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6:18 |
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from Genesis - Wind And Wuthering (1977)
(Written by Mike Rutherford)
Go far enough and you will reach, A place where the sea runs underneath. We'll see our shadow, high in the sky, Dying away in the night. I've sailed the world for seven years, And left all I love behind in tears. Won't you come here, wherever you are, I've been alone long enough. You, you have your own special way. Of holding my hand keep it way 'bove the water, Don't ever let go. Oh no, no, no. You, you have your own special way, Of turning the world so it's facing The way that I'm going. Don't ever Don't ever stop. Who's seen the wind, not you or I, But when the ship moves, she's passing by, Between you and me, I really don't think, She knows where she's going at all. You, you have your own special way. Of carrying me twice round the world Never closer to home than the day, The day I started. You, you have your own special way. Hold onto my hand keep it way 'bove the water, Don't ever let go - no, no, no. What mean the dreams night after night, The man in the moon's a blinding light. Won't you come out whoever you are, You've followed me quite long enough. You, you have your own special way Of holding my hand, don't ever let go. You, you have your own special way, Of turning the world so it's facing The way that I'm going. Don't ever, Don't ever leave me. |
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- |
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from Steve Hackett - Genesis Files (2002)
Go far enough and you will reach,
A place where the sea runs underneath. We'll see our shadow, high in the sky, Dying away in the night. I've sailed the world for seven years, And left all I love behind in tears. Oh, won't you come here, wherever you are, I've been all alone long enough. You, you have your own special way, Of holding my hand keep it way 'bove the water, Don't ever let go - Oh no, no, no. You, you have your own special way, Of turning the world so it's facing The way that I'm going. Don't ever Don't ever stop. Whose seen the wind not you or I, But when the ship moves she's passing by. Between you and me I really don't think, She knows where she's going at all. You, you have your own special way, Of carrying me twice round the world Never closer to home than the day, The day I started. You, you have your own special way, Hold onto my hand keep it way 'bove the water, Don't ever let go no, no, no. What mean the dreams night after night. The man in the moon's a blinding light. Won't you come out whoever you are, You've followed me quiet long enough. You, you have your own special way, Of holding my hand, Don't ever let go. You, you have your own special way, Of turning the world so it's facing The way that I'm going, Don't ever, Don't ever leave me |
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- |
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from Steve Hackett - Genesis Revisited (2003)
Go far enough and you will reach,
A place where the sea runs underneath. We'll see our shadow, high in the sky, Dying away in the night. I've sailed the world for seven years, And left all I love behind in tears. Oh, won't you come here, wherever you are, I've been all alone long enough. You, you have your own special way, Of holding my hand keep it way 'bove the water, Don't ever let go - Oh no, no, no. You, you have your own special way, Of turning the world so it's facing The way that I'm going. Don't ever Don't ever stop. Whose seen the wind not you or I, But when the ship moves she's passing by. Between you and me I really don't think, She knows where she's going at all. You, you have your own special way, Of carrying me twice round the world Never closer to home than the day, The day I started. You, you have your own special way, Hold onto my hand keep it way 'bove the water, Don't ever let go no, no, no. What mean the dreams night after night. The man in the moon's a blinding light. Won't you come out whoever you are, You've followed me quiet long enough. You, you have your own special way, Of holding my hand, Don't ever let go. You, you have your own special way, Of turning the world so it's facing The way that I'm going, Don't ever, Don't ever leave me |
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- |
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from Steve Hackett - Watcher Of The Skies (2004)
Go far enough and you will reach,
A place where the sea runs underneath. We'll see our shadow, high in the sky, Dying away in the night. I've sailed the world for seven years, And left all I love behind in tears. Oh, won't you come here, wherever you are, I've been all alone long enough. You, you have your own special way, Of holding my hand keep it way 'bove the water, Don't ever let go - Oh no, no, no. You, you have your own special way, Of turning the world so it's facing The way that I'm going. Don't ever Don't ever stop. Whose seen the wind not you or I, But when the ship moves she's passing by. Between you and me I really don't think, She knows where she's going at all. You, you have your own special way, Of carrying me twice round the world Never closer to home than the day, The day I started. You, you have your own special way, Hold onto my hand keep it way 'bove the water, Don't ever let go no, no, no. What mean the dreams night after night. The man in the moon's a blinding light. Won't you come out whoever you are, You've followed me quiet long enough. You, you have your own special way, Of holding my hand, Don't ever let go. You, you have your own special way, Of turning the world so it's facing The way that I'm going, Don't ever, Don't ever leave me |
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3:19 |
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| from Genesis - Wind And Wuthering (1977) | |||||
|
7:24 |
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from Genesis, Genesis - Foxtrot (1972)
Watcher of the skies watcher of all
His is a world alone no world is his own, He whom life can no longer surprise, Raising his eyes beholds a planet unknown. Creatures shaped this planet's soil, Now their reign has come to an end, Has life again destroyed life, Do they play elsewhere, do they know more than their childhood games? Maybe the lizard's shed its tail, This is the end of man's long union with Earth. Judge not this race by empty remains Do you judge God by his creatures when they are dead? For now, the lizard's shed it's tail This is the end of man's long union with Earth. From life alone to life as one, Think not your journey's done For though your ship be sturdy, no Mercy has the sea, Will you survive on the ocean of being? Come ancient children hear what I say This is my parting council for you on your way. Sadly now your thoughts turn to the stars Where we have gone you know you never can go. Watcher of the skies watcher of all This is your fate alone, this fate is your own. |
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|
8:34 |
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from Genesis, Genesis - Live [live] (1973)
Watcher of the skies watcher of all
His is a world alone no world is his own, He whom life can no longer surprise, Raising his eyes beholds a planet unknown. Creatures shaped this planet's soil, Now their reign has come to end, Has life again destroyed life, Do they play elsewhere, do they know more than their childhood games ? Maybe the lizard's shedded its tail, This is the end of man's long union with Earth. Judge not this race by empty remains Do you judge God by his creatures when they are dead. For now the lizard's shedded its tail This is the end of man's long union with Earth. From life alone to life as one, Think not now your journey done For though your ship be sturdy, no Mercy has the sea, Will you survive on the ocean of being, Come ancient children hear what I say This is my parting council for you on your way. Sadly now your thoughts turn to the stars Where we have gone you know you never can go. Watcher of the skies watcher of all This is your fate alone, this fate is your own. |
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- |
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from Steve Hackett - Genesis Files (2002)
Watcher of the skies, watcher of all
His is a world alone no world is his own He whom life can no longer surprise Raising his eyes beholds a planet unknown Creatures shaped this planet's soil Now their reign has come to end Has life again destroyed life? Do they play elsewhere, do they know More than their childhood games? Maybe the lizard's shed its tail This is the end of man's long union with Earth Judge not this race by empty remains Do you judge God by his creatures when they are dead? For now, the lizard's shed it's tail This is the end of man's long union with Earth From life alone to life as one Think not now your journey's done For though your ship be sturdy No mercy has the sea. Will you survive on the ocean of being? Come ancient children hear what I say This is my parting council for you on your way Sadly now your thoughts turn to the stars Where we have gone you know you never can go Watcher of the skies watcher of all This is your fate alone, this fate is your own |
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- |
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from Steve Hackett - Genesis Revisited (2003)
Watcher of the skies, watcher of all
His is a world alone no world is his own He whom life can no longer surprise Raising his eyes beholds a planet unknown Creatures shaped this planet's soil Now their reign has come to end Has life again destroyed life? Do they play elsewhere, do they know More than their childhood games? Maybe the lizard's shed its tail This is the end of man's long union with Earth Judge not this race by empty remains Do you judge God by his creatures when they are dead? For now, the lizard's shed it's tail This is the end of man's long union with Earth From life alone to life as one Think not now your journey's done For though your ship be sturdy No mercy has the sea. Will you survive on the ocean of being? Come ancient children hear what I say This is my parting council for you on your way Sadly now your thoughts turn to the stars Where we have gone you know you never can go Watcher of the skies watcher of all This is your fate alone, this fate is your own |
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- |
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from Genesis - Genesis Live [video, live] (2004)
Watcher of the skies watcher of all
His is a world alone no world is his own, He whom life can no longer surprise, Raising his eyes beholds a planet unknown. Creatures shaped this planet's soil, Now their reign has come to end, Has life again destroyed life, Do they play elsewhere, do they know more than their childhood games ? Maybe the lizard's shedded its tail, This is the end of man's long union with Earth. Judge not this race by empty remains Do you judge God by his creatures when they are dead. For now the lizard's shedded its tail This is the end of man's long union with Earth. From life alone to life as one, Think not now your journey done For though your ship be sturdy, no Mercy has the sea, Will you survive on the ocean of being, Come ancient children hear what I say This is my parting council for you on your way. Sadly now your thoughts turn to the stars Where we have gone you know you never can go. Watcher of the skies watcher of all This is your fate alone, this fate is your own. |
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- |
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from Genesis - Genesis Live [video, live] (2004)
Watcher of the skies watcher of all
His is a world alone no world is his own, He whom life can no longer surprise, Raising his eyes beholds a planet unknown. Creatures shaped this planet's soil, Now their reign has come to end, Has life again destroyed life, Do they play elsewhere, do they know more than their childhood games ? Maybe the lizard's shedded its tail, This is the end of man's long union with Earth. Judge not this race by empty remains Do you judge God by his creatures when they are dead. For now the lizard's shedded its tail This is the end of man's long union with Earth. From life alone to life as one, Think not now your journey done For though your ship be sturdy, no Mercy has the sea, Will you survive on the ocean of being, Come ancient children hear what I say This is my parting council for you on your way. Sadly now your thoughts turn to the stars Where we have gone you know you never can go. Watcher of the skies watcher of all This is your fate alone, this fate is your own. |
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- |
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from Genesis - Genesis Live [video, live] (2004)
Watcher of the skies watcher of all
His is a world alone no world is his own, He whom life can no longer surprise, Raising his eyes beholds a planet unknown. Creatures shaped this planet's soil, Now their reign has come to end, Has life again destroyed life, Do they play elsewhere, do they know more than their childhood games ? Maybe the lizard's shedded its tail, This is the end of man's long union with Earth. Judge not this race by empty remains Do you judge God by his creatures when they are dead. For now the lizard's shedded its tail This is the end of man's long union with Earth. From life alone to life as one, Think not now your journey done For though your ship be sturdy, no Mercy has the sea, Will you survive on the ocean of being, Come ancient children hear what I say This is my parting council for you on your way. Sadly now your thoughts turn to the stars Where we have gone you know you never can go. Watcher of the skies watcher of all This is your fate alone, this fate is your own. |
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- |
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from Steve Hackett - Watcher Of The Skies (2004)
Watcher of the skies, watcher of all
His is a world alone no world is his own He whom life can no longer surprise Raising his eyes beholds a planet unknown Creatures shaped this planet's soil Now their reign has come to end Has life again destroyed life? Do they play elsewhere, do they know More than their childhood games? Maybe the lizard's shed its tail This is the end of man's long union with Earth Judge not this race by empty remains Do you judge God by his creatures when they are dead? For now, the lizard's shed it's tail This is the end of man's long union with Earth From life alone to life as one Think not now your journey's done For though your ship be sturdy No mercy has the sea. Will you survive on the ocean of being? Come ancient children hear what I say This is my parting council for you on your way Sadly now your thoughts turn to the stars Where we have gone you know you never can go Watcher of the skies watcher of all This is your fate alone, this fate is your own |
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- |
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| from Steve Hackett - Guitar Noir (2003) | |||||
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- |
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| from Steve Hackett - There Are Sides To The Night (2003) | |||||
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- |
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| from Steve Hackett - Guitar Noir & There Are Many Sides To The Night (2005) | |||||
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- |
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| from Steve Hackett - Guitar Noir & There Are Many Sides To The Night (2005) | |||||
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- |
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| from Steve Hackett - Genesis Files (2002) | |||||
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- |
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| from Steve Hackett - Genesis Revisited (2003) | |||||
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- |
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| from Steve Hackett - Watcher Of The Skies (2004) | |||||
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- |
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from Steve Hackett - Guitar Noir (2003)
As New Orleans slips far away
When the gas lights dim and the street cars fade When the beast within takes on a new shape The blood runs cold make no mistake You're just a vampyre with a healthy appetite And you stay awake half the night A band strikes up and they're starting to play When the sirens wail but they're way too late The crowds don't see they're drunk anyway The inquest said it was coming her way You're just a vampyre with a healthy appetite And you stay awake half the night Well you ran to ground as you always do And then they finally caught up with you Well they sent you down and Old Smokey was waiting But pressure groups being what they are these days You were released after five years at a funny farm In upstate bankrupt New York To walk the streets once more |
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- |
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from Steve Hackett - Guitar Noir (2003)
As New Orleans slips far away
When the gas lights dim and the street cars fade When the beast within takes on a new shape The blood runs cold make no mistake You're just a vampyre with a healthy appetite And you stay awake half the night A band strikes up and they're starting to play When the sirens wail but they're way too late The crowds don't see they're drunk anyway The inquest said it was coming her way You're just a vampyre with a healthy appetite And you stay awake half the night Well you ran to ground as you always do And then they finally caught up with you Well they sent you down and Old Smokey was waiting But pressure groups being what they are these days You were released after five years at a funny farm In upstate bankrupt New York To walk the streets once more |
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- |
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from Steve Hackett - Guitar Noir & There Are Many Sides To The Night (2005)
As New Orleans slips far away
When the gas lights dim and the street cars fade When the beast within takes on a new shape The blood runs cold make no mistake You're just a vampyre with a healthy appetite And you stay awake half the night A band strikes up and they're starting to play When the sirens wail but they're way too late The crowds don't see they're drunk anyway The inquest said it was coming her way You're just a vampyre with a healthy appetite And you stay awake half the night Well you ran to ground as you always do And then they finally caught up with you Well they sent you down and Old Smokey was waiting But pressure groups being what they are these days You were released after five years at a funny farm In upstate bankrupt New York To walk the streets once more |
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- |
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| from Steve Hackett - Genesis Files (2002) | |||||
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- |
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| from Steve Hackett - Genesis Revisited (2003) | |||||
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- |
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| from Steve Hackett - Watcher Of The Skies (2004) | |||||
|
2:23 |
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from Genesis - Wind And Wuthering (1977)
(Written by Mike Rutherford/Steve Hackett)
< Instrumental > |
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7:48 |
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from Genesis - Twilight Alehouse [single] (1973)
1971. released as b-side of "i know what I like" single, 1974.
