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2:41 | 
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from The O.C by Christopher Tyng [ost] (2005)
We get high in back seats of cars We break into mobile homes We go to sleep to shake appeal Never wake up on our own And that's the way we get by Way we get by And that’s the way we get by Way we get by We go out in stormy weather We rarely practice discern We make love to some weird sin We seek out the taciturn And that's the way we get by Way we get by And that’s the way we get by Way we get by We found a new kind of dance in a magazine Tried it out it's like nothing you ever seen You sweet talk like a cop and you know it You bought a new bag of pot, said let's make a new start And that's the way to my heart The way to my heart That's the way we get by Way we get by We get high in back seats of cars We put faith in our concerns Fall in love to down on the street We believe in the sum of ourselves I said that's the way we get by |
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from Wedding Crashers (웨딩 크래셔) by Rolfe Kent [omnibus, ost] (2005)
Always on the outside always looking in
I was in this drop D metal band we called Requiem And they'd say relax But I can't be a man this far down on the map I was sold for suspect drawings Underneath a makeshift awning Now I'm yours Know I'm here Read it all front and back But I can't relax With my knees on the ground and a stick in my back Sister Jack I was on the outside I was lookin in I was in a drop D metal band we called Requiem And I can't relax With my knees on the ground and a stick in my back Sister Jack No I can't just relax Knowing that you're coming back Sister Jack |
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from Stranger Than Fiction (소설보다 이상한) by Britt Daniel [ost] (2006)
One, Two
Oh I wanna open this hour And what's our match to play? But both of us Stay on the guard in the same way And you know, it's just the book I like All that we knew, Just a clue All that we was, Just because I've never loved Now I wanna trigger your heart *hah* There's something else Besides a silvery part Hey, hey And that's the book I write I let it go so long And now the book I write, oh This is it I'm gone All that we are All we do All that we are, all we do Is here forever All that we was, Just because All that we knew, Just a clue I've never loved This is the book I write, Oh why'd I let it go so long? |
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2:41 |
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from Stranger Than Fiction (소설보다 이상한) by Britt Daniel [ost] (2006)
We get high in back seats of cars We break into mobile homes We go to sleep to shake appeal Never wake up on our own And that's the way we get by Way we get by And that’s the way we get by Way we get by We go out in stormy weather We rarely practice discern We make love to some weird sin We seek out the taciturn And that's the way we get by Way we get by And that’s the way we get by Way we get by We found a new kind of dance in a magazine Tried it out it's like nothing you ever seen You sweet talk like a cop and you know it You bought a new bag of pot, said let's make a new start And that's the way to my heart The way to my heart That's the way we get by Way we get by We get high in back seats of cars We put faith in our concerns Fall in love to down on the street We believe in the sum of ourselves I said that's the way we get by |
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from Stranger Than Fiction (소설보다 이상한) by Britt Daniel [ost] (2006)
I wanna change your mind
Said I wanna set it right this time I'm looking through you You know who you are And planning for the apocalypse Is not considered Considered cool I don't suggest it myself But no I won't sweat I wanna change your ways Said I'm gonna get it right one of these days And I'm looking through you Riding the brakes Bringing about the apocalypse Is not considered Considered cool Still you go setting it up But never give it a thought Just go setting it up My mathematical mind can see the breaks So I'm gonna stop riding the brakes No no no no more ride the brakes Instead I'm gonna see your stakes Yeah I'm gonna see the stakes |
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from Stranger Than Fiction (소설보다 이상한) by Britt Daniel [ost] (2006)
I took a river and it wouldn't let go
I want you to stay and I want you to go I took a river and the river was long and it goes on I want to be there tonight I want to get there but it's just out of sight I took a river and felt so slight so hold on so hold on hold on it goes on I took a river and the river was long I want you to stay course I want you to go I took a river and the river was long and goes on it goes on ooh it goes on it goes on |
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from Wedding Crashers (웨딩 크래셔) by Rolfe Kent [omnibus, ost] (2005)
Always on the outside always looking in
I was in this drop D metal band we called Requiem And they'd say relax But I can't be a man this far down on the map I was sold for suspect drawings Underneath a makeshift awning Now I'm yours Know I'm here Read it all front and back But I can't relax With my knees on the ground and a stick in my back Sister Jack I was on the outside I was lookin in I was in a drop D metal band we called Requiem And I can't relax With my knees on the ground and a stick in my back Sister Jack No I can't just relax Knowing that you're coming back Sister Jack |
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3:28 |
