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| from Aimee Mann - I`M With Stupid (1996) | |||||
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3:28 |
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| from Aimee Mann - One More Drifter In The Snow [ccm] (2006) | |||||
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3:42 |
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from Magnolia (매그놀리아) by Jon Brion [ost] (2000)
You stay the night at his house
with no ride to work and I'm the one who tells you he's another jerk but you're the one who can succeed you've only got to prove your need-- and you do you really do The sex you're trading up for what you hope is love is just another thing that he'll be careless of but though there are caveats galore you've only got to love him more-- and you do you really do even when it's all too clear You write a little note that you leave on the bed and spend some time dissecting every word he said and if he seemed a little strange well, baby--anyone can change and you do you do you really do |
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from Aimee Mann - Bachelor No.2 Or, The Last Remains Of The Dodo (2000)
You stay the night at his house
With no ride to work And I'm the one who tells you He's another jerk But you're the one who can succeed You've only got to prove your need And you do You really do The sex you're trading up for What you hope is love Is just another thing that He'll be careless of But though there are caveats galore You've only got to love him more And you do You really do Even when it's all too clear You write a little note that You leave on the bed And spend some time dissecting Every word he said And if he seemed a little strange Well, baby, anyone can change And you do You do You really do |
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3:44 |
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from Aimee Mann - Bachelor No.2 (2001)
You stay the night at his house
With no ride to work And I'm the one who tells you He's another jerk But you're the one who can succeed You've only got to prove your need And you do You really do The sex you're trading up for What you hope is love Is just another thing that He'll be careless of But though there are caveats galore You've only got to love him more And you do You really do Even when it's all too clear You write a little note that You leave on the bed And spend some time dissecting Every word he said And if he seemed a little strange Well, baby, anyone can change And you do You do You really do |
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from Aimee Mann - I`M With Stupid (1996)
There is nothing that competes with habit
And I know it's neither deep nor tragic Simply that you have to have it So you can make a killing So you can make a killing So you can make a killing I wish I was both young and stupid Then I too could have the fun that you did Till it was time to pony up what you bid So you can make a killing So you can make a killing So you can make a killing I could follow you and search the rubble Stay right here and save myself some trouble I try to keep myself from seeing double Or I could make a killing Or I could make a killing Or I could make a killing |
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from Cruel Intentions (사랑보다 아름다운 유혹) [best, ost] (1999)
There is nothing that competes with habit
And I know it's neither deep nor tragic Simply that you have to have it So you can make a killing So you can make a killing So you can make a killing I wish I was both young and stupid Then I too could have the fun that you did Till it was time to pony up what you bid So you can make a killing So you can make a killing So you can make a killing I could follow you and search the rubble Stay right here and save myself some trouble I try to keep myself from seeing double Or I could make a killing Or I could make a killing Or I could make a killing |
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3:32 |
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from Jerry Maguire (제리 맥과이어) by Nancy Wilson [ost] (1996)
It's not what you thought
when you first began It You got what you want now You can hardly stand It, though by now you know It's not going to stop It's not going to stop It's not going to stop 'til you wise up You're sure there's a cure and You have finally found it you think one drink Will shrink you til you're underground And living down but it's not going to stop It's not going to stop it's not going to stop 'til you wise up prepare a list of what you need Before you sign away and do the deed Cause it's not going to stop It's not going to stop no, it's not going to stop 'til you wise up no, it's not going to stop 'til you wise up no, it's not going to stop So just give up |
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3:31 |
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from Magnolia (매그놀리아) by Jon Brion [ost] (2000)
It's not what you thought
When you first began it You got what you want Now you can hardly stand it though By now you know it's not Going to stop It's not going to stop It's not going to stop 'Til you wise up you're sure there's a cure And you have finally found it You think one drink will shrink you 'til you're underground and living down But it's not going to stop It's not going to stop It's not going to stop 'Til you wise up Prepare a list of what you need Before you sign away the deed 'Cause it's not going to stop It's not going to stop It's not going to stop 'Til you wise up No it's not going to stop 'Til you wise up Now it's not going to stop So just give up |
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3:22 |
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from Aimee Mann - Live At St. Anne (2004)
It's not what you thought When you first began it You got what you want now You can hardly stand it thought by now you know It's not going to stop It's not going to stop It's not going to stop 'til you wise up You're sure there's a cure and You have finally found it you think one drink Will shrink you til you're underground and living down but it's not going to stop It's not going to stop it's not going to stop 'til you wise up Prepare a list of what you need before you sign away and do the deed Cause it's not going to stop it's not going to stop it's not going to stop 'til you wise up no it's not going to stop 'til you wise up no it's not going to sop So just give up
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3:47 |
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from Aimee Mann - One More Drifter In The Snow [ccm] (2006)
Sleigh bells ring, are you listening,