Is it really true what they're saying Are you really sure there's nobody come for me When I'm walking home there is no-one Once there was a house, full of laughter - so warm Trying to pretend there is someone Someone who will care when I need it I will now receive my comfort, conjured by the magic power of wine Just a drink, I'll get that drink, and I'm feeling good Just a drink, I'll get that drink, and I'm feeling fine Just a drink to take my sorrow Just a drink and you can blast tomorrow Just a drink to make me feel like a man again Now I'm down When I walk outside, there is nowhere Children follow me, with their laughter - so cold... Casting just a glance at the churchyard Casting just a glance, at my painted female friend. Now I'm on my way, I am falling Got to find some 'elp, ooh I will need that now So I will receive my comfort, conjured by the magic power of wine Just a drink, I'll get that drink, and I'm feeling good Just a drink, I'll get that drink, and I'm feeling fine Just a drink to take my sorrow Just a drink and you can blast tomorrow Just a drink to make me feel like a man again Now I'm down... I will now receive my comfort, conjured by the magic power of wine Just a drink, I'll get that drink, and I'm feeling good Just a drink, I'll get that drink, and I'm feeling fine Just a drink to take my sorrow Just a drink and you can blast tomorrow, now... |
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- |
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| from Steve Hackett - Genesis Files (2002) | |||||
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- |
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| from Steve Hackett - Guitar Noir (2003) | |||||
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- |
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| from Steve Hackett - Guitar Noir & There Are Many Sides To The Night (2005) | |||||
|
4:47 |
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from Genesis, Genesis - Foxtrot (1972)
A carved oak table,
Tells a tale Of times when kings and queens sipped wine from goblets gold, And the brave would lead their ladies from out of the room to arbours cool. A time of valour, and legends born A time when honour meant much more to a man than life And the days knew only strife to tell right from wrong Through lance and sword. Why, why can we never be sure till we die Or have killed for an answer, Why, why do we suffer each race to believe That no race has been grander It seems because through time and space Though names may change each face retains the mask it wore. A dusty table Musty smells Tarnished silver lies discarded upon the floor Only feeble light descends through a film of grey That scars the panes. Gone the carving, And those who left their mark, Gone the kings and queens now only the rats hold sway And the weak must die according to nature's law As old as they. Why, why can we never be sure till we die Or have killed for an answer, Why, why do we suffer each race to believe That no race has been grander It seems because through time and space Though names may change each face retains the mask it wore. |
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- |
|
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| from Steve Hackett - There Are Sides To The Night (2003) | |||||
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- |
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| from Steve Hackett - Guitar Noir & There Are Many Sides To The Night (2005) | |||||
|
- |
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| from Steve Hackett - Genesis Files (2002) | |||||
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- |
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from Steve Hackett - Guitar Noir (2003)
Standing under the lamplight
In one of the nicer parts of hell Behold this dreamer with rich red ruby lips Some pay for the privilege And some just pay to talk Because there are many sides to the night When Father Thames lies sleeping His ever watchful sons Divide up the spoils of the day's takings A woman's work is never ever done She's a child a slave a teacher and a fool And then she vanishes from sight Did no one ever tell you There are many sides to the night Standing under the lamplight Selling perfume sweetcorn and lace She looks beautiful from a distance But it's too dark to see her face I do it for my child alone And who would say it's just not right Verily I say unto you There are many sides to the night |
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- |
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from Steve Hackett - Guitar Noir & There Are Many Sides To The Night (2005)
Standing under the lamplight
In one of the nicer parts of hell Behold this dreamer with rich red ruby lips Some pay for the privilege And some just pay to talk Because there are many sides to the night When Father Thames lies sleeping His ever watchful sons Divide up the spoils of the day's takings A woman's work is never ever done She's a child a slave a teacher and a fool And then she vanishes from sight Did no one ever tell you There are many sides to the night Standing under the lamplight Selling perfume sweetcorn and lace She looks beautiful from a distance But it's too dark to see her face I do it for my child alone And who would say it's just not right Verily I say unto you There are many sides to the night |
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- |
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from Steve Hackett - Guitar Noir (2003)
In the theatre of sleep
Where no reason remains Dreamers and drifters Make their entrance onto the stage Non-stop scenery changes With promptings in the dark Trapped in unremitting violence As trees stripped of their bark When they're buried in your dream The past is a foreign country They do things differently there You're back in the old schoolhouse With rows and rows of chairs Well it might be war or Christmas With the tanks and guns and flares Or a witch that wields her broomstick The stars of your nightmare When they're buried in your dream I was trapped on the edge of a waterfall In an old riverboat A proud queen washed up at last She's giving up the ghost Slimy green water rising I knew that I would die I had no time to abandon ship, The morning had arrived |
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- |
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from Steve Hackett - Guitar Noir & There Are Many Sides To The Night (2005)
In the theatre of sleep
Where no reason remains Dreamers and drifters Make their entrance onto the stage Non-stop scenery changes With promptings in the dark Trapped in unremitting violence As trees stripped of their bark When they're buried in your dream The past is a foreign country They do things differently there You're back in the old schoolhouse With rows and rows of chairs Well it might be war or Christmas With the tanks and guns and flares Or a witch that wields her broomstick The stars of your nightmare When they're buried in your dream I was trapped on the edge of a waterfall In an old riverboat A proud queen washed up at last She's giving up the ghost Slimy green water rising I knew that I would die I had no time to abandon ship, The morning had arrived |
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|
5:25 |
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from Genesis - The Lamb Lies Down On Broadway (1974)
He panics, feels around for a stone and hurls it at the brightest
point. The sound of breaking glass echoes around the cave. As his vision is restored he catches sight of two golden gloves about one foot in diameter hovering away down the tunnel. When they disappear a resounding crack sears across the roof, and it collapses all around him. Our hero is trapped once again. "This is it" he thinks, failing to move any of the fallen rocks |
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|
2:59 |
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|
from Genesis - The Lamb Lies Down On Broadway (1974)
Here comes the supernatural anaesthetist.
