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3:59 | 
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from Andrew Lloyd Webber - The Greatest Songs (1995)
- Superstar -
# JUDAS ; Everytime I look at you I don't understand Why you let the things you do get so out of hand You'd have managed better if you'd had it planned. Why'd you choose such a backward time in such a strange land? If you'd come today you would have reached the whole nation. Israel in 4 BC had no mass communication. Don't get me wrong now. Don't get me wrong. Don't get me wrong. I Only want to know now.... # CHOIR ; Jesus Christ, Jesus Christ Who are you? What have you sacrificed? (x2) Jesus Christ, Superstar Do you think you're what they say you are? (x2) # JUDAS ; Tell me what you think about your friends at the top. Who'd you think besides yourself's the pick of the crop? Buddha, was he where it's at is he where you are? Could Mahomet move a mountain, or was that just PR? Did you mean to die like that? Was that a mistake, or Did you know your messy death would be a record breaker? Don't you get me wrong...Don't get me wrong now. Don't you get me wrong. I only want to know..... # CHOIR ; Jesus Christ, Jesus Christ Who are you? What have you sacrificed? (x2) Jesus Christ, Superstar Do you think you're what they say you are? (x2) (repeat) |
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3:36 |
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from Andrew Lloyd Webber - The Greatest Songs (1995)
I don't know how to love him,
what to do, how to move him I've been changed, yes really changed In these past few days when I see myself, I seem like someone else I don't know how to take this, I don't see why he moves me He's a man, he's just a man And I've had so many men before in very many ways, he's just one more Should I bring him down, should I scream and shout Should I speak of love, let my feelings out I never thought I'd come to this, what's it all about Don't you think it's rather funny that I should be in this position I'm the one who's always been so calm, so cool, no lover's fool Running every show, he scares me so Should I bring him down, should I scream and shout Should I speak of love, let my feelings out I never thought I'd come to this, what's it all about Yet, if he said he loved me, I'd be lost, I'd be frightened I couldn't cope, just couldn't cope I'd turn my head, I'd back away, I wouldn't want to know He scares me so, I want him so, I love him so |
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4:15 |
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from Andrew Lloyd Webber - The Greatest Songs (1995)
Try not to get worried, try not to turn on to
Problems that upset you, oh. Don't you know Everything's alright, yes, everything's fine. And we want you to sleep well tonight. Let the world turn without you tonight. If we try, we'll get by, so forget all about us tonight APOSTLES' WIVES Everything's alright, yes, everything's alright, yes. MARY MAGDALENE Sleep and I shall soothe you, calm you, and anoint you. Myrrh for your hot forehead, oh. Then you'll feel Everything's alright, yes, everything's fine. And it's cool, and the ointment's sweet For the fire in your head and feet. Close your eyes, close your eyes And relax, think of nothing tonight. APOSTLES' WIVES Everything's alright, yes, everything's alright, yes. JUDAS Woman your fine ointment, brand new and expensive Should have been saved for the poor. Why has it been wasted? We could have raised maybe Three hundred silver pieces or more. People who are hungry, people who are starving They matter more than your feet and hair! MARY MAGDALENE Try not to get worried, try not to turn on to Problems that upset you, oh. Don't you know APOSTLES' WIVES and MARY Everything's alright, yes, everything's alright, yes. JESUS Surely you're not saying we have the resources To save the poor from their lot? There will be poor always, pathetically struggling. Look at the good things you've got. Think while you still have me! Move while you still see me! You'll be lost, and you'll be sorry when I'm gone. MARY MAGDALENE Sleep and I shall soothe you, calm you and anoint you. Myrrh for your hot forehead/ Then you'll feel Everything's alright, yes, everything's fine. And it's cool and the ointment's sweet For the fire in your head and feet. Close your eyes, close your eyes, and relax Think of nothing tonight. APOSTLES' WIVES Everything's alright, yes, everything's alright, yes. MARY MAGDALENE Close your eyes, close your eyes, and relax |
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3:44 |
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from Andrew Lloyd Webber - The Greatest Songs (1995)
Close every door to me, hide all the world from me
Bar all the windows and shut out the light Do what you want with me, hate me and laugh at me Darken my daytime and torture my night If my life were important I would ask will I live or die But I know the answers lie far from this world Close every door to me, keep those I love from me Children of Israel are never alone For I know I shall find my own peace of mind For I have been promised a land of my own Just give me a number instead of my name Forget all about me and let me decay I do not matter, I'm only one person Destroy me completely then throw me away If my life were important I would ask will I live or die But I know the answers lie far from this world Close every door to me, keep those I love from me Children of Israel are never alone For we know we shall find our own peace of mind For we have been promised a land of our own |
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3:24 | 
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| from Andrew Lloyd Webber - The Greatest Songs (1995) | |||||
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3:03 |
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from Andrew Lloyd Webber - The Greatest Songs (1995)
I don't expect my love affairs to last for long.