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from Spoon - The Agony Of Laffitte (2007)
all i ever asked of you is a copy of garage days
and to tell me the truth ain't no one watching you exit Ventura Highway it's like l knew two of you man the one before and after we shook hands the one vefore and after we shook hands takinf the calls but in all foretting what's been said and after dark in a cab in L.A. forget about the meter man these are salad days comes one the radio comes on and what's being said is you're no better than Sylvia no better than sylvia no better than sylvia no better than sylvia where you are and where you've been and where you've gone oh no here's a mark he's a mark on the page dishing out eyes with an eye for defining what you were so when you do that line tonight remeber that if came at a steep price and keep telling yourself there's more to you than her but you're no better than sylvia no better than sylvia no better than sylvia no better than sylvia where you gone where you been and where you gone oh no.. |
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from Spoon - The Agony Of Laffitte (2007)
Back in that model environment
For taking shots in the knees For planning out your retirement in your thirties There is no way back from this one but Oughta wake up and see And you know its the best it could be Oh no, I want to know Are you honest with anyone? Oh tell me, don't tell yourself Are you ever honest with anyone? The aftermath, the promotion It's time to take the trash out And redefining what you are Redefining what you're about You can't explain the attraction when Everything gets so far away Using class to abstraction Do it everyday Now all I,I want to know Are you ever honest with anyone? All that I, I want to know Are you honest with anyone? No no The aftermath, the promotion It's time to take the trash out And redefining what you are Redefining what you're about But an expression is anything You can reduce to a form Can still make you feel so wiped out For long Oh no no, c'mon tell me now Are you honest with anyone? All that I, I want to know Are you ever honest with anyone? And I say, no no Are you honest with anyone? How does it feel to go home And not be honest with anyone? |
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from Spoon - Girls Can Tell (2003)
Don't say a word
The last one's still stinging Back of my mind I feel that phone ringing And there is no way back from this Everything hits at once What we needs is just what we wants I go to sleep but think that you're next to me I go to sleep and think you're next to me Don't make a move When I walk out, don't follow me Out in the car Can feel it calling me And, ooh, you're so far away But I can still change my mind tonight I gotta change my mind somehow I go to sleep alone but think that you're next to me Everything hits at once Tonight outside is all lit up with ad lights In traffic we become, on the way back home Part of something bigger than just on our own I gotta change my mind tonight I can still change my mind tonight Merging in traffic, cross the lanes, and then we become Something bigger than just anyone Oh, and everything hits at once What we needs is just what we wants I go to sleep and think that you're next to me I go to sleep and think that you're next to me |
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from Spoon - Girls Can Tell (2003)
Things everybody would say
Believing is hard Believing is art Things everybody should know The end will come slow And love breaks your heart So welcome to the north side Where you will see what it means to be standing on line It's not so out of the way Just under the east and one stop away I said that this is a call Yeah it might be a call If the world could sit tight for one night Get out the car at the corner of nine Where they take everything and just spit it all out I'm staying up late at night To take apart what I said To make it all sound alright Waiting now and taking my time Cause I've seen what it means to be standing on line This is a call yeah it might be a call And the world is alright and alright Taking your time and I'm standing on line It depends and it comes back again Yes They've got my number they've got me alright They know my number they've got me alright Think about it a while The end ain't that bad Take out the trash with one hand It falls apart like a band Just hold on to it tight This is a call it ain't mine not at all And the world can sit tight and alright Taking your time and get right back on line It depends it depends and it comes back again Yes things that everybody would say Believing is hard Believing is art Things everybody should know The end will come slow And love breaks your heart |
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from Spoon - Girls Can Tell (2003)
There's a girl in my yard
Reading to me tarot cards She don't know anything But she's beautiful to me My eyes are opening again I see you as you're marching in I'll bring you cover when you're cold You'll bring me youth when I grow old Do you remember when you were small How everybody would seem so tall I am your shadow in the dark I have your blood inside my heart |
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from Spoon - Girls Can Tell (2003)
I'm on a staight line when a man comes around
