![]() |
|
- | ![]() |
||
from Joan Baez - Volume 2 (1961)
I asked my love to take a walk
To take a walk, just a little walk Down beside where the waters flow Down by the banks of the old Ohio And only say that you'll be mine In no others arms entwine Down beside where the waters flow Down by the banks of the old Ohio I held a knife against her breast As in my arms she pressed She cried, "Oh, Willie, don't murder me I'm not prepeared for eternity" And only say that you'll be mine In no others arms entwine Down beside where the waters flow Down by the banks of the old Ohio I started home 'tween twelve and one I cried, "My God, what have I done? Killed the only woman I loved Because she would not be my bride" And only say that you'll be mine In no others arms entwine Down beside where the waters flow Down by the banks of the old Ohio |
|||||
![]() |
|
- | ![]() |
||
from Joan Baez - Volume 2 (1961)
Twas in the merry month of May
When green buds all were swelling, Sweet William on his death bed lay For love of Barbara Allen. He sent his servant to the town To the place where she was dwelling, Saying you must come, to my master dear If your name be Barbara Allen. So slowly, slowly she got up And slowly she drew nigh him, And the only words to him did say Young man I think you're dying. He turned his face unto the wall And death was in him welling, Good-bye, good-bye, to my friends all Be good to Barbara Allen. When he was dead and laid in grave She heard the death bells knelling And every stroke to her did say Hard hearted Barbara Allen. Oh mother, oh mother go dig my grave Make it both long and narrow, Sweet William died of love for me And I will die of sorrow. And father, oh father, go dig my grave Make it both long and narrow, Sweet William died on yesterday And I will die tomorrow. Barbara Allen was buried in the old churchyard Sweet William was buried beside her, Out of sweet William's heart, there grew a rose Out of Barbara Allen's a briar. They grew and grew in the old churchyard Till they could grow no higher At the end they formed, a true lover's knot And the rose grew round the briar. |
|||||
![]() |
|
- | ![]() |
||
from Joan Baez - Volume 2 (1961) | |||||
![]() |
|
- | ![]() |
||
from Joan Baez - Volume 2 (1961)
Song Title: Lonesome Road
Artist(Band): Joan Baez Look up and down that lonesome road, hang down your head and cry - my Lord! hang down your head and cry They say all good friends must part sometimes why not you and I (my Lord) why not you and I I wish to the Lord that I've never been born, or died when I was a baby, my Lord! or died when I was a baby I would've not been here eating this cold cold bread and supping this salty gravy, my Lord! and supping this salty gravy I wish to the Lord that I've never seen your face, heard your lying tongue, my Lord! heard your lying tongue So look up and down that lonesome road, all our friends have gone, my Lord! and you and I must go Look up and down that lonesome road, hang down your head and cry - my Lord! hang down your head and cry |
|||||
![]() |
|
- | ![]() |
||
from Joan Baez - Volume 2 (1961)
Traditional
Well, I had an old dog and his name was Blue, Had an old dog and his name was Blue. Had an old dog and his name was Blue... Betcha five dollars he's a good dog too... "Here old Blue" "Good dog you" Well, I shouldered my axe and I tooted my horn, Went to find 'possum in the new-grown corn. Old Blue treed and I went to see, Blue had 'possum up a tall oak tree. Mmm, boy I roast'd 'possum, nice and brown, Sweet po-ta-toes, n' all a-round... And to say "Here old Blue (here-boy) You can have some too" Now, Old Blue died and he died so hard, Made a big dent in my back-yard. Dug his grave with a silver spade, Lowered him down with a link of chain. Ev-er-y link I did call his name... Singing "Here…old...Blue-ue... "Good dog you" Now, when I get to heaven, first thing I'll do. When I get to heaven, first thing 'awm do. When I get to heaven first thing I'll do, Pull out my horn and call old Blue... I'll say, "Here Old Blue come-on dog" "Good dog you." I'll say, "Here Blue-e" "I'm a coming there too" "Down boy... good dog" |
|||||
![]() |
|
- | ![]() |
||
from Joan Baez - Volume 2 (1961) | |||||
![]() |
|
- | ![]() |
||
from Joan Baez - Volume 2 (1961)
Pal Of Mine
In the night, while you lay sleeping Dreaming of your amber skies Was a poor boy broken hearted Listening to the winds that sigh My little darling, oh how, I love you How I love you, none can tell In your heart you love another Little darling, pal of mine Many a day, with you I've rambled Happiest hours, with you I've spent For I had your heart forever But I find it's only lent There is just three things I wish for That's my casket, shroud and grave When I'm dead, don't weep for me Just like those lips that you betrayed |
|||||
![]() |
|
- | ![]() |
||
from Joan Baez - Volume 2 (1961) | |||||
![]() |
|
- | ![]() |
||
from Joan Baez - Volume 2 (1961)
Lyrics as performed by Bob Dylan and Joan Baez, Hughes Stadium, Colorado
University, Fort Collins, CO, 23 May 1976, transcribed by Manfred Helfert. She went upstairs to make her bed And not one word to her mother said. Her mother she went upstairs too Saying, "Daughter, oh daughter, what's troublin' you?": "Oh mother, oh mother, I cannot tell That railroad boy that I love so well. He courted me my life away And now at home will no longer stay." "There is a place in yonder town Where my love goes and he sits him down. And he takes that strange girl on his knee And he tells to her what he won't tell me." Her father he came home from work Sayin', "Where is my daughter, she seems so hurt" He went upstairs to give her hope An' he found her hangin' by a rope. He took his knife and he cut her down And on her bosom these words he found: "Go dig my grave both wide and deep, Put a marble stone at my head and feet, And on my breast, put a snow white dove To warn the world that I died of love. |
|||||
![]() |
|
- | ![]() |
||
from Joan Baez - Volume 2 (1961)
An earthly nurse sits and sings,
And aye she sings a lily wean - "Little ken I my bairn's father, Far less the land that he dwells in." For he's come one night to her bed's foot And a grumly guest I'm sure he'd be, Saying, "Here am I, thy bairn's father, Although I be not comely. "I am a man upon the land, I am a silkie in the sea, And when I'm far and far from land, My home it is the sule skerrie." And he has ta'en a purse of gold, And he had placed it upon her knee, Saying, "Give to me my little young son And take thee up thy nurse's fee. "And I will come one summer's day When the sun shine's bright on every stane, I'll come and fetch my little young son, And teach him how to swim the faem. "And ye shall marry a gunner bold, And a right fine gunner I'm sure he'll be, And the very first shot that ever he shoots Will kill both my young son and me." |
|||||
![]() |
|
- | ![]() |
||
from Joan Baez - Volume 2 (1961)
When Joseph was an old man, an old man was he