Never fool myself that my dreams will come true. Being used to trouble, I anticipate it, But all the same, I hate it... Wouldn't you? So what happens now? (Another suitcase in another hall) So what happens now? (Take your picture off another wall) Where am I going to? (You'll get by, you always have before) Where am I going to? Time and time again I said that I don't care. That I'm immune to gloom, that I'm hard through and through. But every time it matters all my words desert me, So anyone can hurt me, and they do. So what happens now? (Another suitcase in another hall) So what happens now? (Take your picture off another wall) Where am I going to? (You'll get by, you always have before) Where am I going to? Call in three months time and I'll be fine, I know. Well maybe not that fine, but I'll survive anyhow. I won't recall the names and faces of each sad occasion, But that's no consilation here and now. So what happens now? (Another suitcase in another hall) So what happens now? (Take your picture off another wall) Where am I going to? (You'll get by, you always have before) Where am I going to? (Don't ask anymore) |
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2:50 |
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from Andrew Lloyd Webber - The Greatest Songs (1995)
Salve regina mater misericordiae
Vita dulcedo et spes nostra Salve salve regina Ad te clamamus exules filii Eva Ad te suspiramus gementes et flentes O clemens o pia Oh what a circus, oh what a show Argentina has gone to town Over the death of an actress called Eva Peron We've all gone crazy Mourning all day and mourning all night Falling over ourselves to get all of the misery right Oh what an exit, that's how to go When they're ringing your curtain down Demand to be buried like Eva Peron It's quite a sunset And good for the country in a roundabout way We've made the front page of all the world's papers today But who is this Santa Evita? Why all this howling, hysterical sorrow? What kind of goddess has lived among us? How will we ever get by without her? Salve regina mater misericordiae Vita dulcedo et spes nostra Salve salve regina Ad te clamamus exules filii Eva Ad te suspiramus gementes et flentes O clemens o pia She had her moments, she had some style The best show in town was the crowd Outside the Casa Rosada crying, "Eva Peron" But that's all gone now As soon as the smoke from the funeral clears We're all gonna see and how, she did nothing for years You let down your people Evita You were supposed to have been immortal That's all they wanted, not much to ask for But in the end you could not deliver Salve regina mater misericordiae Vita dulcedo et spes nostra Salve salve regina Peron Ad te clamamus exules filii Eva Ad te suspiramus gementes et flentes O clemens o pia |
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5:19 |
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| from Andrew Lloyd Webber - The Greatest Songs (1995) | |||||
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3:36 |
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from Andrew Lloyd Webber - The Greatest Songs (1995)
Don't write a letter when you want to leave
Don't call me at 3 am from a friend's apartment I'd like to choose how I hear the news Take me to a park that's covered with trees Tell me on a Sunday please. Let me down easy, no big song and dance No long faces, no long looks, no deep conversation I know the way we should spend that day Take me to a zoo that's got chimpanzees Tell me on a Sunday please. Don't want to know who's to blame, it won't help knowing Don't want to fight day and night, bad enough you're going Don't leave in silence with no word at all Don't get drunk and slam the door, that's no way to end this I know how I want you to say goodbye Find a circus ring with a flying trapeze Tell me on a Sunday please I don't want to fight day and night, bad enough you're going Don't leave in silence with no word at all Don't get drunk and slam the door, that's no way to end this I know how I want you to say goodbye Don't run off in the pouring rain Don't call me as they call your plane Take the hurt of all the pain Take me to a park that's covered with trees Tell me on a Sunday please. |
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2:58 |
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from Andrew Lloyd Webber - The Greatest Songs (1995)
You must be mistaken