in the lane, snow is glistening A beautiful sight, we're happy tonight, walking in a winter wonderland. Gone away is the bluebird, here to stay is a new bird He sings a love song, as we go along, walking in a winter wonderland. In the meadow we can build a snowman, Then pretend that he is Parson Brown He'll say: Are you married? we'll say: No man, But you can do the job when you're in town. Later on, we'll conspire, as we dream by the fire To face unafraid, the plans that we've made, walking in a winter wonderland. |
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2:58 |
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from Aimee Mann - One More Drifter In The Snow [ccm] (2006)
I'm dreaming of a white Christmas
Just like the ones I used to know Where the treetops glisten, and children listen To hear sleigh bells in the snow I'm dreaming of a white Christmas With every Christmas card I write May your days be merry and bright And may all your Christmases be white I'm dreaming of a white Christmas With every Christmas card I write May your days be merry and bright |
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2:53 |
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from Aimee Mann - One More Drifter In The Snow [ccm] (2006)
Whatever happened to Christmas? It's gone and left no traces,
Whatever happened to the faces or the glow. Whatever happened to Christmas, to Christmas way of living? Whatever happened to the giving, the magic in the snow? Remember the sights and the smells and the sounds, And remember how love was all around, whatever happened to it all? Whatever happened to Christmas, bells in the streets are ringing, Whatever happened to the singing, the songs we used to know. Where was I, and whatever happened to you? Whatever happened to Christmas and you? |
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from Aimee Mann - Whatever (2001)
Well, I guess that this is now the end
Who'd have thought, my old friend We signed the papers and we capped the pen But I remember you from way back when Good evening, ladies and gentlemen Welcome David-what's-his-name-again Things change, the old cliche If we knew now what we knew yesterday Oh, we couldn't give it away I was working at a record store I knew you, you knew the score Some kind of deal is what we're looking for Time came, and disappeared No one steered and it got weirder Help was needed, no one volunteered Things change, you got to wait a bit What made me think that I could weather it? You're down before you even know that You've been hit And through it all I wondered Where the bus was taking you Who knew? Cause even though my one and one Was always making two I never thought that I was breaking you We were victims of the old taboo But people change, we changed too Just make it count before they get to you Cause things change, baby, hold the phone They'll shoot you down like you was Al Capone Oh, you better go it alone Well, I guess that this is now the end Paper signed, forget the pen Wonder if we'll ever meet again? |
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3:36 |
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from Aimee Mann - The Forgotten Arm (2005)
Tell me why I feel so bad, honey
TV's flat and nothing is funny I get sad and stuck in a cone of silence Like a big balloon with nothing for ballast Labeled like a bottle for Alice Drink me down or I'll drown in a sea of giants And tell me, "Baby, baby, I love you It's nonstop memories of you It's like a video of you playing It's all loops of seven-hour kisses Cut with a couple near-misses Back to the scene of the actor saying: 'Tell me, baby, baby ? why do I feel so bad?'" Tell me why I feel so bad, honey Fighting left me plenty of money But didn't keep the promise of memory lapses Like a building that's been slated for blasting I'm the proof that nothing is lasting Counting to eleven as it collapses And tell me, "Baby, baby, I love you It's nonstop memories of you It's like a video of you playing It's all loops of seven-hour kisses Cut with a couple near-misses Back to the scene of the actor saying: 'Tell me, baby, baby ? why do I feel so bad?'" Baby, baby, I love you Baby, baby, I love you But baby, I feel so bad |
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3:32 |
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from I Am Sam (아이 엠 샘) [ost] (2002)
Two of us riding nowhere
Spending someone's Hard earned pay you and me Sunday driving Not arriving On our way back home We're on our way home We're on our way home We're going home Two of us sending postcards Writing letters On my wall You and me burning matches Lifting latches On our way back home We're on our way home We're on our way home We're going home You and I have memories Longer than the road that stretches out ahead Two of us wearing raincoats Standing so low In the sun You and me chasing paper Getting nowhere On our way back home We're on our way home We're on our way home We're going home You and I have memories Longer than the road that stretches out ahead Two of us wearing raincoats Standing so low In the sun You and me chasing paper Getting nowhere On our way back home We're on our way home We're on our way home We're going home We're going home Better believe it |
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from Aimee Mann - @#%&! Smilers (2008)
Nightly you retrace your steps again to return to the scene of the crime
It's uncanny how you hover in the air over the wreckage that you left behind I want you but you're a poltergeist I want you but, baby, the price is high I want you and now I've said it twice so Mary dim the lights Really, when you come into the room it's not helping me, seeing you now It's not easy, in this phosphorescent gloom, telling waking dreams apart anyhow I want you but you're a poltergeist I want you but, baby, the price is high I want you and now I've said it twice so Mary dim the lights Cups and saucers crashing in but Houdini blows the gag again Then no one's a true believer I want you but you're a poltergeist I want you but, baby, the price is high I want you and now I've said it twice so Mary dim the lights Cups and saucers crashing in but Houdini blows the gag again |
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| from Aimee Mann - Lost In Space (2005) | |||||
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4:41 |
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from Aimee Mann - Lost In Space (2005)
Better pack your bags and run
Or stay until the job is done Or maybe you can sit and hope That providence will fray the rope And sink like a stone Or go it alone And isn't it enough - for you? Isn't it enough? So better pack your bags and run And send it to oblivion Where you don't look like anyone That anyone would care about And do what you do 'Til it buries you And isn't it enough - for you? Isn't it enough? And baby - isn't it enough? Like Major Reno at the bluff Wondering aloud if help is on the way And baby, isn't this your chance To make a break with circumstance Isn't it enough to prove today's the day? Isn't it enough to prove today's the day? |