He married Virgin Mary, the Queen of Galilee He married Virgin Mary, the Queen of Galilee Joseph and Mary walked through an orchard green There were cherries and berries, as thick as might be seen There were cherries and berries, as thick as might be seen Mary said to Joseph, so meek and so mild: Joseph, gather me some cherries, for I am with child Joseph, gather me some cherries, for I am with child Then Joseph flew in anger, in anger flew he Let the father of the baby gather cherries for thee! Let the father of the baby gather cherries for thee! Then up spoke baby Jesus, from in Mary's womb: Bend down the tallest branches, that my mother might have some Bend down the tallest branches, that my mother might have some And bend down the tallest branches, it touched Mary's hand Cried she: Oh look thou Joseph, I have cherries by command Oh look thou Joseph, I have cherries by command |
|||||
![]() |
|
- | ![]() |
||
from Joan Baez - Volume 2 (1961) | |||||
![]() |
|
- | ![]() |
||
from Joan Baez - Volume 2 (1961)
The trees they grow high,
the leaves they do grow green Many is the time my true love I've seen Many an hour I have watched him all alone He's young, but he's daily growing Father, dear father, you've done me great wrong You have married me to a boy who is too young I'm twice twelve and he is but fourteen He's young, but he's daily growing Daughter, dear daughter, I've done you no wrong I have married you to a great lord's son He'll make a lord for you to wait upon He's young, but he's daily growing Father, dear father, if you see fit We'll send him to college for one year yet I'll tie blue ribbons all around his head To let the maidens know that he's married One day I was looking o'er my father's castle wall I spied all the boys aplaying with the ball My own true love was the flower of them all He's young, but he's daily growing At the age of fourteen, he was a married man At the age of fifteen, the father of a son At the age of sixteen, his grave it was green And death had put an end to his growing |
|||||
![]() |
|
- | ![]() |
||
from Joan Baez - Volume 2 (1961)
Oh, hard is the fortune of all woman kind
She's always controlled, she's always confined Controlled by her parents untill she's a wife A slave to her husband the rest of her life Oh, i'm just a poor girl my fortune is sad i've always been courted by the wagoner's lad He's courted me daily, by night and by day But now he is packing and moving away My parents don't like him because he is poor They say he's not worthy of entering my door He works for a living, his money's his own And if they don't like it they can leave him alone Your horses are hungry, go feed them some hay Then sit down beside me as long as you may My horses aint hungry, they won't eat your hay Then fare thee well darlin i'll be on my way Your wagon needs greasing your whip is to mend Then sit down beside me as long as you can My wagon is greasy, my whip's in my hand Then fare thee well darlin, no longer to stand |
|||||
![]() |
|
- | ![]() |
||
from Joan Baez - Noel (1966) | |||||
![]() |
|
- | ![]() |
||
from Joan Baez - Noel (1966) | |||||
![]() |
|
- | ![]() |
||
from Joan Baez - Noel (1966) | |||||
![]() |
|
- | ![]() |
||
from Joan Baez - Noel (1966)
Ave Maria! Jungfrau mild,
Erhore einer Jungfrau Flehen, Aus diesem Felsen starr und wild Soll mein Gebet zu dir hinwehen. Wir schlafen sicher bis zum Morgen, Ob Menschen noch so grausam sind. O Jungfrau, sieh der Jungfrau Sorgen, O Mutter, hor ein bittend Kind! Ave Maria! Ave Maria! Unbefleckt! Wenn wir auf diesen Fels hinsinken Zum Schlaf, und uns dein Schutz bedeckt Wird weich der harte Fels uns dunken. Du lachelst, Rosendufte wehen In dieser dumpfen Felsenkluft, O Mutter, hore Kindes Flehen, O Jungfrau, eine Jungfrau ruft! Ave Maria! Ave Maria! Reine Magd! Der Erde und der Luft Damonen, Von deines Auges Huld verjagt, Sie konnen hier nicht bei uns wohnen, Wir woll'n uns still dem Schicksal beugen, Da uns dein heil'ger Trost anweht; Der Jungfrau wolle hold dich neigen, Dem Kind, das fur den Vater fleht. Ave Maria! |
|||||
![]() |
|
- | ![]() |
||
from Joan Baez - Noel (1966)
Away in a manger
No crib for a bed The little Lord Jesus Lay down His sweet head The stars in the Heavens Look down where lay The little Lord Jesus Asleep on the hay The cattle are lowing The baby awakes But little Lord Jesus No crying he makes I love thee Lord Jesus Look down from the sky And stay by my cradle 'Til morning is nigh |
|||||
![]() |
|
- | ![]() |
||
from Joan Baez - Noel (1966) | |||||
![]() |
|
- | ![]() |
||
from Joan Baez - Noel (1966)
The winter season of the year
When to this world Our Lord was born The ox and donkey, so they say, Did keep His Holy Presence warm. How many oxen and donkeys now If they were there when first He came How many oxen and donkeys you know At such a time would do the same? And on that night it has been told These humble beasts so rough and rude Throughout the night of Holy Birth Drank no water, ate no food. How many oxen and donkeys now Dressed in ermine, silk and such, How many oxen and donkeys you know At such a time would do as much? As soon as to these humble beasts Appeared Our Lord, so mild and sweet With joy they knelt before His Grace And gently kissed His tiny feet Would we like oxen and donkeys then In spite of all the things be heard Would we like oxen and donkeys then We'd hear the truth, believe His word? |
|||||
![]() |
|
- | ![]() |
||
from Joan Baez - Noel (1966) | |||||
![]() |
|
- | ![]() |
||
from Joan Baez - Noel (1966)
Lully lulla, thou little tiny Child,
By, by, lully lullay. O sisters too, how may we do, For to preserve this day This poor Youngling for whom we do sing, By, by, lully lullay. Herod the King, in his raging, Charged he hath this day; His men of might, in his own sight, All young children to slay. Then woe is me, poor Child, for Thee, And ever mourn and say; For Thy parting neither say nor sing, By, by, lully lullay. Lully lulla, thou little tiny Child, By, by, lully, lullay. |
|||||
![]() |
|
- | ![]() |
||
from Joan Baez - Noel (1966) | |||||
![]() |
|
- | ![]() |
||
from Joan Baez - Noel (1966)
Down in yon forest there's stands a hall
The bells of paradise I heard them ring It's covered all over with purple and pall And I love my Lord Jesus above anything In that hall there stands a bed The bells of paradise I heard them ring It's covered all over with scarlet so red And I love my Lord Jesus above anything At the bed side there lies a stone The bells of paradise I heard them ring The sweet virgin Mary knelt upon And I love my Lord Jesus above anything Under that bed there runs a flood The bells of paradise I heard them ring The one half runs water And other runs blood And I love my Lord Jesus above anything At the bed's foot there grows a thorn The bells of paradise I heard them ring Whichever blows blossoms since He was born And I love my Lord Jesus above anything Over that bed the moon shines bright The bells of paradise I heard them ring Denoting our Saviour was born this night And I love my Lord Jesus above anything |
