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from Sarah Brightman - A Whiter Shade Of Pale/ A Question Of Honour (2001) | |||||
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from Sarah Brightman - Fly (1995)
Ebbene? ... N'andrò lontana,
Come va l'eco della pia camana, Là, fra la neve bianca; Là, fra le nubi d'or; Là, dov'è la speranza, la speranza Il rimpianto, il rimpianto, e il dolor! Well? I will go far, As the echo of the devout bell goes, Here, between the snow white woman; Here, between clouds of or; Here, dov' it is the hope, the hope The regret, the regret, and the dolor! Ebbene? ... N'andrò lontana, Là, dov'è la speranza, la speranza Il rimpianto Sola e lontana! Well? N' I will go far, Here, dov' it is the hope, the hope The regret Single and far! Two men collide When two men collide, when two men collide It's a question of honour Two men collide When two men collide, when two men collide It's a question of honour Two men collide When two men collide, when two men collide If you win or you lose, it's a question of honour And the way that you choose, it's a question of honour I can't tell what's wrong or right If black is white or day is night But I know when two men collide It's a question of honour If you win or you lose, it's a question of honour And the way that you choose, it's a question of honour If you win or you lose, it's a question of honour And the way that you choose, it's a question of honour I can't tell what's wrong or right If black is white or day is night I know when two men collide It's a question of honour Ebbene? ... N'andrò lontana, Come l'eco della pia campana, Là, fra la neve bianca; Là, fra le nubi d'or; N'andrò, n'andrò sola e lontana! E fra le nubi d'or! Well? N' I will go far, Like the echo of the devout bell, Here, between the snow white woman; Here, between clouds of or; N' I will go, n' I will go single and far! And between clouds of or! |
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from Sarah Brightman - A Whiter Shade Of Pale/ A Question Of Honour (2001)
Ebbene ... N'andro lontana,
Come va l'eco della pia campana, La fra la neve bianca; La fra le nubi d'or; La dov' la speranza, la speranza Il rimpianto, il rimpianto, e il dolor! Ebbene? ... N'andr?lontana, L? dov'?la speranza, la speranza Il rimpianto Sola e lontana! Two men collide When two men collide, when two men collide It's a question of honour Two men collide When two men collide, when two men collide It's a question of honour Two men collide When two men collide, when two men collide If you win or you lose, It's a question of honour And the way that you choose, It's a question of honour I can't tell what's wrong or right If black is white or day is night But I know when two men collide It's a question of honour If you win or you lose, It's a question of honour And the way that you choose, It's a question of honour If you win or you lose, It's a question of honour And the way that you choose, It's a question of honour I can't tell what's wrong or right If black is white or day is night I know when two men collide It's a question of honour Ebbene? ... N'andr?lontana, Come l'eco della pia campana, L? fra la neve bianca; L? fra le nubi d'or; N'andr? n'andr?sola e lontana! E fra le nubi d'or! |
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from Sarah Brightman - A Whiter Shade Of Pale/ A Question Of Honour (2001)
Ebbene ... N'andro lontana,
Come va l'eco della pia campana, La fra la neve bianca; La fra le nubi d'or; La dov' la speranza, la speranza Il rimpianto, il rimpianto, e il dolor! Ebbene? ... N'andr?lontana, L? dov'?la speranza, la speranza Il rimpianto Sola e lontana! Two men collide When two men collide, when two men collide It's a question of honour Two men collide When two men collide, when two men collide It's a question of honour Two men collide When two men collide, when two men collide If you win or you lose, It's a question of honour And the way that you choose, It's a question of honour I can't tell what's wrong or right If black is white or day is night But I know when two men collide It's a question of honour If you win or you lose, It's a question of honour And the way that you choose, It's a question of honour If you win or you lose, It's a question of honour And the way that you choose, It's a question of honour I can't tell what's wrong or right If black is white or day is night I know when two men collide It's a question of honour Ebbene? ... N'andr?lontana, Come l'eco della pia campana, L? fra la neve bianca; L? fra le nubi d'or; N'andr? n'andr?sola e lontana! E fra le nubi d'or! |
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from Sarah Brightman - A Whiter Shade Of Pale/ A Question Of Honour (2001)
Ebbene ... N'andro lontana,
Come va l'eco della pia campana, La fra la neve bianca; La fra le nubi d'or; La dov' la speranza, la speranza Il rimpianto, il rimpianto, e il dolor! Ebbene? ... N'andr?lontana, L? dov'?la speranza, la speranza Il rimpianto Sola e lontana! Two men collide When two men collide, when two men collide It's a question of honour Two men collide When two men collide, when two men collide It's a question of honour Two men collide When two men collide, when two men collide If you win or you lose, It's a question of honour And the way that you choose, It's a question of honour I can't tell what's wrong or right If black is white or day is night But I know when two men collide It's a question of honour If you win or you lose, It's a question of honour And the way that you choose, It's a question of honour If you win or you lose, It's a question of honour And the way that you choose, It's a question of honour I can't tell what's wrong or right If black is white or day is night I know when two men collide It's a question of honour Ebbene? ... N'andr?lontana, Come l'eco della pia campana, L? fra la neve bianca; L? fra le nubi d'or; N'andr? n'andr?sola e lontana! E fra le nubi d'or! |
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from Sarah Brightman - A Whiter Shade Of Pale/ A Question Of Honour (2001)
Ebbene ... N'andro lontana,
Come va l'eco della pia campana, La fra la neve bianca; La fra le nubi d'or; La dov' la speranza, la speranza Il rimpianto, il rimpianto, e il dolor! Ebbene? ... N'andr?lontana, L? dov'?la speranza, la speranza Il rimpianto Sola e lontana! Two men collide When two men collide, when two men collide It's a question of honour Two men collide When two men collide, when two men collide It's a question of honour Two men collide When two men collide, when two men collide If you win or you lose, It's a question of honour And the way that you choose, It's a question of honour I can't tell what's wrong or right If black is white or day is night But I know when two men collide It's a question of honour If you win or you lose, It's a question of honour And the way that you choose, It's a question of honour If you win or you lose, It's a question of honour And the way that you choose, It's a question of honour I can't tell what's wrong or right If black is white or day is night I know when two men collide It's a question of honour Ebbene? ... N'andr?lontana, Come l'eco della pia campana, L? fra la neve bianca; L? fra le nubi d'or; N'andr? n'andr?sola e lontana! E fra le nubi d'or! |
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from Sarah Brightman - A Whiter Shade Of Pale/ A Question Of Honour (2001)
Ebbene ... N'andro lontana,
Come va l'eco della pia campana, La fra la neve bianca; La fra le nubi d'or; La dov' la speranza, la speranza Il rimpianto, il rimpianto, e il dolor! Ebbene? ... N'andr?lontana, L? dov'?la speranza, la speranza Il rimpianto Sola e lontana! Two men collide When two men collide, when two men collide It's a question of honour Two men collide When two men collide, when two men collide It's a question of honour Two men collide When two men collide, when two men collide If you win or you lose, It's a question of honour And the way that you choose, It's a question of honour I can't tell what's wrong or right If black is white or day is night But I know when two men collide It's a question of honour If you win or you lose, It's a question of honour And the way that you choose, It's a question of honour If you win or you lose, It's a question of honour And the way that you choose, It's a question of honour I can't tell what's wrong or right If black is white or day is night I know when two men collide It's a question of honour Ebbene? ... N'andr?lontana, Come l'eco della pia campana, L? fra la neve bianca; L? fra le nubi d'or; N'andr? n'andr?sola e lontana! E fra le nubi d'or! |