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| from M.O.D.O.K. (Original Soundtrack) (모도크) by Aimee Mann, Patton Oswalt [ost] (2021) | |||||
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| from M.O.D.O.K. (Original Soundtrack) (모도크) by Aimee Mann, Patton Oswalt [ost] (2021) | |||||
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| from Aimee Mann - Lost In Space (2005) | |||||
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| from Aimee Mann - Lost In Space (2005) | |||||
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3:47 |
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from Aimee Mann - Lost In Space (2005)
This is how it goes
You'll get angry at yourself And think you can think of something else And I'll hear the clanging of the bells 'Cause I can't stop you baby... 'Cause I don't have the bribery in place No bright shiny surface to my face So I won't go near the market place With what I'm selling lately 'Cause this is how it goes 'Cause it's all about drugs It's all about shame And whatever they want Don't tell 'em your name This is how it goes: One more failure to connect With so many how could I object? And you, what on earth did you expect? Well, I can't tell you, baby When this is how it goes 'Cause it's all about drugs It's all about shame And whatever they want Don't tell 'em your name So I'll try to hold on While you try to let go You won't tell me it's gone But, baby, I'll know Baby, I'll know Baby, I'll know |
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| from M.O.D.O.K. (Original Soundtrack) (모도크) by Aimee Mann, Patton Oswalt [ost] (2021) | |||||
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| from M.O.D.O.K. (Original Soundtrack) (모도크) by Aimee Mann, Patton Oswalt [ost] (2021) | |||||
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| from M.O.D.O.K. (Original Soundtrack) (모도크) by Aimee Mann, Patton Oswalt [ost] (2021) | |||||
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3:46 |
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from Aimee Mann - Live At St. Anne (2004)
The moth don't care when he sees the flame
he might get burned but he's in the game and once he's in he can't go back, and beat his wings 'til he burns them black no the moth don't care when he sees the flame no the moth don't care when he sees the flame the moth don't care if the flame is real cuz flame and moth got a sweetheart deal and nothing fuels a good flirtation like need and anger and desperation no the moth don't care if the flame is real no the moth don't care if the flame is real So come on let's go ready or not cuz there's a flame I know hotter than hot and with a fuse that's so thoroughly shot away the moth don't care if the flame burns low cuz moth believes in an afterglow and flames are never douzed completely all you really need is a love of heat no, the moth don't care if the flame burns low no, the moth don't care if the flame burns low So come on let's go ready or not cuz there's a flame I know hotter than hot and with a fuse that's so thoroughly shot away |
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3:46 |
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from Aimee Mann - Lost In Space (2005)
The moth don't care when he sees the flame
he might get burned but he's in the game and once he's in he can't go back, and beat his wings 'til he burns them black no the moth don't care when he sees the flame no the moth don't care when he sees the flame the moth don't care if the flame is real cuz flame and moth got a sweetheart deal and nothing fuels a good flirtation like need and anger and desperation no the moth don't care if the flame is real no the moth don't care if the flame is real So come on let's go ready or not cuz there's a flame I know hotter than hot and with a fuse that's so thoroughly shot away the moth don't care if the flame burns low cuz moth believes in an afterglow and flames are never douzed completely all you really need is a love of heat no, the moth don't care if the flame burns low no, the moth don't care if the flame burns low So come on let's go ready or not cuz there's a flame I know hotter than hot and with a fuse that's so thoroughly shot away |
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| from Aimee Mann - Lost In Space (2005) | |||||
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| from Aimee Mann - Lost In Space (2005) | |||||
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3:07 |
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| from Aimee Mann - Bachelor No.2 (2001) | |||||
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from Aimee Mann - Bachelor No.2 Or, The Last Remains Of The Dodo (2000)
There's no charity in you
And that surprises me I guess I thought you were A golden idol 'Cause I called you majesty On the balustrade You watched me hunt for tips I was obliged to pick up From the passing trade Hey, kids-look at this It's the fall of the world's own optimist I could get back up if you insist But you'll have to ask politely 'Cause the eggshells I've been treading Couldn't spare me a beheading And I'll know I had it coming From a Caesar who was only slumming Hey, kids-look at this It's the fall of the world's own optimist Well, I could have objections Which you could override But what's the point We're only flogging the horse When the horseman has up and died Once I testified And swore I'd never leave a stone unturned I bet you're really glad that I lied Hey, kids-look at this It's the fall of the world's own optimist I could get back up if you insist But you'll have to ask politely 'Cause the eggshells I've been treading Couldn't spare me a beheading And I'll know I had it coming From a Caesar who was only slumming Hey, kids-look at this It's the fall of the world's own optimist Hey, kids-look at this It's the fall of the world's own optimist I could get back up if you insist But you'll have to ask politely Yes, you'll have to ask politely Yes, you'll have to ask politely |
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| from M.O.D.O.K. (Original Soundtrack) (모도크) by Aimee Mann, Patton Oswalt [ost] (2021) | |||||
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3:20 |
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from Aimee Mann - One More Drifter In The Snow [ccm] (2006)
Chestnuts roasting on an open fire,
Jack Frost nipping on your nose, Yuletide carols being sung by a choir, And folks dressed up like Eskimos. Everybody knows a turkey and some mistletoe, Can help to make the season bright. Tiny tots with their eyes all aglow, Will find it hard to sleep tonight. They know that Santa's on his way; He's loaded lots of toys and goodies on his sleigh. And every mother's child is going to spy, To see if reindeer really know how to fly. And so I'm offering this simple phrase, To kids from one to ninety-two, Although its been said many times, many ways, |
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- |
