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2:57 |
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| from Joan Baez - In Concert Part 2 (2001) | |||||
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| from Joan Baez - In Concert Part 2 (2001) | |||||
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| from Joan Baez - Ring Them Bells [live] (1995) | |||||
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from Joan Baez - Ring Them Bells [live] (1995)
Why is it that as we grow older and stronger
The road signs point us adrift and make us afraid Saying, 'You never can win' 'Watch your back', 'Where's your husband?' I don't like the signs that the signmakers made So I'm going to steal out with my paint and brushes I'll change the directions, I'll hit every street It's the Tinseltown scandal, the robin hood vandal She goes out and steals the king's English And in the morning you wake up and the signs point to you They say, "I'm so glad that you finally made it here You thought nobody cared but I did, I could tell And this is your year and it always starts here And oh, you're aging well" Well I know a woman with a collection of sticks She could fight back the hundreds of voices she heard She could poke at the greed, she could fend off her need And with anger she found she could pound every word But one voice got through, caught her up by surprise It said, "Don't hold us back we're the story you tell" And no sooner than spoken, a spell had been broken And the voices before her were trumpets and tympani Violins, basses and woodwinds and cellos, singing "We're so glad that you finally made it here You thought nobody cared, but we did, we could tell And now you'll dance through the days while the orchestra plays And oh, you're aging well" Now when I was fifteen, oh I knew it was over The road to enchantment was not mine to take 'Cause lower calf, upper arm should be half what they are I was breaking the laws that the signmakers made And all I could eat was the poisonous apple And that's not a story I was meant to survive I was all out of choices but the woman of voices She turned round the corner with music around her She gave me the language that keeps me alive, she said "I'm so glad that you finally made it here With the things you know now, that only time could tell Looking back, seeing far, landing right where we are And oh, you're aging, oh and I am aging oh, aren't we aging well?" |
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| from Joan Baez - Baez Sings Dylan (2001) | |||||
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3:00 |
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| from Joan Baez - The First 10 Years (1970) | |||||
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| from Joan Baez - Any Day Now (2001) | |||||
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from Joan Baez - Blowin Away (2006)
It's a long time since I saw you last
So tell me how you've been Did you ever get to buy that yellow coat? Do the flowers in you window box Still smile when you walk in? Did you read the letters that I wrote? And I've been on the road since Christmas But it don't seem so long Outside of that there isn't much to say. I cut down on my drinkin' some And wrote another song I wish you wouldn't look at me that way Remember all the mornings We'd walk around the park The nights we babysat for Billy's kids And all the times we used to talk Of having one ourselves I don't remember why we never did Do the neighbors still complain a bit When the music gets too loud? Does your old cat still sleep up on the bed? And do you still walk around With your head up in the clouds? Have you heard a single thing I've said? It's a two day drive to New York Guess I'd better go Have you noticed the weather's gettin' cold? And it's a long time since I saw you last Tell me how you've been Did you ever get to buy that yellow coat? Did you ever get to buy that yellow coat? |
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| from Joan Baez - Live At Newport (2001) | |||||
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6:25 |
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from Joan Baez - The First 10 Years (1970)
Oh my name it is nothin'
My age it means less The country I come from Is called the Midwest I's taught and brought up there The laws to abide And that land that I live in Has God on its side. Oh the history books tell it They tell it so well The cavalries charged The Indians fell The cavalries charged The Indians died Oh the country was young With God on its side. Oh the Spanish-American War had its day And the Civil War too Was soon laid away And the names of the heroes I's made to memorize With guns in their hands And God on their side. Oh the First World War, boys It closed out its fate The reason for fighting I never got straight But I learned to accept it Accept it with pride For you don't count the dead When God's on your side. When the Second World War Came to an end We forgave the Germans And we were friends Though they murdered six million In the ovens they fried The Germans now too Have God on their side. I've learned to hate Russians All through my whole life If another war starts It's them we must fight To hate them and fear them To run and to hide And accept it all bravely With God on my side. But now we got weapons Of the chemical dust If fire them we're forced to Then fire them we must One push of the button And a shot the world wide And you never ask questions When God's on your side. In a many dark hour I've been thinkin' about this That Jesus Christ Was betrayed by a kiss But I can't think for you You'll have to decide Whether Judas Iscariot Had God on his side. So now as I'm leavin' I'm weary as Hell The confusion I'm feelin' Ain't no tongue can tell The words fill my head And fall to the floor If God's on our side He'll stop the next war. |
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6:14 |
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from Joan Baez - In Concert Part 2 (2001)
Oh my name it is nothin'
My age it means less The country I come from Is called the Midwest I's taught and brought up there The laws to abide And that land that I live in Has God on its side. Oh the history books tell it They tell it so well The cavalries charged The Indians fell The cavalries charged The Indians died Oh the country was young With God on its side. Oh the Spanish-American War had its day And the Civil War too Was soon laid away And the names of the heroes I's made to memorize With guns in their hands And God on their side. Oh the First World War, boys It closed out its fate The reason for fighting I never got straight But I learned to accept it Accept it with pride For you don't count the dead When God's on your side. When the Second World War Came to an end We forgave the Germans And we were friends Though they murdered six million In the ovens they fried The Germans now too Have God on their side. I've learned to hate Russians All through my whole life If another war starts It's them we must fight To hate them and fear them To run and to hide And accept it all bravely With God on my side. But now we got weapons Of the chemical dust If fire them we're forced to Then fire them we must One push of the button And a shot the world wide And you never ask questions When God's on your side. In a many dark hour I've been thinkin' about this That Jesus Christ Was betrayed by a kiss But I can't think for you You'll have to decide Whether Judas Iscariot Had God on his side. So now as I'm leavin' I'm weary as Hell The confusion I'm feelin' Ain't no tongue can tell The words fill my head And fall to the floor If God's on our side He'll stop the next war. |
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from Joan Baez - In Concert Part 2 (2001)
Oh my name it is nothin'
My age it means less The country I come from Is called the Midwest I's taught and brought up there The laws to abide And that land that I live in Has God on its side. Oh the history books tell it They tell it so well The cavalries charged The Indians fell The cavalries charged The Indians died Oh the country was young With God on its side. Oh the Spanish-American War had its day And the Civil War too Was soon laid away And the names of the heroes I's made to memorize With guns in their hands And God on their side. Oh the First World War, boys It closed out its fate The reason for fighting I never got straight But I learned to accept it Accept it with pride For you don't count the dead When God's on your side. When the Second World War Came to an end We forgave the Germans And we were friends Though they murdered six million In the ovens they fried The Germans now too Have God on their side. I've learned to hate Russians All through my whole life If another war starts It's them we must fight To hate them and fear them To run and to hide And accept it all bravely With God on my side. But now we got weapons Of the chemical dust If fire them we're forced to Then fire them we must One push of the button And a shot the world wide And you never ask questions When God's on your side. In a many dark hour I've been thinkin' about this That Jesus Christ Was betrayed by a kiss But I can't think for you You'll have to decide Whether Judas Iscariot Had God on his side. So now as I'm leavin' I'm weary as Hell The confusion I'm feelin' Ain't no tongue can tell The words fill my head And fall to the floor If God's on our side He'll stop the next war. |