If he wants you to snuff it, All he has to do is puff it -he's such a fine dancer. |
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- |
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| from Steve Hackett - Genesis Files (2002) | |||||
|
8:10 |
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from Genesis, Genesis - Nursery Cryme (1971)
Turn and run,
Nothing can stop them, Around every river and canal their power is growing. Stamp them out, We must destroy them. They infiltrate each city with their thick dark warning odour. They are invincible, They seem immune to all our herbicidal battering. Long ago in the Russian hills, A Victorian explorer found the regal Hogweed by a marsh, He captured it and brought it home. Botanical creature stirs, seeking revenge. Royal beast did not forget. He came home to London, And made a present of the Hogweed to the Royal Gardens at Kew. Waste no time, They are approaching. Hurry now, we must ptotect ourselves and find some shelter Strike by night They are defenceless. They all need the sun to photosensitize their venom. Still they're invincible, Still they're immune to all our herbicidal battering. Fashionable country gentlemen had some cultivated wild gardens, In which they innocently planted the Giant Hogweed throughout the land. Botanical creature stirs, seeking revenge. Royal beast did not forget. Soon they escaped, spreading their seed, preparing for an onslaught, Threatening the human race. < THE DANCE OF THE GIANT HOGWEED > Mighty Hogweed is avenged. Human bodies soon will know our anger. Kill them with your Hogweed hairs HERACLEUM MANTEGAZZIANI Giant Hogweed lives |
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|
8:14 |
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from Genesis, Genesis - Live [live] (1973)
Turn and run,
Nothing can stop them, Around every river and canal their power is growing. Stamp them out, We must destroy them. They infiltrate each city with their thick dark warning odour. They are invincible, They seem immune to all our herbicidal battering. Long ago in the Russian hills, A Victorian explorer found the regal Hogweed by a marsh, He captured it and brought it home. Botanical creature stirs, seeking revenge. Royal beast did not forget. He came home to London, And made a present of the Hogweed to the Royal Gardens at Kew. Waste no time, They are approaching. Hurry now, we must ptotect ourselves and find some shelter Strike by night They are defenceless. They all need the sun to photosensitize their venom. Still they're invincible, Still they're immune to all our herbicidal battering. Fashionable country gentlemen had some cultivated wild gardens, In which they innocently planted the Giant Hogweed throughout the land. Botanical creature stirs, seeking revenge. Royal beast did not forget. Soon they escaped, spreading their seed, preparing for an onslaught, Threatening the human race. < THE DANCE OF THE GIANT HOGWEED > Mighty Hogweed is avenged. Human bodies soon will know our anger. Kill them with your Hogweed hairs HERACLEUM MANTEGAZZIANI Giant Hogweed lives |
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|
3:18 |
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|
from Genesis, Genesis - Seconds Out [live] (1977)
Play me Old King Cole
That I may join with you, All your hearts now seem so far from me It hardly seems to matter now. And the nurse will tell you lies Of a kingdom beyond the skies. But I am lost within this half-world, It hardly seems to matter now. Play me my song. Here it comes again. Play me my song. Here it comes again. Just a little bit, Just a little bit more time, Time left to live out my life. Play me my song. Here it comes again. Play me my song. Here it comes again. Old King Cole was a merry old soul, And a merry old sould was he. So he called for his pipe, And he called for his bowl, And he called for his fiddlers three. The clock, tick tock, On the matelpiece, And I want, And I fee, And I know, And i touch, The wall. She's a lady, she's got time. Brush back your hair, and let me get to know your face. She's a lady, she's mine. Brush back your hair, and let me get to know your flesh. I've been waiting here for so long And all this time has past me by It doesn't seem to matter now You stand there with your fixed expression Casting doubt on all I have to say Why don't you touch me, touch me, Why don't you touch me, touch me, touch me, Touch me now, now, now, now, now..... |
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|
3:18 |
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|||
|
from Genesis, Genesis - Seconds Out [live] (1977)
Play me Old King Cole
That I may join with you, All your hearts now seem so far from me It hardly seems to matter now. And the nurse will tell you lies Of a kingdom beyond the skies. But I am lost within this half-world, It hardly seems to matter now. Play me my song. Here it comes again. Play me my song. Here it comes again. Just a little bit, Just a little bit more time, Time left to live out my life. Play me my song. Here it comes again. Play me my song. Here it comes again. Old King Cole was a merry old soul, And a merry old sould was he. So he called for his pipe, And he called for his bowl, And he called for his fiddlers three. The clock, tick tock, On the matelpiece, And I want, And I fee, And I know, And i touch, The wall. She's a lady, she's got time. Brush back your hair, and let me get to know your face. She's a lady, she's mine. Brush back your hair, and let me get to know your flesh. I've been waiting here for so long And all this time has past me by It doesn't seem to matter now You stand there with your fixed expression Casting doubt on all I have to say Why don't you touch me, touch me, Why don't you touch me, touch me, touch me, Touch me now, now, now, now, now..... |
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|
10:30 |
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|
from Genesis, Genesis - Nursery Cryme (1971)
Play me Old King Cole
That I may join with you, All your hearts now seem so far from me It hardly seems to matter now. And the nurse will tell you lies Of a kingdom beyond the skies. But I am lost within this half-world, It hardly seems to matter now. Play me my song. Here it comes again. Play me my song. Here it comes again. Just a little bit, Just a little bit more time, Time left to live out my life. Play me my song. Here it comes again. Play me my song. Here it comes again. Old King Cole was a merry old soul, And a merry old sould was he. So he called for his pipe, And he called for his bowl, And he called for his fiddlers three. The clock, tick tock, On the matelpiece, And I want, And I fee, And I know, And i touch, The wall. She's a lady, she's got time. Brush back your hair, and let me get to know your face. She's a lady, she's mine. Brush back your hair, and let me get to know your flesh. I've been waiting here for so long And all this time has past me by It doesn't seem to matter now You stand there with your fixed expression Casting doubt on all I have to say Why don't you touch me, touch me, Why don't you touch me, touch me, touch me, Touch me now, now, now, now, now..... |
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10:55 |
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from Genesis, Genesis - Live [live] (1973)
Play me Old King Cole
That I may join with you, All your hearts now seem so far from me It hardly seems to matter now. And the nurse will tell you lies Of a kingdom beyond the skies. But I am lost within this half-world, It hardly seems to matter now. Play me my song. Here it comes again. Play me my song. Here it comes again. Just a little bit, Just a little bit more time, Time left to live out my life. Play me my song. Here it comes again. Play me my song. Here it comes again. Old King Cole was a merry old soul, And a merry old sould was he. So he called for his pipe, And he called for his bowl, And he called for his fiddlers three. The clock, tick tock, On the matelpiece, And I want, And I fee, And I know, And i touch, The wall. She's a lady, she's got time. Brush back your hair, and let me get to know your face. She's a lady, she's mine. Brush back your hair, and let me get to know your flesh. I've been waiting here for so long And all this time has past me by It doesn't seem to matter now You stand there with your fixed expression Casting doubt on all I have to say Why don't you touch me, touch me, Why don't you touch me, touch me, touch me, Touch me now, now, now, now, now..... |
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from Genesis - Genesis Live [video, live] (2004)
Play me Old King Cole
That I may join with you, All your hearts now seem so far from me It hardly seems to matter now. And the nurse will tell you lies Of a kingdom beyond the skies. But I am lost within this half-world, It hardly seems to matter now. Play me my song. Here it comes again. Play me my song. Here it comes again. Just a little bit, Just a little bit more time, Time left to live out my life. Play me my song. Here it comes again. Play me my song. Here it comes again. Old King Cole was a merry old soul, And a merry old sould was he. So he called for his pipe, And he called for his bowl, And he called for his fiddlers three. The clock, tick tock, On the matelpiece, And I want, And I fee, And I know, And i touch, The wall. She's a lady, she's got time. Brush back your hair, and let me get to know your face. She's a lady, she's mine. Brush back your hair, and let me get to know your flesh. I've been waiting here for so long And all this time has past me by It doesn't seem to matter now You stand there with your fixed expression Casting doubt on all I have to say Why don't you touch me, touch me, Why don't you touch me, touch me, touch me, Touch me now, now, now, now, now..... |
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from Genesis - Genesis Live [video, live] (2004)
Play me Old King Cole
That I may join with you, All your hearts now seem so far from me It hardly seems to matter now. And the nurse will tell you lies Of a kingdom beyond the skies. But I am lost within this half-world, It hardly seems to matter now. Play me my song. Here it comes again. Play me my song. Here it comes again. Just a little bit, Just a little bit more time, Time left to live out my life. Play me my song. Here it comes again. Play me my song. Here it comes again. Old King Cole was a merry old soul, And a merry old sould was he. So he called for his pipe, And he called for his bowl, And he called for his fiddlers three. The clock, tick tock, On the matelpiece, And I want, And I fee, And I know, And i touch, The wall. She's a lady, she's got time. Brush back your hair, and let me get to know your face. She's a lady, she's mine. Brush back your hair, and let me get to know your flesh. I've been waiting here for so long And all this time has past me by It doesn't seem to matter now You stand there with your fixed expression Casting doubt on all I have to say Why don't you touch me, touch me, Why don't you touch me, touch me, touch me, Touch me now, now, now, now, now..... |
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3:33 |
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from Genesis - The Lamb Lies Down On Broadway (1974)
As he walks along the gorge's edge,
He meets a sense of yesteryear. A window in the bank above his head Reveals his home amidst the streets. Subway sounds, the sounds of complaint The smell of acid on his gun of paint. As it carves out anger in a blood-red band, Destroyed tomorrow by an unknown hand; -My home. Is this the way out from this endless scene? Or just an entrance to another dream? And the light dies down on Broadway. But as the skylight beckons him to leave, He hears a scream fro far below. Within the raging water, writhes the form Of brother John, he cries for help. The gate is fading now, but open wide, But John is drowning, I must decide Between the freedom I had in the rat-race, Or to stay forever in this forsaken place; Hey John! He makes for the river and the gate is gone, Back to the void where it came from. And the light dies down on Broadway |
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6:58 |
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from Genesis - The Lamb Lies Down On Broadway (1974)
The scent grows richer, he knows he must be near,
He finds a long passageway lit by chandelier. Each step he takes, the perfumes change From familiar fragrance to flavours strange. A magnificent chamber meets his eye. Inside, a long rose-water pool is shrouded by fine mist. Stepping in the moist silence, with a warm breeze he's gently kissed. Thinking he is quite alone, He enters the room, as if it were his own, But ripples on the sweet pink water Reveal some company unthought of- Rael stands astonished doubting his sight, Struck by beauty, gripped in fright; Three vermilion snakes of female face, The smallest motion, filled with grace. Muted melodies fill the echoing hall, But there is no sign of warning in the siren's call: "Rael welcome, we are the Lamia of the pool. We have been waiting for our waters to bring you cool." Putting fear beside him, he trusts in beauty blind, He slips into the nectar, leaving his shredded clothes behind. "With their tongues, they test, taste and judge all that is mine. They move in a series of caresses That glide up and down my spine. As they nibble the fruit of my flesh, I feel no pain, Only a magic that a name would stain. With the first drop of my blood in their veins Their faces are convulsed in mortal pains. The fairest cries, 'We all have loved you Rael'." Each empty snakelike body floats, Silent sorrow in empty boats. A sickly sourness fills the room, The bitter harvest of a dying bloom. Looking for motion I know I will not find, I stroke the curls now turning pale, in which I'd lain entwined "O Lamia, your flesh that remains I will take as my food" It is the scent of garlic that lingers on my choclate fingers. Looking behind me, the water turns icy blue, The lights are dimmed and once again the stage is set for you |
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4:51 |
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from Genesis - The Lamb Lies Down On Broadway (1974)
(Written by Banks,Collins,Gabriel,Hackett,Rutherford)
And the lamb lies down on Broadway. Early morning Manhattan, Ocean winds blow on the land. The Movie-Palace is now undone, The all-night watchmen have had their fun. Sleeping cheaply on the midnight show, It's the same old ending - time to go. Get out! It seems they cannot leave their dream. There's something moving in the sidewalk steam, And the lamb lies down on Broadway. Nighttimes's flyers feel their pains, Drugstore takes down the chains. Metal motion comes in bursts, But the gas station can quench that thirst. Suspension cracked on unmade road The trucker's eyes read 'Overload' And out of the subway, Rael Imperial Aerosol Kid Exits into daylight, spraygun hid, And the lamb lies down on Broadway. The lamb seems right out of place, Yet the Broadway street scene find a focus in its face. Somehow it's lying there, Brings a stillness to the air. Though man-made light, at night is very bright, There's no whitewash victim, As the neons dim, to the coat of white. Rael Imperial Aerosol Kid Wipes his gun - he's forgotten what he did, And the lamb lies down on Broadway. Suzanne tired her work all done, Thinks money - honey - be on - neon. Cabman's velvet glove sounds the horn And the sawdust king spits out his scorn, Wonder women you can draw your blind! Don't look at me! I'm not your kind. I'm Rael! Something inside me has just begun, Lord knows what I have done, And the lamb lies down on Broadway, On Broadway - They say the lights are always bright on Broadway, They say there's always magic in the air. |