|||||
![]() |
|
- | ![]() |
||
from Joan Baez - Noel (1966) | |||||
![]() |
|
- | ![]() |
||
from Joan Baez - Noel (1966) | |||||
![]() |
|
- | ![]() |
||
from Joan Baez - Noel (1966)
I wonder as I wander out under the sky
How Jesus the Saviour did come for to die For poor on'ry people like you and like I; I wonder as I wander... out under the sky When Mary birthed Jesus 'twas in a cow's stall With wise men and farmers and shepherds and all But high from God's heaven, a star's light did fall And the promise of ages... it then did recall. Oooohhh... If Jesus had wanted for any wee thing A star in the sky, or a bird on the wing Or all of God's Angels in heaven for to sing He surely could have seen it... 'cause he was the King I wonder as I wander out under the sky How Jesus the Saviour did come for to die For poor on'ry people like you and like I; I wonder as I wander... out under the sky |
|||||
![]() |
|
- | ![]() |
||
from Joan Baez - Noel (1966) | |||||
![]() |
|
- | ![]() |
||
from Joan Baez - Noel (1966)
Oh come, oh come, Emmanuel,
And ransom captive Israel, That mourns in lonely exile here Until the Son of God appear. Rejoice! Rejoice! Emmanuel Shall come to thee, O Israel! Oh come thou Key of David, come, And open wide our heavenly home; Make safe the way that leads on high, And close the path to misery. Rejoice! Rejoice! Emmanuel Shall come to thee, O Israel! Oh come, oh come, thou Lord of might, Who to your tribes on Sinai's height In ancient times didst give the law, In cloud and majesty and awe. Rejoice! Rejoice! Emmanuel Shall come to thee, O Israel! Ooohhh.... Rejoice! Rejoice! Emmanuel Shall come to thee, O Israel! |
|||||
![]() |
|
- | ![]() |
||
from Joan Baez - Noel (1966)
Silent night, holy night
All is calm, all is bright Round yon Virgin Mother and Child Holy Infant so tender and mild Sleep in heavenly peace Sleep in heavenly peace Silent night, holy night! Shepherds quake at the sight Glories stream from heaven afar Heavenly hosts sing Alleluia! Christ, the Saviour is born Christ, the Saviour is born Christ, the Saviour is born |
|||||
![]() |
|
- | ![]() |
||
from Joan Baez - Noel (1966)
When rose the eastern star,
The birds came from a-far, In that full might of glory. With one melodious voice They sweetly did rejoice And sang the wondrous story. Sang, praising God on high, enthroned above the sky, and his fair mother Mary. The eagle left his lair, Came winging through the air, His message loud arising. And to his joyous cry The sparrow made reply, His answer sweetly voicing "O'ercome are death and strife, this night is born new life", the robin sang rejoicing. Ooooh.. When rose the eastern star, the birds came from a-far. |
|||||
![]() |
|
- | ![]() |
||
from Joan Baez - Noel (1966)
The First Noel, the Angel did say
Was to certain poor shepherds in fields as they lay In fields where they lay keeping their sheep On a cold winter's night that was so deep. Noel, Noel, Noel, Noel Born is the King of Israel! They looked up and saw a star Shining in the East beyond them far And to the earth it gave great light And so it continued both day and night. Noel, Noel, Noel, Noel Born is the King of Israel! This star drew nigh to the northwest O'er Bethlehem it took its rest And there it did both stop and stay Right o'er the place where Jesus lay. Noel, Noel, Noel, Noel Born is the King of Israel! |
|||||
![]() |
|
- | ![]() |
||
from Joan Baez - Noel (1966)
Come they told me parapapampam
A new born king to see parapapampam Our finest gifts we bring parapapampam To lay before the king parapapampam Rapapampam, rapapampam So to honour him parapapampam When we come Little baby parapapampam I am a poor boy too parapapampam I have no gift to bring parapapampam That's fit to give a king parapapampam Rapapampam, rapapampam Shall I play for you parapapampam On my drum? Mary nodded parapapampam The ox and lamb kept time parapapampam I played my drum for Him parapapampam I played my best for Him parapapampam Rapapampam, rapapampam Then He smiled at me parapapampam Me and my drum Me and my drum |
|||||
![]() |
|
- | ![]() |
||
from Joan Baez - Noel (1966)
Virgin Mary had a one son,
Oh, glory hallelujah, Oh, pretty little baby, Glory be to the new born King. "Mary how you call that pretty little baby? Oh, glory hallelujah, Oh, pretty little baby, Glory be to the new born King". "Some call Him Jesus, think I'll call Him Savior Oh, I think I'll call Him Savior Oh, I think I'll call Him Savior, Glory be to the new born King". Riding from the East there came three wise men, Oh, came three wise men, Oh, came three wise men, Glory to be the new born King. Said, "Follow that star, you'll surely find the baby, Oh, surely find the baby, Oh, surely find the baby, Glory be to the new born King". Virgin Mary had a one son, Oh, glory hallelujah, Oh, pretty little baby, Glory be to the new born King. |
|||||
![]() |
|
- | ![]() |
||
from Joan Baez - Noel (1966) | |||||
![]() |
|
- | ![]() |
||
from Joan Baez - Noel (1966)
What Child is this who laid to rest
On Mary’s lap is sleeping? Whom angels greet with anthems sweet While shepherds watch are keeping? This, this is Christ the King, Whom shepherds guard and angels sing; Haste, haste, to bring Him laud, The Babe, the Son of Mary. So bring Him incense, gold and myrrh, Come peasant king to own Him; The King of kings salvation brings, Let loving hearts enthrone Him. This, this is Christ the King, Whom shepherds guard and angels sing; Haste, haste, to bring Him laud, The Babe, the Son of Mary. The old year now is fled away The new year it is entered Then let us now our sins down tread And joyfully all appear Let's merry be this day And let us now good sport and play Hang ?? let’s cast care away God send you a happy new year! |
|||||
![]() |
|
- | ![]() |
||
from Joan Baez - Joan (1967)
It was many and many a year ago,
In a kingdom by the sea, That a maiden there lived whom you may know By the name of ANNABEL LEE; And this maiden she lived with no other thought Than to love and be loved by me. I was a child and SHE was a child, In this kingdom by the sea, But we loved with a love that was more than love- I and my ANNABEL LEE- With a love that the winged seraphs of heaven Coveted her and me. And this was the reason that,long ago, In this kingdom by the sea, A wind blew out of a cloud,chilling My ANNABEL LEE; So that her high-born kinsmen came And bore her away from me, To shut her up in a sepulcher In this kingdom by the sea. AND the angels,not half so happy in heaven, Went envying her and me- Yes!-that was the reason(as all men know, In this kingdom by the sea) That the wind came out of the cloud by night, Chilling my ANNABEL LEE; That the wind came out of the cloud by night Killing my ANNABELLEE. But our love it was stronger by far than the love Of those who were older than we- Of many far wiser than we- And neither the angels in heaven above Nor the the demons down under the sea, Can ever dissever my soul from the soul Of the beautiful ANNABEL LEE: And the moon never beams,without bringing me dreams Of the beautiful ANNABEL LEE; And the stars never rise,but I feel the bright eyes Of the beautiful ANNABEL LEE: And so,all the night-tide,I lie down by the side Of my darling my life and my bride, In the sepulcher there by the sea- In her tomb by the sounding sea. |