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| from M.O.D.O.K. (Original Soundtrack) (모도크) by Aimee Mann, Patton Oswalt [ost] (2021) | |||||
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- |
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| from Aimee Mann - I`M With Stupid (1996) | |||||
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4:18 |
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from Melrose Place- The Music (0000)
In our endeavor we are never seeing eye to eye
No guts to serve us so forever may we wave goodbye And you're always telling me that it's my turn to move When I wonder what could make the needle jump the groove I won't fall for the oldest trick in the book So don't sit there and think you're off of the hook By saying there is no use changing 'cause That's just what you are That's just what you are Acting steady always ready to defend your fears What's the matter with the truth, did I offend your ears By suggesting that a change might be a thing to try Like it would kill you just to try and be a nicer guy It's not like you would lose some critical piece If somehow you moved point A to point B Maintaining there is no point changing 'cause That's just what you are That's just what you are Now I could talk to you till I'm blue in the face But we still would arrive at the very same place With you running around and me out of the race So maybe you're right, nobody can take Something older than time and hope you could make It better, that would be a mistake So take it just so far 'Cause that's just what you are That's just what you are That's just what you are Acting steady always ready to defend your fears What's the matter with the truth, did I offend your ears You're like a sleepwalking man, it's a danger to wake you Even when it is apparent where your actions will take you That's just what you are And that's just what you are That's just what you are That's just what you are |
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4:27 |
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from Aimee Mann - Live At St. Anne (2004)
In our endeavor we are never seeing eye to eye
No guts to serve us so forever may we wave goodbye And you're always telling me that it's my turn to move When I wonder what could make the needle jump the groove I won't fall for the oldest trick in the book So don't sit there and think you're off of the hook By saying there is no use changing 'cause That's just what you are That's just what you are Acting steady always ready to defend your fears What's the matter with the truth, did I offend your ears By suggesting that a change might be a thing to try Like it would kill you just to try and be a nicer guy It's not like you would lose some critical piece If somehow you moved point A to point B Maintaining there is no point changing 'cause That's just what you are That's just what you are Now I could talk to you till I'm blue in the face But we still would arrive at the very same place With you running around and me out of the race So maybe you're right, nobody can take Something older than time and hope you could make It better, that would be a mistake So take it just so far 'Cause that's just what you are That's just what you are That's just what you are Acting steady always ready to defend your fears What's the matter with the truth, did I offend your ears You're like a sleepwalking man, it's a danger to wake you Even when it is apparent where your actions will take you That's just what you are And that's just what you are That's just what you are That's just what you are |
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4:19 |
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from Aimee Mann - The Forgotten Arm (2005)
I drew a picture of you
You and your anchor tattoo And saw the face that I knew Covered in shame You drew a bird that was here A kind of sweet chanticleer But with a terrible fear That the cage couldn't tame That's how I knew this story would break my heart When you wrote it That's how I knew this story would break my heart So, like a ghost in the snow I'm getting ready to go 'Cause baby, that's all I know ? How to open the door And though the exit is crude It saves me coming unglued For when you're not in the mood For the gloves and the canvas floor That's how I knew this story would break my heart When you wrote it That's how I knew this story would break my heart That's how I knew this story would break my heart When you wrote it That's how I knew this story would break my heart |
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| from Melrose Place OST (멜로즈 플레이스) [ost] (1998) | |||||
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from Aimee Mann - Bachelor No.2 Or, The Last Remains Of The Dodo (2000)
Oh Susan, you were clued-in
You knew just how this thing would go A prognosis that was hopeless From the very first domino I guess I see it all in hindsight I tried to keep perspective despite The flash of the fuse, the smell of cordite Now I'm in that place again And I know he can't come in to get me And someday he will live to regret me Susan I can see it now Oh Suzie, they get to me They can really be wearying So he threw me rope and bouey Let me use his decoding ring There must have been some kind of parade We kissed for a while to see how it fades And pulled the pin on another grenade But I'm in that place again And I know he can't come in to get me And someday he will live to regret me Suzy I can see it now Oh Susan, the hope of fusion Is that the halo will reappear It may be pure illusion But it's beautiful while it's here I had some trouble with the goodbye I checked my roman candle supply And watched the vapor-trail in the sky But I'm in that place again And I know he can't come in to get me And someday he will live to regret me Susan I can see it now Susan I can see it now Susan I can... see... it... now |
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3:52 |
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from Aimee Mann - Bachelor No.2 (2001)
Oh Susan, you were clued-in
You knew just how this thing would go A prognosis that was hopeless From the very first domino I guess I see it all in hindsight I tried to keep perspective despite The flash of the fuse, the smell of cordite Now I'm in that place again And I know he can't come in to get me And someday he will live to regret me Susan I can see it now Oh Suzie, they get to me They can really be wearying So he threw me rope and bouey Let me use his decoding ring There must have been some kind of parade We kissed for a while to see how it fades And pulled the pin on another grenade But I'm in that place again And I know he can't come in to get me And someday he will live to regret me Suzy I can see it now Oh Susan, the hope of fusion Is that the halo will reappear It may be pure illusion But it's beautiful while it's here I had some trouble with the goodbye I checked my roman candle supply And watched the vapor-trail in the sky But I'm in that place again And I know he can't come in to get me And someday he will live to regret me Susan I can see it now Susan I can see it now Susan I can... see... it... now |
