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- | 
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| from The Andrews Sisters - 50th Anniversary (1999) | |||||
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- |
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| from Glenn Miller, The Andrews Sisters - Glenn Miller And The Andrews Sisters: The Chesterfield Broadcasts (2003) | |||||
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- |
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| from The Andrews Sisters - A Portrait Of Andrews Sisters (1997) | |||||
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- |
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| from The Andrews Sisters - A Portrait Of Andrews Sisters (1997) | |||||
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- |
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| from The Andrews Sisters - A Portrait Of Andrews Sisters (1997) | |||||
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- |
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| from The Andrews Sisters - A Portrait Of Andrews Sisters (1997) | |||||
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2:18 |
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| from The Andrews Sisters - The Andrews Sisters Sing Christmas (2010) | |||||
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- |
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| from The Andrews Sisters - Sing The Dancing 20s/Fresh And Fancy Free (2002) | |||||
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- |
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| from The Andrews Sisters - The Dancing 20/ Fresh And Fancy Free (2003) | |||||
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2:46 |
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| from Les chansons d'antan, vol. 1 (2009) | |||||
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2:46 |
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| from Bing Crosby - Les chansons en or (2009) | |||||
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2:46 |
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| from Bing Crosby - Best of Bing Crosby (2009) | |||||
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2:46 |
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| from Bing Crosby - Mes plus grands succes (2009) | |||||
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2:46 |
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| from Fifties vol 10 (2009) | |||||
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2:46 |
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| from Hits 50 vol 10 (2009) | |||||
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2:46 |
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| from Bing Crosby - Bing Crosby - Hits (2009) | |||||
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2:46 |
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| from Bing Crosby - Bing Crosby - L'essentiel (2009) | |||||
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2:46 |
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| from Bing Crosby - Bing Crosby - The greatest hits (2009) | |||||
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2:46 |
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| from Bing Crosby - Tous mes succes (2009) | |||||
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2:45 |
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| from Bing Crosby - Great Film Songs 1934-1945 (2009) | |||||
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2:48 |
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| from The Andrews Sisters - Nos plus grands succes (2009) | |||||
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2:48 |
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| from The Andrews Sisters - Tous les tubes (2009) | |||||
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2:48 |
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| from The Andrews Sisters - Best of The Andrews Sisters (2009) | |||||
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2:48 |
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| from The Andrews Sisters - The Andrews Sisters - Hits (2009) | |||||
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2:48 |
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| from The Andrews Sisters - Les chansons en or (2009) | |||||
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2:48 |
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| from The Andrews Sisters - The Andrews Sisters - L'essentiel (2009) | |||||
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2:48 |
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| from The Andrews Sisters - The Andrews Sisters - The greatest hits (2009) | |||||
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2:48 |
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| from The Andrews Sisters - Tous nos succes (2009) | |||||
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3:07 |
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| from The Andrews Sisters - Rum And Coca-cola (2009) | |||||
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- |
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| from The Andrews Sisters - The Magic of The Andrew Sisters (1999) | |||||
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- |
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| from The Andrews Sisters - Hmv Easy (2000) | |||||
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2:58 |
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| from The Andrews Sisters - Rum And Coca-cola (2009) | |||||
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3:08 |
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| from 크리스마스의 추억 [ccm] (2006) | |||||
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3:06 |
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| from The Andrews Sisters - Nos plus grands succes (2009) | |||||
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3:06 |
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| from The Andrews Sisters - Tous les tubes (2009) | |||||
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3:06 |
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| from The Andrews Sisters - Best of The Andrews Sisters (2009) | |||||
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3:06 |
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| from The Andrews Sisters - The Andrews Sisters - Hits (2009) | |||||
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3:06 |
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| from The Andrews Sisters - Les chansons en or (2009) | |||||
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3:06 |
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| from The Andrews Sisters - The Andrews Sisters - L'essentiel (2009) | |||||
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3:06 |
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| from The Andrews Sisters - The Andrews Sisters - The greatest hits (2009) | |||||
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3:06 |
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| from The Andrews Sisters - Tous nos succes (2009) | |||||
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- |
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| from The Andrews Sisters - The Magic of The Andrew Sisters (1999) | |||||
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- |
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| from The Andrews Sisters - Hmv Easy (2000) | |||||