It couldn't have been You couldn't have seen him yesterday He's doing some deal up in Baltimore now I hate it, when he's away! You must be mistaken I'm sure that you are! There's more than one car with stickers on. And lots of young guys wear corduroy pants. And I'd know if he hadn't gone Take that look off your face (Take that look off your face) I can see through your smile (I can see through your smile) You would love to be right, I bet you didn't sleep good last night Couldn't wait to bring all of that bad news to my door. Well, I've got news for you: I knew before. If I'm not mistaken, it started last year. I'm not very clear how it began I noticed a change, but I just closed my eyes As only a woman can. No, I didn't dig deep. (No, I didn't dig deep.) I did not want to know. (I did not want to know.) Well, you don't interfere when you're scared of the things you might hear. When he's back, you think I will end it right there and then? Well, my fair weather friend: you're wrong again! Take that look off your face (Take that look off your face) I can see through your smile (I can see through your smile) You would love to be right, I bet you didn't sleep good last night Couldn't wait to bring all of that bad news to my door. Well, I've got news for you: I knew before. |
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3:06 |
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from Andrew Lloyd Webber - The Greatest Songs (1995)
I have never felt like this
For once I'm lost for words Your smile has really thrown me. This is not like me at all I never thought I'd know The kind of love you've shown me. Now, no matter where I am No matter what I do I see your face appearing Like an unexpected song An unexpected song That only we are hearing I don't know what's going on Can't work it out at all Whatever made you choose me? I just can't believe my eyes You look at me as though You couldn't bare to lose me. Now, no matter where I am No matter what I do I see your face appearing Like an unexpected song An unexpected song That only we are hearing I have never felt like this For once I'm lost for words Your smile has really thrown me. This is not like me at all I never thought I'd know The kind of love you've shown me. Now no matter where I am No matter what I do I see your face appearing Like an unexpected song An unexpected song That only we are hearing Like an unexpected song An unexpected song That only we are hearing! |
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5:10 |
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from Andrew Lloyd Webber - The Greatest Songs (1995)
Macavity!
Macavity's a Mystery cat: He's called the Hiddenpaw For he's the master criminal who can defy the law He's the bafflement of Scotland Yard, the Flying Squad's despair For when they reach the scene of crime Macavity's not there! Macavity, Macavity, there's no one like Macavity He's broken every human law, he breaks the law of gravity His powers of levitation would make a fakir stare And when they reach the scene of crime Macavity's not there You may seek him in the basement, you may look up in the air... But I tell you once and once again, Macavity's not there! Macavity's a ginger cat, he's very tall and thin You would know him if you saw him for his eyes are sunken in His brow is deeply lined in thought, his head is highly domed His coat is dusty from neglect, his whiskers are uncombed He sways his head from side to side, with movements like a snake And when you think he's half asleep, he's always wide awake Macavity, Macavity, there's no one like Macavity He's a fiend in feline shape, a monster of depravity You may meet him in a by - street, you may see him in the square But when a crime's discovered then Macavity's not there! He's outwardly respectable, I know he cheats ..at cards.. And his footprints are not found in any files of ..Scotland.. Yard's And when the larder's looted ...or the jewel case is rifled Or when the milk is missing or another peke's been stifled Or the greenhouse glass is broken and the trellis past repair There's the wonder of the thing Macavity's not there! Macavity, Macavity, there's no one like Macavity There never was a cat of such deceitfulness and suavity He always has an alibi, and one or two to spare What ever time the deed took place Macavity's not there! And they say that all the cats whose wicked deeds are widely known I might mention Mungojerrie, I might mention Griddlebone Are nothing more than agents for the cat who all the time Just controls the operations: the Napoleon of Crime! Macavity, Macavity, there's no one like Macavity He's a fiend in feline shape, a monster of depravity You may meet him in a by - street, you may see him in the square But when a crime's discovered then Macavity, Macavity Macavity, Macavity When a crime's discovered then Macavity's not there |