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from Joan Baez - Rare Live & Classic (2001)
Oh my name it is nothin'
My age it means less The country I come from Is called the Midwest I's taught and brought up there The laws to abide And that land that I live in Has God on its side. Oh the history books tell it They tell it so well The cavalries charged The Indians fell The cavalries charged The Indians died Oh the country was young With God on its side. Oh the Spanish-American War had its day And the Civil War too Was soon laid away And the names of the heroes I's made to memorize With guns in their hands And God on their side. Oh the First World War, boys It closed out its fate The reason for fighting I never got straight But I learned to accept it Accept it with pride For you don't count the dead When God's on your side. When the Second World War Came to an end We forgave the Germans And we were friends Though they murdered six million In the ovens they fried The Germans now too Have God on their side. I've learned to hate Russians All through my whole life If another war starts It's them we must fight To hate them and fear them To run and to hide And accept it all bravely With God on my side. But now we got weapons Of the chemical dust If fire them we're forced to Then fire them we must One push of the button And a shot the world wide And you never ask questions When God's on your side. In a many dark hour I've been thinkin' about this That Jesus Christ Was betrayed by a kiss But I can't think for you You'll have to decide Whether Judas Iscariot Had God on his side. So now as I'm leavin' I'm weary as Hell The confusion I'm feelin' Ain't no tongue can tell The words fill my head And fall to the floor If God's on our side He'll stop the next war. |
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4:01 |
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from Joan Baez - Dark Chorus On A Big Guitar (2003)
At night we crossed the border
Following a Black robe To the edge of the reservationton Cataldo Mission Where the saints and all the martyrs Look down on dying converts What makes the water holy she says is that that it's the closest thing to rain I stole a mule from Anthony I helped Anne up upon it And we rode to Coeur d'Alene Through Harrison and Wallace They were blasting out the tunnels Making way for the light of learning When Jesus comes a'calling she said he's coming round the mountain on a train It's my home-last night I dreamt that I grew wings I found a place where they could hear me when I sing We floated on to Hanford On a lumber boat up river Past the fisheries and the milltowns like a stretch of future graveyards She was driven to distraction Said I wonder what will happen When they find out they're mistaken The land is too changed to ever change We waded through the marketplace Someone's ship had come in There was silver and begonias Dynamite and cattle There were hearts as big as apples And apples in the shape of Mary's heart I said inside this gilded cage a songbird always looks so plain It's my home-last night I dreamt that I grew wings I found a place where they could hear me when I sing. And so they came with cameras Breaking through the morning mist Press and businessmen-tycoons-Episcopal philanthropists Lost in their appraisal of the body of a woman But all we saw were lowlands Clouds clung to mountains without strings And at last we saw some people... And at last we saw some people... And at last we saw some people Huddled up against The rain that was descending like railroad spikes and hammers They were headed for the border Walking and then running And then they were gone into the fog but Anne said Underneath their jackets she saw wings |
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3:56 |
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from Joan Baez - Diamonds & Rust (1975)
The lady's adrift in a foreign land Singing on issues both humble and grand A decade flew past her and there on the page She read that the prince had returned to the stage Hovering near treacherous waters A friend saw her drifting and caught her Unguarded fantasies flying too far Memories tumbling like sweets from a jar And take me down to the harbor now Grapes of the summer are low on the bough Ghosts of my history will follow me there And the winds of the old days will blow through my hair Breath on an undying ember It doesn't take much to remember Those eloquent songs from the good old days That set us to marching with banners ablaze But reporters, there's no sense in prying Our blue-eyed son's been denying The truths that are wrapped in a mystery The sixties are over so set him free And take me down to the harbor now Grapes of the summer are low on the bough Ghosts of my history will follow me there And the winds of the old days will blow through my hair Why do I sit the autumnal judge Years of self-righteousness will not budge Singer or savior, it was his to choose Which of us knows what was his to lose Because idols are best when they're made of stone A savior's a nuisance to live with at home Stars often fall, heroes go unsung And martyrs most certainly die too young So thank you for writing the best songs Thank you for righting a few wrongs You're a savage gift on a wayward bus But you stepped down and you sang to us And get you down to the harbor now Most of the sour grapes are gone from the bough Ghosts of Johanna will visit you there And the winds of the old days will blow through your hair ⓒ 1975 Chandos Music (ASCAP) |
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3:56 |
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from Joan Baez - The Complete A&M Recordings (2003)
WINDS OF THE OLD DAYS (Words and Music by Joan Baez)
The lady's adrift in a foreign land Singing on issues both humble and grand A decade flew past her and there on the page She read that the prince had returned to the stage Hovering near treacherous waters A friend saw her drifting and caught her Unguarded fantasies flying too far Memories tumbling like sweets from a jar And take me down to the harbor now Grapes of the summer are low on the bough Ghosts of my history will follow me there And the winds of the old days will blow through my hair Breath on an undying ember It doesn't take much to remember Those eloquent songs from the good old days That set us to marching with banners ablaze But reporters, there's no sense in prying Our blue-eyed son's been denying The truths that are wrapped in a mystery The sixties are over so set him free And take me down to the harbor now Grapes of the summer are low on the bough Ghosts of my history will follow me there And the winds of the old days will blow through my hair Why do I sit the autumnal judge Years of self-righteousness will not budge Singer or savior, it was his to choose Which of us knows what was his to lose Because idols are best when they're made of stone A savior's a nuisance to live with at home Stars often fall, heroes go unsung And martyrs most certainly die too young So thank you for writing the best songs Thank you for righting a few wrongs You're a savage gift on a wayward bus But you stepped down and you sang to us And get you down to the harbor now Most of the sour grapes are gone from the bough Ghosts of Johanna will visit you there And the winds of the old days will blow through your hair |
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3:42 |
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| from Joan Baez - The Complete A&M Recordings (2003) | |||||
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from Joan Baez - Ring Them Bells [live] (1995)
Willie Moore was a king, his age twenty-one,
He courted a damsel fair; O, her eyes was as bright as the diamonds every night, And wavy black was her hair. He courted her both night and day, 'Til to marry they did agree; But when he came to get her parents consent, They said it could never be. She threw herself in Willie Moore's arms, As oftime had done before; But little did he think when they parted that night, Sweet Anna he would see no more. It was about the tenth of May, The time I remember well; That very same night, her body disappeared In a way no tongue could tell. Sweet Annie was loved both far and near, Had friends most all around; And in a little brook before the cottage door, The body of sweet Anna was found. She was taken by her weeping friends, And carried to her parent's room, And there she was dressed in a gown of snowy white, And laid her in a lonely tomb. Her parents now are left all alone, One mourns while the other one weeps; And in a grassy mound before the cottage door, The body of sweet Anna still sleeps. [Willie Moore never spoke that anyone heard, And at length from his friends did part, And the last heard from him, he'd gone to Montreal, Where he died of a broken heart.] This song was composed in the flowery West By a man you may never have seen; O, I'll tell you his name, but it is not in full |
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from Joan Baez - Ring Them Bells [live] (1995)
Willie Moore was a king, his age twenty-one,