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2:53 |
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| from The Andrews Sisters - The Telephone Song (2010) | |||||
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- |
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| from The Andrews Sisters - Sing The Dancing 20s/Fresh And Fancy Free (2002) | |||||
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- |
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| from The Andrews Sisters - The Dancing 20/ Fresh And Fancy Free (2003) | |||||
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- |
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| from The Andrews Sisters - Sing The Dancing 20s/Fresh And Fancy Free (2002) | |||||
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- |
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| from The Andrews Sisters - The Dancing 20/ Fresh And Fancy Free (2003) | |||||
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- |
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| from The Andrews Sisters - 50th Anniversary (1999) | |||||
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- | 
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from The Andrews Sisters - The Magic of The Andrew Sisters (1999)
Beat Me Daddy Eight to the Bar
In a little honky-tonky village in Texas There's a guy who plays the best piano by far He can play piano any way that you like it But the way he likes to play is eight to the bar When he plays, it's a ball He's the daddy of them all The people gather around when he gets on the stand Then when he plays, he gets a hand The rhythm he beats puts the cats in a trance Nobody there bothers to dance But when he plays with the bass and guitar They holler out, "Beat me Daddy, eight to the bar" A-plink, a-plank, a-plink plank, plink plank A-plunkin' on the keys A-riff, a-raff, a-riff raff, riff raff A-riffin' out with ease And when he plays with the bass and guitar They holler out, "Beat me Daddy, eight to the bar" He plays a boogie, he plays eight to the bar A boogie-woogie, that is the way he likes to play on his piano And we all know That when he plays he puts them all in a trance The cats all holler "Hooray" You'll hear them say, "Beat me Daddy, eight to the bar" In a little honky-tonky village in Texas There's a guy who plays the best piano by far When he plays with the bass and guitar They holler, "Beat me up Daddy, beat me Daddy, eight to the bar" The people gather around when he gets up on the stand Then when he plays, he gets a hand The rhythm that he plays puts the cats in a trance Nobody there ever bothers to dance But when he plays with the bass and guitar They holler out, "Beat me Daddy, eight to the bar" A-plink plink, a-plank plank, a-plink plank, plink plank A-plunkin' on the keys A-riff riff, a-raff raff, a-riff raff, riff raff A-riffin' out with ease But when he plays with the bass and guitar They holler out, "Beat me Daddy, eight to the bar" |
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- |
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from The Andrews Sisters - Hmv Easy (2000)
Beat Me Daddy Eight to the Bar
In a little honky-tonky village in Texas There's a guy who plays the best piano by far He can play piano any way that you like it But the way he likes to play is eight to the bar When he plays, it's a ball He's the daddy of them all The people gather around when he gets on the stand Then when he plays, he gets a hand The rhythm he beats puts the cats in a trance Nobody there bothers to dance But when he plays with the bass and guitar They holler out, "Beat me Daddy, eight to the bar" A-plink, a-plank, a-plink plank, plink plank A-plunkin' on the keys A-riff, a-raff, a-riff raff, riff raff A-riffin' out with ease And when he plays with the bass and guitar They holler out, "Beat me Daddy, eight to the bar" He plays a boogie, he plays eight to the bar A boogie-woogie, that is the way he likes to play on his piano And we all know That when he plays he puts them all in a trance The cats all holler "Hooray" You'll hear them say, "Beat me Daddy, eight to the bar" In a little honky-tonky village in Texas There's a guy who plays the best piano by far When he plays with the bass and guitar They holler, "Beat me up Daddy, beat me Daddy, eight to the bar" The people gather around when he gets up on the stand Then when he plays, he gets a hand The rhythm that he plays puts the cats in a trance Nobody there ever bothers to dance But when he plays with the bass and guitar They holler out, "Beat me Daddy, eight to the bar" A-plink plink, a-plank plank, a-plink plank, plink plank A-plunkin' on the keys A-riff riff, a-raff raff, a-riff raff, riff raff A-riffin' out with ease But when he plays with the bass and guitar They holler out, "Beat me Daddy, eight to the bar" |
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2:57 |
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|
from The Andrews Sisters - Nos plus grands succes (2009)
Beat Me Daddy Eight to the Bar
In a little honky-tonky village in Texas There's a guy who plays the best piano by far He can play piano any way that you like it But the way he likes to play is eight to the bar When he plays, it's a ball He's the daddy of them all The people gather around when he gets on the stand Then when he plays, he gets a hand The rhythm he beats puts the cats in a trance Nobody there bothers to dance But when he plays with the bass and guitar They holler out, "Beat me Daddy, eight to the bar" A-plink, a-plank, a-plink plank, plink plank A-plunkin' on the keys A-riff, a-raff, a-riff raff, riff raff A-riffin' out with ease And when he plays with the bass and guitar They holler out, "Beat me Daddy, eight to the bar" He plays a boogie, he plays eight to the bar A boogie-woogie, that is the way he likes to play on his piano And we all know That when he plays he puts them all in a trance The cats all holler "Hooray" You'll hear them say, "Beat me Daddy, eight to the bar" In a little honky-tonky village in Texas There's a guy who plays the best piano by far When he plays with the bass and guitar They holler, "Beat me up Daddy, beat me Daddy, eight to the bar" The people gather around when he gets up on the stand Then when he plays, he gets a hand The rhythm that he plays puts the cats in a trance Nobody there ever bothers to dance But when he plays with the bass and guitar They holler out, "Beat me Daddy, eight to the bar" A-plink plink, a-plank plank, a-plink plank, plink plank A-plunkin' on the keys A-riff riff, a-raff raff, a-riff raff, riff raff A-riffin' out with ease But when he plays with the bass and guitar They holler out, "Beat me Daddy, eight to the bar" |
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2:57 |
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|
from The Andrews Sisters - Tous les tubes (2009)
Beat Me Daddy Eight to the Bar