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from Sarah Brightman - Fly (1995) | |||||
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from Sarah Brightman - Fly (1995) | |||||
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from Sarah Brightman - Dive (1993) | |||||
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from Sarah Brightman - Dive (1993)
All hands on deck
We've run afloat I heard the captain cry Explore the ship Replace the cook Let no one leave alive Across the straits Around the horn How far can sailors fly A twisted path Our tortured course And no one left alive We sailed for parts Unknown to man Where ships come home to die No lofty peak Nor fortress hold Could match our captain's eye Upon the seventh sea sick day We made our port of call A sand so white And seas so blue No mortal place at all We fired the gun And burned the mast And rowed from ship to shore The captain cried We sailors wept Our tears were tears of joy How many moons And many Junes Have passed since we made land A salty dog The seaman's log Your witness, my own hand |
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from Sarah Brightman - Dreamchaser (2013) | |||||
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from Sarah Brightman - La Luna (2000)
We skipped the light Fandango
Turned cartwheels cross the floor I was feeling kind of seasick But the crowd called out for more The room was humming harder As the ceiling flew away When we called out for another drink The waiter bought a tray * And so it was that later As the Miller told his tale That he face, at first just ghostly Turned a whiter shade of pale She said there is no reason And the truth is plain to see But I wandered through my playing cards And would not let her be One of sixteen vestal virgins Who were leaving for the coast And although my eyes were open They might just as well've been closed * Repeat |
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from Sarah Brightman - A Whiter Shade Of Pale/ A Question Of Honour (2001)
We skipped the light Fandango
Turned cartwheels 'cross the floor I was feeling kind of seasick But the crowd called out for more The room was humming harder As the ceiling flew away When we called out for another drink The waiter brought a tray And so it was that later As the Miller told his tale That her face, at first just ghostly Turned a whiter shade of pale She said there is no reason And the truth is plain to see But I wandered through my playing cards And I would not let her be One of the sixteen vestal virgins Who were leaving for the coast And although my eyes were open They might just as well've been closed And so it was that later As the Miller told his tale That her face, at first just ghostly Turned a whiter shade of pale |
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from Sarah Brightman - A Whiter Shade Of Pale/ A Question Of Honour (2001)
We skipped the light Fandango
Turned cartwheels 'cross the floor I was feeling kind of seasick But the crowd called out for more The room was humming harder As the ceiling flew away When we called out for another drink The waiter brought a tray And so it was that later As the Miller told his tale That her face, at first just ghostly Turned a whiter shade of pale She said there is no reason And the truth is plain to see But I wandered through my playing cards And I would not let her be One of the sixteen vestal virgins Who were leaving for the coast And although my eyes were open They might just as well've been closed And so it was that later As the Miller told his tale That her face, at first just ghostly Turned a whiter shade of pale |
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from Sarah Brightman - A Whiter Shade Of Pale/ A Question Of Honour (2001)
We skipped the light Fandango
Turned cartwheels 'cross the floor I was feeling kind of seasick But the crowd called out for more The room was humming harder As the ceiling flew away When we called out for another drink The waiter brought a tray And so it was that later As the Miller told his tale That her face, at first just ghostly Turned a whiter shade of pale She said there is no reason And the truth is plain to see But I wandered through my playing cards And I would not let her be One of the sixteen vestal virgins Who were leaving for the coast And although my eyes were open They might just as well've been closed And so it was that later As the Miller told his tale That her face, at first just ghostly Turned a whiter shade of pale |
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from Sarah Brightman - A Whiter Shade Of Pale/ A Question Of Honour (2001)
We skipped the light Fandango
Turned cartwheels 'cross the floor I was feeling kind of seasick But the crowd called out for more The room was humming harder As the ceiling flew away When we called out for another drink The waiter brought a tray And so it was that later As the Miller told his tale That her face, at first just ghostly Turned a whiter shade of pale She said there is no reason And the truth is plain to see But I wandered through my playing cards And I would not let her be One of the sixteen vestal virgins Who were leaving for the coast And although my eyes were open They might just as well've been closed And so it was that later As the Miller told his tale That her face, at first just ghostly Turned a whiter shade of pale |
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from Sarah Brightman - A Whiter Shade Of Pale/ A Question Of Honour (2001)
We skipped the light Fandango
Turned cartwheels 'cross the floor I was feeling kind of seasick But the crowd called out for more The room was humming harder As the ceiling flew away When we called out for another drink The waiter brought a tray And so it was that later As the Miller told his tale That her face, at first just ghostly Turned a whiter shade of pale She said there is no reason And the truth is plain to see But I wandered through my playing cards And I would not let her be One of the sixteen vestal virgins Who were leaving for the coast And although my eyes were open They might just as well've been closed And so it was that later As the Miller told his tale That her face, at first just ghostly Turned a whiter shade of pale |
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from More Broadway Love Songs (Decca Broadway Original Collection) (2009)
RAOUL
No more talk of darkness, forget these wide-eyed fears, I'm here: nothing can harm you -- my words will warm and calm you... Let me be your freedom, let daylight dry your tears. I'm here, with you, beside you, to guard you and to guide you... CHRISTINE Say you'll love me every waking moment, turn my head with talk of summertime... Say you need me with you, now and aways... promise me that all you say is true -- that's all I ask of you... RAOUL Let me be your shelter, let me be your light. You're safe: no one will find you -- your fears are far behind you... CHRISTINE All I want is freedom, a world with no more night... and you, always beside me, to hold me and to hide me... RAOUL Then say you'll share with me one love, one lifetime... let me lead you from your solitude... Say you need me with you here, beside you... anywhere you go let me go too -- Christine, that's all I ask of you... CHRISTINE Say you'll share with me, one love, one lifetime... Say the word, and I will follow you... BOTH Share each day with me, each night, each morning... CHRISTINE Say you love me... RAOUL You know I do... BOTH Love me -- that's all I ask of you... Anywhere you go let me go too... Love me -- that's all I ask of you... |