And he got lines in the suit Coming out to make us moot I'm moving on now if I like it or not He says I've got nowhere to go Tell me something I don't know He's painting it out like I don't want to know The picture has come down I'm taking it off and throwing it out The picture is about what could have been easier The picture is coming around now How come I feel so washed up At such a such a tender age now How could I feel so washed up The picture is coming around now It could have been easier At such at such a tender age I'm listening to the comforting sound Of some kind of work being done outside Of sounds from next door the walls don't hide I'm listening to mountain to sound And the way it's panned is cool But when I get back home to you There's got to be something more than that too The human resource clerk Has two cigarettes and back to work She eats right but hurts And she says it could have been good by now It could have been more than a wage yeah How come she feels so washed up At such a such a tender age now It could have been easier It could have been more than a wage How come she feels so washed up at such a tender age I'm on a straignt line and a man comes around And I got nowhere to go Come back and tell something I don't know |
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from Spoon - Girls Can Tell (2003)
When I was still growing up and dad headed off to work
He put coat and tie on over a fitted shirt Nothing else would fit right All seams so directly apply The fitted shirt hung on me Fitted shirt alright I long for the days they used to say Ma'am and yes sir Now I'm going to find buttons for my Dad's old used shirt Fitted shirt Fitted shirt Been looking so long now And no one's seen and no one's heard When I go out tonight I'm gonna put on a fitted shirt One day it'll take and they'll start to make Shirts that fit right Till then i supose I still got dad's clothes And that's alright Fitted shirt (x7) |
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from Spoon - Girls Can Tell (2003)
If there's anything you want
Come on back 'cause it's all still here I'll be in the back room drinking my half of the beer And if you and me is so right Why is the same thing every night? It's just a matter of time It's almost measurable Imagination ain't kind on us Tonight You're at you best when you got the guns turned 180 degrees And finding out if it adds all up right We go through all the same lies and sell out to appease But go to sleep in a bed of lies I've made my own more than once or twice And now time is my time Time is my own I feel so alive, yet I feel so alone 'Cause you know you're the one and that that hasn't changed Since you were 19 and still in school Waiting on a light on the corner by Sound Exchange |
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from Spoon - Girls Can Tell (2003)
Tough Break Hands Broke It All Right In Two
And It Won't Get Back Together With Stitches And Glue And Now That Song's Been Sung It's Just The Cost Of What's Been Done The Cost Of Taking A Walk With You I Can Tell Myself This Is For All Concerned's Health And I May Yet Dot That I Fill It Up And Pour It Down The Inside And Tell You All Go And Take A Walk And I Said All Y'all Go Take A Walk Tough Break Hands Sent Me Back Home To Ma Back To Cowtown And The Fish Shop And The Mall Oh Yeah It Sent Me Right Back From Where I Came And In The Interim Nothing Changed So I May Yet Dot That I Fill It Up And Pour It Down The Inside Until You All Go And Take A Walk And I Said All Y'all Go Take A Walk |
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from Spoon - Girls Can Tell (2003)
1020 Am 1020 Am
When Will I Ever See You Again 1020 Am When Will I Ever See You Again I Carry You Out It Starts To Sink In When Will I Ever See You Again You'll Be With Me Still Ever From Now 1020 Am Cause I Remember Everything You Did And I Remember Everything You Did Everything You Were Everything You Said Yeah I Remember Everything You Did 1020 Am When Will I Ever See You Again 1020 Am When Will I Ever See You Again |
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from Spoon - Girls Can Tell (2003)
Wendy's walking out alone and it's saturday night
All the boys act tough but they ain't got a bite When they do they'll get more than a slap on the wrist And it's clear who's promoting her own myth So I'll take the fifth Take the fifth oh Everybody talks it up on a saturday night And all the kids want to brag in fact that they got a right But it ain't gonna be just a slap on the wrist And it's clear who's gonna go and promote her own myth Gonna talk the fifth Take the fifth oh But I'll takee the fifth I'll take the fifth oh In back of the room when she walk on through find 'em stacked against the wall On the tip of their tongue is the word that all along could turn around the way it'd fall The thinking about what she's got she's about got me backed against the wall On the tip of my tongue cause I knew it all along I'd be back there if I wouldn't fall If I wouldn't fall If I wouldn't fall Wendy's out on her own it's a saturday night And I've been hanging around as if to save my own life All the girls stand around with their hands on their hips Cause all the boys have already fallen prey to her myth But I'm gonna take the fifth I'll take the fifth on And I'll take the fifth I'll take the fifth on And I'll take the fifth I'll take the fifth And I'll take the fifth I'll tkae the fifth oh |
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from Spoon - Girls Can Tell (2003)
Now when she went to Chicago that night