In a little honky-tonky village in Texas There's a guy who plays the best piano by far He can play piano any way that you like it But the way he likes to play is eight to the bar When he plays, it's a ball He's the daddy of them all The people gather around when he gets on the stand Then when he plays, he gets a hand The rhythm he beats puts the cats in a trance Nobody there bothers to dance But when he plays with the bass and guitar They holler out, "Beat me Daddy, eight to the bar" A-plink, a-plank, a-plink plank, plink plank A-plunkin' on the keys A-riff, a-raff, a-riff raff, riff raff A-riffin' out with ease And when he plays with the bass and guitar They holler out, "Beat me Daddy, eight to the bar" He plays a boogie, he plays eight to the bar A boogie-woogie, that is the way he likes to play on his piano And we all know That when he plays he puts them all in a trance The cats all holler "Hooray" You'll hear them say, "Beat me Daddy, eight to the bar" In a little honky-tonky village in Texas There's a guy who plays the best piano by far When he plays with the bass and guitar They holler, "Beat me up Daddy, beat me Daddy, eight to the bar" The people gather around when he gets up on the stand Then when he plays, he gets a hand The rhythm that he plays puts the cats in a trance Nobody there ever bothers to dance But when he plays with the bass and guitar They holler out, "Beat me Daddy, eight to the bar" A-plink plink, a-plank plank, a-plink plank, plink plank A-plunkin' on the keys A-riff riff, a-raff raff, a-riff raff, riff raff A-riffin' out with ease But when he plays with the bass and guitar They holler out, "Beat me Daddy, eight to the bar" |
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|
2:57 |
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||
|
from The Andrews Sisters - Best of The Andrews Sisters (2009)
Beat Me Daddy Eight to the Bar
In a little honky-tonky village in Texas There's a guy who plays the best piano by far He can play piano any way that you like it But the way he likes to play is eight to the bar When he plays, it's a ball He's the daddy of them all The people gather around when he gets on the stand Then when he plays, he gets a hand The rhythm he beats puts the cats in a trance Nobody there bothers to dance But when he plays with the bass and guitar They holler out, "Beat me Daddy, eight to the bar" A-plink, a-plank, a-plink plank, plink plank A-plunkin' on the keys A-riff, a-raff, a-riff raff, riff raff A-riffin' out with ease And when he plays with the bass and guitar They holler out, "Beat me Daddy, eight to the bar" He plays a boogie, he plays eight to the bar A boogie-woogie, that is the way he likes to play on his piano And we all know That when he plays he puts them all in a trance The cats all holler "Hooray" You'll hear them say, "Beat me Daddy, eight to the bar" In a little honky-tonky village in Texas There's a guy who plays the best piano by far When he plays with the bass and guitar They holler, "Beat me up Daddy, beat me Daddy, eight to the bar" The people gather around when he gets up on the stand Then when he plays, he gets a hand The rhythm that he plays puts the cats in a trance Nobody there ever bothers to dance But when he plays with the bass and guitar They holler out, "Beat me Daddy, eight to the bar" A-plink plink, a-plank plank, a-plink plank, plink plank A-plunkin' on the keys A-riff riff, a-raff raff, a-riff raff, riff raff A-riffin' out with ease But when he plays with the bass and guitar They holler out, "Beat me Daddy, eight to the bar" |
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|
2:57 |
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||
|
from The Andrews Sisters - The Andrews Sisters - Hits (2009)
Beat Me Daddy Eight to the Bar
In a little honky-tonky village in Texas There's a guy who plays the best piano by far He can play piano any way that you like it But the way he likes to play is eight to the bar When he plays, it's a ball He's the daddy of them all The people gather around when he gets on the stand Then when he plays, he gets a hand The rhythm he beats puts the cats in a trance Nobody there bothers to dance But when he plays with the bass and guitar They holler out, "Beat me Daddy, eight to the bar" A-plink, a-plank, a-plink plank, plink plank A-plunkin' on the keys A-riff, a-raff, a-riff raff, riff raff A-riffin' out with ease And when he plays with the bass and guitar They holler out, "Beat me Daddy, eight to the bar" He plays a boogie, he plays eight to the bar A boogie-woogie, that is the way he likes to play on his piano And we all know That when he plays he puts them all in a trance The cats all holler "Hooray" You'll hear them say, "Beat me Daddy, eight to the bar" In a little honky-tonky village in Texas There's a guy who plays the best piano by far When he plays with the bass and guitar They holler, "Beat me up Daddy, beat me Daddy, eight to the bar" The people gather around when he gets up on the stand Then when he plays, he gets a hand The rhythm that he plays puts the cats in a trance Nobody there ever bothers to dance But when he plays with the bass and guitar They holler out, "Beat me Daddy, eight to the bar" A-plink plink, a-plank plank, a-plink plank, plink plank A-plunkin' on the keys A-riff riff, a-raff raff, a-riff raff, riff raff A-riffin' out with ease But when he plays with the bass and guitar They holler out, "Beat me Daddy, eight to the bar" |
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2:57 |
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||
|
from The Andrews Sisters - Les chansons en or (2009)
Beat Me Daddy Eight to the Bar
In a little honky-tonky village in Texas There's a guy who plays the best piano by far He can play piano any way that you like it But the way he likes to play is eight to the bar When he plays, it's a ball He's the daddy of them all The people gather around when he gets on the stand Then when he plays, he gets a hand The rhythm he beats puts the cats in a trance Nobody there bothers to dance But when he plays with the bass and guitar They holler out, "Beat me Daddy, eight to the bar" A-plink, a-plank, a-plink plank, plink plank A-plunkin' on the keys A-riff, a-raff, a-riff raff, riff raff A-riffin' out with ease And when he plays with the bass and guitar They holler out, "Beat me Daddy, eight to the bar" He plays a boogie, he plays eight to the bar A boogie-woogie, that is the way he likes to play on his piano And we all know That when he plays he puts them all in a trance The cats all holler "Hooray" You'll hear them say, "Beat me Daddy, eight to the bar" In a little honky-tonky village in Texas There's a guy who plays the best piano by far When he plays with the bass and guitar They holler, "Beat me up Daddy, beat me Daddy, eight to the bar" The people gather around when he gets up on the stand Then when he plays, he gets a hand The rhythm that he plays puts the cats in a trance Nobody there ever bothers to dance But when he plays with the bass and guitar They holler out, "Beat me Daddy, eight to the bar" A-plink plink, a-plank plank, a-plink plank, plink plank A-plunkin' on the keys A-riff riff, a-raff raff, a-riff raff, riff raff A-riffin' out with ease But when he plays with the bass and guitar They holler out, "Beat me Daddy, eight to the bar" |
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2:57 |
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|
from The Andrews Sisters - The Andrews Sisters - L'essentiel (2009)
Beat Me Daddy Eight to the Bar