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from Unmasked: The Platinum Collection (Deluxe) by Andrew Lloyd Webber [single, ost] (2018) | |||||
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from Highlights From The Phantom Of The Opera by Phantom Of The Opera Original London Cast [single, ost] (2013) | |||||
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from Highlights From The Phantom Of The Opera by Phantom Of The Opera Original London Cast [single, ost] (2013) | |||||
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from Sarah Brightman - Timeless (1994)
Alleluja, alleluja
Alleluja, alleluja Alleluja, alleluja Alleluja, alleluja Alleluja Alleluja Alleluja, alleluja Alleluja, alleluja Allelujaaaaaaaaa, alleluja Alleluja, alleluja Alleluja, allelujaaaaaaaaa Alleluja, alleluja, alleluja Aaaaaaaaaaaaaaalleluja Alleluja, alleluja Alleluja, alleluja, alleluja Alleluja, alleluja, alleluja, alleluja |
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from Sarah Brightman - Time To Say Goodbye (1997)
Music and lyrics: Mozart
************************** Alleluja, alleluja Alleluja, alleluja Alleluja, alleluja Alleluja, alleluja Alleluja Alleluja Alleluja, alleluja Alleluja, alleluja Allelujaaaaaaaaa, alleluja Alleluja, alleluja Alleluja, allelujaaaaaaaaa Alleluja, alleluja, alleluja Aaaaaaaaaaaaaaalleluja Alleluja, alleluja Alleluja, alleluja, alleluja Alleluja, alleluja, alleluja, alleluja |
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from Sarah Brightman - As I Came Of Age (1990)
Yeah, I said it's all right
I won't forget All the times I waited patiently for you I think you'll do just what you choose to do And I will be alone again tonight my dearYeah, I heard a funny thing Somebody said to me You know that I could be in love, with almost everyone I think that people are the greatest fun And I will be alone again tonight, my dear Yeah, I heard a funny thing Somebody said to me You know that I could be in love with almost everyone I think that people are the greatest fun And I will be alone again tonight, my dear |
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from Sarah Brightman - Winter Symphony [ccm] (2008)
Amazing grace how sweet the sound That saved a wretch like me I once was lost but now am found Was blind but now I see The earth shall soon dissolve like snow The sun forgod to shine But God who brought me here below Will be forever mine Through Him many dangers toils and snares I have already come It was grace that brought me here thus far And grace will lead me home |
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from Sarah Brightman - Surrender (The Unexpected Songs) (1996) | |||||
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from Unmasked: The Platinum Collection (Deluxe) by Andrew Lloyd Webber [single, ost] (2018) | |||||
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from Sarah Brightman - Dreamchaser (2013) | |||||
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from Highlights From The Phantom Of The Opera by Phantom Of The Opera Original London Cast [single, ost] (2013) | |||||
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from Christmas All Over The World (2002) | |||||
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from Love Changes Everything by Sarah Brightman [ost] (2005)
I closed my eyes drew back the curtain
To see for certain what I thought I knew Far Far away someone was weeping But the world was sleeping any dream will do I wore my coat with golden lining Bright colours shinning wonderful and new And in the east the dawn was breaking And the world was waking,any dream will do A crash of drums a flash of light My golden coat flew out of sight the colours faded into darkness I was left alone May I return, to the beginning The light is dimming and tne dream is too The world and I we are still waiting Still hesitating any dream will do |
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from Unmasked: The Platinum Collection (Deluxe) by Andrew Lloyd Webber [single, ost] (2018) | |||||
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from Sarah Brightman - Eden (1998)
Strade son' cambiate.
Faccie son' diverse. Era la mia citt? Non la conosco pi? La ora io sono solo un' estranea Senza patria.I remember you were there. Any one emotion. Any true devotion. Anytime, anywhere.Case son' cambiate. Voci son' diverse. Era la mia citt? Non la conosco pi? La ora io sono solo un' estranea Senza patria.I remember you were there. Any one emotion. Any true devotion. Anytime, anywhere.Tanti, anni son' passati. Vite son' cambiate. Era la mia citt? Non la conosco pi? E ora io sono solo un' estranea Senza patria.Translation: Anytime, anywhereRoads have changed. Faces are different. It was my city. I do not know it anymore. Now I'm just a stranger Without a native land.Houses have changed. Voices have varied. It was my city. I do not know it anymore. Now I'm just a stranger Without a native land.Many years have passed. Lives have changed. It was my city. I do not know it anymore. And I'm just a stranger Without a native land |
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from Sarah Brightman - Harem (2003)
Scimatar moon
Don't you forget the echoes of time Won't you regret the losing of minds In my dreams I'm searching Across the desert sands for you Scimatar moon is guiding me close to your side Voyage Voyage, voyage Voyage, voyage Wilderness to wilderness I traveled from afar On the soft wind of the Nadq Came fragrance of Araar Splendor of a thousand suns shone glory in my path No love more pure and rage more fierce Could still my beating heart Voyage, voyage Voyage, voyage Promise So Should I return to trace the shadows of my chases My steps will echo there from sand to stone I will never let my eyelids close on empty spaces My dreams will fill the void with tales unknown Know the mighty infinite obscures the far horizon The whispered road I take will never bend Alone And will the wind return my story to its promise Or will my story chase me to my end Hamesha Alone Melodies unspoken Flowing from the lotus of my heart Ending where we start Promises unbroken Promising a never-ending fire Of love beyond desire Ending where we start |
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from Sarah Brightman - Winter Symphony [ccm] (2008)
Sing sing sing the song they sang with us When they sailed away Bring bring bring them back again To these lonely shores one day We'll be here awaiting their arrival How that moment's gonna shine May they ring then in our hearts The jubilant bells of Auld Lang Syne Sing sing sing the sing of sirens If that is what it takes Bring bring bring them back again To each lonely heart that aches I'll be first to know of your arrival I'll be first to pour the wine May they ring then in our hearts The jubilant bells of Auld Lang Syne I'll be first to know of your arrival I'll be first to pour the wine May they ring then in our hearts The jubilant bells of Auld Lang Syne Sing sing sing a song of sadness That they are so long gone Bring bring bring a ray of hope And the courage to go on We'll be here awaiting their arrival How that moment's gonna shine May they ring then in our hearts The jubilant bells of Auld Lang Syne We'll be here awaiting their arrival How that moment's gonna shine May they ring then in our hearts The jubilant bells of Auld Lang Syne Sing sing sing the song they sang with us When they sailed away |
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from Sarah Brightman - As I Came Of Age (1990)
Sorting through my things
See what I can find Picking through the past See what's left behindMulti-colored sweaters That moths have eaten holes A paire of breaded mocassins with worn out soles Boots were made for walking Winds were blowing change Boys fall in the jungle As I Came of Age Black and white TV With a broken 12 - inch screen Dylan's highway 61 And Jackie's love machine I reread your letters and again I cry great tears Light comes to the surface Even after all these years |
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from Sarah Brightman - Symphony (2008)
La mia vita va come un fiume in piena.