|||||
![]() |
|
5:03 | ![]() |
||
from Joan Baez - Joan (1967)
It was many and many a year ago,
In a kingdom by the sea, That a maiden there lived whom you may know By the name of ANNABEL LEE; And this maiden she lived with no other thought Than to love and be loved by me. I was a child and SHE was a child, In this kingdom by the sea, But we loved with a love that was more than love- I and my ANNABEL LEE- With a love that the winged seraphs of heaven Coveted her and me. And this was the reason that,long ago, In this kingdom by the sea, A wind blew out of a cloud,chilling My ANNABEL LEE; So that her high-born kinsmen came And bore her away from me, To shut her up in a sepulcher In this kingdom by the sea. AND the angels,not half so happy in heaven, Went envying her and me- Yes!-that was the reason(as all men know, In this kingdom by the sea) That the wind came out of the cloud by night, Chilling my ANNABEL LEE; That the wind came out of the cloud by night Killing my ANNABELLEE. But our love it was stronger by far than the love Of those who were older than we- Of many far wiser than we- And neither the angels in heaven above Nor the the demons down under the sea, Can ever dissever my soul from the soul Of the beautiful ANNABEL LEE: And the moon never beams,without bringing me dreams Of the beautiful ANNABEL LEE; And the stars never rise,but I feel the bright eyes Of the beautiful ANNABEL LEE: And so,all the night-tide,I lie down by the side Of my darling my life and my bride, In the sepulcher there by the sea- In her tomb by the sounding sea. |
|||||
![]() |
|
- | ![]() |
||
from Joan Baez - Joan (1967) | |||||
![]() |
|
- | ![]() |
||
from Joan Baez - Joan (1967)
Be Not Too Hard
Be not too hard for life is short And nothing is given to man. Be not too hard when he is sold or bought, For he must manage as best he can. Be not too hard when he blindly dies Fighting for things he does not own. Be not too hard when he tells lies Or if his heart is sometimes like a stone. Be not too hard for soon he'll die, Often no wiser than he began. Be not too hard for life is short And nothing is given to man. And nothing is given to man. |
|||||
![]() |
|
2:53 | ![]() |
||
from Joan Baez - Joan (1967)
Be Not Too Hard
Be not too hard for life is short And nothing is given to man. Be not too hard when he is sold or bought, For he must manage as best he can. Be not too hard when he blindly dies Fighting for things he does not own. Be not too hard when he tells lies Or if his heart is sometimes like a stone. Be not too hard for soon he'll die, Often no wiser than he began. Be not too hard for life is short And nothing is given to man. And nothing is given to man. |
|||||
![]() |
|
3:57 | ![]() |
||
from Joan Baez - Joan (1967)
(words by Richard Farina)
Oh, now is the time for your loving, dear, And the time for your company Now when the light of reason fails And fires burn on the sea Oh, now in this age of confusion I have need for your company. For I am a wild and a lonely child And the son of an angry man Now with the high wars raging I would offer you my hand For we are the children of darkness And the prey of a proud, proud land. It's once I was free to go roaming in The wind of the springtime mind And once the clouds I sailed upon Were sweet as lilac wine Oh, why are the breezes of summer, dear Enlaced with a grim design? So, now is the time for your loving, dear, And the time for your company Now when the light of reason fails And fires burn on the sea Oh, now in this age of confusion I have need for your company. .................................... the original song of RICHARD FARINA (copyright Whitmark and Sons) is the following Now is the time for your loving, dear, And the time for your company Now when the light of reason fails And fires burn on the sea Now in this age of confusion I have need for your company. It's once I was free to go roaming in The wind of the springtime mind It's once the clouds I sailed upon Were sweet as lilac wine So why are the breezes of summer, dear Enlaced with a grim design? And where was the will of my father when We raised our swords on high? And where was my mother's wailing when Our flags were justified? And where will we take our pleasures when Our bodies have been denied? For I am a wild and a lonely child And the child of an angry man Now with the high wars raging I would offer you my hand For we are the children of darkness And the prey of a proud, proud land. |
|||||
![]() |
|
- | ![]() |
||
from Joan Baez - Joan (1967)
(words by Richard Farina)
Oh, now is the time for your loving, dear, And the time for your company Now when the light of reason fails And fires burn on the sea Oh, now in this age of confusion I have need for your company. For I am a wild and a lonely child And the son of an angry man Now with the high wars raging I would offer you my hand For we are the children of darkness And the prey of a proud, proud land. It's once I was free to go roaming in The wind of the springtime mind And once the clouds I sailed upon Were sweet as lilac wine Oh, why are the breezes of summer, dear Enlaced with a grim design? So, now is the time for your loving, dear, And the time for your company Now when the light of reason fails And fires burn on the sea Oh, now in this age of confusion I have need for your company. .................................... the original song of RICHARD FARINA (copyright Whitmark and Sons) is the following Now is the time for your loving, dear, And the time for your company Now when the light of reason fails And fires burn on the sea Now in this age of confusion I have need for your company. It's once I was free to go roaming in The wind of the springtime mind It's once the clouds I sailed upon Were sweet as lilac wine So why are the breezes of summer, dear Enlaced with a grim design? And where was the will of my father when We raised our swords on high? And where was my mother's wailing when Our flags were justified? And where will we take our pleasures when Our bodies have been denied? For I am a wild and a lonely child And the child of an angry man Now with the high wars raging I would offer you my hand For we are the children of darkness And the prey of a proud, proud land. |
|||||
![]() |
|
- | ![]() |
||
from Joan Baez - Joan (1967)
(P. Simon)