She faced a wall And she woke up outside with all those leaves in her her mouth And felt the pall An all night the rain came on down But then, she'd never been to Chicago at night Before the fall And it don't stop not at all It falls all around In the city Hits the ground And now everybody's at disadvantage Speaking with their second language She'd never been there before they went and set up the wall And though nobody'd expected much from this reinvention She still broke right down after all Because she knew that it was all over And we'd hit a wall And like the fall this was all Now it's all around In the city On the ground And now everybody's at disadvantage Speaking with their second language And I never been to the wall Never been to the wall . . . |
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from Spoon - A Series Of Sneaks (2003)
Catacomb, catacomb
Be my security Count it off, count it off Be my big sister I walked forty-six blocks You been putting it off but come on I got meat in my arms I got steel in my teeth so come on Making out, taking out It's utilitarian Heartache, adulate, uh huh It's utilitarian, oh yeah We're in love with this perverted world yeah come on When I walk down the steps I'm just halfway across the world Oh yeah Oh yeah Oh yeah Well oh yeah Oh yeah Oh yeah Oh yeah Oh yeah Oh yeah Oh yeah Oh yeah |
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from Spoon - A Series Of Sneaks (2003)
He couldn't answer my reservations
He couldn't answer and I One little answer A cheap little answer Would have meant so much I Some kind of response now Some cheap little answer would have meant it to me And she's never been in the places she oughtta But that doesn't stop her being around And she's never been the places that she oughtta She's just a miner's daughter She's been around but she's never made it and She's been around but she's never one to give you reservations She's so realized yet uncalculated all the time |
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from Spoon - A Series Of Sneaks (2003)
It's unelectrical a bad sharing one
it's on american radio and dedicated c'mon! So c'mon action takes a back seat to abstraction works you up and takes out the piss this action could finally put out in our 30 gallon tank going down on the century |
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from Spoon - A Series Of Sneaks (2003)
Car radio
That's what I got Voice of authority from here into Empire State Car radio Car wash Fooling around just a minor on the interstate Car radio All acting tough I'm just a user I don't make any of this stuff |
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from Spoon - A Series Of Sneaks (2003)
Metal detektor ringing as i'm walking through the door
with every chance i take i can feel it start to break to start to break some more it's going down some more i'm gonna break the bank of texas and walk out it's a lie no more all through with playing the wall i'm gonna break the bank of dakota and walk right back out it's going down some more not gonna fake it no more just gonna break the bank of texas and walk right out and make the sound of getting kicked when you're down i'm gonna break the heart of chicago and walk right back out metal detektor ringing as i walk on through the door metal detektor ringing as i'm walking through the door |
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from Spoon - A Series Of Sneaks (2003)
Distracted by each career milestone
Though they're all in his hands He set up his best ones for weeks And the questions all get answered before they're asked him Tells you sit right back He's talking through his teeth And i don't believe the things he'll say but I'll call him up and give him flack And it's sad but true the sounds that don't come back And i can see him tap producer fix his lines And that makes me feel like a rat I feel like a rat So i'd like you to set it straight now on this one All fixed up now for june's foreign spell All sad 'bout it now june's bitter soil again Oh no can't take this another year Drop two steps back and take the place of who that came before now |
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from Spoon - A Series Of Sneaks (2003)
I never thought you'd go so far chloroform
I never thought you'd go so far oh no she's out cold now I'm so alone now take that back please stephanie black and don't be so torn by chloroform |
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from Spoon - A Series Of Sneaks (2003)
I packed all my things in a nylon bag
I kept my eyes open wide and got out the day the stock went black what was so alluring has now faded and just stylistic and jaded but I'm just glad to get out of there for metal school if I could take back what we both assumed would you spin it back to me on the lazy sue? we could exist to be where we found it and just wrap our fingers around it that's why I'm going to give it all up put all that back and enroll in metal school |
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from Spoon - A Series Of Sneaks (2003)
What you knew of me was all sad and deformed
Operator i'm baked and i'm Boy you better take a look in that box because Sitting on them couches Sitting on them floors Well it's better that that's done and now you're gone And the one with you the first Is the one you feel the worst about That's why i'm out in central station and i'm staring at the board I'm staring at the board at central station one more time |
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from Spoon - A Series Of Sneaks (2003)
go knock them dead okay kid