Io con lui ogni giorno godr?. Ora sono sola. Presto tempo vola! Portami il mio amor! E fa’ svanire il dolor! Chorus: Non aspettar’, portalo qua! E fa’ svanire il dolor! E fa’ svanire il dolor! Mare Di Risate e Cieli D’Oro, La con lui ogni giorno vivr?. Quando st? lontano, Tempo non far’ piano! Portami il mio amor! E fa’ svanire il dolor! (Repeat chorus) Ti prego fa’… Oh fa’ svanir’ il mio dolor! |
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from Classical Music 2010 [omnibus] (2009) | |||||
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from Sarah Brightman - Winter Symphony [ccm] (2008)
Las manos de una madre La sonrisa de los ninos Y el amor Rompen las fronteras que separan Credos razas y color Porque nuestro mundo encuentre paz Y por los que no han nacido Ave Maria Ave Maria Gratia plena madre saneta Gratia plena Oh Madre Saneta Ave Maria Ave Maria Porque el milagro Es la magia del amor Que nos uen A pesar de toda la violencia La tristeza y el dolor Despues de que termina la tormenta Para todos brilla el sol Para recordarnos que el amor Es capaz de lo Impossible Ave Maria Ave Maria Gratia plena madre saneta Gratia plena Oh Madre Saneta Ave Maria Ave Maria Porque la esperanza Sea la luz del corazon Para siempre Ave Maria Porque el milagro es la magia del amor Gratia Madre Ave Maria |
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from Sarah Brightman - Winter Symphony [ccm] (2008)
Ave Maria Gratia plena Dominus tecum Benedicta tu in mulieribus Et benedictus fructos ventri tui Jesus Santa Maria Santa Maria Maria Ora pro nobis Nobis pecatoribus Nunc et in ora In ora mortis nostrae Amen Amen |
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from Sarah Brightman - Dreamchaser (2013) | |||||
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from Sarah Brightman - Dreamchaser (2013) | |||||
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from Sarah Brightman - Eden (1998)
'목동의 노래'(Bailero)
Pastre de delai l'aio, As gaire de buon tems Dio lou bailero lero, Lero lero lero lero bailero lo. Pastre lou prat fai flour, Li cal gorda toun troupel. Dio lou bailero lero, Lero lero lero lero bailero lo.Pastre couci forai, En obal io lou bel riou! Dio lou bailero lero, Lero lero lero lero bailero lo. 조금도 두려운 맘없이 바일레로를 노래합니다. 당신도 바일레로를 노래하고 있으니 저도 그럴수 있습니다. 목동이여, 목장에 꽃이 만발해 있으니 이리 와서 함께 바일레로를 부릅시다. 이쪽은 온통 초록색 풀밭, 이리 와 바일레로를 부릅시다. 목동이여, 냇물이 우리를 갈라놓고 있어요. 건너올 수도 없으니 어쩌죠, 바일레로? 그럼 내가 건너갈께요, 바일레로. << 심 주 일 >> |
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from Zen X Zen (2003)
If you can depend
On certainty Count it out and weigh it up again You can be sure You've reached the end And still you don't feel Do you know you're beautiful Do you know you're beautiful Do you know you're beautiful You are, yes you are, yes you are If you can ignore What you've become Take it out and see it die again You can be here So who's a friend And still you don't feel Do you know you're beautiful Do you know you're beautiful Do you know you're beautiful You are, yes you are, yes you are Yes you are Innermost thoughts Will be understood And you can have all you need Do you know (do you know about anything) Do you know (do you know about anyone) Do you know you're beautiful Do you know you're beautiful Do you know you're beautiful You are, yes you are, yes you are Do you know you're beautiful Do you know you're beautiful Do you know you're beautiful You are, yes you are, yes you are Yes, you are |
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from Sarah Brightman - Harem (2003)
If you can depend
On certainty Count it out and weigh it up again You can be sure You've reached the end And still you don't feel Do you know you're beautiful Do you know you're beautiful Do you know you're beautiful You are, yes you are, yes you are If you can ignore What you've become Take it out and see it die again You can be here So who's a friend And still you don't feel Do you know you're beautiful Do you know you're beautiful Do you know you're beautiful You are, yes you are, yes you are Yes you are Innermost thoughts Will be understood And you can have all you need Do you know (do you know about anything) Do you know (do you know about anyone) Do you know you're beautiful Do you know you're beautiful Do you know you're beautiful You are, yes you are, yes you are Do you know you're beautiful Do you know you're beautiful Do you know you're beautiful You are, yes you are, yes you are Yes, you are |
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from Sarah Brightman - Encore (2002) | |||||
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from Sarah Brightman - Timeless (1994) | |||||
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from Sarah Brightman - Time To Say Goodbye (1997) | |||||
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from Sarah Brightman - As I Came Of Age (1990)
Way down in Borlin' Green
Prettiest girls I've ever seen A man in Kentucky sure is lucky To love down in Bowling GreenBowling Green folks treat you kind They let you think your own mind A man in Kentucky sure is lucky In Bowling Green you walk your owl line Kentucky sunshine makes the heart unfold It warms the body and I know it touches the soul Blue Grass is find. Kentucky owns my mind The fields down in Bowling Green Have the softest grass I've ever seen A man in Kentucky sure is lucky To lie down in Bowling Green Bowling Green girls treat you right They wear dresses cut country right A man in Kentucky sure is lucky If he's seen the Bowling Green light |
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from Sarah Brightman - Dreamchaser (2013) | |||||
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from Sarah Brightman - As I Came Of Age (1990)
I had a dream last night
We never said goodbye You were here with me Brown EyesIt felt just like old times When you were by my side I could see your love shine through Brown Eyes Tenderly, you were kissing me And I held you so tight And you promised me, forever As we loved into the night You may be a dream A dream that's passed me by But I'll always dream of you Brown Eyes |
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from Sarah Brightman - Dive (1993)
I look in your eyes
And I see a little bit of heaven in view I face your disguise and I See you running too A teardrop of silence That's dissipating in an ocean of blue So let me dive under In memory of you By now it's loving and affection By now it's love By now it's loving and affection, baby By now it's love And will you still see me When I am lying under heavenly skies And will you still feel me When I reach out to you And when it's all over Just let me dive into the Pools of your eyes And then I'll float timeless Into a part of you By now it's loving and affection By now it's love By now it's loving and affection, baby... |
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from Sarah Brightman - Dive (1993)
I look in your eyes
And I see a little bit of heaven in view I face your disguise and I See you running too A teardrop of silence That's dissipating in an ocean of blue So let me dive under In memory of you By now it's loving and affection By now it's love By now it's loving and affection, baby By now it's love And will you still see me When I am lying under heavenly skies And will you still feel me When I reach out to you And when it's all over Just let me dive into the Pools of your eyes And then I'll float timeless Into a part of you By now it's loving and affection By now it's love By now it's loving and affection, baby... |