In a little honky-tonky village in Texas There's a guy who plays the best piano by far He can play piano any way that you like it But the way he likes to play is eight to the bar When he plays, it's a ball He's the daddy of them all The people gather around when he gets on the stand Then when he plays, he gets a hand The rhythm he beats puts the cats in a trance Nobody there bothers to dance But when he plays with the bass and guitar They holler out, "Beat me Daddy, eight to the bar" A-plink, a-plank, a-plink plank, plink plank A-plunkin' on the keys A-riff, a-raff, a-riff raff, riff raff A-riffin' out with ease And when he plays with the bass and guitar They holler out, "Beat me Daddy, eight to the bar" He plays a boogie, he plays eight to the bar A boogie-woogie, that is the way he likes to play on his piano And we all know That when he plays he puts them all in a trance The cats all holler "Hooray" You'll hear them say, "Beat me Daddy, eight to the bar" In a little honky-tonky village in Texas There's a guy who plays the best piano by far When he plays with the bass and guitar They holler, "Beat me up Daddy, beat me Daddy, eight to the bar" The people gather around when he gets up on the stand Then when he plays, he gets a hand The rhythm that he plays puts the cats in a trance Nobody there ever bothers to dance But when he plays with the bass and guitar They holler out, "Beat me Daddy, eight to the bar" A-plink plink, a-plank plank, a-plink plank, plink plank A-plunkin' on the keys A-riff riff, a-raff raff, a-riff raff, riff raff A-riffin' out with ease But when he plays with the bass and guitar They holler out, "Beat me Daddy, eight to the bar" |
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2:57 |
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|
from The Andrews Sisters - The Andrews Sisters - The greatest hits (2009)
Beat Me Daddy Eight to the Bar
In a little honky-tonky village in Texas There's a guy who plays the best piano by far He can play piano any way that you like it But the way he likes to play is eight to the bar When he plays, it's a ball He's the daddy of them all The people gather around when he gets on the stand Then when he plays, he gets a hand The rhythm he beats puts the cats in a trance Nobody there bothers to dance But when he plays with the bass and guitar They holler out, "Beat me Daddy, eight to the bar" A-plink, a-plank, a-plink plank, plink plank A-plunkin' on the keys A-riff, a-raff, a-riff raff, riff raff A-riffin' out with ease And when he plays with the bass and guitar They holler out, "Beat me Daddy, eight to the bar" He plays a boogie, he plays eight to the bar A boogie-woogie, that is the way he likes to play on his piano And we all know That when he plays he puts them all in a trance The cats all holler "Hooray" You'll hear them say, "Beat me Daddy, eight to the bar" In a little honky-tonky village in Texas There's a guy who plays the best piano by far When he plays with the bass and guitar They holler, "Beat me up Daddy, beat me Daddy, eight to the bar" The people gather around when he gets up on the stand Then when he plays, he gets a hand The rhythm that he plays puts the cats in a trance Nobody there ever bothers to dance But when he plays with the bass and guitar They holler out, "Beat me Daddy, eight to the bar" A-plink plink, a-plank plank, a-plink plank, plink plank A-plunkin' on the keys A-riff riff, a-raff raff, a-riff raff, riff raff A-riffin' out with ease But when he plays with the bass and guitar They holler out, "Beat me Daddy, eight to the bar" |
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2:57 |
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|
from The Andrews Sisters - Tous nos succes (2009)
Beat Me Daddy Eight to the Bar
In a little honky-tonky village in Texas There's a guy who plays the best piano by far He can play piano any way that you like it But the way he likes to play is eight to the bar When he plays, it's a ball He's the daddy of them all The people gather around when he gets on the stand Then when he plays, he gets a hand The rhythm he beats puts the cats in a trance Nobody there bothers to dance But when he plays with the bass and guitar They holler out, "Beat me Daddy, eight to the bar" A-plink, a-plank, a-plink plank, plink plank A-plunkin' on the keys A-riff, a-raff, a-riff raff, riff raff A-riffin' out with ease And when he plays with the bass and guitar They holler out, "Beat me Daddy, eight to the bar" He plays a boogie, he plays eight to the bar A boogie-woogie, that is the way he likes to play on his piano And we all know That when he plays he puts them all in a trance The cats all holler "Hooray" You'll hear them say, "Beat me Daddy, eight to the bar" In a little honky-tonky village in Texas There's a guy who plays the best piano by far When he plays with the bass and guitar They holler, "Beat me up Daddy, beat me Daddy, eight to the bar" The people gather around when he gets up on the stand Then when he plays, he gets a hand The rhythm that he plays puts the cats in a trance Nobody there ever bothers to dance But when he plays with the bass and guitar They holler out, "Beat me Daddy, eight to the bar" A-plink plink, a-plank plank, a-plink plank, plink plank A-plunkin' on the keys A-riff riff, a-raff raff, a-riff raff, riff raff A-riffin' out with ease But when he plays with the bass and guitar They holler out, "Beat me Daddy, eight to the bar" |
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|
2:55 |
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||
| from The Andrews Sisters - Nos plus grands succes (2009) | |||||
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|
2:55 |
|
||
| from The Andrews Sisters - Tous les tubes (2009) | |||||
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|
2:55 |
|
||
| from The Andrews Sisters - Best of The Andrews Sisters (2009) | |||||
|
|
2:55 |
|
||
| from The Andrews Sisters - The Andrews Sisters - Hits (2009) | |||||
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|
2:55 |
|
||
| from The Andrews Sisters - Les chansons en or (2009) | |||||
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|
2:55 |
|
||
| from The Andrews Sisters - The Andrews Sisters - L'essentiel (2009) | |||||
|
|
2:55 |
|
||
| from The Andrews Sisters - The Andrews Sisters - The greatest hits (2009) | |||||
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|
2:55 |
|
||
| from The Andrews Sisters - Tous nos succes (2009) | |||||
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- |
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from The Andrews Sisters - Hmv Easy (2000)
Beer Barrel Polka
There's a garden, what a garden Only happy faces bloom there And there's never any room there For a worry or a gloom there Oh there's music and there's dancing And a lot of sweet romancing When they play the polka They all get in the swing Every time they hear that oom-pa-pa Everybody feels so tra-la-la They want to throw their cares away They all go lah-de-ah-de-ay Then they hear a rumble on the floor, the floor It's a big surprise they're waiting for And all the couples form a ring For miles around you'll hear them sing... Roll out the barrel, we'll have a barrel of fun Roll out the barrel, we've got the blues on the run Zing boom tararrel, ring out a song of good cheer Now's the time to roll the barrel, for the gang's all here Da-da-da-da, da-da-da-da, da-da-da-da-da-da-da-da Then they hear a rumble on the floor-or-or-or It's a big surprise they're waiting for And all the couples they form a ring For miles around you'll hear them sing Zing do da do ding do da-do-do-day Roll it out, roll it out, roll out the barrel Dump-dump-da da-da da-dat en da-da-da-da-da Sing a song of good cheer 'Cause the whole gang is here Roll it out, roll it out Let's do the beer barrel polka |
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- |
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| from Glenn Miller, The Andrews Sisters - Glenn Miller And The Andrews Sisters: The Chesterfield Broadcasts (2003) | |||||
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- |
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||
| from The Andrews Sisters - 50th Anniversary (1999) | |||||
 |
|
3:03 |
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|