I'm not a man, at least not yet I'm not a man just a pillar of salt on the ground tell us your name that's what they say I ain't got a name just a current address and I said know what you know I never thought a kiss could be I never thought a kiss could be I never thought a kiss could be I never thought a kiss could be so cold so now the pissoff's taking hold and you can tell they're all looking at you feel so inert it starts to hurt so that's your name and I tell myself don't say that you're coming cause no you're not don't say that you're coming cause no you're not don't say that you're pleased with me cause no you're not don't say you're going back cause no you're not |
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from Spoon - A Series Of Sneaks (2003)
Molly said she ought to leave you in the ground
When they see you hanging down from on the ceiling I've got a feeling That there's no one if you could speak would believe you I-N-T-H-E-G-R-O-U-N-D ground |
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from Spoon - A Series Of Sneaks (2003)
Getting caught's made me think it over
And it told me that you're never coming back here again We've been doing things the same way for so long That it took me aback And I don't think I'll ever hear that sad song again Don't tell me I've lost youAdvance cassette I just can't believe it No don't say that I've lost you Advance cassetteI just can't believe it You'll know by the look on their faces when they pass you You've been dropped off on the texas highway I've been out here now for so long that I'm not sure How you wound me so tight I'm afraid I won't ever hear that sad song again So don't tell me I've lost you Advance cassette oh no I just can't believe in it No don't say that I've lost you Advance cassette I just can't believe it |
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from Spoon - Kill The Moonlight (2003)
Small stakes
Give you the blues But you don't feel taken Don't think you've been used Cause it's alright Friday night to Sunday It feels alright keeps your mind on the page Oh yeah small stakes ensure you the minimum blues But you don't feel taken and you don't feel abused Small stakes tell you that there's nothing can do Can't think big, can't think past one or two and alright! Yeah alright! Me and my friends Sell ourselves Short but feel Very well We feel fine Aw we feel fine And small time danger in your midsize car I don't dig the stripes but I'll go for har mar The big innovation on the minimum wage Is lines up your nose but your life on the page so c'mon Tell me I'm wrong Small stakes Will kill me When you're stuck In back of the line It feels alright Friday night to Sunday Aw it feels alright keeps your mind on the page And small stakes bring you where you're caught in a rut You feel so uptight you just want to throw it all up And small stakes leave you with the minimum blues Can't think big, can't think past one or two so c'mon |
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from Spoon - Kill The Moonlight (2003)
We get high in back seats of cars We break into mobile homes We go to sleep to shake appeal Never wake up on our own And that's the way we get by Way we get by And that’s the way we get by Way we get by We go out in stormy weather We rarely practice discern We make love to some weird sin We seek out the taciturn And that's the way we get by Way we get by And that’s the way we get by Way we get by We found a new kind of dance in a magazine Tried it out it's like nothing you ever seen You sweet talk like a cop and you know it You bought a new bag of pot, said let's make a new start And that's the way to my heart The way to my heart That's the way we get by Way we get by We get high in back seats of cars We put faith in our concerns Fall in love to down on the street We believe in the sum of ourselves I said that's the way we get by |
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from Spoon - Kill The Moonlight (2003)
Now Carole don't get ahead of yourself
Don't say nothing right now I'll take it anywhere you let it go Everything moving so fast It'll take you a place where you can't get back And I've seen it enough You gotta make me shut up So there's something to look forward to Gimme something to look forward to Your mistakes, your merciless eye Your Chicago Manual of Style It only's got to go just as far as we let it go So Carole let me know So many things we could say So many things we could let get out But you stay in instead Some things are best left unsaid Gimme something to look forward to |
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from Spoon - Kill The Moonlight (2003)
I'll never hold you back
and I won't force my will I will no longer do the devil's wishes something I read on a dollar bill a paper tiger can't tell you where he stands we'll go back tonight the way that we came I'm not dumb, just want to hold your hand so alright where we want to be and alright what that we could be oh we could go kick ass in bars together stay out til morning sharp as knives the new war will get you it will not protect you but I will be there with you when turn out the light said I will be there with you when you turn out the light I will be there with you when you turn out the light |
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from Spoon - Kill The Moonlight (2003)
everything move so fast I should know it won't last
take some stock what you are what you see what you got it tells me true I want a connection to someone something edge of a knife been missing it all my life someone something they get you where you live don't go back you can't go back again yes it's true just a connection to someone something been up all night feel like sucking an armalite someone something everything moves so fast I should know it won't last I want a settled life I want to be calm and polite someone something I'll get this right when I get there now someone something |