He courted a damsel fair; O, her eyes was as bright as the diamonds every night, And wavy black was her hair. He courted her both night and day, 'Til to marry they did agree; But when he came to get her parents consent, They said it could never be. She threw herself in Willie Moore's arms, As oftime had done before; But little did he think when they parted that night, Sweet Anna he would see no more. It was about the tenth of May, The time I remember well; That very same night, her body disappeared In a way no tongue could tell. Sweet Annie was loved both far and near, Had friends most all around; And in a little brook before the cottage door, The body of sweet Anna was found. She was taken by her weeping friends, And carried to her parent's room, And there she was dressed in a gown of snowy white, And laid her in a lonely tomb. Her parents now are left all alone, One mourns while the other one weeps; And in a grassy mound before the cottage door, The body of sweet Anna still sleeps. [Willie Moore never spoke that anyone heard, And at length from his friends did part, And the last heard from him, he'd gone to Montreal, Where he died of a broken heart.] This song was composed in the flowery West By a man you may never have seen; O, I'll tell you his name, but it is not in full |
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from Joan Baez - Very Early Joan (2001)
Willie Moore was a king, his age twenty-one,
He courted a damsel fair; O, her eyes was as bright as the diamonds every night, And wavy black was her hair. He courted her both night and day, 'Til to marry they did agree; But when he came to get her parents consent, They said it could never be. She threw herself in Willie Moore's arms, As oftime had done before; But little did he think when they parted that night, Sweet Anna he would see no more. It was about the tenth of May, The time I remember well; That very same night, her body disappeared In a way no tongue could tell. Sweet Annie was loved both far and near, Had friends most all around; And in a little brook before the cottage door, The body of sweet Anna was found. She was taken by her weeping friends, And carried to her parent's room, And there she was dressed in a gown of snowy white, And laid her in a lonely tomb. Her parents now are left all alone, One mourns while the other one weeps; And in a grassy mound before the cottage door, The body of sweet Anna still sleeps. [Willie Moore never spoke that anyone heard, And at length from his friends did part, And the last heard from him, he'd gone to Montreal, Where he died of a broken heart.] This song was composed in the flowery West By a man you may never have seen; O, I'll tell you his name, but it is not in full |
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| from Joan Baez - David'S Album (1969) | |||||
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from Joan Baez - David'S Album (1969)
I was standing by my window,
On one cold and cloudy day When I saw that hearse come rolling For to carry my mother away Will the circle be unbroken by and by, Lord, by and by There's a better home a-waiting in the sky, Lord, in the sky I said to that undertaker undertaker please drive slow for this lady you are carrying Lord, I hate to see here go Will the circle be unbroken by and by, Lord, by and by There's a better home a-waiting in the sky, Lord, in the sky Oh, I followed close behind her Tried to hold up and be brave But I could not hide my sorrow When they laid her in the grave Will the circle be unbroken by and by, Lord, by and by There's a better home a-waiting in the sky, Lord, in the sky I went back home, my home was lonesome missed my mother, she was gone all of my brothers, sisters crying what a home so sad and lone Will the circle be unbroken by and by, Lord, by and by There's a better home a-waiting in the sky, Lord, in the sky We sang the songs of childhood Hymns of faith that made us strong Ones that Mother Maybelle taught us Hear the angels sing along Will the circle be unbroken by and by, Lord, by and by There's a better home a-waiting in the sky, Lord, in the sky Will the circle be unbroken by and by, Lord, by and by There's a better home a-waiting in the sky, Lord, in the sky |
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from Joan Baez - Volume 1 (2001)
Wildwood flower (traditional)
I will twine with my mingles of raven black hair With the roses so red and the lilies so fair The meadow so bright with it's emerald hue And the pale and the leader and eyes look so blue I will dance, I will sing and my laugh shall be gay I will charm every heart, in his crown I will sway I woke from my dream and all idols was clay And all portions of love then had all flown away He told me to love him and promised to love And cherish me over all others above My poor heart is wondering no misery can tell He left me no warning, no words of farewell He told me to love him and called me his flower That was blooming to cheer him through life's weary hour How I long to see him and regret the dark hour He's gone and neglected his frail wildwood flower. |
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from Joan Baez - Joan Baez (2001)
Wildwood flower (traditional)
I will twine with my mingles of raven black hair With the roses so red and the lilies so fair The meadow so bright with it's emerald hue And the pale and the leader and eyes look so blue I will dance, I will sing and my laugh shall be gay I will charm every heart, in his crown I will sway I woke from my dream and all idols was clay And all portions of love then had all flown away He told me to love him and promised to love And cherish me over all others above My poor heart is wondering no misery can tell He left me no warning, no words of farewell He told me to love him and called me his flower That was blooming to cheer him through life's weary hour How I long to see him and regret the dark hour He's gone and neglected his frail wildwood flower. |
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2:37 |
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from Joan Baez - The House Of The Rising Sun And Other Hits (2011)
Wildwood flower (traditional)
I will twine with my mingles of raven black hair With the roses so red and the lilies so fair The meadow so bright with it's emerald hue And the pale and the leader and eyes look so blue I will dance, I will sing and my laugh shall be gay I will charm every heart, in his crown I will sway I woke from my dream and all idols was clay And all portions of love then had all flown away He told me to love him and promised to love And cherish me over all others above My poor heart is wondering no misery can tell He left me no warning, no words of farewell He told me to love him and called me his flower That was blooming to cheer him through life's weary hour How I long to see him and regret the dark hour He's gone and neglected his frail wildwood flower. |
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2:36 |
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| from Joan Baez - Joan Baez, Folksong Lady (2012) | |||||
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from Joan Baez - Live At Newport (2001)
For the summertime is comming.
And the leaves are sweetly blooming And the wild mountain thyme Blooms around the purple heather Chorus: Will you go lassie, go? And we'll all go together To pull wild mountain thyme All around the purple heather Will you go, lassie go? If my true love will not go I will surely find another To pull wild mountain thyme, All around the purple heather Chorus.... I will build my love a bower By yon clear an crystal fountain And in it I will pile All the flowers of the mountain Chorus... |
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| from Joan Baez - Baptism (1968) | |||||
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| from Joan Baez - Baptism (1968) | |||||
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5:07 |
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| from Joan Baez - Speaking Of Dreams (2003) | |||||
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4:00 |
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| from Joan Baez - The Complete A&M Recordings (2003) | |||||
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from Joan Baez - Very Early Joan (2001)
words and music by Pete Seeger
Where have all the flowers gone? Long time passing Where have all the flowers gone? Long time ago Where have all the flowers gone? Girls have picked them every one When will they ever learn? When will they ever learn? Where have all the young girls gone? Long time passing Where have all the young girls gone? Long time ago Where have all the young girls gone? Taken husbands every one When will they ever learn? When will they ever learn? Where have all the young men gone? Long time passing Where have all the young men gone? Long time ago Where have all the young men gone? Gone for soldiers every one When will they ever learn? When will they ever learn? Where have all the soldiers gone? Long time passing Where have all the soldiers gone? Long time ago Where have all the soldiers gone? Gone to graveyards every one When will they ever learn? When will they ever learn? Where have all the graveyards gone? Long time passing Where have all the graveyards gone? Long time ago Where have all the graveyards gone? Covered with flowers every one When will we ever learn? When will we ever learn? |
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21:42 |
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| from Joan Baez - The Complete A&M Recordings (2003) | |||||
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from Joan Baez - 5 (2005)
CHORUS