from Music from the War Years (2006)
Beer Barrel Polka
There's a garden, what a garden Only happy faces bloom there And there's never any room there For a worry or a gloom there Oh there's music and there's dancing And a lot of sweet romancing When they play the polka They all get in the swing Every time they hear that oom-pa-pa Everybody feels so tra-la-la They want to throw their cares away They all go lah-de-ah-de-ay Then they hear a rumble on the floor, the floor It's a big surprise they're waiting for And all the couples form a ring For miles around you'll hear them sing... Roll out the barrel, we'll have a barrel of fun Roll out the barrel, we've got the blues on the run Zing boom tararrel, ring out a song of good cheer Now's the time to roll the barrel, for the gang's all here Da-da-da-da, da-da-da-da, da-da-da-da-da-da-da-da Then they hear a rumble on the floor-or-or-or It's a big surprise they're waiting for And all the couples they form a ring For miles around you'll hear them sing Zing do da do ding do da-do-do-day Roll it out, roll it out, roll out the barrel Dump-dump-da da-da da-dat en da-da-da-da-da Sing a song of good cheer 'Cause the whole gang is here Roll it out, roll it out Let's do the beer barrel polka |
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| from The Andrews Sisters - The Magic of The Andrew Sisters (1999) | |||||
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| from The Andrews Sisters - Hmv Easy (2000) | |||||
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| from Glenn Miller, The Andrews Sisters - Glenn Miller And The Andrews Sisters: The Chesterfield Broadcasts (2003) | |||||
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| from Glenn Miller, The Andrews Sisters - Glenn Miller And The Andrews Sisters: The Chesterfield Broadcasts (2003) | |||||
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| from The Andrews Sisters - 50th Anniversary (1999) | |||||
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| from The Andrews Sisters - Rum And Coca-cola (2009) | |||||
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| from Original Soundtracks of Follow The Boys, To Have And Have Not, Star Dust, Waterloo Bridge (2009) | |||||
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from The Andrews Sisters - The Magic of The Andrew Sisters (1999)
Of all the boys I've known, and I've known some
Until I first met you, I was lonesome And when you came in sight, dear, my heart grew light And this old world seemed new to me You're really swell, I have to admit you Deserve expressions that really fit you And so I've racked my brain, hoping to explain All the things that you do to me Bei mir bist du sch?, please let me explain Bei mir bist du sch? means you're grand Bei mir bist du sch?, again I'll explain It means you're the fairest in the land I could say "Bella, bella", even say "Voonderbar" Each language only helps me tell you how grand you are I've tried to explain, bei mir bist du sch? So kiss me and say you understand Bei mir bist du sch?, you've heard it all before but let me try to explain Bei mir bist du sch? means that you're grand Bei mir bist du sch?, it's such an old refrain and yet I should explain It means I am begging for your hand I could say "Bella, bella", even say "Voonderbar" Each language only helps me tell you how grand you are I could say "Bella, bella", even say "Voonderbar" Each language only helps me tell you how grand you are I've tried to explain, bei mir bist du sch? So kiss me and say that you will understand |
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from The Andrews Sisters - Hmv Easy (2000)
Of all the boys I've known, and I've known some
Until I first met you, I was lonesome And when you came in sight, dear, my heart grew light And this old world seemed new to me You're really swell, I have to admit you Deserve expressions that really fit you And so I've racked my brain, hoping to explain All the things that you do to me Bei mir bist du sch?, please let me explain Bei mir bist du sch? means you're grand Bei mir bist du sch?, again I'll explain It means you're the fairest in the land I could say "Bella, bella", even say "Voonderbar" Each language only helps me tell you how grand you are I've tried to explain, bei mir bist du sch? So kiss me and say you understand Bei mir bist du sch?, you've heard it all before but let me try to explain Bei mir bist du sch? means that you're grand Bei mir bist du sch?, it's such an old refrain and yet I should explain It means I am begging for your hand I could say "Bella, bella", even say "Voonderbar" Each language only helps me tell you how grand you are I could say "Bella, bella", even say "Voonderbar" Each language only helps me tell you how grand you are I've tried to explain, bei mir bist du sch? So kiss me and say that you will understand |
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| from The Andrews Sisters - 50th Anniversary (1999) | |||||
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from The Andrews Sisters - The Magic of The Andrew Sisters (1999)
(Don Raye - Hughie Prince)
He was a famous trumpet man from out Chicago way He had a boogie style that no one else could play He was the top man at his craft But then his number came up and he was gone with the draft He's in the army now, a-blowin' reveille He's the boogie woogie bugle boy of Company B They made him blow a bugle for his Uncle Sam It really brought him down because he couldn't jam The captain seemed to understand Because the next day the cap' went out and drafted a band And now the company jumps when he plays reveille He's the boogie woogie bugle boy of Company B A-toot, a-toot, a-toot-diddelyada-toot He blows it eight-to-the-bar, in boogie rhythm He can't blow a note unless the bass and guitar is playin' with 'im He makes the company jump when he plays reveille He's the boogie woogie bugle boy of Company B He was our boogie woogie bugle boy of Company B And when he plays boogie woogie bugle he was busy as a 'bzzz' bee And when he plays he makes the company jump eight-to-the-bar He's the boogie woogie bugle boy of Company B Toot-toot-toot, toot-diddelyada, toot-diddelyada Toot, toot, he blows it eight-to-the-bar He can't blow a note if the bass and guitar isn't with 'im A-a-a-and the company jumps when he plays reveille He's the boogie woogie bugle boy of Company B (Instrumental interlude) He puts the boys asleep with boogie every night And wakes 'em up the same way in the early bright They clap their hands and stamp their feet Because they know how he plays when someone gives him a beat He really breaks it up when he plays reveille He's the boogie woogie bugle boy of Company B Da-dah-da-dah-da Da-dah-da-da-dah-da Da-dah-da-da-da A-a-a-and the company jumps when he plays reveille He's the boogie woogie bugle boy of Company B! |
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from The Andrews Sisters - Hmv Easy (2000)
(Don Raye - Hughie Prince)