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from Aimee Mann - I`M With Stupid (1996)
I'm a superball
You can bounce me once and I ricochet Around the room I'm a superball If I pick up speed get out of my way I'm a sonic boom And I warn you now The velocity I'm gathering Will knock you down Send the chairs and lamps all scattering 'Cause I'm a superball If you think there'll be no aftershocks Well I'm a superball Read the fine print on the back of the box Stick to slinkies, hot wheels, alphabet blocks And I warn you now The velocity I'm gathering Will knock you down Send the chairs and lamps all scattering |
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- |
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| from M.O.D.O.K. (Original Soundtrack) (모도크) by Aimee Mann, Patton Oswalt [ost] (2021) | |||||
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- |
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from Aimee Mann - I`M With Stupid (1996)
You looked the part of
The poor brave martyr And guess who broke your heart Whoever has it Sugarcoated When they wrote it I would've believed it too I would've believed it too I would believe it I'm so relentless And you're defenseless Until the pencil stops You'll be the one who's Sugarcoated Overloaded Do you believe it's true Do you believe it's true Do you believe it And out of your mouth Comes a stream of cliches Now I have given you so much rope You should have been hanging for days But you keep spinning it out Spinning it out Spinning it out Spinning it out Spinning it out Spinning it out It wasn't nice though I came back twice so Now I'm the antichrist If I had been as Sugarcoated Self-promoted They would've believed me too They would've believed me too Would you believe me too Would you believe it too |
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3:58 |
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from Aimee Mann - Live At St. Anne (2004)
You looked the part of
The poor brave martyr And guess who broke your heart Whoever has it Sugarcoated When they wrote it I would've believed it too I would've believed it too I would believe it I'm so relentless And you're defenseless Until the pencil stops You'll be the one who's Sugarcoated Overloaded Do you believe it's true Do you believe it's true Do you believe it And out of your mouth Comes a stream of cliches Now I have given you so much rope You should have been hanging for days But you keep spinning it out Spinning it out Spinning it out Spinning it out Spinning it out Spinning it out It wasn't nice though I came back twice so Now I'm the antichrist If I had been as Sugarcoated Self-promoted They would've believed me too They would've believed me too Would you believe me too Would you believe it too |
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from Aimee Mann - Whatever (2001)
Nothing was saving our day
There was nothing to say But you said something anyway Claiming I stepped out of line Which forced you to leave me As if that idea was mine Oh, you stupid thing Speaking of course as your dear departed Oh, you stupid thing It wasn't me that you outsmarted Oh, you stupid thing Stopping it all Before it even started I bet you knew it would come That's just like you to sit back And just play it dumb One word of warning would help But that sacrifice was made Trying to save yourself Oh, you stupid thing Speaking of course as your dear departed Oh, you stupid thing It wasn't me that you outsmarted Oh, you stupid thing Stopping it all Before it even started Maybe that's just how I am To fall where I stand Or I'm weak for that kind of man One who looks helpless and brave But you turned into a coward I don't care for the parts you saved Oh, you stupid thing Speaking of course as your dear departed Oh, you stupid thing It wasn't me that you outsmarted Oh, you stupid thing... |
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4:14 |
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from Aimee Mann - Live At St. Anne (2004)
Nothing was saving our day
There was nothing to say But you said something anyway Claiming I stepped out of line Which forced you to leave me As if that idea was mine Oh, you stupid thing Speaking of course as your dear departed Oh, you stupid thing It wasn't me that you outsmarted Oh, you stupid thing Stopping it all Before it even started I bet you knew it would come That's just like you to sit back And just play it dumb One word of warning would help But that sacrifice was made Trying to save yourself Oh, you stupid thing Speaking of course as your dear departed Oh, you stupid thing It wasn't me that you outsmarted Oh, you stupid thing Stopping it all Before it even started Maybe that's just how I am To fall where I stand Or I'm weak for that kind of man One who looks helpless and brave But you turned into a coward I don't care for the parts you saved Oh, you stupid thing Speaking of course as your dear departed Oh, you stupid thing It wasn't me that you outsmarted Oh, you stupid thing... |
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from Aimee Mann - @#%&! Smilers (2008)
I turned Stranger into Starman
In the Sunday New York Times Like Anne Sexton with her star rats Working backwards till it rhymes For the love of God you can't tell me again For the love of God you can't tell me again With a pencil and eraser I've rewritten all your crimes I turned Stranger into Starman In the Sunday New York Times |
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from Aimee Mann - The Forgotten Arm (2005)
Sitting in your father's basement
Waiting for the phone to ring Still in your pajamas, baby She made up some excuse to see you You said you didn't feel a thing Tired of all the dramas, maybe But still The moment you hear The moment you know I'm sure you'd come running, baby Sure The moment you hear That she really wants you Packing up your old apartment Sealing up another box Wondering what made you choose her And moving house when you're a stoner Everything you come across Makes you feel like such a loser But still The moment you hear The moment you know I'm sure you'd come running, baby Sure The moment you hear That she really wants you 'Cause the stray that you found That looked so cute at the pound Now has you putting her down as rabid If it was badder than bad Well, then ? you oughta be glad You can break it like another habit But still The moment you hear The moment you know I'm sure you'd come running, baby Sure The moment you hear That she really wants you Oh, sure The moment you hear The moment you know I'm sure you'd come running, baby Sure The moment you hear That she really wants you |
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from Aimee Mann - Whatever (2001)