When you hear them cuckoos hollerin' When you hear them cuckoos hollerin' When you hear them cuckoos hollerin' Sign of rain, buddy, it'ss a sign of rain Goin' up on the mountain, for to see my baby Goin' up on the mountain, for to see my baby Goin' up on the mountain, for to see my baby Ain't comin' home, buddy, and I ain't comin' home CHORUS When you hear them hoot owls callin' When you hear them hoot owls callin' When you hear them hoot owls callin' Someone's dyin', whoa, somebody's dyin' CHORUS |
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from Joan Baez - Blessed Are... (1971)
(Words and Music by Joan Baez)
The music stopped in my hand my hand my hand Sadly smiled the band the band the band Softly echoes your laughter riddled with tears When time is stolen it flies it flies it flies Lovers leave in disguise disguise disguise Weariness hangs like a curtain heavy and old heavy and cold. It is said to never look back look back look back To shadows you left on the track the track the track Gather your roses and run the long way around And if time should ever be right my love my love I'll come to you in the night my love my love But now there is only the sorrow parting is near parting is here parting is here parting is here ⓒ 1971, 1978 Chandos Music (ASCAP) |
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| from Joan Baez - Baptism (1968) | |||||
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2:46 |
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| from Joan Baez - In Concert Part 2 (2001) | |||||
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from Joan Baez - Rare Live & Classic (2001)
Just a little rain falling all around
The grass lifts its head to the heavenly sound Just a little rain, just a little rain What have they done to the rain Just a little boy standing in the rain The gentle rain that falls for years And the grass is gone, the boy disappears And rain keeps falling like helpless tears And what have they done to the rain Just a little breeze out of the sky The leaves nod their head as the breeze blows by Just a little breeze with some smoke in its eye What have they done to the rain Just a little boy standing in the rain The gentle rain that falls for years And the grass is gone, the boy disappears And rain keeps falling like helpless tears And what have they done to the rain What have they done to the rain |
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2:56 |
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from Joan Baez - In Concert Vol.1 (2002)
Just a little rain falling all around
The grass lifts its head to the heavenly sound Just a little rain, just a little rain What have they done to the rain Just a little boy standing in the rain The gentle rain that falls for years And the grass is gone, the boy disappears And rain keeps falling like helpless tears And what have they done to the rain Just a little breeze out of the sky The leaves nod their head as the breeze blows by Just a little breeze with some smoke in its eye What have they done to the rain Just a little boy standing in the rain The gentle rain that falls for years And the grass is gone, the boy disappears And rain keeps falling like helpless tears And what have they done to the rain What have they done to the rain |
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from Joan Baez - Noel (1966)
What Child is this who laid to rest
On Mary’s lap is sleeping? Whom angels greet with anthems sweet While shepherds watch are keeping? This, this is Christ the King, Whom shepherds guard and angels sing; Haste, haste, to bring Him laud, The Babe, the Son of Mary. So bring Him incense, gold and myrrh, Come peasant king to own Him; The King of kings salvation brings, Let loving hearts enthrone Him. This, this is Christ the King, Whom shepherds guard and angels sing; Haste, haste, to bring Him laud, The Babe, the Son of Mary. The old year now is fled away The new year it is entered Then let us now our sins down tread And joyfully all appear Let's merry be this day And let us now good sport and play Hang ?? let’s cast care away God send you a happy new year! |
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from Joan Baez - Ring Them Bells [live] (1995)
Welcome me to The City of Angels
Devil prophets still hold my hand I walked your stillborn streets for hours Ethnic echoes spitting out their trials They tell me I'll I'll be the first to praise the sun The first to praise the moon The first to hold the lone coyote Last to set it free Welcome me to a haven given Oh, it's well received into my open arms Oh, I, I ran in my sleep through shaking tremors I felt the splitting earth echoing in my ears And I feel it all I'll be the first to praise the sun The first to praise the moon The first to hold the lone coyote The last to set it free Welcome me to your City of Angels There's a Devil monkey laying on our backs Now tell me, where's the heart? Where's the bullet for breaking? Who's gonna give me a weapon, a pacifying weapon? An' I need it all I'll be the first to praise the sun The first to praise the moon, oh The first to hold the lone coyote The last to set it free I said, I said, "Welcome me" I'll be the first to praise the sun The first to praise the moon, oh The first to hold the lone coyote The last to set it free I said, "Welcome me" |
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from Joan Baez - Ring Them Bells [live] (1995)
Welcome me to The City of Angels
Devil prophets still hold my hand I walked your stillborn streets for hours Ethnic echoes spitting out their trials They tell me I'll I'll be the first to praise the sun The first to praise the moon The first to hold the lone coyote Last to set it free Welcome me to a haven given Oh, it's well received into my open arms Oh, I, I ran in my sleep through shaking tremors I felt the splitting earth echoing in my ears And I feel it all I'll be the first to praise the sun The first to praise the moon The first to hold the lone coyote The last to set it free Welcome me to your City of Angels There's a Devil monkey laying on our backs Now tell me, where's the heart? Where's the bullet for breaking? Who's gonna give me a weapon, a pacifying weapon? An' I need it all I'll be the first to praise the sun The first to praise the moon, oh The first to hold the lone coyote The last to set it free I said, I said, "Welcome me" I'll be the first to praise the sun The first to praise the moon, oh The first to hold the lone coyote The last to set it free I said, "Welcome me" |
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3:30 |
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| from Joan Baez - The Complete A&M Recordings (2003) | |||||
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| from Joan Baez - Noel (1966) | |||||
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| from Joan Baez - Carry It On (2002) | |||||
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from Joan Baez - In Concert Part 2 (2001)
We shall overcome
We shall overcome We shall overcome, some day Oh, deep in my heart I do believe We shall overcome, some day We'll walk hand in hand We'll walk hand in hand We'll walk hand in hand, some day Oh, deep in my heart We shall live in peace We shall live in peace We shall live in peace, some day Oh, deep in my heart We shall all be free We shall all be free We shall all be free, some day Oh, deep in my heart We are not afraid We are not afraid We are not afraid, TODAY Oh, deep in my heart We shall overcome We shall overcome We shall overcome, some day Oh, deep in my heart I do believe We shall overcome, some day |
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3:31 |
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from Joan Baez - In Concert Part 2 (2001)
We shall overcome
We shall overcome We shall overcome, some day Oh, deep in my heart I do believe We shall overcome, some day We'll walk hand in hand We'll walk hand in hand We'll walk hand in hand, some day Oh, deep in my heart We shall live in peace We shall live in peace We shall live in peace, some day Oh, deep in my heart We shall all be free We shall all be free We shall all be free, some day Oh, deep in my heart We are not afraid We are not afraid We are not afraid, TODAY Oh, deep in my heart We shall overcome We shall overcome We shall overcome, some day Oh, deep in my heart I do believe We shall overcome, some day |
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from Joan Baez - Rare Live & Classic (2001)
We shall overcome
We shall overcome We shall overcome, some day Oh, deep in my heart I do believe We shall overcome, some day We'll walk hand in hand We'll walk hand in hand We'll walk hand in hand, some day Oh, deep in my heart We shall live in peace We shall live in peace We shall live in peace, some day Oh, deep in my heart We shall all be free We shall all be free We shall all be free, some day Oh, deep in my heart We are not afraid We are not afraid We are not afraid, TODAY Oh, deep in my heart We shall overcome We shall overcome We shall overcome, some day Oh, deep in my heart I do believe We shall overcome, some day |
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from Joan Baez - Rare Live & Classic (2001)
We are crossing Jordan River
Want my crown, I want my crown We are crossing Jordan River I want my crown, my golden crown Jordan River, deep and wide I got a home on the other side Chorus: We are crossing Jordan River I want my crown When I get to heaven Im gonna sit down, gonna sit down When I get to heaven Im gonna sit down, on the golder throne Jordan River, chilly and cold Chills the body, but not the soul Chorus We are climbing Jacobs ladder Want to sit down, want to sit down We are climbing Jacobs ladder Want to sit down, on that golden throne Jordan River, deep and wide Ive got a home on the other side Chorus |