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4:59 |
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from Genesis, Genesis - Seconds Out [live] (1977)
(Written by Banks,Collins,Gabriel,Hackett,Rutherford)
And the lamb lies down on Broadway. Early morning Manhattan, Ocean winds blow on the land. The Movie-Palace is now undone, The all-night watchmen have had their fun. Sleeping cheaply on the midnight show, It's the same old ending - time to go. Get out! It seems they cannot leave their dream. There's something moving in the sidewalk steam, And the lamb lies down on Broadway. Nighttimes's flyers feel their pains, Drugstore takes down the chains. Metal motion comes in bursts, But the gas station can quench that thirst. Suspension cracked on unmade road The trucker's eyes read 'Overload' And out of the subway, Rael Imperial Aerosol Kid Exits into daylight, spraygun hid, And the lamb lies down on Broadway. The lamb seems right out of place, Yet the Broadway street scene find a focus in its face. Somehow it's lying there, Brings a stillness to the air. Though man-made light, at night is very bright, There's no whitewash victim, As the neons dim, to the coat of white. Rael Imperial Aerosol Kid Wipes his gun - he's forgotten what he did, And the lamb lies down on Broadway. Suzanne tired her work all done, Thinks money - honey - be on - neon. Cabman's velvet glove sounds the horn And the sawdust king spits out his scorn, Wonder women you can draw your blind! Don't look at me! I'm not your kind. I'm Rael! Something inside me has just begun, Lord knows what I have done, And the lamb lies down on Broadway, On Broadway - They say the lights are always bright on Broadway, They say there's always magic in the air. |
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4:58 |
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from Genesis, Genesis - Seconds Out [live] (1977)
(Written by Banks,Collins,Gabriel,Hackett,Rutherford)
And the lamb lies down on Broadway. Early morning Manhattan, Ocean winds blow on the land. The Movie-Palace is now undone, The all-night watchmen have had their fun. Sleeping cheaply on the midnight show, It's the same old ending - time to go. Get out! It seems they cannot leave their dream. There's something moving in the sidewalk steam, And the lamb lies down on Broadway. Nighttimes's flyers feel their pains, Drugstore takes down the chains. Metal motion comes in bursts, But the gas station can quench that thirst. Suspension cracked on unmade road The trucker's eyes read 'Overload' And out of the subway, Rael Imperial Aerosol Kid Exits into daylight, spraygun hid, And the lamb lies down on Broadway. The lamb seems right out of place, Yet the Broadway street scene find a focus in its face. Somehow it's lying there, Brings a stillness to the air. Though man-made light, at night is very bright, There's no whitewash victim, As the neons dim, to the coat of white. Rael Imperial Aerosol Kid Wipes his gun - he's forgotten what he did, And the lamb lies down on Broadway. Suzanne tired her work all done, Thinks money - honey - be on - neon. Cabman's velvet glove sounds the horn And the sawdust king spits out his scorn, Wonder women you can draw your blind! Don't look at me! I'm not your kind. I'm Rael! Something inside me has just begun, Lord knows what I have done, And the lamb lies down on Broadway, On Broadway - They say the lights are always bright on Broadway, They say there's always magic in the air. |
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9:47 |
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from Genesis, Genesis - Live [live] (1973)
Tell me my life is about to begin
Tell me that I am a hero Promise me all your violent dreams Light up your body in anger. Now, in this ugly world It is time to destroy this evil. Now, when I give the word Are you ready to fight for your freedom? NOW Stand up and fight, for you know we are right We must strike at the lies That have spread like disease through our minds. Soon we'll have power, every soldier will rest And we'll spread out of kindness To all who our love now deserve. Some of you are going to die Martyrs of course to the freedom that I shall provide. I'll give you the names of those you must kill, All must die with their children. Carry their heads to the palace of old, Hang them on stakes let the blood flow. Now, in this hate-filled world We must break all the chains that have bound us. Now, the crusade has begun We shall make this a land fit for heroes. NOW Stand up and fight, for you know we are right We must strike at the lies That have spread like disease through our minds. Soon we'll have power, every soldier will rest And we'll spread out of kindness To all who our love now deserve. Some of you are going to die Martyrs of course to the freedom that I shall provide. We are only wanting freedom. WE HAVE WON Some of you are going to die, Martyrs of course to the freedom I shall provide. |
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| from Steve Hackett - There Are Sides To The Night (2003) | |||||
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2:46 |
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from Genesis - The Lamb Lies Down On Broadway (1974)
"It's the last great adventure left to mankind"
- Screams a drooping lady Offering her dreamdolls at less than extortionate prices. And as the notes and coins are taken out I'm taken in, to the factory floor. For the Grand Parade of Lifeless Packaging - All ready to use The Grand Parade of Lifeless Packaging - Just need a fuse. Got people stocked in every shade, He must be doing well with trade. Stamped, addressed, in odd fatality, That evens out their personality. With profit potential marked by a sign. I can recognise some of the production line. No bite at all in labour bondage, Just wrinkled wrappers or human bandage. The Grand Parade of Lifeless Packaging - All ready to use It's the Grand Parade of Lifeless Packaging - Just need a fuse. The hall runs like clockwork Their hands mark out the time, Empty in their fullness Like a frozen pantomime. Everyone's a sales representative Wearing slogans in their shrine. Dishing out failsafe superlative. Brother John is No. 9. For the Grand Parade of Lifeless Packaging - All ready to use It's the Grand Parade of Lifeless Packaging - Just need a fuse. And the decor on the ceiling Has planned out their future day I see no sign of free will, So I guess I'll have to pay, Pay my way. For the Grand Parade. For the Grand Parade. For the Grand Parade. For the Grand Parade of Lifeless Packaging - All ready to use The Grand Parade of Lifeless Packaging - Just need a fuse. The Grand parade, The Grand parade, The Grand parade... |
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| from Steve Hackett - Genesis Files (2002) | |||||
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7:54 |
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from Genesis, Genesis - Nursery Cryme (1971)
From a dense forest of tall, dark, pinewood,
Mount Ida rises like an island. Within a hidden cave, nymphs had kept a child; Hermaphroditus, son of gods, so afraid of their love. As the dawn creeps up the sky The hunter caught sight of a doe. In desire for conquest, He found himself, within a glade he'd not beheld before. Hermaphroditus: "Where are you my father. Give wisdom to your son" Narrator: "Then he could go no farther. Now lost, the boy was guided by the sun" And as his strength began to fail He saw a shimmering lake. A shadow in the dark green depths Distrubed the strange tranquility. Salmacis: "The waters are disturbed. Some creature has been stirred" Narrator: "The waters are disturbed The naiad queen Salmacis has been stirred" As he rushed to quench his thirst, A fountain spring appeared before him And as his heated breath brushed through the cool mist, A liquid voice called "Son of gods, drink from my spring." The water tasted strangely sweet. Behind him the voice called again. He turned and saw her, in a cloak of mist alone And as he gazed, her eyes were filled with the darkness of the lake. Salmacis: "We shall be one. We shall be joined as one" Narrator: "She wanted them as one. Yet he had no desire to be one" Hermaphroditus: "Away from me cold-blooded woman Your thirst is not mine" Salmacis: "Nothing will cause us to part Hear me O gods" Unearthly calm descended from ther sky And then their flesh and bones were strangely merged Forever to be joined as one. The creature crawled into the lake A fading voice was heard: "And I beg, yes I beg, that all who touch this spring May share my fate" Salmacis: "We are the one. We are the one" Narrator: "The two are now made one, Demi-god and nymph are now made one" Both had given everything they had. A lover's dream had been fulfilled at last, Forever still beneath the lake. |
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8:13 |
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from Genesis - The Lamb Lies Down On Broadway (1974)
i) The Arrival
Rael: I wandered lonely as a cloud Till I came upon this dirty street I've never seen a stranger crowd Slubberdegullions on squeaky feet Continually pacing With nonchalant embracing Each orifice disgracing And one facing me Moves to say "hellay" Your skin's all covered in slimy lumps With lips that slide across each chin His twisted limbs like rubber stumps Are waved in welcome Say "Please join in:" My grip must be flipping 'Cause his handshake keeps slipping My hopes keep on dipping And his lips keep on Smiling all the time Slipperman: "We, like you Have tasted love Don't be alarmed At what you see You yourself Are just the same As what you see in me" Rael: Me Like you? Like that!? Slipperman: "You better watch it, son Your sentence has only just begun You better run and join your brother John" ii) A Visit to the Doktor Slipperman: "You're in the colony of slippermen There's no who, why What or when You can get out If you've got the gripe To see, Doktor Dyper Reformed sniper He'll whip off Your windscreenwiper" Rael: John and I are able To face the Doktor And his marble table He said... The Doktor: Understand, Rael That's the end of your tail Rael: "Don't delay Dock the dick!" I watch his countdown Timer tick... iii) The Raven He places the number into a tube It's a yellow plastic Shoobedoobe It says: "Though your fingers may tickle You'll be safe in our pickle" Suddenly, black cloud Come down from the sky Its a supersized black bird That sure can fly The raven brings on Darkness and night He flies right down Gives me one hell of a fright He takes the tube Right out of my hands Man, I've got to find Where that black bird lands "Look here, John I've got to run I need you now You're going to come?" He says to me... John: "Now can't you see Where the raven flies There's jeopardy? We've been cured on the couch Now you're sick with your grouch I'll not risk my honey pouch Which my slouch Will wear slung very low" Rael: He walks away And leaves me once again Even though I never learn I'd hoped he'd show Just some concern Some concern Ah... Some concern I'm in the agony of Slipperpain I pray my undercarriage will sustain The chase is on The pace is hot But I'm running so very hard With everything That I've got He leads me down an underpass Though it narrows He still flies very fast When the tunnel stops Catch sight of the tube Just as it drops I'm on top of a bank Too steep to climb I see it hit the water Just in time To watch it float away Watch it float away Watch it float away... |
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11:09 |
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from Genesis - Selling England By The Pound (1973)
Home from work our Juliet
Clears her morning meal. She dabs her skin with pretty smells Concealing to appeal. I will make my bed, She said, but turned to go. Can she be late for her cinema show? Cinema show? Romeo locks his basement flat, And scurries up the stair. With head held high and floral tie, A weekend millionaire. I will make my bed With her tonight, he cries. Can he fail armed with his chocolate surprise? Take a little trip back with father Tiresias, Listen to the old one speak of all he has lived through. I have crossed betwen the poles, for me there's no mystery. Once a man, like the sea I raged, Once a woman, like the earth I gave. There is in fact more earth than sea. Take a little trip back with father Tiresias, Listen to the old one speak of all he has lived through. I have crossed betwen the poles, for me there's no mystery. Once a man, like the sea I raged, Once a woman, like the earth I gave. But there is in fact more earth than sea. |
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10:58 |
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from Genesis, Genesis - Seconds Out [live] (1977)
Home from work our Juliet
Clears her morning meal. She dabs her skin with pretty smells Concealing to appeal. I will make my bed, She said, but turned to go. Can she be late for her cinema show? Cinema show? Romeo locks his basement flat, And scurries up the stair. With head held high and floral tie, A weekend millionaire. I will make my bed With her tonight, he cries. Can he fail armed with his chocolate surprise? Take a little trip back with father Tiresias, Listen to the old one speak of all he has lived through. I have crossed betwen the poles, for me there's no mystery. Once a man, like the sea I raged, Once a woman, like the earth I gave. There is in fact more earth than sea. Take a little trip back with father Tiresias, Listen to the old one speak of all he has lived through. I have crossed betwen the poles, for me there's no mystery. Once a man, like the sea I raged, Once a woman, like the earth I gave. But there is in fact more earth than sea. |
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5:41 |
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from Genesis - The Lamb Lies Down On Broadway (1974)
At the top of the stairs, there's hundreds of people,
Running around to all the doors. They try to find, find themselves an audience; Their deductions need applause. The rich man stands in front of me. The poor man behind my back. They believe they can control the game, But the juggler holds another pack. I need someone to believe in, someone to trust. I need someone to believe in, someone to trust. I'd rather trust a countryman than a townman, You can judge by his eyes, take a look if you can. He'll smile through his guard, Survival trains hard. I'd rather trust a man who works with his hands, He looks at you once, you know he understands, Don't need any shield, When you're out in the field. But down here, I'm so alone with my fear, With everything that I hear. And every single door, that I've walked through Brings me back, back here again, I've got to find my own way. The priest and the magician, Singing all the chants that they have ever heard; And they're all calling out my name, Even academics, searching printed word. My father to the left of me, My mother to the right. Like everyone else they're pointing But nowhere feels quite right. And I need someone to believe in, someone to trust. I need someone to believe in, someone to trust. I'd rather trust a man who doesn't shout what he's found. There's no need to sell if you're homeword bound. If I choose a side. He won't take me for a ride. Back inside This chamber of so many doors; I've nowhere, nowhere to hide. I'd give you all of my dreams, if you'd help me. Find a door That doesn't lead me back again - Take me away. |
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5:15 |
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from Genesis - The Lamb Lies Down On Broadway (1974)
There is lamb's wool under my naked feet.