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from Sarah Brightman - Symphony (2008)
Si lo so
Amore che io e te Forse stiamo insieme Solo qualche istante Zitti stiamo Ad ascoltare Il cielo Alla finestra Questo mondo che Si sveglia e la notte e Gia cosi lontana Gia lontana Guarda questa terra che Che gira insieme a noi Anche quando e buio Guarda questa terra che Che gira anche per noi A dorci un po'di sole, sole, sole My love che sei l'amore mio Sento la tua voce e ascolto il mare Sembra davvero il tuo respiro L'amore che mi dai Questo amore che Sta li nascosto In mezzo alle sue onde A tutte le sue onde Come una barca che Guarda questa terra che Che gira insieme a noi Anche quando e buio Guarda questa terra che Che gira anche per noi A dorci un po'di sole, sole, sole Guarda questa terra che Che gira insieme a noi A dorci un po'di sole Mighty sun Mighty sun |
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from Sarah Brightman - Dive (1993)
voice of a salty sea dog) It was like riding a port over a waterfall, and wind
is not the for what blows in your face: It was something made of iron! Swings at ya from the West, never changin' day in and day out. With seas as high as the main mast. We had lifelines rigged everywhere, sir, and there were still 16 men washed over board...Cold? Three men froze in the yards; frozen stiff, sir. Couldn't get them down without cutting their fingers loose from the shrouds. I was lucky... |
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from Sarah Brightman - Dive (1993)
voice of a salty sea dog) It was like riding a port over a waterfall, and wind
is not the for what blows in your face: It was something made of iron! Swings at ya from the West, never changin' day in and day out. With seas as high as the main mast. We had lifelines rigged everywhere, sir, and there were still 16 men washed over board...Cold? Three men froze in the yards; frozen stiff, sir. Couldn't get them down without cutting their fingers loose from the shrouds. I was lucky... |
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from Sarah Brightman - Dive (1993)
Under the surface so crystal clear
Everyone was really tense Waiting down there He had his own world just like I had mine We'll go seperate ways 'til the next time There are no words to say as My friend swims away Captain Nemo said, "okay" (five, four, three, two, one) Then I raised my hand and waved Captain Nemo went away (Love me when I'm gone) Left 'em all alone, Nemo's going home And as I watched him, police boats approached An alien force haunting us like ghosts "Wish I could stay here and play for a while But I must be on my way..." The warmest of smiles Then he dived into the waves among the other whales Captain Nemo said, "okay" (five, four, three, two, one) Then I raised my hand and waved Captain Nemo went away (Love me when I'm gone) Left 'em all alone, Nemo's going home... |
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from Sarah Brightman - Dive (1993)
Under the surface so crystal clear
Everyone was really tense Waiting down there He had his own world just like I had mine We'll go seperate ways 'til the next time There are no words to say as My friend swims away Captain Nemo said, "okay" (five, four, three, two, one) Then I raised my hand and waved Captain Nemo went away (Love me when I'm gone) Left 'em all alone, Nemo's going home And as I watched him, police boats approached An alien force haunting us like ghosts "Wish I could stay here and play for a while But I must be on my way..." The warmest of smiles Then he dived into the waves among the other whales Captain Nemo said, "okay" (five, four, three, two, one) Then I raised my hand and waved Captain Nemo went away (Love me when I'm gone) Left 'em all alone, Nemo's going home... |
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from Mario Frangoulis - My Best Of (2011) | |||||
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from Sarah Brightman - Surrender (The Unexpected Songs) (1996)
Pas de tendresse Et pas de joie, Loin d'ici, Loin de toi. Rien de plus triste Que mes soupirs, Lorsque vient le jour O il me faut partir. Chanson d'enfance, Tu vis toujours dans ma coeur. Toi, la plus douce! Toi, la plus tendre! C'est la chanson Qui dit toujours: Dans ton esprit Je vis toujours. C'est la chanson Qui dit toujours: Dans ton esprit Je vis toujours. And the last three stanzas are ed once |
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from Sarah Brightman - Winter Symphony [ccm] (2008)
Child in the manger Infant of Mary Outcast and Stranger Lord of us all Child Who inherits all our transgressions All our demerits upon Him fall Once the most holy Child of salvation Gently and lowly lived here below Now as our glorious mighty Redeemer See Him victorious o'er each foe Prophets foretold Him Infant of wonder Angels behold Him on His throne Worthy our Savior of all our praises Happy forever are His own Worthy our Savior of all our praises Happy forever are His own |
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from Sarah Brightman - Dreamchaser (2013) | |||||
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from Sarah Brightman - Winter Symphony [ccm] (2008)
It's colder than winter Right here in my heart Yes I'm gonna miss her he's torn me apart I couldn't make you love me couldn't give you any more It's colder than winter Since you closed the door Every time the sun sets I shed another tear And the lonelier I get Wishing you were still here It's colder than winter i'm free see me inside my tears won't be bitter Even though our love died couldn't make you love me I couldn't give you anymore It's colder than winter Since you closed the door couldn't make you love me I couldn't give you anymore It's colder than winter Since you closed the door It's colder than winter Since you closed the door |
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from Sarah Brightman - Trees They Grow So High (1988) | |||||
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from Sarah Brightman - Trees They Grow So High (1988)
Dear Harp of my Country! in darkness I found thee,
The cold chain of silence had hung o'er thee long; When proudly, my own Island Harp! I unbound thee, And gave all thy chords to light, freedom, and song! The warm lay of love and the light tone of gladness Have waken'd thy fondest, thy liveliest thrill; But so oft has thou echo'd the deep sigh of sadness, That e'en in thy mirth it will steal from thee still. Dear Harp of my Country! farewell to thy numbers. This sweet wreath of song is the last we shall twine; Go, sleep with the sunshine of Fame on thy slumbers, Till touch'd by some hand less unworthy than mine. If the pulse of the patriot, soldier, or lover, Have throbb'd at our lay, 'tis thy glory alone; I was but as the wind, passing heedlessly over, And all the wild sweetness I waked was thy own! |
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from Sarah Brightman - Eden (1998)
Deliver me, out of my sadness.