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5:30 |
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from Joan Baez - Speaking Of Dreams (2003)
We are the Warriors of the Sun
We are the Warriors of the Sun If it's true about no more water but the fire next time Will the children of the eighties be ashes or live to their prime If we don't heed reasonable people and their warnings of days to come We'll all be incinerated Warriors of the Sun We'll be there to feed the hungry and to tend to the sick We'll be there when the night gets black and the going gets thick We'll be there to carry your feeble, your hopeless and your weary ones We are the Warriors of the Sun The black angel of Memphis is by our side He walked and he talked in truth until the day that he died He said, "It ain't what you can do for me, ah, but what can I do for thee?" And he took us to the mountaintop and he set us free We are the Warriors of the Sun We may be crazy And it may be our final run We are the Warriors of the Sun Everybody knows that the whale is smarter than we Probably that's why we call him the king of the sea We're killing everything on dry land, why don't we just let the fishes be Some of us are Greenpeace Warriors of the Sea We are the Warriors of the Sun We are the Warriors of the Sun We are the Warriors of the Sun We are the Warriors of the Sun |
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| from Joan Baez - Blessed Are... (1971) | |||||
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| from Joan Baez - Any Day Now (2001) | |||||
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| from Joan Baez - Baez Sings Dylan (2001) | |||||
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| from Joan Baez - Baez Sings Dylan (2001) | |||||
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from Joan Baez - Any Day Now (2001)
Well, I'm walkin' down the line,
I'm walkin' down the line An' I'm walkin' down the line. My feet'll be a-flyin' To tell about my troubled mind. I got a heavy-headed gal I got a heavy-headed gal I got a heavy-headed gal She ain't feelin' well When she's better only time will tell Well, I'm walkin' down the line, I'm walkin' down the line An' I'm walkin' down the line. My feet'll be a-flyin' To tell about my troubled mind. My money comes and goes My money comes and goes My money comes and goes And rolls and flows and rolls and flows Through the holes in the pockets in my clothes Well, I'm walkin' down the line, I'm walkin' down the line An' I'm walkin' down the line. My feet'll be a-flyin' To tell about my troubled mind. I see the morning light I see the morning light Well it's not because I'm an early riser I didn't go to sleep last night Well, I'm walkin' down the line, I'm walkin' down the line An' I'm walkin' down the line. My feet'll be a-flyin' To tell about my troubled mind. I got my walkin' shoes I got my walkin' shoes I got my walkin' shoes An' I ain't a-gonna lose I believe I got the walkin' blues Well, I'm walkin' down the line, I'm walkin' down the line An' I'm walkin' down the line. My feet'll be a-flyin' To tell about my troubled mind. |
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| from Joan Baez - Rare Live & Classic (2001) | |||||
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| from Joan Baez - Joan Baez Vol.2 (2001) | |||||
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from Joan Baez - Volume 2 (1961)
Oh, hard is the fortune of all woman kind
She's always controlled, she's always confined Controlled by her parents untill she's a wife A slave to her husband the rest of her life Oh, i'm just a poor girl my fortune is sad i've always been courted by the wagoner's lad He's courted me daily, by night and by day But now he is packing and moving away My parents don't like him because he is poor They say he's not worthy of entering my door He works for a living, his money's his own And if they don't like it they can leave him alone Your horses are hungry, go feed them some hay Then sit down beside me as long as you may My horses aint hungry, they won't eat your hay Then fare thee well darlin i'll be on my way Your wagon needs greasing your whip is to mend Then sit down beside me as long as you can My wagon is greasy, my whip's in my hand Then fare thee well darlin, no longer to stand |
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2:27 |
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| from Joan Baez - Joan Baez, Folksong Lady (2012) | |||||
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from Joan Baez - Noel (1966)
Virgin Mary had a one son,
Oh, glory hallelujah, Oh, pretty little baby, Glory be to the new born King. "Mary how you call that pretty little baby? Oh, glory hallelujah, Oh, pretty little baby, Glory be to the new born King". "Some call Him Jesus, think I'll call Him Savior Oh, I think I'll call Him Savior Oh, I think I'll call Him Savior, Glory be to the new born King". Riding from the East there came three wise men, Oh, came three wise men, Oh, came three wise men, Glory to be the new born King. Said, "Follow that star, you'll surely find the baby, Oh, surely find the baby, Oh, surely find the baby, Glory be to the new born King". Virgin Mary had a one son, Oh, glory hallelujah, Oh, pretty little baby, Glory be to the new born King. |
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| from Joan Baez - Live At Newport (2001) | |||||
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2:54 |
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from Joan Baez - Diamonds & Rust In The Bullring [live] (1996)
Hegoak ebaki banizkio
Neria izango zen Ez zuen aldegingoBainan, honela Ez zen gehiago txoria izango Eta nik...txoria nuen maite The bird which is a bird If I had cut the wings to her She would have been mine She would not be flees But,thus She would not have been anymore a bird And me...it's the bird which I loved |
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from Joan Baez - Very Early Joan (2001)
Three gates in the east
Three gates in the west Three gates in the north Three gates in the south That makes twelve gates to the city Hallelujah Oh what a beautiful city Oh what a beautiful city Oh what a beautiful city There's twelve gates to the city Hallelujah Walk right in, you're welcome to the city Step right up welcome to the city Walk right through those gates to the city There are twelve gates to the city Hallelujah Oh what a beautiful city Oh what a beautiful city Oh what a beautiful city There's twelve gates to the city Hallelujah Who are those children all dressed in red Twelve gates to the city Must be the children that Moses sent There are twelve gates to the city Hallelujah Rich and the poor welcome to the city Young and the old welcome to the city Weak and the strong welcome to the city There are twelve gates to the city Hallelujah Oh what a beautiful city Oh what a beautiful city Oh what a beautiful city There's twelve gates to the city Hallelujah Oh what a beautiful city Oh what a beautiful city Oh what a beautiful city There's twelve gates to the city Hallelujah |
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3:19 |
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from Joan Baez - Joan (1967)
(Donovan Leitch)
1- Your smile - beams like sunlight - on a gull's wing And the leaves - dance and play - after you Take my hand - and hold it - as you would a flower Take care with my heart - oh darling - she's made of glass 2- Your eyes - feel like silence - resting on me And the birds - cease to sing - when you rise Ride easy - your fairy stallion - you have mounted Take care how you fly - my precious - you might fall down 4- In the pastel skies - the sunset - I have wandered With my eyes and ears and heart - strained to the full I know I tasted the essence - in the few days Take care who you love - my precious - he might not know |
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from Joan Baez - Joan (1967)
(Donovan Leitch)
1- Your smile - beams like sunlight - on a gull's wing And the leaves - dance and play - after you Take my hand - and hold it - as you would a flower Take care with my heart - oh darling - she's made of glass 2- Your eyes - feel like silence - resting on me And the birds - cease to sing - when you rise Ride easy - your fairy stallion - you have mounted Take care how you fly - my precious - you might fall down 4- In the pastel skies - the sunset - I have wandered With my eyes and ears and heart - strained to the full I know I tasted the essence - in the few days Take care who you love - my precious - he might not know |
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3:19 |
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from Joan Baez - The First 10 Years (1970)
(Donovan Leitch)
1- Your smile - beams like sunlight - on a gull's wing And the leaves - dance and play - after you Take my hand - and hold it - as you would a flower Take care with my heart - oh darling - she's made of glass 2- Your eyes - feel like silence - resting on me And the birds - cease to sing - when you rise Ride easy - your fairy stallion - you have mounted Take care how you fly - my precious - you might fall down 4- In the pastel skies - the sunset - I have wandered With my eyes and ears and heart - strained to the full I know I tasted the essence - in the few days Take care who you love - my precious - he might not know |