He was a famous trumpet man from out Chicago way He had a boogie style that no one else could play He was the top man at his craft But then his number came up and he was gone with the draft He's in the army now, a-blowin' reveille He's the boogie woogie bugle boy of Company B They made him blow a bugle for his Uncle Sam It really brought him down because he couldn't jam The captain seemed to understand Because the next day the cap' went out and drafted a band And now the company jumps when he plays reveille He's the boogie woogie bugle boy of Company B A-toot, a-toot, a-toot-diddelyada-toot He blows it eight-to-the-bar, in boogie rhythm He can't blow a note unless the bass and guitar is playin' with 'im He makes the company jump when he plays reveille He's the boogie woogie bugle boy of Company B He was our boogie woogie bugle boy of Company B And when he plays boogie woogie bugle he was busy as a 'bzzz' bee And when he plays he makes the company jump eight-to-the-bar He's the boogie woogie bugle boy of Company B Toot-toot-toot, toot-diddelyada, toot-diddelyada Toot, toot, he blows it eight-to-the-bar He can't blow a note if the bass and guitar isn't with 'im A-a-a-and the company jumps when he plays reveille He's the boogie woogie bugle boy of Company B (Instrumental interlude) He puts the boys asleep with boogie every night And wakes 'em up the same way in the early bright They clap their hands and stamp their feet Because they know how he plays when someone gives him a beat He really breaks it up when he plays reveille He's the boogie woogie bugle boy of Company B Da-dah-da-dah-da Da-dah-da-da-dah-da Da-dah-da-da-da A-a-a-and the company jumps when he plays reveille He's the boogie woogie bugle boy of Company B! |
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from Music from the War Years (2006)
(Don Raye - Hughie Prince)
He was a famous trumpet man from out Chicago way He had a boogie style that no one else could play He was the top man at his craft But then his number came up and he was gone with the draft He's in the army now, a-blowin' reveille He's the boogie woogie bugle boy of Company B They made him blow a bugle for his Uncle Sam It really brought him down because he couldn't jam The captain seemed to understand Because the next day the cap' went out and drafted a band And now the company jumps when he plays reveille He's the boogie woogie bugle boy of Company B A-toot, a-toot, a-toot-diddelyada-toot He blows it eight-to-the-bar, in boogie rhythm He can't blow a note unless the bass and guitar is playin' with 'im He makes the company jump when he plays reveille He's the boogie woogie bugle boy of Company B He was our boogie woogie bugle boy of Company B And when he plays boogie woogie bugle he was busy as a 'bzzz' bee And when he plays he makes the company jump eight-to-the-bar He's the boogie woogie bugle boy of Company B Toot-toot-toot, toot-diddelyada, toot-diddelyada Toot, toot, he blows it eight-to-the-bar He can't blow a note if the bass and guitar isn't with 'im A-a-a-and the company jumps when he plays reveille He's the boogie woogie bugle boy of Company B (Instrumental interlude) He puts the boys asleep with boogie every night And wakes 'em up the same way in the early bright They clap their hands and stamp their feet Because they know how he plays when someone gives him a beat He really breaks it up when he plays reveille He's the boogie woogie bugle boy of Company B Da-dah-da-dah-da Da-dah-da-da-dah-da Da-dah-da-da-da A-a-a-and the company jumps when he plays reveille He's the boogie woogie bugle boy of Company B! |
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from The Andrews Sisters - Nos plus grands succes (2009)
(Don Raye - Hughie Prince)
He was a famous trumpet man from out Chicago way He had a boogie style that no one else could play He was the top man at his craft But then his number came up and he was gone with the draft He's in the army now, a-blowin' reveille He's the boogie woogie bugle boy of Company B They made him blow a bugle for his Uncle Sam It really brought him down because he couldn't jam The captain seemed to understand Because the next day the cap' went out and drafted a band And now the company jumps when he plays reveille He's the boogie woogie bugle boy of Company B A-toot, a-toot, a-toot-diddelyada-toot He blows it eight-to-the-bar, in boogie rhythm He can't blow a note unless the bass and guitar is playin' with 'im He makes the company jump when he plays reveille He's the boogie woogie bugle boy of Company B He was our boogie woogie bugle boy of Company B And when he plays boogie woogie bugle he was busy as a 'bzzz' bee And when he plays he makes the company jump eight-to-the-bar He's the boogie woogie bugle boy of Company B Toot-toot-toot, toot-diddelyada, toot-diddelyada Toot, toot, he blows it eight-to-the-bar He can't blow a note if the bass and guitar isn't with 'im A-a-a-and the company jumps when he plays reveille He's the boogie woogie bugle boy of Company B (Instrumental interlude) He puts the boys asleep with boogie every night And wakes 'em up the same way in the early bright They clap their hands and stamp their feet Because they know how he plays when someone gives him a beat He really breaks it up when he plays reveille He's the boogie woogie bugle boy of Company B Da-dah-da-dah-da Da-dah-da-da-dah-da Da-dah-da-da-da A-a-a-and the company jumps when he plays reveille He's the boogie woogie bugle boy of Company B! |
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from The Andrews Sisters - Tous les tubes (2009)
(Don Raye - Hughie Prince)
He was a famous trumpet man from out Chicago way He had a boogie style that no one else could play He was the top man at his craft But then his number came up and he was gone with the draft He's in the army now, a-blowin' reveille He's the boogie woogie bugle boy of Company B They made him blow a bugle for his Uncle Sam It really brought him down because he couldn't jam The captain seemed to understand Because the next day the cap' went out and drafted a band And now the company jumps when he plays reveille He's the boogie woogie bugle boy of Company B A-toot, a-toot, a-toot-diddelyada-toot He blows it eight-to-the-bar, in boogie rhythm He can't blow a note unless the bass and guitar is playin' with 'im He makes the company jump when he plays reveille He's the boogie woogie bugle boy of Company B He was our boogie woogie bugle boy of Company B And when he plays boogie woogie bugle he was busy as a 'bzzz' bee And when he plays he makes the company jump eight-to-the-bar He's the boogie woogie bugle boy of Company B Toot-toot-toot, toot-diddelyada, toot-diddelyada Toot, toot, he blows it eight-to-the-bar He can't blow a note if the bass and guitar isn't with 'im A-a-a-and the company jumps when he plays reveille He's the boogie woogie bugle boy of Company B (Instrumental interlude) He puts the boys asleep with boogie every night And wakes 'em up the same way in the early bright They clap their hands and stamp their feet Because they know how he plays when someone gives him a beat He really breaks it up when he plays reveille He's the boogie woogie bugle boy of Company B Da-dah-da-dah-da Da-dah-da-da-dah-da Da-dah-da-da-da A-a-a-and the company jumps when he plays reveille He's the boogie woogie bugle boy of Company B! |
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from Fifties vol 11 (2009)
(Don Raye - Hughie Prince)