The wool is soft and warm Gives off some kind of heat A salamander scurries into flame to be destroyed Imaginary creatures are trapped in birth on celluloid The fleas cling to the golden fleece Hoping they'll find peace Each thought and gesture are caught in celluloid There's no hiding in memory There's no room to avoid The crawlers cover the floor In the red ocher corridor For my second sight of people They've more life blood than before They're moving in time to a heavy wooden door Where the needle's eye is winking Closing on the poor The carpet crawlers heed their callers We've gotta get in to get out We've gotta get in to get out We've gotta get in to get out There's only one direction In the faces that I see It's upward to the ceiling Where the chamber's said to be Like the forest fight for sunlight That takes root in every tree. They are pulled up by the magnet Believing they're free The carpet crawlers heed their callers We've gotta get in to get out We've gotta get in to get out We've gotta get in to get out Mild-mannered supermen Are held in kryptonite, And the wise and foolish virgins Giggle with their bodies glowing bright Through the door a harvest feast Is lit by candlelight It's the bottom of a staircase That spirals out of sight The carpet crawlers heed their callers We've gotta get in to get out We've gotta get in to get out We've gotta get in to get out The porcelain mannequin With shattered skin fears attack And the eager pack lift up their pitchers They carry all they lack The liquid has congealed Which has seeped out through the crack And the tickler takes his stickleback The carpet crawlers heed their callers We've gotta get in to get out We've gotta get in to get out We've gotta get in to get out We've got to get in to get out We've got to get in to get out We've got to get in to get out We've got to get in to get out We've got to get in to get out We've got to get in to get out We've got to get in to get out We've got to get in to get out The carpet crawlers heed their callers |
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5:60 |
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| from Genesis, Genesis - Seconds Out [live] (1977) | |||||
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11:44 |
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from Genesis - Selling England By The Pound (1973)
(Taken from a news story concerning two rival gangs fighting over East-End Protection rights)
Along the Forest Road, there's hundreds of cars - luxury cars. Each has got its load of convertible bars, cutlery cars - superscars! For today is the day when they sort it out, sort it out, 'Cos they disagree on a gangland boundary. Yes, they disagree on a gangland boundary. There's Willy Wright and his boys - one helluva noise, that's Billy's boys! With fully fashioned mugs, that's Little John's thugs, the Barking Slugs - supersmugs! For today is the day when they sort it out, sort it out, Yes, these Christian soldiers fight to protect the poor, East end heroes got to score in... The Battle of Epping Forest, yes it's the Battle of Epping Forest, right outside your door. No, you ain't seen nothing like it, No, you ain't seen nothing like it, Not since the Civil War. Coming over the hill are the boys of Bill, And Johnny's lads stand very still. With the thumpire's shout, they all start to clout - There's no guns in this gentleman's bout. Georgie moves in on the outside left With a chain flying round his head; And Harold Demure, from Art Literature, Nips up the nearest tree. (Here comes the cavalry!) Amidst the battle roar, Accountants keep the score: 10-4 They've never been alone, after getting a radiophone. The bluebells are ringing for Sweetmeal Sam, real ham, Handing out bread and jam just like any picnic picnic,picnic,picnic It's 5-4 on William Wright; he made his pile on Derby night. When Billy was a kid, walking the streets, the other kids hid - so they did! And now, after working hard in security trade, he's got it made. The shops that need aid are those that haven't paid. "I do my dobule-show quick!" said Mick the Prick, fresh out the nick. "I sell cheap holiday. The minute they leave, then a visit I pay - and does it pay!" And his friend, Liquid Len by name, of Wine Women and Wandsworth fame, said "I'm breaking the legs of the bastard that got me framed! I'm breaking the legs of the bastard that got me framed! Got me framed!" They called me the Reverend when I entered the Church unstained; My employers have changed but the name has remained. It all began when I went on a tour, Hoping to find some furniture. I followed a sign - it said "Beautiful Chest." It led to a lady who showed me her best. She was taken by surprise when I quickly closed my eyes. So she rang the bell, and quick as hell Bob the Nob came out of his job To see what the trouble was. "Louise, is the Reverend hard to please?" "You're telling me!" "Perhaps, sir, it's not too late, We could interest you in our old-fashioned Staffordshire plate?" "Oh no, not me, I'm a man of repute." But the Devil caught hold of my soul and a voice called out "Shoot!" To save my steeple, I visited people; For this I'd gone when I met Little John. His name came, I understood, When the judge said "You are a robbing hood." He told me of his strange foundation, Conceived on sight of the Woodstock nation; He'd had to hide his reputation. When poor, 'twas salvation from door to door. But now, with a pin-up guru every week, It's Love, Peace & Truth Incorporated for all who seek. He employed me as a karmamechanic, with overall charms. His hands were then fit to receive, receive alms. That's why we're in The Battle of Epping Forest, yes it's the Battle of Epping Forest, Right outside your door. We guard your souls for peanuts, And we guard your shops and houses For just a little more Just a little more In with a left hook is the Bethnal Green Butcher, But he's countered on the right by Mick's chain-gang fight, And Liquid Len, with his smashed bottle men, Is lobbing Bob the Nob across the gob. With his kisser in a mess, Bob seems under stress, But Jones the Jug hits Len right in the mug; And Harold Demure, who's still not quite sure, Fires acorns from out of his sling. (Here come the cavalry!) Up, up above the crowd, Inside their Silver Cloud, done proud, The bold and brazen brass, seen darkly through the glass. The butler's got jam on his Rolls; Roy doles out the lot, With tea from a silver pot just like any picnic. picnic, picnic, picnic Along the Forest Road, it's the end of the day and the Clouds roll away. Each has got its load - they'll come out for the count at the break-in of day. When the limos return for their final review, it's all through - All they can see is the morning goo. "There's no-one left alive - must be a draw." So the Blackcap Barons toss a coin to settle the score. |
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from Steve Hackett - Guitar Noir (2003)
Take these pearls from an oyster shell
From the depths of the ocean bed From the bottom of the sea like a wishing well Take these stones fashioned into jewels Like the essence of a half remembered song From the crust of the earth to the limits of the sky Take these stones fashioned into jewels Like the essence of a half remembered song From the crust of the earth to the limits of the sky |
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from Steve Hackett - Guitar Noir (2003)
Take these pearls from an oyster shell
From the depths of the ocean bed From the bottom of the sea like a wishing well Take these stones fashioned into jewels Like the essence of a half remembered song From the crust of the earth to the limits of the sky Take these stones fashioned into jewels Like the essence of a half remembered song From the crust of the earth to the limits of the sky |
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from Steve Hackett - Guitar Noir & There Are Many Sides To The Night (2005)
Take these pearls from an oyster shell
From the depths of the ocean bed From the bottom of the sea like a wishing well Take these stones fashioned into jewels Like the essence of a half remembered song From the crust of the earth to the limits of the sky Take these stones fashioned into jewels Like the essence of a half remembered song From the crust of the earth to the limits of the sky |
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22:54 |
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from Genesis, Genesis - Foxtrot (1972)
Walking across the sitting-room, I turn the television off.