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from Spoon - Kill The Moonlight (2003)
you gotta feel it yes you gotta feel it
to get it right even one time you gotta feel it don't take notes just clear out your mind let go your pride feel it inside it's a it's a it's a you gotta feel it or I suspect you'll wind up where you don't want to get it's a long way home when you're trying to find your way with a bag full of books the notes that you took a compass and stick and the sevenths and sixths it's a it's a yes sir to feel it to feel it yeah you gotta feel it oh you gotta feel it yeah oh you gotta feel it alright oh you gotta feel it alright oh you gotta feel it alright |
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from Spoon - Kill The Moonlight (2003)
son you must go back to the life
go pack your bags take up your scythe cause this world wasn't meant for us both who made the night who made the day who gave you life who gave you say I said this world wasn't meant for us both who rules the day who rules the night go pack your bags take up your scythe I said this world wasn't meant for us both |
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from Spoon - Kill The Moonlight (2003)
I took a river and it wouldn't let go
I want you to stay and I want you to go I took a river and the river was long and it goes on I want to be there tonight I want to get there but it's just out of sight I took a river and felt so slight so hold on so hold on hold on it goes on I took a river and the river was long I want you to stay course I want you to go I took a river and the river was long and goes on it goes on ooh it goes on it goes on |
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from Spoon - Gimme Fiction (2005)
The beast and dragon, adored
You been gone so long Where you been for so long I went to places unknown Rented a room And I forgot my pen Shook my twin And I had to find the feelin again Now all I need is a crew One that can act as if One that can slay on cue And sneeze and sniff Uh-huh alright I'm going back to the water Been landlocked too long I got a feelin it don't come cheap I got a feelin oh and then it got to me It took its time a-working into my soul I got to believe it come from rock and roll Believe it come from rock and roll Where did you get for so long I been learning my scene I been watching my friends move away I summon my love back to me And I went down by the seawall That's when I knew, knew They Never Got You Great dominions they don't come cheap Great dominions they just want you to leave I got the meaning the meanings air tight Said it's not what you expected but it could be right I got a feelin it didn't come free I got a feelin and then it got to me When you don't feel it it shows they tear out your soul And when you believe they call it rock and roll And when you believe they call it rock and roll |
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from Spoon - Gimme Fiction (2005)
I wanna change your mind
Said I wanna set it right this time I'm looking through you You know who you are And planning for the apocalypse Is not considered Considered cool I don't suggest it myself But no I won't sweat I wanna change your ways Said I'm gonna get it right one of these days And I'm looking through you Riding the brakes Bringing about the apocalypse Is not considered Considered cool Still you go setting it up But never give it a thought Just go setting it up My mathematical mind can see the breaks So I'm gonna stop riding the brakes No no no no more ride the brakes Instead I'm gonna see your stakes Yeah I'm gonna see the stakes |
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from Spoon - Gimme Fiction (2005)
I got nothing
You got something I feel out of place Looking through your window Into the delicate place Reflections stating obvious mating holds I'll own up to you if you own up to me I'll picture for you if you picture for me Have you got the answer Have I yet won the part Is this just your way of breaking my heart Everyone denies it but they just want to be told I'll hold if for you if you hold it for me I'll picture for you if you picture for me The delicate place The questions it raise The delicate place I got nothing You got something I feel out of place Looking through that window Into the delicate place I'll own up to you if you own up to me I'll picture for you if you picture for me The delicate place The questions it raise The delicate place yeah The delicate place yeah The delicate place yeah |
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from Spoon - Gimme Fiction (2005)
Always on the outside always looking in
I was in this drop D metal band we called Requiem And they'd say relax But I can't be a man this far down on the map I was sold for suspect drawings Underneath a makeshift awning Now I'm yours Know I'm here Read it all front and back But I can't relax With my knees on the ground and a stick in my back Sister Jack I was on the outside I was lookin in I was in a drop D metal band we called Requiem And I can't relax With my knees on the ground and a stick in my back Sister Jack No I can't just relax Knowing that you're coming back Sister Jack |
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from Spoon - Gimme Fiction (2005)
Remember the weight of the world?
