나나난 너무 기뻐 너무 기뻐 너무 기뻐 attention Me 왜 너만 안보는거야 무시하는거야 왜 너만 잘난척을해 넌 싸가지야 왜 너만 안보는거야 무시하는거야 왜 너만 잘난척을해 넌 싸가지야 |
|||||