Deliver me, from all of the madness. Deliver me, courage to guide me. Deliver me, strength from inside me. All of my life I've been in hiding. Wishing there was someone just like you. Now that you're here, now that I've found you, I know that you're the one to pull me through. Deliver me, loving and caring. Deliver me, giving and sharing. Deliver me, the cross that I'm bearing. All of my life I was in hiding. Wishing there was someone just like you. Now that you're here, now that I've found you, I know that you're the one to pull me through. Deliver me. Deliver me. Oh deliver me. All of my life I was in hiding. Wishing there was someone just like you. Now that you're here, now that I've found you, I know that you're the one to pull me through. Deliver me. Oh deliver me. Won't you deliver me. |
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from Brokedown Palace (브로크다운 팰리스) by David Newman [ost] (1999)
Every woman and every man,
Knows the feeling so well Those times when the heart just can't understand, The times when you never can tell Chorus So deliver me, deliver me Baby take this heart, set it free Take this chance, take this dream Baby, take this heart Deliver me -- I was born with something down inside of me And it's carried me over, delivered me Yeah delivered me, I'm standin' at your gate Just out of reach of the hands of fate (Repeat Chorus) Sometimes I wonder if this is worth the trouble Sometimes I wonder if this is worth the fight I never have made my mind up about it I've just decided to let it all ride -- 음악을 사랑하는 심 주 일 올림 |
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from Sarah Brightman - Dive (1993)
From space, the planet is blue
From space, the planet is the territory Not of humans But of the whale |
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from Sarah Brightman - Dive (1993)
From space, the planet is blue
From space, the planet is the territory Not of humans But of the whale |
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from The Very Best Of Andrew Lloyd Webber: The Broadway Collection [omnibus] (2018) | |||||
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from Love Changes Everything by Sarah Brightman [ost] (2005)
It won't be easy
You'll think it's strange When I try to explain how I feel But I still need your love after all that I've done You won't believe me All you will see is a girl you once knew Although she's dressed up to the nines At sixes and sevens with you? I had to let it happen I had to change Couldn't stay all my life down at heel Looking out of the window, staying out of the sun So I chose freedom, Running around trying everything new But nothing impressed me at all I never expected it to : Don't Cry For Me Argentina The truth is I never left you All through my wild days My mad existence I kept my promise Don't keep your distance And as for fortune and as for fame I never invited them in Though it seemed to the world, It was all I desired They're all illusions They're not the solutions they promised to be The answers were here all the time I love you, and hope you love me Don't Cry For Me Argentina. . . |
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from Sarah Brightman - Encore (2002) | |||||
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from Sarah Brightman - Encore (2002) | |||||
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from Highlights From The Phantom Of The Opera by Phantom Of The Opera Original London Cast [single, ost] (2013) | |||||
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from Sarah Brightman - Eden (1998)
I close my eyes. Only for a moment and the moment's gone.
All my dreams pass before my eyes in curiosity. Dust in the wind. All they are is dust in the wind. Same old song. Just a drop of water in an endless sea. All we do crumbles to the ground though we refuse to see. Dust in the wind. All we are is dust in the wind. Don't hang on. Nothing lasts forever but the earth and sky. It slips away and all your money won't another minute buy. Dust in the wind. All we are is dust in the wind. Dust in the wind. Everything is dust in the wind. |
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from Sarah Brightman - Trees They Grow So High (1988)
Early one morning, just as the sun was rising,
I heard a maid singing in the valley below; "O don't deceive me, O do not leave me! How could you use a poor maiden so?" "O gay is the garland, fresh are the roses I've culled from the garden to bind on thy brow. O don't deceive me, O do not leave me! How could you use a poor maiden so?" "Remember the vows that you made to your Mary, Remember the bow'r where you vow'd to be true; O don't deceive me, O never leave me! How could you use a poor maiden so?" Thus sung the poor maiden, her sorrow bewailing, Thus sung the poor maiden in the valley below; "O don't deceive me, O do not leave me! How could you use a poor maiden so?" |
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from Sarah Brightman - Eden (1998)
Did you ever think of me
As your best friend Did I ever think of you I'm not complaining I never tried to feel I never tried to feel This vibration I never tried to reach I never tried to reach Your eden Your eden Your edenDid I ever think of you As my enemy Did you ever think of me I'm complaining I never tried to feel I never tried to feel This vibration I never tried to reach I never tried to reach Your eden Your eden Your eden I never tried to feel (Your eden) I never tried to feel (Your eden) |
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from Sarah Brightman - Timeless (1994)
Aranjuez, un lugar de ensueños y de amor
Donde un rumor de fuentes de cristal En el jardín parece hablar En voz baja a las rosas Aranjuez, hoy las hojas secas sin color Que barre el viento Son recuerdos del romance que una vez Juntos empezamos tu y yo Y sin razón olvidamos Quizá ese amor escondido esté En un atardecer En la brisa o en la flor esperando tu regreso Aranjuez, hoy las hojas secas sin color Que barre el viento Son recuerdos del romance que una vez Juntos empezamos tu y yo Y sin razón olvidamos En Aranjuez, amor Tu y yo |
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from Sarah Brightman - Time To Say Goodbye (1997)
Music and lyrics: Joaguin Rodrigo / Alfredo Garcia Segur
******************************************************* Aranjuez, Un lugar de ensueños y de amor Donde un rumor de fuentes de cristal En el jardín parece hablar En voz baja a las rosas Aranjuez, Hoy las hojas secas sin color Que barre el viento Son recuerdos del romance que una vez Juntos empezamos tu y yo Y sin razón olvidamos Quizá ese amor escondido esté En un atardecer En la brisa o en la flor Esperando tu regreso Aranjuez, Hoy las hojas secas sin color Que barre el viento Son recuerdos del romance que una vez Juntos empezamos tu y yo Y sin razón olvidamos En Aranjuez, amor Tu y yo |
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from Sarah Brightman - Dreamchaser (2013) | |||||
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from Sarah Brightman - Surrender (The Unexpected Songs) (1996)
Mary Magdalene (Sarah Brightman) Try not to get worried Try not to turn on to Problems that upset you (oh) Don't you know Everything's alright Yes everything's fine And we want you to sleep well tonight Let the world turn without you tonight If we try We'll get by So forget all about us tonight Apostles' Women Everything's all right Yes everything's all right yes Mary Magdalene Sleep and I shall soothe you Calm you and anoint you Myrrh for your hot forehead (oh) Then you'll feel Everything's all right Yes everything's fine And it's cool and the ointment's sweet For the fire in your head and feet Close your eyes Close your eyes And relax Think of nothing tonight Apostles' Women Everything's all right Yes everything's all right yes Judas (Gary Martin) Woman your fine ointment Brand new and expensive Could have been saved for the poor Why has it been wasted? We could have raised maybe Three hundred silver pieces or more People who are hungry People who are starving Thay matter more Than your feet and hair Mary Magdalene Try not to get worried Try not to turn on to Problems that upset you (oh) Don't you know Everything's all right Yes everything's fine And we want you to sleep well tonight Let the world turn without you tonight If we try We'll get by So forget all about us tonight Apostles' Women Everything's all right Yes everything's all right yes Jesus (Bogdan Kominowksi) Surely you're not saying We have the resources-aca |