Sitting beside you, I look into your eyes. As the sound of motor cars fades in the night time, I swear I saw your face change, it didn't seem quite right. ...And it's hello babe with your guardian eyes so blue Hey my baby don't you know our love is true. Coming closer with our eyes, a distance falls around our bodies. Out in the garden, the moon seems very bright, Six saintly shrouded men move across the lawn slowly. The seventh walks in front with a cross held high in hand. ...And it's hey babe your supper's waiting for you. Hey my baby, don't you know our love is true. I've been so far from here, Far from your warm arms. It's good to feel you again, It's been a long long time. Hasn't it? I know a farmer who looks after the farm. With water clear, he cares for all his harvest. I know a fireman who looks after the fire. You, can't you see he's fooled you all. Yes, he's here again, can't you see he's fooled you all. Share his peace, Sign the lease. He's a supersonic scientist, He's the guaranteed eternal sanctuary man. Look, look into my mouth he cries, And all the children lost down many paths, I bet my life you'll walk inside Hand in hand, gland in gland With a spoonful of miracle, He's the guaranteed eternal sanctuary man. We will rock you, rock you little snake, We will keep you snug and warm. Wearing feelings on our faces while our faces took a rest, We walked across the fields to see the children of the West, But we saw a host of dark skinned warriors standing still below the ground, Waiting for battle. The fight's begun, they've been released. Killing foe for peace...bang, bang, bang. Bang, bang, bang... And they're giving me a wonderful potion, 'Cos I cannot contain my emotion. And even though I'm feeling good, Something tells me I'd better activate my prayer capsule. Today's a day to celebrate, the foe have met their fate. The order for rejoicing and dancing has come from our warlord. Wandering through the chaos the battle has left, We climb up a mountain of human flesh, To a plateau of green grass, and green trees full of life. A young figure sits still by a pool, He's been stamped "Human Bacon" by some butchery tool. (He is you) Social Security took care of this lad. We watch in reverence, as Narcissus is turned to a flower. A flower? If you go down to Willow Farm, to look for butterflies, flutterbyes, gutterflies Open your eyes, it's full of surprise, everyone lies, like the focks on the rocks, and the musical box. Oh, there's Mum & Dad, and good and bad, and everyone's happy to be here. There's Winston Churchill dressed in drag, he used to be a British flag, plastic bag, what a drag. The frog was a prince, the prince was a brick, the brick was an egg, the egg was a bird. (Fly away you sweet little thing, they're hard on your tail) Hadn't you heard? (They're going to change you into a human being!) Yes, we're happy as fish and gorgeous as geese, and wonderfully clean in the morning. We've got everything, we're growing everything, We've got some in We've got some out We've got some wild things floating about Everyone, we're changing everyone, you name them all, We've had them here, And the real stars are still to appear. Feel your body melt Mum to mud to mad to dad Dad diddley office, Dad diddley office, You're all full of ball. Dad to dam to dum to mum Mum diddley washing, Mum diddley washing, You're all full of ball. Let me hear you lies, we're living this up to the eyes. Ooee-ooee-ooee-oowaa Momma I want you now. And as you listen to my voice To look for hidden doors, tidy floors, more applause. You've been here all the time, Like it or not, like what you got, You're under the soil (the soil, the soil), Yes, deep in the soil (the soil, the soil, the soil!). So we'll end with a whistle and end with a bang and all of us fit in our places. With the guards of Magog, swarming around, The Pied Piper takes his children underground. Dragons coming out of the sea, Shimmering silver head of wisdom looking at me. He brings down the fire from the skies, You can tell he's doing well by the look in human eyes. Better not compromise. It won't be easy. 666 is no longer alone, He's getting out the marrow in your back bone, And the seven trumpets blowing sweet rock and roll, Gonna blow right down inside your soul. Pythagoras with the looking glass reflects the full moon, In blood, he's writing the lyrics of a brand new tune. And it's hey babe, with your guardian eyes so blue, Hey my baby, don't you know our love is true, I've been so far from here, Far from your loving arms, Now I'm back again, and babe it's gonna work out fine. Can't you feel our souls ignite Shedding ever changing colours, in the darkness of the fading night, Like the river joins the ocean, as the germ in a seed grows We have finally been freed to get back home. There's an angel standing in the sun, and he's crying with a loud voice, "This is the supper of the mighty one", Lord of Lords, King of Kings, Has returned to lead his children home, To take them to the new Jerusalem. |
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24:33 |
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from Genesis, Genesis - Seconds Out [live] (1977)
Walking across the sitting-room, I turn the television off. Sitting beside you, I look into your eyes. As the sound of motor cars fades in the night time, I swear I saw your face change, it didn't seem quite right. ...And it's hello babe with your guardian eyes so blue Hey my baby don't you know our love is true. Coming closer with our eyes, a distance falls around our bodies. Out in the garden, the moon seems very bright, Six saintly shrouded men move across the lawn slowly. The seventh walks in front with a cross held high in hand. ...And it's hey babe your supper's waiting for you. Hey my baby, don't you know our love is true. I've been so far from here, Far from your warm arms. It's good to feel you again, It's been a long long time. Hasn't it? The Guaranteed Eternal Sanctuary Man I know a farmer who looks after the farm. With water clear, he cares for all his harvest. I know a fireman who looks after the fire. You, can't you see he's fooled you all. Yes, he's here again, can't you see he's fooled you all. Share his peace, Sign the lease. He's a supersonic scientist, He's the guaranteed eternal sanctuary man. Look, look into my mouth he cries, And all the children lost down many paths, I bet my life you'll walk inside Hand in hand, gland in gland With a spoonful of miracle, He's the guaranteed eternal sanctuary. We will rock you, rock you little snake, We will keep you snug and warm. Ikhnaton And Itsacon And Their Band Of Merry Men Wearing feelings on our faces while our faces took a rest, We walked across the fields to see the children of the West, But we saw a host of dark skinned warriors standing still below the ground, Waiting for battle. The fight's begun, they've been released. Killing foe for peace...bang, bang, bang. Bang, bang, bang... And they're giving me a wonderful potion, 'Cos I cannot contain my emotion. And even though I'm feeling good, Something tells me I'd better activate my prayer capsule. Today's a day to celebrate, the foe have met their fate. The order for rejoicing and dancing has come from our warlord. How Dare I Be So Beautiful? Wandering through the chaos the battle has left, We climb up a mountain of human flesh, To a plateau of green grass, and green trees full of life. A young figure sits still by a pool, He's been stamped "Human Bacon" by some butchery tool. (He is you) Social Security took care of this lad. We watch in reverence, as Narcissus is turned to a flower. A flower? Willow Farm If you go down to Willow Farm, to look for butterflies, flutterbyes, gutterflies Open your eyes, it's full of surprise, everyone lies, like the fox on the rocks, and the musical box. Oh, there's Mum & Dad, and good and bad, and everyone's happy to be here. There's Winston Churchill dressed in drag, he used to be a British flag, plastic bag, what a drag. The frog was a prince, the prince was a brick, the brick was an egg, the egg was a bird. (Fly away you sweet little thing, they're hard on your tail) Hadn't you heard? (They're going to change you into a human being!) Yes, we're happy as fish and gorgeous as geese, and wonderfully clean in the morning. We've got everything, we're growing everything, We've got some in We've got some out We've got some wild things floating about Everyone, we're changing everyone, you name them all, We've had them here, And the real stars are still to appear. ALL CHANGE! Feel your body melt; Mum to mud to mad to dad Dad diddley office, Dad diddley office, You're all full of ball. Dad to dam to dum to mum Mum diddley washing, Mum diddley washing, You're all full of ball. Let me hear you lies, we're living this up to the eyes. Ooee-ooee-ooee-oowaa Momma I want you now. And as you listen to my voice To look for hidden doors, tidy floors, more applause. You've been here all the time, Like it or not, like what you got, You're under the soil (the soil, the soil), Yes, deep in the soil (the soil, the soil, the soil, the soil!). So we'll end with a whistle and end with a bang and all of us fit in our places. Apocalypse In 9/8 (Co-Starring the delicious talents of Gabble Ratchet) With the guards of Magog, swarming around, The Pied Piper takes his children underground. Dragons coming out of the sea, Shimmering silver head of wisdom looking at me. He brings down the fire from the skies, You can tell he's doing well by the look in human eyes. Better not compromise. It won't be easy. 666 is no longer alone, He's getting out the marrow in your back bone, And the seven trumpets blowing sweet rock and roll, Gonna blow right down inside your soul. Pythagoras with the looking glass reflects the full moon, In blood, he's writing the lyrics of a brand new tune. And it's hey babe, with your guardian eyes so blue, Hey my baby, don't you know our love is true, I've been so far from here, Far from your loving arms, Now I'm back again, and babe it's gonna work out fine. As Sure As Eggs Is Eggs (Aching Men's Feet) Can't you feel our souls ignite Shedding ever changing colours, in the darkness of the fading night, Like the river joins the ocean, as the germ in a seed grows We have finally been freed to get back home. There's an angel standing in the sun, and he's crying with a loud voice, "This is the supper of the mighty one", Lord of Lords, King of Kings, Has returned to lead his children home, To take them to the new Jerusalem. |
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24:32 |
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from Genesis, Genesis - Seconds Out [live] (1977)
Walking across the sitting-room, I turn the television off. Sitting beside you, I look into your eyes. As the sound of motor cars fades in the night time, I swear I saw your face change, it didn't seem quite right. ...And it's hello babe with your guardian eyes so blue Hey my baby don't you know our love is true. Coming closer with our eyes, a distance falls around our bodies. Out in the garden, the moon seems very bright, Six saintly shrouded men move across the lawn slowly. The seventh walks in front with a cross held high in hand. ...And it's hey babe your supper's waiting for you. Hey my baby, don't you know our love is true. I've been so far from here, Far from your warm arms. It's good to feel you again, It's been a long long time. Hasn't it? The Guaranteed Eternal Sanctuary Man I know a farmer who looks after the farm. With water clear, he cares for all his harvest. I know a fireman who looks after the fire. You, can't you see he's fooled you all. Yes, he's here again, can't you see he's fooled you all. Share his peace, Sign the lease. He's a supersonic scientist, He's the guaranteed eternal sanctuary man. Look, look into my mouth he cries, And all the children lost down many paths, I bet my life you'll walk inside Hand in hand, gland in gland With a spoonful of miracle, He's the guaranteed eternal sanctuary. We will rock you, rock you little snake, We will keep you snug and warm. Ikhnaton And Itsacon And Their Band Of Merry Men Wearing feelings on our faces while our faces took a rest, We walked across the fields to see the children of the West, But we saw a host of dark skinned warriors standing still below the ground, Waiting for battle. The fight's begun, they've been released. Killing foe for peace...bang, bang, bang. Bang, bang, bang... And they're giving me a wonderful potion, 'Cos I cannot contain my emotion. And even though I'm feeling good, Something tells me I'd better activate my prayer capsule. Today's a day to celebrate, the foe have met their fate. The order for rejoicing and dancing has come from our warlord. How Dare I Be So Beautiful? Wandering through the chaos the battle has left, We climb up a mountain of human flesh, To a plateau of green grass, and green trees full of life. A young figure sits still by a pool, He's been stamped "Human Bacon" by some butchery tool. (He is you) Social Security took care of this lad. We watch in reverence, as Narcissus is turned to a flower. A flower? Willow Farm If you go down to Willow Farm, to look for butterflies, flutterbyes, gutterflies Open your eyes, it's full of surprise, everyone lies, like the fox on the rocks, and the musical box. Oh, there's Mum & Dad, and good and bad, and everyone's happy to be here. There's Winston Churchill dressed in drag, he used to be a British flag, plastic bag, what a drag. The frog was a prince, the prince was a brick, the brick was an egg, the egg was a bird. (Fly away you sweet little thing, they're hard on your tail) Hadn't you heard? (They're going to change you into a human being!) Yes, we're happy as fish and gorgeous as geese, and wonderfully clean in the morning. We've got everything, we're growing everything, We've got some in We've got some out We've got some wild things floating about Everyone, we're changing everyone, you name them all, We've had them here, And the real stars are still to appear. ALL CHANGE! Feel your body melt; Mum to mud to mad to dad Dad diddley office, Dad diddley office, You're all full of ball. Dad to dam to dum to mum Mum diddley washing, Mum diddley washing, You're all full of ball. Let me hear you lies, we're living this up to the eyes. Ooee-ooee-ooee-oowaa Momma I want you now. And as you listen to my voice To look for hidden doors, tidy floors, more applause. You've been here all the time, Like it or not, like what you got, You're under the soil (the soil, the soil), Yes, deep in the soil (the soil, the soil, the soil, the soil!). So we'll end with a whistle and end with a bang and all of us fit in our places. Apocalypse In 9/8 (Co-Starring the delicious talents of Gabble Ratchet) With the guards of Magog, swarming around, The Pied Piper takes his children underground. Dragons coming out of the sea, Shimmering silver head of wisdom looking at me. He brings down the fire from the skies, You can tell he's doing well by the look in human eyes. Better not compromise. It won't be easy. 666 is no longer alone, He's getting out the marrow in your back bone, And the seven trumpets blowing sweet rock and roll, Gonna blow right down inside your soul. Pythagoras with the looking glass reflects the full moon, In blood, he's writing the lyrics of a brand new tune. And it's hey babe, with your guardian eyes so blue, Hey my baby, don't you know our love is true, I've been so far from here, Far from your loving arms, Now I'm back again, and babe it's gonna work out fine. As Sure As Eggs Is Eggs (Aching Men's Feet) Can't you feel our souls ignite Shedding ever changing colours, in the darkness of the fading night, Like the river joins the ocean, as the germ in a seed grows We have finally been freed to get back home. There's an angel standing in the sun, and he's crying with a loud voice, "This is the supper of the mighty one", Lord of Lords, King of Kings, Has returned to lead his children home, To take them to the new Jerusalem. |