You see me as a judge
Though I deny it And hold me like a grudge Then justify it But when you take such pains In searching for something that explains Please, take a good look at our remains Cause if you were everything you say Things would be different today And maybe there's room for compromise But signs that I get say otherwise Say anything, cause I've heard everything As hopeless as it seems I wouldn't worry You'll get your chance to tell Your side of the story While you're raising your right hand Whatever defenses you had planned Remember that when you take the stand If you were everything you say Things would be different today And though I'd be happy to believe I'd have to be much more naive Say anything, I've heard everything... Now I've heard everything... So why do I refuse The truth, when I clearly cannot use The comfort of one more lame excuse Cause if you were everything you say Things would be different today And if you were everything you swear We wouldn't be beyond repair If you were everything you say Things would be different today And if there has got to be an if Get it over with Say anything, 'cause I've heard everything... Now I've heard everything... |
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from Aimee Mann - Bachelor No.2 (2001)
You look like - a perfect fit
For a girl in need of a tourniquet But can you - save me Come on and - save me If you could - save me From the ranks of the freaks Who suspect they could never love anyone 'Cause I can tell You know what it's like The long farewell Of the hunger strike But can you save me Come on and save me If you could save me From the ranks of the freaks Who suspect they could never love anyone You struck me dumb like radium Like Peter Pan or Superman You will come to save me C'mon and save me If you could save me From the ranks of the freaks Who suspect they could never love anyone 'Cept the freaks Who suspect they could never love anyone But the freaks Who suspect they could never love anyone C'mon and save me Why don't you save me If you could save me From the ranks of the freaks Who suspect they could never love anyone Except the freaks Who suspect they could never love anyone Except the freaks who could never love anyone |
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4:33 |
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from Magnolia (매그놀리아) by Jon Brion [ost] (2000)
You look like a perfect fit
For a girl in need of a tourniquet But can you save me Come on and save me If you could save me From the ranks of the freaks Who suspect they could never love anyone 'Cause I can tell You know what it's like The long farewell of the hunger strike But can you save me Come on and save me If you could save me From the ranks of the freaks Who suspect they could never love anyone You struck me dumb like radium Like Peter Pan or Superman You will come to save me C'mon and save me If you could save me From the ranks of the freaks Who suspect they could never love anyone 'Cept the freaks Who suspect they could never love anyone But the freaks Who suspect they could never love anyone C'mon and save me Why don't you save me If you could save me From the ranks of the freaks Who suspect they could never love anyone Except the freaks Who suspect they could never love anyone Except the freaks who could never love anyone |
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from Aimee Mann - Bachelor No.2 Or, The Last Remains Of The Dodo (2000)
You look like - a perfect fit
For a girl in need of a tourniquet But can you - save me Come on and - save me If you could - save me From the ranks of the freaks Who suspect they could never love anyone 'Cause I can tell You know what it's like The long farewell Of the hunger strike But can you save me Come on and save me If you could save me From the ranks of the freaks Who suspect they could never love anyone You struck me dumb like radium Like Peter Pan or Superman You will come to save me C'mon and save me If you could save me From the ranks of the freaks Who suspect they could never love anyone 'Cept the freaks Who suspect they could never love anyone But the freaks Who suspect they could never love anyone C'mon and save me Why don't you save me If you could save me From the ranks of the freaks Who suspect they could never love anyone Except the freaks Who suspect they could never love anyone Except the freaks who could never love anyone |
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4:35 |
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from Aimee Mann - Bachelor No.2 (2001)
You look like - a perfect fit For a girl in need of a tourniquet But can you - save me Come on and - save me If you could - save me From the ranks of the freaks Who suspect they could never love anyone 'Cause I can tell You know what it's like The long farewell Of the hunger strike But can you save me Come on and save me If you could save me From the ranks of the freaks Who suspect they could never love anyone You struck me dumb like radium Like Peter Pan or Superman You will come to save me C'mon and save me If you could save me From the ranks of the freaks Who suspect they could never love anyone 'Cept the freaks Who suspect they could never love anyone But the freaks Who suspect they could never love anyone C'mon and save me Why don't you save me If you could save me From the ranks of the freaks Who suspect they could never love anyone Except the freaks Who suspect they could never love anyone Except the freaks who could never love anyone |
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from Aimee Mann - Live At St. Anne (2004)
You look like - a perfect fit
For a girl in need of a tourniquet But can you - save me Come on and - save me If you could - save me From the ranks of the freaks Who suspect they could never love anyone 'Cause I can tell You know what it's like The long farewell Of the hunger strike But can you save me Come on and save me If you could save me From the ranks of the freaks Who suspect they could never love anyone You struck me dumb like radium Like Peter Pan or Superman You will come to save me C'mon and save me If you could save me From the ranks of the freaks Who suspect they could never love anyone 'Cept the freaks Who suspect they could never love anyone But the freaks Who suspect they could never love anyone C'mon and save me Why don't you save me If you could save me From the ranks of the freaks Who suspect they could never love anyone Except the freaks Who suspect they could never love anyone Except the freaks who could never love anyone |
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| from The Edge of Seventeen OST (지랄발광 17세) [single, ost] (2016) | |||||
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from Aimee Mann - Bachelor No.2 Or, The Last Remains Of The Dodo (2000)
Let's assume you were right