It's a still life water color, Of a now late afternoon, As the sun shines through the curtained lace And shadows wash the room. And we sit and drink our coffee Couched in our indifference, Like shells upon the shore You can hear the ocean roar In the dangling conversation And the superficial sighs, The borders of our alliance. And you read your Emily Dickinson, And I my Robert Frost, And we note our place with bookmarkers That measure what we've lost. Like a poem poorly written We are verses out of rhythm, Couplets out of rhyme, In syncopated time And the dangled conversation And the superficial sighs, Are the borders of our alliance. Yes, we speak of things that matter, With words that must be said, "Can analysis be worthwhile?" "Is the theater really dead?" And how the room is softly faded And I only kiss your shadow, I cannot feel your hand, You're a stranger now unto me Lost in the dangling conversation. And the superficial sighs, In the borders of our alliance |
|||||
![]() |
|
2:47 | ![]() |
||
from Joan Baez - Joan (1967)
(P. Simon)
It's a still life water color, Of a now late afternoon, As the sun shines through the curtained lace And shadows wash the room. And we sit and drink our coffee Couched in our indifference, Like shells upon the shore You can hear the ocean roar In the dangling conversation And the superficial sighs, The borders of our alliance. And you read your Emily Dickinson, And I my Robert Frost, And we note our place with bookmarkers That measure what we've lost. Like a poem poorly written We are verses out of rhythm, Couplets out of rhyme, In syncopated time And the dangled conversation And the superficial sighs, Are the borders of our alliance. Yes, we speak of things that matter, With words that must be said, "Can analysis be worthwhile?" "Is the theater really dead?" And how the room is softly faded And I only kiss your shadow, I cannot feel your hand, You're a stranger now unto me Lost in the dangling conversation. And the superficial sighs, In the borders of our alliance |
|||||
![]() |
|
2:21 | ![]() |
||
from Joan Baez - Joan (1967)
Ah, look at all the lonely people
Ah, look at all the lonely people Eleanor Rigby picks up the rice in the church where a wedding has been Lives in a dream Waits at the window, wearing the face that she keeps in a jar by the door Who is it for? All the lonely people Where do they all come from ? All the lonely people Where do they all belong ? Father McKenzie writing the words of a sermon that no one will hear No one comes near. Look at him working. Darning his socks in the night when there's nobody there What does he care? All the lonely people Where do they all come from? All the lonely people Where do they all belong? Ah, look at all the lonely people Ah, look at all the lonely people Eleanor Rigby died in the church and was buried along with her name Nobody came Father McKenzie wiping the dirt from his hands as he walks from the grave No one was saved All the lonely people Where do they all come from? All the lonely people Where do they all belong? |
|||||
![]() |
|
- | ![]() |
||
from Joan Baez - Joan (1967)
Ah, look at all the lonely people
Ah, look at all the lonely people Eleanor Rigby picks up the rice in the church where a wedding has been Lives in a dream Waits at the window, wearing the face that she keeps in a jar by the door Who is it for? All the lonely people Where do they all come from ? All the lonely people Where do they all belong ? Father McKenzie writing the words of a sermon that no one will hear No one comes near. Look at him working. Darning his socks in the night when there's nobody there What does he care? All the lonely people Where do they all come from? All the lonely people Where do they all belong? Ah, look at all the lonely people Ah, look at all the lonely people Eleanor Rigby died in the church and was buried along with her name Nobody came Father McKenzie wiping the dirt from his hands as he walks from the grave No one was saved All the lonely people Where do they all come from? All the lonely people Where do they all belong? |
|||||
![]() |
|
- | ![]() |
||
from Joan Baez - Joan (1967)
If you were a carpenter, and I were a lady
Would you marry me anyway? would you have my baby? If a tinker were your trade, would you still find me Carrying the pots you made, following behind me? See my love through loneliness See my love for sorrow I've given you my onlyness, Come give me your tomorrow If you worked your hands in wood, would you still love me? Answer me, Yes I would, I'd put you above me" And if you were a miller, had a mill-wheel grinding, Would you see it written on my face? I'm here for the finding. See my love through loneliness See my love for sorrow I've given you my onlyness, Come give me your tomorrow If you were a carpenter, and I were a lady Would you marry me anyway? would you have my baby? Would you marry me anyway? would you have my baby? |
|||||
![]() |
|
2:11 | ![]() |
||
from Joan Baez - Joan (1967)
If you were a carpenter, and I were a lady
Would you marry me anyway? would you have my baby? If a tinker were your trade, would you still find me Carrying the pots you made, following behind me? See my love through loneliness See my love for sorrow I've given you my onlyness, Come give me your tomorrow If you worked your hands in wood, would you still love me? Answer me, Yes I would, I'd put you above me" And if you were a miller, had a mill-wheel grinding, Would you see it written on my face? I'm here for the finding. See my love through loneliness See my love for sorrow I've given you my onlyness, Come give me your tomorrow If you were a carpenter, and I were a lady Would you marry me anyway? would you have my baby? Would you marry me anyway? would you have my baby? |
|||||
![]() |
|
5:22 | ![]() |
||
from Joan Baez - Joan (1967) | |||||
![]() |
|
- | ![]() |
||
from Joan Baez - Joan (1967) | |||||
![]() |
|
- | ![]() |
||
from Joan Baez - Joan (1967)
(Music by Joan Baez, Lyrics by Nina Duscheck)
Where icicles hung the blossoms swing, but in my heart there is no spring. You were my spring, my summer too, it's always winter without you. The flocks head north and the lilacs bloom, at night they scent my moonlit room. You were my spring, my summer too, I'm going north to look for you. Like a windblown bird my heart goes forth, sent by the spring to the shining north. You are my spring, my summer too, and I won't rest till I find you. ⓒ 1967 Robbins Music Corporation and Chandos Music (ASCAP) Rights throughout the world controlled by Robbins Music Corporation |
|||||
![]() |
|
2:51 | ![]() |
||
from Joan Baez - Joan (1967)
(Music by Joan Baez, Lyrics by Nina Duscheck)
Where icicles hung the blossoms swing, but in my heart there is no spring. You were my spring, my summer too, it's always winter without you. The flocks head north and the lilacs bloom, at night they scent my moonlit room. You were my spring, my summer too, I'm going north to look for you. Like a windblown bird my heart goes forth, sent by the spring to the shining north. You are my spring, my summer too, and I won't rest till I find you. ⓒ 1967 Robbins Music Corporation and Chandos Music (ASCAP) Rights throughout the world controlled by Robbins Music Corporation |