It's a sound that we used to buy On cassette and 45 And now this little girl She says, "Will we make it at all? 800 miles is a drive" Yeah, you got the weight of the world Coming down like a mother's eye And all that you can All that you can give is a cold goodbye The law enforcement's impressed You've survived to this age Strapped-up soldiers They'll lock you in a cage without goodbye For a nickel bribe But, aw, no, where are you tonight? And how'd we get here? It's too late to break it off I need a release The signals have called But that don't get me off I summon you to appear, my love Uh-huh Mm, uh-huh Got the weight of the world I summon you here, my love Remember the weight of the world? It's a sound that we used to buy And all that you can All that you can give is a cold goodbye The law enforcement's impressed You've survived to this age Strapped-up soldiers They'll lock you in a cage without goodbye For a nickel bribe But aw, no, where are you tonight? And how'd we get here? It's too late to break it off I need a release The signals have called But that don't get me off I summon you here, my love Uh-huh Mm, uh-huh Got the weight of the world I summon you here, my love Na-na Na-na, uh-huh The signals have called But that don't get me off I summon you here, my love Goodbye, goodbye Goodbye, goodbye Goodbye, goodbye Goodbye, goodbye Goodbye, goodbye Goodbye, goodbye Goodbye, goodbye Goodbye, bye Ooh-hoo |
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from Spoon - Gimme Fiction (2005)
Hung up and bent on a stranger
Just trying to swing a full-time ride I never knew the cold hand of danger Til I met this one and took it inside Now I can't get near it Don't want to hear it My cover's blown I walked in the rain like a drone All the way to Marquette The infinite pet I got something to tell you Far outside the black and white Aw I got something I want to tell you But who will receive it tonight When I got up I cut my neckrug off Resigned my name to the ranks of the blamed and the scoffed Cursing the day I met The infinite pet Comes when you pirouette Hung up and bent on a stranger Just trying to swing a full-time ride I never knew the cold hand of danger Til I met this one and took it inside I sat back I put my neckshirt on Resigned myself to the fate of the failed and the conned Just like that day I met The infinite pet Cheaper than all your threats Comes when you pirouette The the the the infinite pet The infinite |
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from Spoon - Gimme Fiction (2005)
We was walking through the park
Trying to get home before too dark Who was it that we saw that night Was it you? Someone doing something not right Shocked to see us interrupting their delight Who was it that we saw that night Was it you? Tucked away inside of the wood Tucked away inside and up to no good Who was it that was saw that night Was it you? And we was cutting through the park Trying to get home before too dark Who was it that we saw that night Was it you? |
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from Spoon - Gimme Fiction (2005)
You where you were coming up
Did you think everyone knew Something unclear And when you thrown in a crowd Could you believe yourself Did you repeat yourself Cause no one will hear Just say it again Cause they never got you and you never got them Uh-huh Don't let it break Don't let it start Don't let 'em in Don't go too far Cover your tracks Cover the path to the heart Don't let those footholds start And don't let no one in Cause they never got you and you never got them Uh-huh You when you were breaking up Oh now they...they was just waking up Just waking up And back in that place where you could fall Did it pay to play along That's where I'm coming from I'd rather roll it myself Just let it be Cause I never got them and they never got me No I never got them and they never got me |
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from Spoon - Gimme Fiction (2005)
I was a heartbeat on the danger side
Just had to see what it all was like Put your nose in that Oh oh yeah Although you try to sidestep Merchants of soul don't let Hey what you doing on the danger side Yes you're looking for us we know that's right That way you move it's all an act So get in We know you wanna give in And of course we'll fix you up exact We'll mail you back Mm hmmm! Mixed up and lonely on the danger side Ralph Reed was driving Said he wants to go all night I made him wait, took my time to decide To get wise The fiends are fiendin' outside Merchants of soul so unkind Oh yeah Merchants of soul they don't mind They'll take your soul I need mine |
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from Music From The O.C. Mix 1 [ost] (2004)
We get high in back seats of cars We break into mobile homes We go to sleep to shake appeal Never wake up on our own And that's the way we get by Way we get by And that’s the way we get by Way we get by We go out in stormy weather We rarely practice discern We make love to some weird sin We seek out the taciturn And that's the way we get by Way we get by And that’s the way we get by Way we get by We found a new kind of dance in a magazine Tried it out it's like nothing you ever seen You sweet talk like a cop and you know it You bought a new bag of pot, said let's make a new start And that's the way to my heart The way to my heart That's the way we get by Way we get by We get high in back seats of cars We put faith in our concerns Fall in love to down on the street We believe in the sum of ourselves I said that's the way we get by |
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| from Veronica Mars / Original Television Soundtrack [single, ost] (2005) | |||||
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