And play the game of charm and strange and satellite And when we've all had our fun Deflate the stars and put away the sun And so, we can call it a day 'Cause I'll never prove that my motives were pure So let's remove any question of cure 'Cause even though you've made it pretty obscure Baby, it's clear From here You're losing your atmosphere From here You're losing it So let's assume it was true 'Cause baby can't lift up a hand to swear to you And what's the use of defense The hangers-on are too far gone for evidence And that one was lost from the first 'Cause I'll never prove that my motives were pure So let's remove any question of cure 'Cause even though you've made it pretty obscure Baby, it's clear From here You're losing your atmosphere From here You're losing it So have it your way Shatever makes the best resume Whatever you can throw in Wash, rinse and spin til it's spun away Okay But I won't be sticking around 'Cause I'll never prove that my motives were pure So let's remove any question of cure 'Cause even though you've made it pretty obscure Baby, it's clear From here You're losing your atmosphere From here You're losing it |
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4:10 |
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from Aimee Mann - Bachelor No.2 (2001)
Let's assume you were right
And play the game of charm and strange and satellite And when we've all had our fun Deflate the stars and put away the sun And so, we can call it a day 'Cause I'll never prove that my motives were pure So let's remove any question of cure 'Cause even though you've made it pretty obscure Baby, it's clear From here You're losing your atmosphere From here You're losing it So let's assume it was true 'Cause baby can't lift up a hand to swear to you And what's the use of defense The hangers-on are too far gone for evidence And that one was lost from the first 'Cause I'll never prove that my motives were pure So let's remove any question of cure 'Cause even though you've made it pretty obscure Baby, it's clear From here You're losing your atmosphere From here You're losing it So have it your way Shatever makes the best resume Whatever you can throw in Wash, rinse and spin til it's spun away Okay But I won't be sticking around 'Cause I'll never prove that my motives were pure So let's remove any question of cure 'Cause even though you've made it pretty obscure Baby, it's clear From here You're losing your atmosphere From here You're losing it |
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| from M.O.D.O.K. (Original Soundtrack) (모도크) by Aimee Mann, Patton Oswalt [ost] (2021) | |||||
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| from M.O.D.O.K. (Original Soundtrack) (모도크) by Aimee Mann, Patton Oswalt [ost] (2021) | |||||
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from Aimee Mann - Bachelor No.2 Or, The Last Remains Of The Dodo (2000)
They’re all still on their honeymoon
just read the dialogue balloon everyone loves you-- why should they not? And I’m the only one who knows that Disneyland’s about to close I don’t suppose you’d give it a shot knowing all that you’ve got Are cigarettes and Red Vines just close your eyes, ‘cause, baby-- you never do know and I’ll be on the sidelines, with my hands tied, watching the show Well, it’s always fun and games until it’s clear you haven’t got the skill in keeping the gag from going too far So you’re running ‘round the parking lot ‘til every lightning bug is caught punching some pinholes in the lid of a jar while we wait in the car With cigarettes and Red Vines just close your eyes, ‘cause, baby-- you never do know and I’ll be on the sidelines, with my hands tied, watching the show And tell me, would it kill you would it really spoil everything if you didn’t blame yourself do you know what I mean? Cigarettes and Red Vines just close your eyes, ‘cause, baby-- you never do know and I’ll be on the sidelines, with my hands tied, watching the show watching the show |
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3:44 |
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from Aimee Mann - Bachelor No.2 (2001)
They're all still on their honeymoon just read the dialogue balloon everyone loves you--why should they not? And I'm the only one who knows that Disneyland's about to close I don't suppose you'd give it a shot knowing all that you've got are cigarettes and Red Vines just close your eyes, cause, baby-- you never do know and I'll be on the sidelines, with my hands tied, watching the show Well, it's always fun and games until it's clear you haven't got the skill in keeping the gag from going too far So you're running 'round the parking lot til every lightning bug is caught punching some pinholes in the lid of a jar while we wait in the car With cigarettes and Red Vines just close your eyes, cause, baby-- you never do know and I'll be on the sidelines, with my hands tied, watching the show And tell me, would it kill you would it really spoil everything if you didn't blame yourself do you know what I mean? Cigarettes and Red Vines just close your eyes, cause, baby-- you never do know and I'll be on the sidelines, with my hands tied, watching the show watching the show |
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4:12 |
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| from Badlands : A Tribute To Bruce Springsteen's Nebraska [tribute] (2000) | |||||
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| from Aimee Mann - Lost In Space (2005) | |||||
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3:52 |
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from Aimee Mann - Lost In Space (2005)
You don't know, so don't say you do--
You don't You might think that things will change, But take my word-- They won't You paint a lovely picture, But reality intrudes With a message for you And it's real bad news I was undecided like you At first But I could not stem the tide of overwhelm And thirst You try to keep it going, but a lot of avenues Just aren't open to you When you're real bad news I've got love and anger They come as a pair You can take your chances But buyer beware And I won't Make you feel bad When I show you This big ball of sad isn't Worth even filling with air And baby, let me tell you You can get some things confused Like whose secrets are whose And that's real bad news Real bad news Real bad news |
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from Aimee Mann - I`M With Stupid (1996)
Ray, as of today, I can't say things will ever be the same