He was a famous trumpet man from out Chicago way He had a boogie style that no one else could play He was the top man at his craft But then his number came up and he was gone with the draft He's in the army now, a-blowin' reveille He's the boogie woogie bugle boy of Company B They made him blow a bugle for his Uncle Sam It really brought him down because he couldn't jam The captain seemed to understand Because the next day the cap' went out and drafted a band And now the company jumps when he plays reveille He's the boogie woogie bugle boy of Company B A-toot, a-toot, a-toot-diddelyada-toot He blows it eight-to-the-bar, in boogie rhythm He can't blow a note unless the bass and guitar is playin' with 'im He makes the company jump when he plays reveille He's the boogie woogie bugle boy of Company B He was our boogie woogie bugle boy of Company B And when he plays boogie woogie bugle he was busy as a 'bzzz' bee And when he plays he makes the company jump eight-to-the-bar He's the boogie woogie bugle boy of Company B Toot-toot-toot, toot-diddelyada, toot-diddelyada Toot, toot, he blows it eight-to-the-bar He can't blow a note if the bass and guitar isn't with 'im A-a-a-and the company jumps when he plays reveille He's the boogie woogie bugle boy of Company B (Instrumental interlude) He puts the boys asleep with boogie every night And wakes 'em up the same way in the early bright They clap their hands and stamp their feet Because they know how he plays when someone gives him a beat He really breaks it up when he plays reveille He's the boogie woogie bugle boy of Company B Da-dah-da-dah-da Da-dah-da-da-dah-da Da-dah-da-da-da A-a-a-and the company jumps when he plays reveille He's the boogie woogie bugle boy of Company B! |
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from The Andrews Sisters - Best of The Andrews Sisters (2009)
(Don Raye - Hughie Prince)
He was a famous trumpet man from out Chicago way He had a boogie style that no one else could play He was the top man at his craft But then his number came up and he was gone with the draft He's in the army now, a-blowin' reveille He's the boogie woogie bugle boy of Company B They made him blow a bugle for his Uncle Sam It really brought him down because he couldn't jam The captain seemed to understand Because the next day the cap' went out and drafted a band And now the company jumps when he plays reveille He's the boogie woogie bugle boy of Company B A-toot, a-toot, a-toot-diddelyada-toot He blows it eight-to-the-bar, in boogie rhythm He can't blow a note unless the bass and guitar is playin' with 'im He makes the company jump when he plays reveille He's the boogie woogie bugle boy of Company B He was our boogie woogie bugle boy of Company B And when he plays boogie woogie bugle he was busy as a 'bzzz' bee And when he plays he makes the company jump eight-to-the-bar He's the boogie woogie bugle boy of Company B Toot-toot-toot, toot-diddelyada, toot-diddelyada Toot, toot, he blows it eight-to-the-bar He can't blow a note if the bass and guitar isn't with 'im A-a-a-and the company jumps when he plays reveille He's the boogie woogie bugle boy of Company B (Instrumental interlude) He puts the boys asleep with boogie every night And wakes 'em up the same way in the early bright They clap their hands and stamp their feet Because they know how he plays when someone gives him a beat He really breaks it up when he plays reveille He's the boogie woogie bugle boy of Company B Da-dah-da-dah-da Da-dah-da-da-dah-da Da-dah-da-da-da A-a-a-and the company jumps when he plays reveille He's the boogie woogie bugle boy of Company B! |
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from The Andrews Sisters - The Andrews Sisters - Hits (2009)
(Don Raye - Hughie Prince)
He was a famous trumpet man from out Chicago way He had a boogie style that no one else could play He was the top man at his craft But then his number came up and he was gone with the draft He's in the army now, a-blowin' reveille He's the boogie woogie bugle boy of Company B They made him blow a bugle for his Uncle Sam It really brought him down because he couldn't jam The captain seemed to understand Because the next day the cap' went out and drafted a band And now the company jumps when he plays reveille He's the boogie woogie bugle boy of Company B A-toot, a-toot, a-toot-diddelyada-toot He blows it eight-to-the-bar, in boogie rhythm He can't blow a note unless the bass and guitar is playin' with 'im He makes the company jump when he plays reveille He's the boogie woogie bugle boy of Company B He was our boogie woogie bugle boy of Company B And when he plays boogie woogie bugle he was busy as a 'bzzz' bee And when he plays he makes the company jump eight-to-the-bar He's the boogie woogie bugle boy of Company B Toot-toot-toot, toot-diddelyada, toot-diddelyada Toot, toot, he blows it eight-to-the-bar He can't blow a note if the bass and guitar isn't with 'im A-a-a-and the company jumps when he plays reveille He's the boogie woogie bugle boy of Company B (Instrumental interlude) He puts the boys asleep with boogie every night And wakes 'em up the same way in the early bright They clap their hands and stamp their feet Because they know how he plays when someone gives him a beat He really breaks it up when he plays reveille He's the boogie woogie bugle boy of Company B Da-dah-da-dah-da Da-dah-da-da-dah-da Da-dah-da-da-da A-a-a-and the company jumps when he plays reveille He's the boogie woogie bugle boy of Company B! |
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from The Andrews Sisters - Les chansons en or (2009)
(Don Raye - Hughie Prince)
He was a famous trumpet man from out Chicago way He had a boogie style that no one else could play He was the top man at his craft But then his number came up and he was gone with the draft He's in the army now, a-blowin' reveille He's the boogie woogie bugle boy of Company B They made him blow a bugle for his Uncle Sam It really brought him down because he couldn't jam The captain seemed to understand Because the next day the cap' went out and drafted a band And now the company jumps when he plays reveille He's the boogie woogie bugle boy of Company B A-toot, a-toot, a-toot-diddelyada-toot He blows it eight-to-the-bar, in boogie rhythm He can't blow a note unless the bass and guitar is playin' with 'im He makes the company jump when he plays reveille He's the boogie woogie bugle boy of Company B He was our boogie woogie bugle boy of Company B And when he plays boogie woogie bugle he was busy as a 'bzzz' bee And when he plays he makes the company jump eight-to-the-bar He's the boogie woogie bugle boy of Company B Toot-toot-toot, toot-diddelyada, toot-diddelyada Toot, toot, he blows it eight-to-the-bar He can't blow a note if the bass and guitar isn't with 'im A-a-a-and the company jumps when he plays reveille He's the boogie woogie bugle boy of Company B (Instrumental interlude) He puts the boys asleep with boogie every night And wakes 'em up the same way in the early bright They clap their hands and stamp their feet Because they know how he plays when someone gives him a beat He really breaks it up when he plays reveille He's the boogie woogie bugle boy of Company B Da-dah-da-dah-da Da-dah-da-da-dah-da Da-dah-da-da-da A-a-a-and the company jumps when he plays reveille He's the boogie woogie bugle boy of Company B! |
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from The Andrews Sisters - The Andrews Sisters - L'essentiel (2009)
(Don Raye - Hughie Prince)