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3:32 |
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from Joan Baez - Diamonds (1996)
I feel like a lonesome tumbleweed rolling across an open plain, I feel like something nobody needs I feel my life drifting away, drifting away I feel like a broken wagon wheel when I can't hop a slow moving train Think I know how a coyote feels when he's howling just to ease the pain, since he's been away. Lord, I feel like rolling, rolling along, so keep your big wind blowing till all my natural days are gone till my days are all gone. I'm just a lonesome tumbleweed turning end over end. Once I pulled all my roots free I became a slave to the wind, a slave to the wind. Lord, I feel like rolling, rolling along so keep your big wind blowing till all my natural days are gone till my days are all gone. I'm just a lonesome tumbleweed turning end over end. Once I pulled all my roots free I became a slave to the wind, a slave to the wind. uh~~ I became a slave to the wind, |
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3:30 |
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from Joan Baez - The Complete A&M Recordings (2003)
I feel like a lonesome tumbleweed
rolling across an open plain, I feel like something nobody needs I feel my life drifting away, drifting away - I feel like a broken wagon wheel when I can't hop a slow-moving train Think I know how a coyote feels when he's howling just to ease the pain, since he's been away. Lord, I feel like rolling, rolling along, so keep your big wind blowing till all my natural days are gone - till my days are all gone. I'm just a lonesome tumbleweed turning end over end. Once I pulled all my roots free I became a slave to the wind, a slave to the wind. |
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| from Joan Baez - Rare Live & Classic (2001) | |||||
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| from Joan Baez - Joan Baez Vol.2 (2001) | |||||
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| from Joan Baez - David'S Album (1969) | |||||
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| from Joan Baez - 5 (2005) | |||||
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3:14 |
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| from Joan Baez - In Concert Part 2 (2001) | |||||
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4:02 |
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from Joan Baez - Diamonds (1996)
I'll put flowers at your feet and I will sing to you so sweet And hope my words will carry home to your heart You left us marching on the road and said how heavy was the load The years were young, the struggle barely had its start Do you hear the voices in the night, Bobby? They're crying for you See the children in the morning light, Bobby They're dying No one could say it like you said it, we'd only try and just forget it You stood alone upon the mountain till it was sinking And in a frenzy we tried to reach you With looks and letters we would beseech you Never knowing what, where or how you were thinking Do you hear the voices in the night, Bobby? They're crying for you See the children in the morning light, Bobby They're dying Perhaps the pictures in the Times could no longer be put in rhymes When all the eyes of starving children are wide open You cast aside the cursed crown and put your magic into a sound That made me think your heart was aching or even broken But if God hears my complaint He will forgive you And so will I, with all respect, I'll just relive you And likewise, you must understand these things we give you Like these flowers at your door and scribbled notes about the war We're only saying the time is short and there is work to do And we're still marching in the streets with little victories and big defeats But there is joy and there is hope and there's a place for you And you have heard the voices in the night, Bobby They're crying for you See the children in the morning light, Bobby They're dying |
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4:01 |
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from Joan Baez - The Complete A&M Recordings (2003)
You set us marching along the road
And said how heavy was the load But the years were young The struggle bearly had its start You have seen the children in the night crying Seen the children in the morning light dying Perhaps the pictures in the Times Could no longer be put in rhymes But all the eyes of starving children are wide open You cast aside the cursed crown And put your magic into a sound That made me think your heart was aching Or even broken You stood alone upon the mountain til it was sinking And in a frenzy we tried to reach you With looks and letters we would beseech you Never knowing what where or how you were thinking But if God hears my complaint He will forgive you And so will I with all respect I'll just relive you Like these flowers at your door And scribbled notes about the war We're only saying that time is short And there is work to do And we're still marching along the streets With little victories and big defeats But there is joy and there is hope And there's a place for you And you have seen the children in the night Bobby Seen the children in the morning light Bobby They're dying |
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from Joan Baez - Blowin Away (2006)
Ripping along towards middle age
And my music career kind of missed a page Record sales began to drop The management all began to hop Not worry, they said, you'll see What you need is some fresh publicity Just give us a nod and we'll all leap Towards putting you back at the top of the heap I said, Fine, I'll give it a whack I hung up the phone and I turned my back Began daydreaming I was somebody else When the phone jumped over from the wall to the shelf We just had a break, this is really fine We can make the January issue of TIME If you'll give us Monday, a week from today From two to four, now what do you say? I said, TIME, TIME mag, mag You got me on the rag, rag Take your insults about the queen And shove them up your royal Timese machine But I scribbled it down on the wall calendar And wondered about my interviewer Maybe he'd be just a real nice guy Bright and sympathetic with a roving eye We'd forget all about the assignment due Formalities, photos, and the interview We'd hop on into his big rent-a-car Go for a lovely drive, not far....maybe France As the big day approached it slipped my mind Till my secretary showed up at the house to remind Me to switch into gear for the big coup de gras The meeting with the man from the media I swept the driveway and polished the phone Put on a Kenzo knit in two-tone Fluffed the pillows in the burgundy chair Made up my eyes and brushed my hair...all in that order When he called to say he was three hours late My cheerful facade began to disintegrate The photographer'd be even later still She was hopelessly lost in the nearby hills He arrived not exactly the man of my dreams Not bad for a rep from the Timese machine Asked me a wandering question or three And I thought he was actually listening to me And I said, TIME, TIME mag, mag You got me on the rag, rag Take your insults about the queen And shove them up your royal Timese machine Curious about his interest I babbled my way through the worldwide list Ireland, Chile and the African states Poetry, politics and how they relate Motherhood, music and Moog synthesizers Political prisoners and Commie sympathizers Hetero, homo and bisexuality Where they all stand in the nineteen-seventies Then suddenly it stopped and he started to lobby Said, Tell me some inside stuff about Bobby Bobby who? I smiled and said And the TIME man's face was laced with red I know you guys used to know each other I know you refer to him as being your brother And I know that you know where he's coming from I said, You know alot for being so Goddamned dumb And I said, TIME, TIME mag, mag You got me on the rag, rag Take your insults about the queen And shove them up your royal Timese machine Well I never gave him quite what he came for The inside story and it's really a shame For I never made the January issue of TIME And just before I run out of words that rhyme I really should tell you that deep in my heart I don't give a damn where I stand on the charts Not as long as the sun sinks into the west And that's going to be a pretty serious test.....of time |
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3:43 |
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from Joan Baez - The Complete A&M Recordings (2003)
(Words and Music by Joan Baez)
The moon is low on the southland The frogs are asleep on the lake Did you know that tears run in rivulets And hearts can repeatedly break? And this may well be the last time If my spirits don't pick up and fly For though it's sad It may well be true That our time is passing us by Occasionally you have called for me I've always tried to be there But it seemed whenever my train pulled in You never did really care And the only thing I could decipher From the corner of your roving eye Was that you and I Were the first ones to know That our time was passing us by Well, it was fun for the first few years playing Legend In Our Time And there were those who discussed the fact That we drifted apart in our prime And we haven't got too much in common Except that we're so much alike And I hate it for though You're a big part of me But our time is passing us by So I can sit here in my silver chair You can stay there on your gold You can say you've got commitments And I can say I'm growing old And I can get up and make comments On the color of the evening sky But our ships have come home And the night's rolling in And our time is passing us by But cast us adrift And cross a few stars And I'm good for one more try ⓒ 1976, 1977 Gabriel Earl Music (ASCAP) |