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from Genesis - Genesis Live [video, live] (2004)
Walking across the sitting-room, I turn the television off. Sitting beside you, I look into your eyes. As the sound of motor cars fades in the night time, I swear I saw your face change, it didn't seem quite right. ...And it's hello babe with your guardian eyes so blue Hey my baby don't you know our love is true. Coming closer with our eyes, a distance falls around our bodies. Out in the garden, the moon seems very bright, Six saintly shrouded men move across the lawn slowly. The seventh walks in front with a cross held high in hand. ...And it's hey babe your supper's waiting for you. Hey my baby, don't you know our love is true. I've been so far from here, Far from your warm arms. It's good to feel you again, It's been a long long time. Hasn't it? The Guaranteed Eternal Sanctuary Man I know a farmer who looks after the farm. With water clear, he cares for all his harvest. I know a fireman who looks after the fire. You, can't you see he's fooled you all. Yes, he's here again, can't you see he's fooled you all. Share his peace, Sign the lease. He's a supersonic scientist, He's the guaranteed eternal sanctuary man. Look, look into my mouth he cries, And all the children lost down many paths, I bet my life you'll walk inside Hand in hand, gland in gland With a spoonful of miracle, He's the guaranteed eternal sanctuary. We will rock you, rock you little snake, We will keep you snug and warm. Ikhnaton And Itsacon And Their Band Of Merry Men Wearing feelings on our faces while our faces took a rest, We walked across the fields to see the children of the West, But we saw a host of dark skinned warriors standing still below the ground, Waiting for battle. The fight's begun, they've been released. Killing foe for peace...bang, bang, bang. Bang, bang, bang... And they're giving me a wonderful potion, 'Cos I cannot contain my emotion. And even though I'm feeling good, Something tells me I'd better activate my prayer capsule. Today's a day to celebrate, the foe have met their fate. The order for rejoicing and dancing has come from our warlord. How Dare I Be So Beautiful? Wandering through the chaos the battle has left, We climb up a mountain of human flesh, To a plateau of green grass, and green trees full of life. A young figure sits still by a pool, He's been stamped "Human Bacon" by some butchery tool. (He is you) Social Security took care of this lad. We watch in reverence, as Narcissus is turned to a flower. A flower? Willow Farm If you go down to Willow Farm, to look for butterflies, flutterbyes, gutterflies Open your eyes, it's full of surprise, everyone lies, like the fox on the rocks, and the musical box. Oh, there's Mum & Dad, and good and bad, and everyone's happy to be here. There's Winston Churchill dressed in drag, he used to be a British flag, plastic bag, what a drag. The frog was a prince, the prince was a brick, the brick was an egg, the egg was a bird. (Fly away you sweet little thing, they're hard on your tail) Hadn't you heard? (They're going to change you into a human being!) Yes, we're happy as fish and gorgeous as geese, and wonderfully clean in the morning. We've got everything, we're growing everything, We've got some in We've got some out We've got some wild things floating about Everyone, we're changing everyone, you name them all, We've had them here, And the real stars are still to appear. ALL CHANGE! Feel your body melt; Mum to mud to mad to dad Dad diddley office, Dad diddley office, You're all full of ball. Dad to dam to dum to mum Mum diddley washing, Mum diddley washing, You're all full of ball. Let me hear you lies, we're living this up to the eyes. Ooee-ooee-ooee-oowaa Momma I want you now. And as you listen to my voice To look for hidden doors, tidy floors, more applause. You've been here all the time, Like it or not, like what you got, You're under the soil (the soil, the soil), Yes, deep in the soil (the soil, the soil, the soil, the soil!). So we'll end with a whistle and end with a bang and all of us fit in our places. Apocalypse In 9/8 (Co-Starring the delicious talents of Gabble Ratchet) With the guards of Magog, swarming around, The Pied Piper takes his children underground. Dragons coming out of the sea, Shimmering silver head of wisdom looking at me. He brings down the fire from the skies, You can tell he's doing well by the look in human eyes. Better not compromise. It won't be easy. 666 is no longer alone, He's getting out the marrow in your back bone, And the seven trumpets blowing sweet rock and roll, Gonna blow right down inside your soul. Pythagoras with the looking glass reflects the full moon, In blood, he's writing the lyrics of a brand new tune. And it's hey babe, with your guardian eyes so blue, Hey my baby, don't you know our love is true, I've been so far from here, Far from your loving arms, Now I'm back again, and babe it's gonna work out fine. As Sure As Eggs Is Eggs (Aching Men's Feet) Can't you feel our souls ignite Shedding ever changing colours, in the darkness of the fading night, Like the river joins the ocean, as the germ in a seed grows We have finally been freed to get back home. There's an angel standing in the sun, and he's crying with a loud voice, "This is the supper of the mighty one", Lord of Lords, King of Kings, Has returned to lead his children home, To take them to the new Jerusalem. |
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6:27 |
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from Genesis - A Trick Of The Tail (1976)
Like father like son
Not flesh nor fish nor bone A red rag hangs from an open mouth. Alive at both ends but a little dead in the middle, A~tumbling and a~bumbling he will go. All the King's horses and all the King's men Could never put a smile on that face. He's a sly one, he's a shy one Wouldn't you be too, Scared to be left all on his own. Hasn't a, hasn't a friend to play with the Ugly Duckling The pressure on, the bubble will burst before our eyes. All the while in perfect time His tears are falling on the ground BUT IF YOU DON'T STAND UP YOU DON'T STAND A CHANCE. Go a little faster now, you might get there in time. Mirror mirror on the wall. His heart was broken long before he ever came to you. Stop your tears from falling. The trail they leave is very clear for all to see at night All to see at night. In season, out of season What's the difference hen you don't know the reason. In one hand bread, the other a stone. The Hunter enters the forest. All are not huntsmen who can blow the huntsman's horn By the look of this one, you've not got much to fear. Here I am, I'm very fierce and frightening Come to match my skill to yours. Now listen here, listen to me, don't you run away now I am a friend, I'd really like to play with you. Making noises my little furry friend would make I'll trick him, then I'll kick him into my sack. You better watch out... You better watch out. I've got you, I'v got you, you'll never get away. Walking home that night The sack across my back, the sound of sobbing on my shoulder When suddenly it stopped, I opened up the sack, all that I had A pool of bubbles and tears ~ JUST A POOL OF TEARS. All in all you are a very dying race Placing trust upon a cruel world. You never had the things you thought you should have had And you'll not get them now, And all the while in perfect tie Your tears are falling on the ground ~ The Squonk is of a very retiring disposition and due to its ugliness, weeps constantly. It is easy prey for hunters who simply follow a tear-stained trail. When cornered it will dissolve itself into tears. True or False? |
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6:37 |
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from Genesis, Genesis - Seconds Out [live] (1977)
Like father like son
Not flesh nor fish nor bone A red rag hangs from an open mouth. Alive at both ends but a little dead in the middle, A~tumbling and a~bumbling he will go. All the King's horses and all the King's men Could never put a smile on that face. He's a sly one, he's a shy one Wouldn't you be too, Scared to be left all on his own. Hasn't a, hasn't a friend to play with the Ugly Duckling The pressure on, the bubble will burst before our eyes. All the while in perfect time His tears are falling on the ground BUT IF YOU DON'T STAND UP YOU DON'T STAND A CHANCE. Go a little faster now, you might get there in time. Mirror mirror on the wall. His heart was broken long before he ever came to you. Stop your tears from falling. The trail they leave is very clear for all to see at night All to see at night. In season, out of season What's the difference hen you don't know the reason. In one hand bread, the other a stone. The Hunter enters the forest. All are not huntsmen who can blow the huntsman's horn By the look of this one, you've not got much to fear. Here I am, I'm very fierce and frightening Come to match my skill to yours. Now listen here, listen to me, don't you run away now I am a friend, I'd really like to play with you. Making noises my little furry friend would make I'll trick him, then I'll kick him into my sack. You better watch out... You better watch out. I've got you, I'v got you, you'll never get away. Walking home that night The sack across my back, the sound of sobbing on my shoulder When suddenly it stopped, I opened up the sack, all that I had A pool of bubbles and tears ~ JUST A POOL OF TEARS. All in all you are a very dying race Placing trust upon a cruel world. You never had the things you thought you should have had And you'll not get them now, And all the while in perfect tie Your tears are falling on the ground ~ The Squonk is of a very retiring disposition and due to its ugliness, weeps constantly. It is easy prey for hunters who simply follow a tear-stained trail. When cornered it will dissolve itself into tears. True or False? |
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6:36 |
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from Genesis, Genesis - Seconds Out [live] (1977)
Like father like son
Not flesh nor fish nor bone A red rag hangs from an open mouth. Alive at both ends but a little dead in the middle, A~tumbling and a~bumbling he will go. All the King's horses and all the King's men Could never put a smile on that face. He's a sly one, he's a shy one Wouldn't you be too, Scared to be left all on his own. Hasn't a, hasn't a friend to play with the Ugly Duckling The pressure on, the bubble will burst before our eyes. All the while in perfect time His tears are falling on the ground BUT IF YOU DON'T STAND UP YOU DON'T STAND A CHANCE. Go a little faster now, you might get there in time. Mirror mirror on the wall. His heart was broken long before he ever came to you. Stop your tears from falling. The trail they leave is very clear for all to see at night All to see at night. In season, out of season What's the difference hen you don't know the reason. In one hand bread, the other a stone. The Hunter enters the forest. All are not huntsmen who can blow the huntsman's horn By the look of this one, you've not got much to fear. Here I am, I'm very fierce and frightening Come to match my skill to yours. Now listen here, listen to me, don't you run away now I am a friend, I'd really like to play with you. Making noises my little furry friend would make I'll trick him, then I'll kick him into my sack. You better watch out... You better watch out. I've got you, I'v got you, you'll never get away. Walking home that night The sack across my back, the sound of sobbing on my shoulder When suddenly it stopped, I opened up the sack, all that I had A pool of bubbles and tears ~ JUST A POOL OF TEARS. All in all you are a very dying race Placing trust upon a cruel world. You never had the things you thought you should have had And you'll not get them now, And all the while in perfect tie Your tears are falling on the ground ~ The Squonk is of a very retiring disposition and due to its ugliness, weeps constantly. It is easy prey for hunters who simply follow a tear-stained trail. When cornered it will dissolve itself into tears. True or False? |
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| from Steve Hackett - There Are Sides To The Night (2003) | |||||
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| from Steve Hackett - Guitar Noir & There Are Many Sides To The Night (2005) | |||||
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3:08 |
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| from Genesis - The Lamb Lies Down On Broadway (1974) | |||||
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| from Steve Hackett - Guitar Noir (2003) | |||||
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| from Steve Hackett - Guitar Noir (2003) | |||||
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| from Steve Hackett - Guitar Noir & There Are Many Sides To The Night (2005) | |||||
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5:10 |
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from Genesis, Genesis - Nursery Cryme (1971)
I heard the old man tell his tale:
Tinker, alone within a storm, And losing hope he clears the leaves beneath a tree, Seven stones Lay on the ground. Within the seventh house a friend was found. And the changes of no consequence will pick up the reins from nowhere. Sailors, in peril on the sea, Amongst the waves a rock looms nearer, not yet seen, They see a gull Flying by. The Captain turns the boat and he asks not why. And the changes of no consequence will pick up the reins from nowhere. Despair that tires the world, brings the old man laughter, The laughter of the world only grieves him, Believe him, The old man's guide is chance. I heard the old man tell his tale: Farmer, who knows not when to sow, Consults the old man clutching money in his hand, And with a shrug, The old man smiled, Took the money, left the farmer wild. And the changes of no consequence will pick up the reins from nowhere. Despair that tires the world, brings the old man laughter, The laughter of the world only grieves him, Believe him, The old man's guide is chance. |