|||||
![]() |
|
- | ![]() |
||
from Joan Baez - Joan (1967) | |||||
![]() |
|
- | ![]() |
||
from Joan Baez - Joan (1967)
(Music by Joan Baez, Lyrics by Nina Duscheck)
Farewell my wistful Saigon bride I'm going out to stem the tide A tide that never saw the seas It flows through jungles, round the trees Some say it's yellow, some say red It will not matter when we're dead How many dead men will it take To build a dike that will not break? How many children must we kill Before we make the waves stand still? Though miracles come high today We have the wherewithal to pay It takes them off the streets you know To places they would never go alone It gives them useful trades The lucky boys are even paid Men die to build their Pharoah's tombs And still and still the teeming wombs How many men to conquer Mars How many dead to reach the stars? Farewell my wistful Saigon bride I'm going out to stem the tide A tide that never saw the seas It flows through jungles, round the trees Some say it's yellow, some say red It will not matter when we're dead ⓒ 1967 Robbins Music Corporation and Chandos Music (ASCAP) Rights throughout the world controlled by Robbins Music Corporation |
|||||
![]() |
|
3:16 | ![]() |
||
from Joan Baez - Joan (1967)
(Music by Joan Baez, Lyrics by Nina Duscheck)
Farewell my wistful Saigon bride I'm going out to stem the tide A tide that never saw the seas It flows through jungles, round the trees Some say it's yellow, some say red It will not matter when we're dead How many dead men will it take To build a dike that will not break? How many children must we kill Before we make the waves stand still? Though miracles come high today We have the wherewithal to pay It takes them off the streets you know To places they would never go alone It gives them useful trades The lucky boys are even paid Men die to build their Pharoah's tombs And still and still the teeming wombs How many men to conquer Mars How many dead to reach the stars? Farewell my wistful Saigon bride I'm going out to stem the tide A tide that never saw the seas It flows through jungles, round the trees Some say it's yellow, some say red It will not matter when we're dead ⓒ 1967 Robbins Music Corporation and Chandos Music (ASCAP) Rights throughout the world controlled by Robbins Music Corporation |
|||||
![]() |
|
7:46 | ![]() |
||
from Joan Baez - Joan (1967) | |||||
![]() |
|
- | ![]() |
||
from Joan Baez - Joan (1967)
Down by the Greenwood Side Lyrics
There was a fair maiden lived in the north Oh, the rose and the linsey, oh She fell in love with her father's clerk Down by the Greenwood side, oh He courted her a year and a day Oh, the rose and the linsey, oh Till her, the young man did betray Down by the Greenwood side, oh She leaned her back against the thorn Oh, the rose and the linsey, oh And there, two bonny boys, she's born Down by the Greenwood side, oh She's taken out her little knife Oh, the rose and the linsey, oh And she's robbed them of their life Down by the Greenwood side, oh There, she walked by her father's wall Oh, the rose and the linsey, oh She saw her two bonny boys playing ball Down by the Greenwood side, oh Oh, bonny boys, if you were mine, Oh, the rose and the linsey, oh I'd dress you up in silk so fine Down by the Greenwood side, oh Oh, mother dear, when we were dying, Oh, the rose and the linsey, oh You did not treat us then so fine Down by the Greenwood side, oh Now, bonny boys, come tell to me Oh, the rose and the linsey, oh What sort of life I'll have after dying? Down by the Greenwood side, oh Seven years of visions of blood Oh, the rose and the linsey, oh And seven years of hurt in the womb Down by the Greenwood side, oh Seven years down in the mourning bell Oh, the rose and the linsey, oh And seven years in the flames of hell Down by the Greenwood side, oh Welcome, welcome, visions of blood Oh, the rose and the linsey, oh And welcome, welcome, hurt in the womb Down by the Greenwood side, oh Welcome down to the mourning bell Oh, the rose and the linsey, oh But, God, save me from the flames of hell Down by the Greenwood side, oh Down by the Greenwood side |
|||||
![]() |
|
2:35 | ![]() |
||
from Joan Baez - Joan (1967) | |||||
![]() |
|
- | ![]() |
||
from Joan Baez - Joan (1967)
the lady cam from Baltimore
all she wore was lace she didn't know that I was poor she never saw my face I was sent to steal her money take her rings and run but I fell in love with the lady came away with none the lady's name was Suzanne Moore her daddy read her law she didn't know that I was poor livin' outside the law I was sent to steal her money take her rings and run but I fell in love with the lady came away with none her daddy said I was a thief and didn't have her love(?) but I (that?) was Suzanne's true belief I married her for love (?) I was sent to steal her money take her rings and run but I fell in love with the lady came away with none the way she lived in ? to keep the robbers out she never stop to think it all that's what I'm about I was sent to steal her money take her rings and run but I fell in love with the lady came away with none |
|||||
![]() |
|
- | ![]() |
||
from Joan Baez - Joan (1967)
(Donovan Leitch)
1- Your smile - beams like sunlight - on a gull's wing And the leaves - dance and play - after you Take my hand - and hold it - as you would a flower Take care with my heart - oh darling - she's made of glass 2- Your eyes - feel like silence - resting on me And the birds - cease to sing - when you rise Ride easy - your fairy stallion - you have mounted Take care how you fly - my precious - you might fall down 4- In the pastel skies - the sunset - I have wandered With my eyes and ears and heart - strained to the full I know I tasted the essence - in the few days Take care who you love - my precious - he might not know |
|||||
![]() |
|
3:19 | ![]() |
||
from Joan Baez - Joan (1967)
(Donovan Leitch)
1- Your smile - beams like sunlight - on a gull's wing And the leaves - dance and play - after you Take my hand - and hold it - as you would a flower Take care with my heart - oh darling - she's made of glass 2- Your eyes - feel like silence - resting on me And the birds - cease to sing - when you rise Ride easy - your fairy stallion - you have mounted Take care how you fly - my precious - you might fall down 4- In the pastel skies - the sunset - I have wandered With my eyes and ears and heart - strained to the full I know I tasted the essence - in the few days Take care who you love - my precious - he might not know |
|||||
![]() |
|
- | ![]() |
||
from Joan Baez - Baptism (1968)
on a great horse of gold