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4:04 |
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from Andrew Lloyd Webber - The Greatest Songs (1995)
Midnight, not a sound from the pavement
Has the moon lost her memory? She is smiling alone In the lamplight, the withered leaves collect at my feet And the wind begins to moan Memory, All alone in the moonlight I can smile at the old days I was beautiful then I remember the time I knew what happiness was Let the memory live again Every streetlamp seems to beat A fatalistic warning Someone mutters and the street lamp gutters And soon It will be morning Daylight I must wait for the sunrise I must think of a new life And I mustn't give in. When the dawn comes, tonight will be a memory too And a new day will begin Burnt out ends of smokey days The stale cold smell of morning The streetlamp dies, another night is over Another day is dawning... Optional verse: Sunlight through the trees in summer, endless masquerading... Like a flower, as the day is breaking, The memory is fading... Touch me, It's so easy to leave me All alone with my memory Of my days in the sun... If you touch me, you'll understand what happiness is Look, a new day has begun. |
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3:13 |
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from Andrew Lloyd Webber - The Greatest Songs (1995)
RUSTY
When you good nights have been said And you are lying in bed With the covers pulled up tight And though you count every sheep You get the feeling that sleep Is going to stay away tonight. That's when you hear it coming That is when you hear the humming of the Starlight Express, Starlight Express, Are you real, yes or no? Starlight Express, answer me yes. I don't want you to go. Want you to take me away But bring me home before daylight And in the time between Take me to everywhere But don't abandon me there Just want to say I've been. I believe in you completely Though I may be dreaming sweetly of the Starlight Express, answer me yes. I don't want you to go. And if you're there And if you know Then show me which way I should go. Starlight Express, Starlight Express, Are you real, yes or no? Starlight Express, answer me yes. I don't want you to go. |
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3:41 |
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from Andrew Lloyd Webber - The Greatest Songs (1995)
I guess I am not too good at keeping love life for long
I think I found the answers but the answers' alway wrong.. My first love was my ture love and it should've been my last The only time I am happy is when I dreaming in the past Next time you fall in love it better be with me the way it used to be Back than was when we touched the star light Sometimes you turn away from what your heart tells you was right And so you settle forward ever get you though the night The frame you though was dead may suddnly begin to burn and broken heart can be repaired that's some thing you learn Next time you fall in love it better be with me the way it used to be back than was when we touch the star light I feel it every moment that I ever shared with you what fools we were to ended a dream that looked like comming ture Next time you fall in love it better be with me the way it used to be back than was when we touched the star light Next time you fall in love it better be with me the way it used to be back than was when we touched the star light I guess I am not too good at keeping loving life for long I think I found the answers but the answers' alway wrong.. My first love was my ture love and it should been my last the only time I am happy is when I dreaming in the past Next time you fall in love (Next time you fall in love)it better be with me the way it used to be back than was when we touch the star light |
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4:11 |
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from Andrew Lloyd Webber - The Greatest Songs (1995)
RUSTY