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5:06 |
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from Genesis - Happy The Man [single] (1972)
I heard the old man tell his tale:
Tinker, alone within a storm, And losing hope he clears the leaves beneath a tree, Seven stones Lay on the ground. Within the seventh house a friend was found. And the changes of no consequence will pick up the reins from nowhere. Sailors, in peril on the sea, Amongst the waves a rock looms nearer, not yet seen, They see a gull Flying by. The Captain turns the boat and he asks not why. And the changes of no consequence will pick up the reins from nowhere. Despair that tires the world, brings the old man laughter, The laughter of the world only grieves him, Believe him, The old man's guide is chance. I heard the old man tell his tale: Farmer, who knows not when to sow, Consults the old man clutching money in his hand, And with a shrug, The old man smiled, Took the money, left the farmer wild. And the changes of no consequence will pick up the reins from nowhere. Despair that tires the world, brings the old man laughter, The laughter of the world only grieves him, Believe him, The old man's guide is chance. |
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| from Steve Hackett - There Are Sides To The Night (2003) | |||||
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| from Steve Hackett - Guitar Noir & There Are Many Sides To The Night (2005) | |||||
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6:06 |
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from Genesis - A Trick Of The Tail (1976)
The streets were deserted though the police were alerted,
They considered the phone call a hoax. Furtively glancing then jauntily prancing The youth caught the guards unaware. Slipping between them he ought to have seen then The eyes and their owner so near. With torch shining bright he strode on in the night Till he came to the room with the safe. "Hello son, I hope you're having fun." "You've got it wrong Sir, I'm only the cleaner." With that he fired, the other saying as he died, "You've done me wrong," it's the same old song forever. Robbery, assault and battery, The felon and his felony. Robbery, assault and battery, The felon and his felony. He picked up the diamonds and bundles of fivers He pushed them well down in his sack. But the alarm had been sounded, he was completely surrounded But he had some more tricks up his sleeve. "Come outside with your hands held high." "You'll not get me alive Sir, I promise you that Sir. With that he fired, the other saying as he died "You've done me wrong," it's the same old song forever. Robbery, assault and battery, The felon and his felony. Robbery, assault and battery, The felon and his felony. "He's leaving via the roof, the bastard's got away. God always fights on the side of the bad man. Bad man. Bad man" "I've got clean away but I'll be back some day, Just the combination will have changed. Some day they'll catch me, to a chain they'll attach me, But until that day I'll ride the old crime wave. If they try to hold me for trial I'll stay out of gaol by paying my bail And after I'll go to the court of appeal saying "You've done me wrong," it's the same old song forever." Done me wrong - same old song - done me wrong Done me wrong - same old song - done me wrong Done me wrong - same old song - done me wrong |
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from Genesis, Genesis - Seconds Out [live] (1977)
The streets were deserted though the police were alerted, They considered the phone call a hoax. Furtively glancing then jauntily prancing The youth caught the guards unaware. Slipping between them he ought to have seen then The eyes and their owner so near. With torch shining bright he strode on in the night Till he came to the room with the safe. "Hello son, I hope you're having fun." "You've got it wrong Sir, I'm only the cleaner." With that he fired, the other saying as he died, "You've done me wrong," it's the same old song forever. Robbery, assault and battery, The felon and his felony. Robbery, assault and battery, The felon and his felony. Picked up the diamonds and bundles of fivers He pushed them well down in his sack. But the alarm had been sounded, he was completely surrounded But he had some more tricks up his sleeve. "Come outside with your hands held high." "You'll not get me alive Sir, I promise you that Sir." With that he fired, the other saying as he died "You've done me wrong," it's the same old song forever. Robbery, assault and battery, The felon and his felony. Robbery, assault and battery, The felon and his felony. "He's leaving via the roof, the bastard's got away. God always fights on the side of the bad man." "I've got clean away but I'll be back some day, Just the combination will have changed. Some day they'll catch me, to a chain they'll attach me, Until that day I'll ride the old crime wave. If they try to hold me for trial I'll stay out of gaol by paying my bail And after I'll go to the court of appeal saying "You've done me wrong," it's the same old song forever." Done me wrong - same old song - done me wrong. |
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from Steve Hackett - Genesis Files (2002)
Take me where the sun don't shine no more
And the moon echoes where once was light The wind is howling but it has no face I know that we will rise again We will fly from this city of the dead Even if our ship flies a pirate sail Underneath a bruised and broken sky I know that we will rise again There are skies of scarlet and skies of grey I'll keep them in my heart always Like the sea loves the land I know that we will rise again |
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from Genesis - A Trick Of The Tail (1976)
Bluegirls come in every size
some are wise and some otherwise They've got pretty blue eyes For an hour a man may change For an hour her face looks strange Looks strange, looks strange Marching to the promised land Where the honey flows and takes you by the hand Pulls you down on your knees While you're down a pool appears The face in the water looks up And she shakes her head as if to say That it's the last time you'll look like today Sail away, away Ripples never come back Gone to the other side Sail away, away The face that launched a thousand ships Is sinking fast, that happens you know The water gets below Seems not very long ago Lovelier she was than any that I know Angels never know it's time To close the book and gracefully decline The song has found a tale My, what a jealous pool is she The face in the water looks up And she shakes her head as if to say That the bluegirls have all gone away Sail away, away Ripples never come back Gone to the other side Look into the pool Ripples never come back Dive to the bottom and go to the top To see where they have gone Oh, they've gone to the other side |
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from Genesis - The Lamb Lies Down On Broadway (1974)
Struggling down the slope,
There's not much hope. I begin to try to ride the scree But the rocks are tumbling all around me. If I want John alive, I've got to ditch my fear - take a dive While I've still got my drive to survive. Evel Knievel, you got nothing on me. Here I go! |
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| from Steve Hackett - Genesis Files (2002) | |||||
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from Genesis - The Lamb Lies Down On Broadway (1974)
The Raven
They survive the ordeal and are presented with the offensive weapons in sterile yellow plastic tubes, with gold chains. "People usually wear them around their necks," said the Doktor handing them over. "The operation does not necessarily exclude use of the facility again, for short periods, but of course when you want it you must provide us with considerable advance warning." He places the number into a tube, It's a yellow plastic "shoobedoobe". It says: "Though your fingers may tickle You'll be safe in our pickle." As the brothers talk themselves through their new predicament, a big black raven flies into the cave, swoops down, grabs Rael's tube right out of his hands and carries it up into the air in his beak. Suddenly, black cloud come down from the sky. It's a supersized black bird that sure can fly... The raven brings on darkness and night He flies right down, gives me one hell of a fright. He take the tube right out of my hands Man, I've got to find out where that black bird lands. Rael calls for John to go with him. And he replies "I will not chase a black raven. Down here you must read and obey the omens. There's disaster where the raven flies." "Look here John, I've got to run I need you now, you going to come?" He says to me: John: "Now can't you see Where the raven flies there's jeopardy. We've been cured on the couch Now you're sick with your grouch. I'll not risk my honey pouch Which my slouch will wear slung very low." So once more John deserts his brother. Rael: He walks away and leaves me once again. Even though I never learn, I'd hoped he'd show just some concern. The bird leads Rael down a narrow tunnel, he seems to be allowing him to keep at a closed distance. But as Rael thinks he might almost catch hold of the bird, the tunnel opens and finishes at an enormous subterranean ravine. Casually, the raven drops his precious load into the rushing waters at the bottom. It's enough to drive a poor boy ravin' mad. Seeing the dangers of the steep cliff, our courageous hero stands impotent and glowers. I'm in the agony of Slipperpain I pray my undercarriage will sustain. The chase is on, the pace is hot But I'm running so very hard with everything that I've got. He leads me down an underpass Though it narrows, he still flies very fast, When the tunnel stops Catch sight of the tube, just as it drops. I'm on top of a bank too steep to climb I see it hit the water just in time to watch it float away... |
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from Steve Hackett - Genesis Files (2002)
Every day a little harder
Look out boy, you're on your own! Every day a little softer You don't seem to be on your toes It's just a job, swing with the punches Pick up your hands, sting like a bee. Prizefighters heading for home Prizefighters everyone knows. Every day a little slower It's just the sweat in my eyes You don't look the way you used to. Don't drink that water though it tastes nice. On the ropes and in a corner. You've just got to give me one more try Prizefighters heading for home Prizefighters everyone knows Who made the money? I didn't spend it! The dice were loaded once or twice Prizefighters, heading for home Prizefighters, everyone knows |
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from Genesis - Spot The Pigeon [ep] (1977)
Who put fifty tons of shit on the Foreign Office roof?
Who suffers from nine known diseases? Who gets up in the morning when the sun comes up And makes their beds, paper clips, bus tickets All around their heads? Who congregate around Trafalgar Square Taking pot shots at the tourists? Oh you've got to watch out When you wander round the square in the morning Cos they're everywhere, they're everywhere Here we have an honest man A civil servant to boot He lived high up in the Ministry And when he wished to make a point He knew just what to do His window ledges were all covered in grease "I want them out of here" He said to me, "I want them gone" Because you see - Oh don't you see None of us are getting any younger You've got to follow your nose And if it tells you that you've got to go Well that's because, they're everywhere, They're everywhere So we called in those men, those horrible men We set them to work on the rooftops You see their van is very plain And I know they're too ashamed To wear their by appointment badges anymore Sometimes they use vaseline, sometimes they use the pill I've often seen them with a gun But as the years go by, old habits seem to die And nowadays they knockatize them all Oh you've got to watch out As you wander round the square in the morning Oh they're everywhere, they're everywhere |
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from Steve Hackett - Guitar Noir (2003)
I'd like to paint your beauty all over the world
I'd like to paint your sadness I'd like to paint your picture all over the world |
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from Steve Hackett - Guitar Noir & There Are Many Sides To The Night (2005)
I'd like to paint your beauty all over the world
I'd like to paint your sadness I'd like to paint your picture all over the world |
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from Genesis - Wind And Wuthering (1977)
(Written by Tony Banks)
Fifty thousand men were sent to do the will of one His claim was phrased quite simply, though he never Voiced it loud, I am he, the chosen one. In his name they could slaughter, for his name they Could die. Though many there were believed in him; still more were sure he lied. But they'll fight the battle on. Then one whose faith had died Fled back up the mountainside. But before the top was made, A misplaced footfall made him stray From the path prepared for him Off of the mountain On to a wilderness of ice. This unexpected vision made him stand and shake with fear. But nothing was his fright compared with those who saw him appear. Terror filled their minds with awe. Simple were the folk who lived Upon this frozen wave, So not surprising was their thought, This is he, God's chose one, Who's come to save us from. All our oppressors. We shall be kings on this world. Follow me! I'll play the game you want me, Until I find a way back home. Follow me! I give you strength inside you, Courage to win your battles- No, no, no, this can't go on, This will be all that I fled from. Let me rest for awhile. He walked into a valley, All alone. There he talked with water and then with the vine. They leave me no choice. I must lead them to glory or most likely to death They traveled cross the plateau of ice, up to its edge. Then they crossed the mountain range and saw the final plain Still he urged the people on Then on a distant slope He observed one without hope Flee back up the mountainside. He thought he recognised him by his walk, And by the way he fell, And by the way he stood up, and vanished into air. |
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from Steve Hackett - There Are Sides To The Night (2003)
Nobody knows what tomorrow may bring
Or how far we may be blown by the wind Over the fields and far from home There are those who'll try to rob you of what you know. One thing that's clear One thing I know Oh how I love you Go sail away to a distant shore Searching for something found inside your front door One thing you'll see One thing you'll know Oh how I love you You used to say that I'm so happy with you Well, nothing's changed it’s just the things that we do On those cloudy, cloudy days When the skies are turned to grey Something you know Something for sure Oh how I love you |
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