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4:27 |
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from Joan Baez - Play Me Backwards (2003)
You were dreaming on a park bench
'Bout a broad highway somewhere When the music from the carillon Seemed to hurl your heart out there Past the scientific darkness Past the fireflies that float To an angel bending down To wrap you in her warmest coat And you ask, "What am I not doing?" She says "Your voice cannot command. In time, you will move mountains, And it will come through your hands." Still you argue for an option Still you angle for your case Like you wouldn't know a burning bush If it blew up in your face Yeah, we scheme about the future And we dream about the past When just a simple reaching out Might build a bridge that lasts And you ask, "What am I not doing?" She says "Your voice cannot command. In time, you will move mountains, And it will come through your hands." So whatever your hands find to do You must do with all your heart There are thoughts enough To blow men's minds and tear great worlds apart There's a healing touch to find you On that broad highway somewhere To lift you high As music flying Through the angel's hair. Don't ask what you are not doing Because your voice cannot command In time we will move mountains And it will come through your hands |
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from Joan Baez - Blessed Are... (1971)
(Words and Music by Joan Baez)
In the early dawn a stallion white prances the hills in the morning light. His bridle is painted with thunder and gold, orchids and dragons, pale knights of old. He is the horse of the ages past. And now the children run to see the stallion on the hill, bringing bags of apples and of clover they have filled. And the white horse tells his stories of the days now past and gone and the children stand a-wondering believing every song. How brightly glows the past. When the sun is high comes a mare so red, trampling the graves of the living and dead. Her mantle is heavy with mirrors and glass, all is reflected when the red mare does pass. She is the horse of the here and now. And now there is confusion amongst the children on the hill. They cling to one another and no longer can be still. While the red mare's voice is trembling with a rare and mighty call, the children start remembering the bearers and the pall. And though their many-colored sweaters are reflected in the glass, and though the sun shines down upon them, they are frightened in the grass. How stark is the here and now. When night does fall comes a stallion black, so proud and tall he never looks back. He wears him no emeralds, silver and gold, not even a covering to keep him from cold. He is the horse of the years to come. And I will get me down before this steed upon my knees and sing to him the sorrows of a thousand centuries. And the children now will scatter as their mothers call them home, for the sadness of the evening horse no child has ever known. And I will hang about him a bell that's never rung and thank him for the many words which from his throat have never sprung. And I'll thank God and all the angels that the stallion of the evening, the black horse of the future, comes to earth but has no tongue. ⓒ 1971 Chandos Music (ASCAP) |
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2:45 |
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from Joan Baez - In Concert Part 2 (2001)
(John Hullah ? Charles Kingsley)
Three fishers went sailing out into the west, Out into the west as the sun went down, Each thought on the woman that loves him the best, And the children stood watching them out of the town. For men must work and women must weep, For there's little to earn and many to keep, And the harbor bar be moaning. Three wives sat up in the lighthouse tower, They trimmed the lamps as the sun went down, And they looked at the squall and they looked at the shower, And the night-wrack came rolling in ragged and brown. For men must work and women must weep, ‘Though storms be sudden and the waters be deep And the harbor bar be moaning. Three corpses lay out on the shining sand, In the morning gleam as the tide went down, And the women were weeping and wringing their hands, For those who would never come back to the town. For men must work and women must weep, And the sooner it's over, the sooner to sleep And good-bye to that bar and its moaning. For men must work and women must weep, And the sooner it's over, the sooner to sleep And good-bye to that bar and its moaning. |
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from Joan Baez - In Concert Part 2 (2001)
(John Hullah ? Charles Kingsley)
Three fishers went sailing out into the west, Out into the west as the sun went down, Each thought on the woman that loves him the best, And the children stood watching them out of the town. For men must work and women must weep, For there's little to earn and many to keep, And the harbor bar be moaning. Three wives sat up in the lighthouse tower, They trimmed the lamps as the sun went down, And they looked at the squall and they looked at the shower, And the night-wrack came rolling in ragged and brown. For men must work and women must weep, ‘Though storms be sudden and the waters be deep And the harbor bar be moaning. Three corpses lay out on the shining sand, In the morning gleam as the tide went down, And the women were weeping and wringing their hands, For those who would never come back to the town. For men must work and women must weep, And the sooner it's over, the sooner to sleep And good-bye to that bar and its moaning. For men must work and women must weep, And the sooner it's over, the sooner to sleep And good-bye to that bar and its moaning. |
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| from Bread And Roses: Festival Of Acoustic Music, Vol. 1 (Live At The Greek Theater / Berkeley, CA / 1977) (1977) | |||||
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3:15 |
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from Joan Baez - The First 10 Years (1970)
Show me the prison
show me the jail show me the prisoner whose life has gone stale and I'll show you, young man, with so many reasons why, there but for fortune go you or I. show me the alley show me the train show me the hobo who sleeps out in the rain and I'll show you, young man, with so many reasons why there but for fortune go you or I. show me the whiskey stains on the floor show me the drunkard as he stumbles out the door and I'll show you, young man, with so many reasons why, there but for fortune go you or I. Show me the country where the bombs had to fall show me the ruins of the buildings, once so tall and I'll show you young man with so many reasons why, there but for fortune go you and I, you and I. |
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from Joan Baez - Rare Live & Classic (2001)
Show me the prison
show me the jail show me the prisoner whose life has gone stale and I'll show you, young man, with so many reasons why, there but for fortune go you or I. show me the alley show me the train show me the hobo who sleeps out in the rain and I'll show you, young man, with so many reasons why there but for fortune go you or I. show me the whiskey stains on the floor show me the drunkard as he stumbles out the door and I'll show you, young man, with so many reasons why, there but for fortune go you or I. Show me the country where the bombs had to fall show me the ruins of the buildings, once so tall and I'll show you young man with so many reasons why, there but for fortune go you and I, you and I. |
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from Joan Baez - Hits/ Greatest & Others (2002)
Show me the prison
show me the jail show me the prisoner whose life has gone stale and I'll show you, young man, with so many reasons why, there but for fortune go you or I. show me the alley show me the train show me the hobo who sleeps out in the rain and I'll show you, young man, with so many reasons why there but for fortune go you or I. show me the whiskey stains on the floor show me the drunkard as he stumbles out the door and I'll show you, young man, with so many reasons why, there but for fortune go you or I. Show me the country where the bombs had to fall show me the ruins of the buildings, once so tall and I'll show you young man with so many reasons why, there but for fortune go you and I, you and I. |
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from Joan Baez - 5 (2005)
Show me the prison
show me the jail show me the prisoner whose life has gone stale and I'll show you, young man, with so many reasons why, there but for fortune go you or I. show me the alley show me the train show me the hobo who sleeps out in the rain and I'll show you, young man, with so many reasons why there but for fortune go you or I. show me the whiskey stains on the floor show me the drunkard as he stumbles out the door and I'll show you, young man, with so many reasons why, there but for fortune go you or I. Show me the country where the bombs had to fall show me the ruins of the buildings, once so tall and I'll show you young man with so many reasons why, there but for fortune go you and I, you and I. |