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from Love Changes Everything by Sarah Brightman [ost] (2005)
Mary Magdalene (Sarah Brightman)
Try not to get worried Try not to turn on to Problems that upset you (oh) Don't you know Everything's alright Yes everything's fine And we want you to sleep well tonight Let the world turn without you tonight If we try We'll get by So forget all about us tonight Apostles' Women Everything's all right Yes everything's all right yes Mary Magdalene Sleep and I shall soothe you Calm you and anoint you Myrrh for your hot forehead (oh) Then you'll feel Everything's all right Yes everything's fine And it's cool and the ointment's sweet For the fire in your head and feet Close your eyes Close your eyes And relax Think of nothing tonight Apostles' Women Everything's all right Yes everything's all right yes Judas (Gary Martin) Woman your fine ointment Brand new and expensive Could have been saved for the poor Why has it been wasted? We could have raised maybe Three hundred silver pieces or more People who are hungry People who are starving Thay matter more Than your feet and hair Mary Magdalene Try not to get worried Try not to turn on to Problems that upset you (oh) Don't you know Everything's all right Yes everything's fine And we want you to sleep well tonight Let the world turn without you tonight If we try We'll get by So forget all about us tonight Apostles' Women Everything's all right Yes everything's all right yes Jesus (Bogdan Kominowksi) Surely you're not saying We have the resources-aca |
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from Sarah Brightman - La Luna (2000)
Muri die vento
Notte e scesa Padre e figlio sono insiem Con un cavallo Vanno avanti In questa grande oscurita Ma ad un tratto Il bimbo trema Dalla paura Freddo si fa Padre oh padre Tu non hai visto Re degli elfi Eccolo la Figlio perduto, Vuoi far un gioco? Gioia ti porto Vieni con me Padre oh padre Hai gia sentito Cosa mi dice E che vuol' far Figlio perduto Se tu non vieni Io usero la forza che ho Padre oh padre Re degli elfi Mi sta toccando Male mi fa E il bambino, Con occhi chiusi Lui non si muove Perso e gia Figlio Figlio perduto Se tu non vieni Io usero la mia forza Padre oh padre Re degli elfi Mi sta toccando Male mi fa E il bambino, Con occhi chiusi Lui non si muove Perso e gia |
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from Sarah Brightman - Trees They Grow So High (1988) | |||||
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from Sarah Brightman - La Luna (2000)
When I was small, and Christmas trees were tall
we used to love while others used to play Don't ask me why, but time has passed us by someone else moved in from far away * Now we are tall, and Christmas trees are small and you don't ask the time of day But you and I, our love will never die but guess who'll cry come first of May The apple tree that grew for you and me I watched the apples falling one by one And as I recall the moment of them all the day I kissed your cheek and you were gone *Repeat When I was small, and Christmas trees were tall do do do do do do do do do Don't ask me why, but time has passed us by someone else moved in from far away |
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from Christmas All Over The World (2002)
When I was small, and Christmas trees were tall
We used to love while others used to play Don't ask me why, but time has passed us by Someone else moved in from far away Now we are tall, and Christmas trees are small And you don't ask the time of day But you and I, our love will never die But guess we'll cry come first of May The apple tree that grew for you and me I watched the apples falling one by one And I recall the moment of them all The day I kissed your cheek and you were mine Now we are tall, and Christmas trees are small And you don't ask the time of day But you and I, our love will never die But guess we'll cry come first of May When I was small, and Christmas trees were tall Do do do do do do do do do... Don't ask me why, but time has passed us by Someone else moved in from far away |
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from Sarah Brightman - Symphony (2008) | |||||
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from Sarah Brightman - Fly (1995)
Neil Armstrong
That's one small step for a man, one giant leap for mankind Sarah Brightman Across a harvest of stars and constellations We'll drink a starjuice on Mars Miss our connection and cry cause I don't know why I am a fly It's all pie in the sky |
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from Sarah Brightman - Harem (2003)
And do you still touch her like you do
Kiss her all over in the way I kissed with you And when you sleep with her, do you sometimes think of me Not if you love her the way that I see I had to be free Had to be free It's all that I wanted I wanted to see Wanted to be Alone if I needed I had to be free Had to be free From feelings that haunted I wanted to see Wanted to be Free And then in the evening light, when the bars of freedom fall I watch the two of you in the shadows on the wall How in the darkness steals some of the choices from my hand Then will I begin to understand I had to be free Had to be free It's all that I wanted I wanted to see Wanted to be Alone if I needed I had to be free Had to be free From feelings that haunted I wanted to see Wanted to be Free I had to be free Had to be free It's all that I wanted I wanted to see Wanted to be Alone if I needed I had to be free Had to be free From feelings that haunted I wanted to see Wanted to be Free |
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from Sarah Brightman - Fly (1995)
Ebbene? ... N'andrò lontana,
Come va l'eco della pia camana, Là, fra la neve bianca; Là, fra le nubi d'or; Là, dov'è la speranza, la speranza Il rimpianto, il rimpianto, e il dolor! Ebbene? ... N'andrò lontana, Là, dov'è la speranza, la speranza Il rimpianto Sola e lontana! Two men collide When two men collide, when two men collide It's a question of honour Two men collide When two men collide, when two men collide It's a question of honour Two men collide When two men collide, when two men collide If you win or you lose, it's a question of honour And the way that you choose, it's a question of honour I can't tell what's wrong or right If black is white or day is night But I know when two men collide It's a question of honour If you win or you lose, it's a question of honour And the way that you choose, it's a question of honour If you win or you lose, it's a question of honour And the way that you choose, it's a question of honour I can't tell what's wrong or right If black is white or day is night I know when two men collide It's a question of honour Ebbene? ... N'andrò lontana, Come l'eco della pia campana, Là, fra la neve bianca; Là, fra le nubi d'or; N'andrò, n'andrò sola e lontana! E fra le nubi d'or! Well? I will go far, As the echo of the devout bell goes, Here, between the snow white woman; Here, between clouds of or; Here, dov' it is the hope, the hope The regret, the regret, and the dolor! Well? N' I will go far, Here, dov' it is the hope, the hope The regret Single and far! Well? N' I will go far, Like the echo of the devout bell, Here, between the snow white woman; Here, between clouds of or; N' I will go, n' I will go single and far! And between clouds of or! |
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from Sarah Brightman - La Luna (2000)
Sunday is gloomy.