into the silver dawn. four lean hounds crouched low and smiling the merry deer ran before. Fleeter be they than dappled dreams the swift sweet deer the red rare deer. Four red roebuck at a white water the cruel bugle sang before. Horn at hip went my love riding riding the echo down into the silver dawn. four lean hounds crouched low and smiling the level meadows ran before. Softer be they than slippered sleep the lean lithe deer the fleet flown deer. Four fleet does at a gold valley the famished arrow sang before. Bow at belt went my love riding riding the mountain down into the silver dawn. four lean hounds crouched low and smiling the sheer peaks ran before. Paler be they than daunting death the sleek slim deer the tall tense deer. Four tell stags at a green mountain the lucky hunter sang before. All in green went my love riding on a great horse of gold into the silver dawn. four lean hounds crouched low and smiling my heart fell dead before. |
|||||
![]() |
|
- | ![]() |
||
from Joan Baez - Baptism (1968)
on a great horse of gold
into the silver dawn. four lean hounds crouched low and smiling the merry deer ran before. Fleeter be they than dappled dreams the swift sweet deer the red rare deer. Four red roebuck at a white water the cruel bugle sang before. Horn at hip went my love riding riding the echo down into the silver dawn. four lean hounds crouched low and smiling the level meadows ran before. Softer be they than slippered sleep the lean lithe deer the fleet flown deer. Four fleet does at a gold valley the famished arrow sang before. Bow at belt went my love riding riding the mountain down into the silver dawn. four lean hounds crouched low and smiling the sheer peaks ran before. Paler be they than daunting death the sleek slim deer the tall tense deer. Four tell stags at a green mountain the lucky hunter sang before. All in green went my love riding on a great horse of gold into the silver dawn. four lean hounds crouched low and smiling my heart fell dead before. |
|||||
![]() |
|
- | ![]() |
||
from Joan Baez - Baptism (1968)
Hush-a-bye, don't you cry
Go to sleepy, little baby When you wake you shall have All the pretty little horses Way down yonder in the meadow Lies a poor little lambie Bees and butterflies, picking out its eyes Poor little thing's crying, "Mami" Hush-a-bye, don't you cry Go to sleepy, little baby. |
|||||
![]() |
|
- | ![]() |
||
from Joan Baez - Baptism (1968)
Hush-a-bye, don't you cry
Go to sleepy, little baby When you wake you shall have All the pretty little horses Way down yonder in the meadow Lies a poor little lambie Bees and butterflies, picking out its eyes Poor little thing's crying, "Mami" Hush-a-bye, don't you cry Go to sleepy, little baby. |
|||||
![]() |
|
- | ![]() |
||
from Joan Baez - Baptism (1968) | |||||
![]() |
|
- | ![]() |
||
from Joan Baez - Baptism (1968) | |||||
![]() |
|
- | ![]() |
||
from Joan Baez - Baptism (1968) | |||||
![]() |
|
- | ![]() |
||
from Joan Baez - Baptism (1968) | |||||
![]() |
|
- | ![]() |
||
from Joan Baez - Baptism (1968)
Yellow is the color of my true love's hair
In the morning, when we rise, In the morning, when we rise That's the time That's the time I love the best Green is the color of the sparkling corn In the morning, when we rise, In the morning, when we rise That's the time That's the time I love the best Blue is the color of the sky In the morning, when we rise, In the morning, when we rise That's the time That's the time I love the best Mellow is the feeling that I get When I see her, uhh-hmm, When I see her, oh yeah That's the time That's the time I love the best Freedom is a word I rarely use Without thinking, oh yeah, Without thinking, hm-m Of the time Of the time When I've been loved Yellow is the color of my true love's hair In the morning, when we rise, In the morning, when we rise That's the time That's the time I love the best |
|||||
![]() |
|
- | ![]() |
||
from Joan Baez - Baptism (1968)
Yellow is the color of my true love's hair
In the morning, when we rise, In the morning, when we rise That's the time That's the time I love the best Green is the color of the sparkling corn In the morning, when we rise, In the morning, when we rise That's the time That's the time I love the best Blue is the color of the sky In the morning, when we rise, In the morning, when we rise That's the time That's the time I love the best Mellow is the feeling that I get When I see her, uhh-hmm, When I see her, oh yeah That's the time That's the time I love the best Freedom is a word I rarely use Without thinking, oh yeah, Without thinking, hm-m Of the time Of the time When I've been loved Yellow is the color of my true love's hair In the morning, when we rise, In the morning, when we rise That's the time That's the time I love the best |
|||||
![]() |
|
- | ![]() |
||
from Joan Baez - Baptism (1968) | |||||
![]() |
|
- | ![]() |
||
from Joan Baez - Baptism (1968) | |||||
![]() |
|
- | ![]() |
||
from Joan Baez - Baptism (1968) | |||||
![]() |
|
- | ![]() |
||
from Joan Baez - Baptism (1968) | |||||
![]() |
|
- | ![]() |
||
from Joan Baez - Baptism (1968) | |||||
![]() |
|
- | ![]() |
||
from Joan Baez - Baptism (1968) | |||||
![]() |
|
- | ![]() |
||
from Joan Baez - Baptism (1968)
I want to sleep the dream of the apples
To withdraw from the tumult of cemeteries I want to sleep the dream of that child Who wanted to cut his heart on the high seas I don't want to hear again that the dead do not lose their blood That the putrid mouth goes on asking for water I don't want to learn of the tortures of the grass Nor of the moon with the serpent's mouth that labors before dawn I want to sleep a while A while, a minute, a century But all must know that I have not died That there is a stable of gold in my lips That I am the small friend of the west wind That I am the immense shadow of my tears Cover me at dawn with a veil Because dawn will throw fists full of ants at me And wet with hard water my shoes So that the pincers of the scorpion slide For I want to sleep the dream of the apples To learn a lament that will cleanse me of the earth For I want to live with that dark child Who wanted to cut his heart on the high seas |
|||||
![]() |
|
- | ![]() |
||
from Joan Baez - Baptism (1968)
I want to sleep the dream of the apples
To withdraw from the tumult of cemeteries I want to sleep the dream of that child Who wanted to cut his heart on the high seas I don't want to hear again that the dead do not lose their blood That the putrid mouth goes on asking for water I don't want to learn of the tortures of the grass Nor of the moon with the serpent's mouth that labors before dawn I want to sleep a while A while, a minute, a century But all must know that I have not died That there is a stable of gold in my lips That I am the small friend of the west wind That I am the immense shadow of my tears Cover me at dawn with a veil Because dawn will throw fists full of ants at me And wet with hard water my shoes So that the pincers of the scorpion slide For I want to sleep the dream of the apples To learn a lament that will cleanse me of the earth For I want to live with that dark child Who wanted to cut his heart on the high seas |