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| from Joan Baez - Joan Baez 75th Birthday Celebration (2016) | |||||
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from Joan Baez - Farewell, Angelina (2001)
The wild mountain thyme Francis McPeake
For the summertime is comming. And the leaves are sweetly blooming And the wild mountain thyme Blooms around the purple heather Chorus: |
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from Joan Baez - Farewell, Angelina (2001)
The water is wide, I cannot get o'er
Neither have I wings to fly. Give me a boat that can carry two And both shall cross my true love and I I lean'd my back against an oak, Thinking it was a mighty tree. But first it bent and then it broke, So did my love prove false to me. I put my hand in some soft bush Thinking the sweetest flow'r to find. I prick'd my finger to the bone And left the sweetest flow'r behind. O love is handsome and love is kind, Gay as a jewel when it is new But love grows old and waxes cold And fades away like the morning dew. The water is wide, I cannot get o'er Neither have I wings to fly. Give me a boat that can carry two And both shall cross my true love and I |
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from Joan Baez - Very Early Joan (2001)
The water is wide, I cannot get o'er
Neither have I wings to fly. Give me a boat that can carry two And both shall cross my true love and I I lean'd my back against an oak, Thinking it was a mighty tree. But first it bent and then it broke, So did my love prove false to me. I put my hand in some soft bush Thinking the sweetest flow'r to find. I prick'd my finger to the bone And left the sweetest flow'r behind. O love is handsome and love is kind, Gay as a jewel when it is new But love grows old and waxes cold And fades away like the morning dew. The water is wide, I cannot get o'er Neither have I wings to fly. Give me a boat that can carry two And both shall cross my true love and I |
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| from Joan Baez - Joan Baez 75th Birthday Celebration (2016) | |||||
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from Joan Baez - 5 (2005)
(revised version sung by Joan Baez)
Cold blows the wind to my true love, And gently drops the rain. I've never had but one true love, And in green-wood he lies slain. I'll do as much for my true love, As any young girl may, I'll sit and mourn all on his grave, For twelve months and a day. And when twelve months and a day was passed, The ghost did rise and speak, "Why sittest thou all on my grave And will no let me sleep?" "Go fetch me water from the desert, And blood from out the stone, Go fetch me milk from a fair maid's breast That young man never has known." "How oft on yonder grave, sweetheart, Where we were want to walk, The fairest flower that e'er I saw Has withered to a stalk." "A stalk has withered and dead, sweetheart, The flower will never return, And since I've lost my own true love, What can I do but yearn." "When will we meet again, sweetheart, When will we meet again?" "When the autumn leaves that fall from the trees Are green and spring up again." The Unquiet Grave (Child #78) Traditional Folk Song From "Joan Baez 5" sung by Joan Baez (5), Frankie Armstrong (Lovely on Water), Ian Campbell, and Patons |
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from Joan Baez - Volume 2 (1961)
The trees they grow high,
the leaves they do grow green Many is the time my true love I've seen Many an hour I have watched him all alone He's young, but he's daily growing Father, dear father, you've done me great wrong You have married me to a boy who is too young I'm twice twelve and he is but fourteen He's young, but he's daily growing Daughter, dear daughter, I've done you no wrong I have married you to a great lord's son He'll make a lord for you to wait upon He's young, but he's daily growing Father, dear father, if you see fit We'll send him to college for one year yet I'll tie blue ribbons all around his head To let the maidens know that he's married One day I was looking o'er my father's castle wall I spied all the boys aplaying with the ball My own true love was the flower of them all He's young, but he's daily growing At the age of fourteen, he was a married man At the age of fifteen, the father of a son At the age of sixteen, his grave it was green And death had put an end to his growing |
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from Joan Baez - David'S Album (1969)
(Grady and Hazel Cole)
Only a tramp was Lazarus that day, He lay down by the rich man's gate. He begged for crumbs from the rich man to eat But they left him to die like a tramp on the street. And Jesus who died on Calvary's tree, Shed his life blood for you and for me They pierced his side, his hands and his feet And they left Him to die like a tramp on the street. He was Mary's own darlin', he was Mary's own son; Once he was fair and once he was young, And Mary she rocked him, her little darlin' to sleep, But they left him to die like a tramp on the street. When the battles are over, and the victory's won, Everyone mourns with the poor man's son, Red white and blue, and victory sweet, And they left him to die like a tramp on the street. |
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| from Joan Baez - Rare Live & Classic (2001) | |||||
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from Joan Baez - Honest Lullaby (1979)
This is the song at the end of the movie
When the house lights go on The people go home The plot's been resolved It's all over This is the day after the last sad goodbye That took so long My true love is gone He's left me alone We're all over I am the girl with her face in her hands Crying love forsaken I'm left badly shaken This is the letter he left on the stairwell That seemed so unreal With words that could kill I'll send you the bill when it's over This is the song at the end of the movie When the house lights go on The people go home The plot's been resolved It's all over All over |
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from Joan Baez - Blessed Are... (1971)
Let's drink to the hard working people
Let's drink to the lowly of birth Raise your glass to the good and the evil Let's drink to the salt of the earth Say a prayer for the common foot soldier Spare a thought for his back brealcing work Say a prayer for his wife and his children Who burn the fires and who stili till the earth When I search a faceless crowd Swirling mass of grey and black and white They don't look real to me, In fact they look so strange Raise your glass to the hard working people Let's drink to the uncounted head Let's think of the wavering millions Who want leaders but get gamblers instead Spare a thought for the stay-at-home voter His empty eyes gaze at strange beauty shows And a parade of gray suited grafters A choice of cancer or polio! And when I search a faceless crowd Swirling mass of grey and black and white They don't look real to me, In fact they look so strange Let's drink to the hard working people Let's think of the lowly of birth Spare a thought for the ragtaggy people Let's drink to the salt of the earth Let's drink to the hard working people Let's drink to the salt of the earth Let's think of the two thousand million Let's think of the humble of birth |
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from Joan Baez - Rare Live & Classic (2001)
Oh, Mary was a maiden
When the birds began to sing. She was sweeter than the blooming rose So early in the spring. Her thoughts were gay and happy And the morning gay and fine, For her lover was a river boy From the river in the pines. Now Charlie, he got married To his Mary in the spring When the trees were budding early And the birds began to sing. But early in the autumn When the fruit is in the wine, I'll return to you, my darling From the river in the pines. It was early in the morning In Wisconsin's dreary clime When he rode the fatal rapids For that last and fatal time. They found his body lying On the rocky shore below Where the silent water ripples And the whispering cedars blow. Now every raft of lumber That comes down the Chippewa, There's a lonely grave that's Visited by drivers on their way They plant wild flowers upon it In the morning fair and fine. 'Tis the grave of two young lovers From the river in the pines |
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from Joan Baez - Farewell, Angelina (2001)
Oh, Mary was a maiden
When the birds began to sing. She was sweeter than the blooming rose So early in the spring. Her thoughts were gay and happy And the morning gay and fine, For her lover was a river boy From the river in the pines. Now Charlie, he got married To his Mary in the spring When the trees were budding early And the birds began to sing. But early in the autumn When the fruit is in the wine, I'll return to you, my darling From the river in the pines. It was early in the morning In Wisconsin's dreary clime When he rode the fatal rapids For that last and fatal time. They found his body lying On the rocky shore below Where the silent water ripples And the whispering cedars blow. Now every raft of lumber That comes down the Chippewa, There's a lonely grave that's Visited by drivers on their way They plant wild flowers upon it In the morning fair and fine. 'Tis the grave of two young lovers From the river in the pines |
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