My hours are slumberless Dearest the shadows I live with are numberless Little white flowers Will never awaken you Not where the black coach Of sorrow has taken you Angels have no thought Of ever returning you Would they be angry If I thought of joining you Gloomy Sunday Sunday is gloomy With shadows I spend it all My heart and I have decided To end it all Soon there'll be flowers and prayers That are said I know But let them not weep Let them know That I'm glad to go Death is no dream For in death I'm caressing you With the last breath of my soul I'll be blessing you Gloomy Sunday Dreaming I was only dreaming I wake and I find you asleep In the deep of my heart dear Darling I hope That my dream never haunted you My heart is telling you How much I wanted you Gloomy Sunday Gloomy Sunday |
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from Sarah Brightman - Dreamchaser (2013) | |||||
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from Sarah Brightman - As I Came Of Age (1990)
Good morning starshine, the earth says hello
You twinkle above us We twinkle belowGood morning starshine, you lead us along My love and me as we sing Our early morning singing song Gliddy glup gloopy nibby nabby noopy la la la lo lo Sabba sibby sabba nooby abba nabba le le lo lo Tooby ooby walla nooby abba nabba Early morning starshine Good morning starshine, There's love in yoru skies Reflecting the sunlight In my lover's eyes Good morning starshine so happy to be My love and me as we sing Our early morning song Can you hear me? Singing a song, humming a song, singing a song Loving a song, laughing a song, singing the song Sing the song, song the sing Song song song sing sing sing sing song |
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from Sarah Brightman - Symphony (2008) | |||||
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from Sarah Brightman - Encore (2002) | |||||
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from Sarah Brightman - Surrender (The Unexpected Songs) (1996)
Guardami
Guardami No andare via Guardami Non vorrai di pi?Non lasciar che cos?sia Con un si vedrai Quello che vorrai Guardami Sono solo io Quella che Ti porter?via La mia anima ?con te Non saprai di pi?Mai pi?vedrai La scena che faro E non fingero Di saper di pi?Tu sai che io ?l?che finir?Mentre guardo te Di dir?cosa ?Guardami Gi?non parlo pi?Sento ormai Che t'arrenderai Piano piano tra di noi ?la musica che ti fa sognar Guardami Non ne posso pi?Questa si ?la vita mia E nell'ombra Troverai Tutto quel che vuoi Una dolce melodia Che qualcuno a vr?Cantato gi?Guardami Una fiamma ormai Come me non ci saranno mai Sono ancora qui tra voi Sento che adesso Io rimarr?qui Solo adesso Sento che con te Sono io Guarda |
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from Sarah Brightman - Harem (2003)
Il reste de nous des bouts de ruine
Des pans de murs anciens, des pierres où l'on devine Que la vie fut belle et riche, avec tant d'amour en prime Avant que le temps ne l'abîme J'ai guéri de toi, guéri de toi Je n'ai presque plus mal J'ai guéri de toi, guéri de toi Juste à peine un peu froid Mais guérie de quoi? Guérie de quoi? Si l'amour m'est égal? J'ai presque plus mal, juste un peu froid Là J'envie la fille qui dort dans les bras qui me tenaient Son coeur bât-il autant que le mien quand il battait? Les mots que tu dis tout bas, j'avais raison d'y croire aussi Avant que le temps m'ait trahie J'ai guéri de toi, guéri de toi Je n'ai presque plus mal J'ai guéri de toi, guéri de toi Juste à peine un peu froid Mais guérie de quoi? Guérie de quoi? Si l'amour m'est égal? J'ai presque plus mal, juste un peu froid... Là J'ai guéri de toi, guéri de toi Je n'ai presque plus mal J'ai guéri de toi, guéri de toi Juste à peine un peu froid Mais guérie de quoi? Guérie de quoi? Si l'amour m'est égal? J'ai presque plus mal, juste un peu froid Là |
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from Sarah Brightman - Surrender (The Unexpected Songs) (1996)
Gus is the cat at the theatre door His name, as I ought to have told you before Is really Asparagus, but that's a fuss to pronounce That we usually call him just Gus His coat's very shabby, he's thin as a rake And he suffers from palsy that makes his paw shake For he was in his youth quite the smartest of cats But no longer a terror to mice or to rats For he isn't the cat that he was in his prime Though his name was quite famous, he says, in his time And whenever he joins his friends at their club (Which takes place at the back of the neighbouring pub) He loves to regale them, if someone else pays With anecdotes drawn from his palmiest days For he once was a star of the highest degree He has acted with Irving, he's acted with Tree And he likes to relate his success on the halls Where the gallery once gave him seven cat calls But his grandest creation as he loves to tell Was Firefrorefiddle, the fiend of the fell I have played in my time every possible part And I used to know seventy speeches by heart I'd extemporize backchat, I knew how to gag And I knew how to let the cat out of the bag I knew how to act with my back and my tail With an hour of rehearsal, I never could fail I'd a voice that would soften the hardest of hearts Whether I took the lead, or in character parts I have sat by the bedside of poor little Nell When the curfew was rung then I swung on the bell In the pantomime season, I never fell flat And I once understudied Dick Whittington's cat But my grandest creation, as history will tell was Firefrorefiddle, the fiend of the fell Then, if someone will give him a toothful of gin He will tell how he once played a part in East Lynne At a Shakespeare performance he once walked on pat When some actor suggested the need for a cat And I say now these kittens, they do not get trained As we did in the days when Victoria reigned They never get drilled in a regular troupe And they think they are smart just to jump through a hoop And he says as he scratches himself with his claws Well the theatre is certainly not what is was These modern productions are all very well But there's nothing to equal from what I hear tell That moment of mystery when I made history As Firefrorefiddle, the fiend of the fell |