|||||
![]() |
|
- | ![]() |
||
from Joan Baez - Baptism (1968)
I SAW THE VISION OF ARMIES (Walt Whitman)
I saw the vision of armies; and I saw, as in noiseless dreams, hundreds of battle-flags, borne through the smoke of the battles and pierced with missiles, I saw them, and carried, hither and yon through the smoke, and torn and bloody; and at last but a few shreds of 'the flags left on the staffs, (and all in silence,) and the staffs all splintered and broken. I saw battle-corpses, myriads of them, and the white skeletons of young men, I saw them; I saw the debris and debris of all dead soldiers, But I saw they were not as was thought; they themselves were fully at rest, they suffered not; the living remained and suffered, the mother suffered, and the wife and the child and the musing comrade suffered, and the armies that remained suffered.. |
|||||
![]() |
|
- | ![]() |
||
from Joan Baez - Baptism (1968)
I SAW THE VISION OF ARMIES (Walt Whitman)
I saw the vision of armies; and I saw, as in noiseless dreams, hundreds of battle-flags, borne through the smoke of the battles and pierced with missiles, I saw them, and carried, hither and yon through the smoke, and torn and bloody; and at last but a few shreds of 'the flags left on the staffs, (and all in silence,) and the staffs all splintered and broken. I saw battle-corpses, myriads of them, and the white skeletons of young men, I saw them; I saw the debris and debris of all dead soldiers, But I saw they were not as was thought; they themselves were fully at rest, they suffered not; the living remained and suffered, the mother suffered, and the wife and the child and the musing comrade suffered, and the armies that remained suffered.. |
|||||
![]() |
|
- | ![]() |
||
from Joan Baez - Baptism (1968)
In Guernica the dead children were layed out in order on the sidewalk
In their white starched dresses In their pitiful white dresses On their foreheads and breasts the little round holes where death came in as thunder while they were playing their important summer games Do not weep for them, Madre They are gone forever, the little ones Straight to heaven to the saints And God will fill the bullet holes with candy |
|||||
![]() |
|
- | ![]() |
||
from Joan Baez - Baptism (1968)
In Guernica the dead children were layed out in order on the sidewalk
In their white starched dresses In their pitiful white dresses On their foreheads and breasts the little round holes where death came in as thunder while they were playing their important summer games Do not weep for them, Madre They are gone forever, the little ones Straight to heaven to the saints And God will fill the bullet holes with candy |
|||||
![]() |
|
- | ![]() |
||
from Joan Baez - Baptism (1968)
I wander through each chartered street,
Near where the chartered Thames does flow, And mark in every face I meet, Marks of weakness, marks of woe. In every cry of every man, In every infant's cry of fear, In every voice, in every ban, The mind-forged manacles I hear: How the chimney-sweeper's cry Every blackening church appals, And the hapless soldier's sigh Runs in blood down palace-walls. But most, through midnight streets I hear How the youthful harlot's curse Blasts the new-born infant's tear, And blights with plagues the marriage-hearse |
|||||
![]() |
|
- | ![]() |
||
from Joan Baez - Baptism (1968)
I wander through each chartered street,
Near where the chartered Thames does flow, And mark in every face I meet, Marks of weakness, marks of woe. In every cry of every man, In every infant's cry of fear, In every voice, in every ban, The mind-forged manacles I hear: How the chimney-sweeper's cry Every blackening church appals, And the hapless soldier's sigh Runs in blood down palace-walls. But most, through midnight streets I hear How the youthful harlot's curse Blasts the new-born infant's tear, And blights with plagues the marriage-hearse |
|||||
![]() |
|
- | ![]() |
||
from Joan Baez - Baptism (1968) | |||||
![]() |
|
- | ![]() |
||
from Joan Baez - Baptism (1968)
MINISTER OF WAR (translated form the Chinese by Arthur Waley)
Minister of War, we are the king's claws and fangs. Why should you roll us on from misery to misery, giving us no place to stop in or take rest? Minister of War, we are the king's claws and teeth. Why should you roll us from misery to misery, Giving us no place to come and stay? Minister of War, surely you are not wise. Why should you roll us from misery to misery? We have mothers who lack food |
|||||
![]() |
|
- | ![]() |
||
from Joan Baez - Baptism (1968)
MINISTER OF WAR (translated form the Chinese by Arthur Waley)
Minister of War, we are the king's claws and fangs. Why should you roll us on from misery to misery, giving us no place to stop in or take rest? Minister of War, we are the king's claws and teeth. Why should you roll us from misery to misery, Giving us no place to come and stay? Minister of War, surely you are not wise. Why should you roll us from misery to misery? We have mothers who lack food |
|||||
![]() |
|
- | ![]() |
||
from Joan Baez - Baptism (1968) | |||||
![]() |
|
- | ![]() |
||
from Joan Baez - Baptism (1968) | |||||
![]() |
|
- | ![]() |
||
from Joan Baez - Baptism (1968)
No man is an island
No man stands alone Each man's joy is joy to me Each man's grief is my own We need one another So I will defend Each man as my brother Each man as my friend I saw the people gather I heard the music start The song that they were singing Is ringing in my heart No man is an island Way out in the blue We all look to the one above For our strength to renew When I help my brother Then I know that I Plant the seed of friendship That will never die |
|||||
![]() |
|
- | ![]() |
||
from Joan Baez - Baptism (1968) | |||||
![]() |
|
- | ![]() |
||
from Joan Baez - Baptism (1968) | |||||
![]() |
|
- | ![]() |
||
from Joan Baez - Baptism (1968) | |||||
![]() |
|
- | ![]() |
||
from Joan Baez - Baptism (1968) | |||||
![]() |
|
- | ![]() |
||
from Joan Baez - Baptism (1968)
OLD WELSH SONG (Henry Treece)
I take with me where I go a pen and a golden bowl; Poet and beggar step in my shoes, or a prince in a purple shawl. I bring with me when I return to the house that my father's hands made, A crooning bird on a chrystal bough and, o, a sad, sad word! |
|||||
![]() |
|
- | ![]() |
||
from Joan Baez - Baptism (1968)
OLD WELSH SONG (Henry Treece)
I take with me where I go a pen and a golden bowl; Poet and beggar step in my shoes, or a prince in a purple shawl. I bring with me when I return to the house that my father's hands made, A crooning bird on a chrystal bough and, o, a sad, sad word! |
|||||
![]() |
|
- | ![]() |
||
from Joan Baez - Baptism (1968)
OLD WELSH SONG (Henry Treece)
I take with me where I go a pen and a golden bowl; Poet and beggar step in my shoes, or a prince in a purple shawl. I bring with me when I return to the house that my father's hands made, A crooning bird on a chrystal bough and, o, a sad, sad word! |