PEARL, I HAD TO FIND YOU WHY YOU LOOKING BLUE? I'M SORRY YOU NEVER FOUND YOUR DREAM TRAIN PEARL RUSTY, I HAVE FOUND HIM BUT YOU WERE LOOKING TOO FOR THE STARLIGHT EXPRESS DID YOU HAVE MUCH SUCCESS? RUSTY YES, I FOUND HIM OKAY NOW I'M BRAVE ENOUGH TO SAY ONLY YOU PEARL YOU ARE THE STARLIGHT RUSTY HAVE THE POWER TO MOVE ME PEARL YOU WON THE RACE? RUSTY I DID RUSTY & PEARL AND TOGETHER WE'LL MAKE THE WHOLE WORLD MOVE IN SYMPATHY YOU & ME, WE'LL BE SUBLIME PEARL ONLY HE RUSTY ONLY SHE RUSTY & PEARL HAS THE POWER TO MOVE ME TAKE ME, MAKE ME, HOLD ME, MOULD ME & IMPROVE ME ONLY YOU HAVE THE POWER TO MOVE ME |
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3:30 |
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from Andrew Lloyd Webber - The Greatest Songs (1995)
Sarah
Pie Jesu, pie Jesu, pie Jesu, pie Jesu Qui tollis peccata mundi Dona eis requiem, dona eis requiem Paul Pie Jesu, pie Jesu, pie Jesu, pie Jesu both Qui tollis peccata mundi Dona eis requiem, dona eis requiem choir Agnus Dei, Agnus Dei, Agnus Dei, Agnus Dei both Qui tollis peccata mundi Dona eis requiem, dona eis requiem choir Dona eis requiem both Sempiternam choir Dona eis requiem both Sempiternam Sarah Requiem Paul Sempiternam |
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3:32 |
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from Andrew Lloyd Webber - The Greatest Songs (1995)
to moonn6epnce from shootingstar(papayevere)
The Phantom Of The Opera / Emmy Rossum & Gerard Butler (Christine) In sleep he sang to me, 꿈결속에서 그는 제게 노래를 불렀어요 in dreams he came... 꿈속에서 그는 제게 다가왔어요... that voice whitch calls to me 저를 부르는 and speaks my name... 제 이름을 부르는 그 음성은. . . And do I dream again? 그럼 지금 나는 다시 꿈을 꾸고 있나요? For now I find 전 이제 알아요 the Phantom of the Opera is there 오페라의 유령은 inside my mind... 제 마음속에 있어요... (Phantom) Sing once again with me 나와 함께 다시 노래해요 our strange duet... 우리의 이 기괴한 이중창을요... My power over you 당신을 지배하는 나의 힘은 grows stronger yet... 점점 더 강해지는군요 And though you turn from me 당신은 나를 피해 to glance behind, 시선을 외면한다고 하더라도 the Phantom of the Opera is there 오페라의 유령은 inside your mind... 이미 당신 마음속에 있어요. . . (Christine) Thoses who have seen your face 당신을 본 사람들은 draw back in fear... 공포로 뒤로 물러서요... I am the mask you wear... 전 당신이 쓰고 있는 가면이예요... (Phantom) It"s me they hear... 그들이 들었던 것은 내 목소리... (Both) Your/my spirit and your/my voice 당신의(제) 영혼과 당신의(제) 목소리는 in one combined 하나로 뒤섞져요 The Phantom of the Opera is there 오페라의 유령은 inside you/my mine... 당신의(제)마음속에 존재하고 있어요 (Phantom) In all your fantasies, 당신의 모든 환상 속에서 you always knew 당신은 항상 알았어요 that man and mystery... 그 남자와 미스테리는... (Christine) were both in you... 바로 당신 안에 있다는 것을... (Both) And in this labyrinth 그리고 아무것도 보이지 않는 where night is blind, 이러한 밤의 미로에서 The phantom of the opera is 오페라의 유령은 there/here, inside your/my mind 당신의(제) 마음속에 있어요 (Phantom) Sing, my angel of music 노래하라, 음악의 천사여 (Christine) He? there 그가 여기 있네 The Phantom of the Opera... 오페라의 유령... He? there 그가 여기 있네 The Phantom of the Opera... 오페라의 유령... He? there 그가 여기 있네 |
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3:29 |
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| from Andrew Lloyd Webber - The Greatest Songs (1995) | |||||
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5:34 |
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from Andrew Lloyd Webber - The Greatest Songs (1995)
Night time sharpens, heightens each sensation
Darkness stirs and wakes the imagination Silently the senses abandon their defences Helpless to resist the notes I write, For I compose the music of the night. Slowly, gently, night unfurls its splendour Grasp it, sense it, tremulous and tender Hearing is believing, music is deceiving Hard as lightning, soft as candlelight There you trust the music of the night Close your eyes for your eyes will only tell the truth And the truth isn't what you want to see, In the dark it is easy to pretend That the truth is what it ought to be. Softly, deftly, music shall caress you, Hear it, feel it, secretly posess you, Open up your mind Let your fantasies unwind In this darkness which you know you cannot fight The darkness of the music of the night Close your eyes start a journey through a strange, new world, Leave all thoughts of the world you knew before, Close your eyes and let music set you free, Only then can you belong to me Floating, falling, sweet intoxication Touch me, trust me, savour each sensation Let the dream begin, let your darker side give in To the power of the music that I write The power of the music of the night You alone can make my song take flight Help me make the music of the night. |
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