He was a famous trumpet man from out Chicago way He had a boogie style that no one else could play He was the top man at his craft But then his number came up and he was gone with the draft He's in the army now, a-blowin' reveille He's the boogie woogie bugle boy of Company B They made him blow a bugle for his Uncle Sam It really brought him down because he couldn't jam The captain seemed to understand Because the next day the cap' went out and drafted a band And now the company jumps when he plays reveille He's the boogie woogie bugle boy of Company B A-toot, a-toot, a-toot-diddelyada-toot He blows it eight-to-the-bar, in boogie rhythm He can't blow a note unless the bass and guitar is playin' with 'im He makes the company jump when he plays reveille He's the boogie woogie bugle boy of Company B He was our boogie woogie bugle boy of Company B And when he plays boogie woogie bugle he was busy as a 'bzzz' bee And when he plays he makes the company jump eight-to-the-bar He's the boogie woogie bugle boy of Company B Toot-toot-toot, toot-diddelyada, toot-diddelyada Toot, toot, he blows it eight-to-the-bar He can't blow a note if the bass and guitar isn't with 'im A-a-a-and the company jumps when he plays reveille He's the boogie woogie bugle boy of Company B (Instrumental interlude) He puts the boys asleep with boogie every night And wakes 'em up the same way in the early bright They clap their hands and stamp their feet Because they know how he plays when someone gives him a beat He really breaks it up when he plays reveille He's the boogie woogie bugle boy of Company B Da-dah-da-dah-da Da-dah-da-da-dah-da Da-dah-da-da-da A-a-a-and the company jumps when he plays reveille He's the boogie woogie bugle boy of Company B! |
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from The Andrews Sisters - The Andrews Sisters - The greatest hits (2009)
(Don Raye - Hughie Prince)
He was a famous trumpet man from out Chicago way He had a boogie style that no one else could play He was the top man at his craft But then his number came up and he was gone with the draft He's in the army now, a-blowin' reveille He's the boogie woogie bugle boy of Company B They made him blow a bugle for his Uncle Sam It really brought him down because he couldn't jam The captain seemed to understand Because the next day the cap' went out and drafted a band And now the company jumps when he plays reveille He's the boogie woogie bugle boy of Company B A-toot, a-toot, a-toot-diddelyada-toot He blows it eight-to-the-bar, in boogie rhythm He can't blow a note unless the bass and guitar is playin' with 'im He makes the company jump when he plays reveille He's the boogie woogie bugle boy of Company B He was our boogie woogie bugle boy of Company B And when he plays boogie woogie bugle he was busy as a 'bzzz' bee And when he plays he makes the company jump eight-to-the-bar He's the boogie woogie bugle boy of Company B Toot-toot-toot, toot-diddelyada, toot-diddelyada Toot, toot, he blows it eight-to-the-bar He can't blow a note if the bass and guitar isn't with 'im A-a-a-and the company jumps when he plays reveille He's the boogie woogie bugle boy of Company B (Instrumental interlude) He puts the boys asleep with boogie every night And wakes 'em up the same way in the early bright They clap their hands and stamp their feet Because they know how he plays when someone gives him a beat He really breaks it up when he plays reveille He's the boogie woogie bugle boy of Company B Da-dah-da-dah-da Da-dah-da-da-dah-da Da-dah-da-da-da A-a-a-and the company jumps when he plays reveille He's the boogie woogie bugle boy of Company B! |
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from The Andrews Sisters - Tous nos succes (2009)
(Don Raye - Hughie Prince)
He was a famous trumpet man from out Chicago way He had a boogie style that no one else could play He was the top man at his craft But then his number came up and he was gone with the draft He's in the army now, a-blowin' reveille He's the boogie woogie bugle boy of Company B They made him blow a bugle for his Uncle Sam It really brought him down because he couldn't jam The captain seemed to understand Because the next day the cap' went out and drafted a band And now the company jumps when he plays reveille He's the boogie woogie bugle boy of Company B A-toot, a-toot, a-toot-diddelyada-toot He blows it eight-to-the-bar, in boogie rhythm He can't blow a note unless the bass and guitar is playin' with 'im He makes the company jump when he plays reveille He's the boogie woogie bugle boy of Company B He was our boogie woogie bugle boy of Company B And when he plays boogie woogie bugle he was busy as a 'bzzz' bee And when he plays he makes the company jump eight-to-the-bar He's the boogie woogie bugle boy of Company B Toot-toot-toot, toot-diddelyada, toot-diddelyada Toot, toot, he blows it eight-to-the-bar He can't blow a note if the bass and guitar isn't with 'im A-a-a-and the company jumps when he plays reveille He's the boogie woogie bugle boy of Company B (Instrumental interlude) He puts the boys asleep with boogie every night And wakes 'em up the same way in the early bright They clap their hands and stamp their feet Because they know how he plays when someone gives him a beat He really breaks it up when he plays reveille He's the boogie woogie bugle boy of Company B Da-dah-da-dah-da Da-dah-da-da-dah-da Da-dah-da-da-da A-a-a-and the company jumps when he plays reveille He's the boogie woogie bugle boy of Company B! |
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2:48 |
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from Hits 50 vol 11 (2010)
(Don Raye - Hughie Prince)
He was a famous trumpet man from out Chicago way He had a boogie style that no one else could play He was the top man at his craft But then his number came up and he was gone with the draft He's in the army now, a-blowin' reveille He's the boogie woogie bugle boy of Company B They made him blow a bugle for his Uncle Sam It really brought him down because he couldn't jam The captain seemed to understand Because the next day the cap' went out and drafted a band And now the company jumps when he plays reveille He's the boogie woogie bugle boy of Company B A-toot, a-toot, a-toot-diddelyada-toot He blows it eight-to-the-bar, in boogie rhythm He can't blow a note unless the bass and guitar is playin' with 'im He makes the company jump when he plays reveille He's the boogie woogie bugle boy of Company B He was our boogie woogie bugle boy of Company B And when he plays boogie woogie bugle he was busy as a 'bzzz' bee And when he plays he makes the company jump eight-to-the-bar He's the boogie woogie bugle boy of Company B Toot-toot-toot, toot-diddelyada, toot-diddelyada Toot, toot, he blows it eight-to-the-bar He can't blow a note if the bass and guitar isn't with 'im A-a-a-and the company jumps when he plays reveille He's the boogie woogie bugle boy of Company B (Instrumental interlude) He puts the boys asleep with boogie every night And wakes 'em up the same way in the early bright They clap their hands and stamp their feet Because they know how he plays when someone gives him a beat He really breaks it up when he plays reveille He's the boogie woogie bugle boy of Company B Da-dah-da-dah-da Da-dah-da-da-dah-da Da-dah-da-da-da A-a-a-and the company jumps when he plays reveille He's the boogie woogie bugle boy of Company B! |
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2:41 |
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| from Classics (2012) | |||||
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| from The Andrews Sisters - 50th Anniversary (1999) | |||||
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2:53 |
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| from The Andrews Sisters - Nos plus grands succes (2009) | |||||
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2:53 |
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| from The Andrews Sisters - Tous les tubes (2009) | |||||
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2:53 |
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| from The Andrews Sisters - Best of The Andrews Sisters (2009) | |||||
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2:53 |
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| from The Andrews Sisters - The Andrews Sisters - Hits (2009) | |||||
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