And that could be a shame. 'Cos though I think I know another lonely exile when I see one And you appear to be one. Still... I'm playing it down 'cos I could really be found if you've got it to spare. I'm playing it cool but it's terribly cruel 'cos I oughta be there. Ray, what can I say? You don't know me, it's just wishful thinking to kep myself from sinking. And hence, no evidence to support any theory I have founded If you could understand. And so... I'm playing it down 'cos I could really be found if you've got it to spare. I'm playing it cool but it's terribly cruel 'cos I oughta be there. 'Cos you're as bad off as me... Ray, can we repay ourselves for days that we've lost through indecision With one of recoginition? If so, then here I go, 'cos some things you know... And some you just believe in and hope it comes out even. I... I'm playing it down 'cos I could really be found if you've got it to spare. I'm playing it cool but it's terribly cruel 'cos I oughta be there. I oughta be there I oughta be there I... |
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from Aimee Mann - Whatever (2001)
I should be knocking on the door of the pearly gates
Why keep a poor man alive in a job he hates I've heard that good things will come to he who waits I should be riding on a float in the hit parade Instead of standing on the curb behind the barricade Another verse in the doormat serenade Won't you put me on top (oooh, put me on top) Won't you put me on top or change the odds Won't you put me on top (oooh, put me on top) Or at least put some hope in the bottom of the box Oh, at least put some hope in the box for me Cause it's only black and white and not a lot of each There's a remote on the shelf, but it's out of reach Won't you put me on top (oooh, put me on top) Won't you put me on top or change the odds Won't you put me on top (oooh, put me on top) Or at least put some hope in the bottom of the box Put some hope in the bottom of the box for me I need it (Oooh, put me on top) Won't you put me on top (oooh, put me on top) Won't you put me on top or change the odds Won't you put me on top (oooh, put me on top) Or at least put some hope in the bottom of the box Put me on (oooh, put me on top) Won't you put me on top again (change the odds) Or at least put some hope (oooh, put me on top) Put some home in the bottom of the box Oh, at least put some hope in the bottom of the box |
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from Aimee Mann - @#%&! Smilers (2008)
Got out of Phoenix, just in time
A box of kleenex, for the ride The tumbleweeds said, their goodbyes To javelinas and DUIs I don't want to abandon you but baby I've had my fill You love me like a dollar bill You roll me up and trade me in And if you had the chance you will And if you get the chance again It's hard to know when to cut and run You balance heartache with your fun And when the scales tip, you know you're done I don't want to abandon you but baby I've had my fill You love me like a dollar bill You roll me up and trade me in And if you had the chance you will And if you get the chance again Cos I know love doesn't change anything at all I know love doesn't change a thing I wanted to believe in you and baby I believe it still Baby I've just had my fill You love me like a dollar bill You roll me up and trade me in And if you have the chance you will And if you get the chance again I know you'll do the best you can But baby love doesn't change anything at all I know love doesn't change a thing |
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| from Aimee Mann - Lost In Space (2005) | |||||
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| from Aimee Mann - Lost In Space (2005) | |||||
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4:35 |
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from Aimee Mann - Live At St. Anne (2004)
Oh Mario, sit here by the window
Stay here 'til we reach Idaho And when we go Hold my hand on take-off Tell me what I already know That we can't talk about it No, we can't talk about it Because nobody knows That's how I nearly fell Trading clothes And ringing Pavlov's Bell History shows There's not a chance in hell, but Oh Mario. we're only to Ohio It's kinda getting harder to breathe I won't let it show I'm all about denial But can't denial let me believe? That we could talk about it But we can't talk about it Because nobody knows That's how I nearly fell Trading clothes And ringing Pavlov's Bell History shows but rarely shows it well Well, well, well Oh Mario, why if this is nothing I'm finding it so hard to dismiss If you're what I need, Then only you can save me So come on baby. give me the fix And let's just talk about it I've got to talk about it Because nobody knows That's how I nearly fell Trading clothes And ringing Pavlov's Bell History shows Like it was show and tell So tell me That's how I nearly fell By ringing Pavlov's Bell So, baby, show and tell Oh Mario, Mario |
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4:25 |
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from Aimee Mann - Lost In Space (2005)
Oh Mario, sit here by the window
Stay here 'til we reach Idaho And when we go Hold my hand on take-off Tell me what I already know That we can't talk about it No, we can't talk about it Because nobody knows That's how I nearly fell Trading clothes And ringing Pavlov's Bell History shows There's not a chance in hell, but Oh Mario. we're only to Ohio It's kinda getting harder to breathe I won't let it show I'm all about denial But can't denial let me believe? That we could talk about it But we can't talk about it Because nobody knows That's how I nearly fell Trading clothes And ringing Pavlov's Bell History shows but rarely shows it well Well, well, well Oh Mario, why if this is nothing I'm finding it so hard to dismiss If you're what I need, Then only you can save me So come on baby. give me the fix And let's just talk about it I've got to talk about it Because nobody knows That's how I nearly fell Trading clothes And ringing Pavlov's Bell History shows Like it was show and tell So tell me That's how I nearly fell By ringing Pavlov's Bell So, baby, show and tell Oh Mario, Mario |
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from Aimee Mann - I`M With Stupid (1996)
It's par for the course
You bet the wrong horse You put down the phone and cried For yourself And for what You couldn't have A plea That won't do Now that she Serves it to you And I don't even know you I don't even know you anymore I don't even know you I don't even know you It's all you deserve The loss of the nerve The grade of the curve Has brought you to this By the boat that you missed You clung to the raft So she swerved out of your path And I don't even know you I don't even know you anymore I don't even know you anymore You loved her a lot But she lost the plot And timing is everything In this game So let's have A moment of blame Think how It could have been Well you should Have said it all then And I don't even know you I don't even know you anymore I don't even know you anymore I don't even know you anymore I don't even know you anymore |
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2:53 |
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from Magnolia (매그놀리아) by Jon Brion [ost] (2000)
one is the loneliest number that you'll ever do
two can be as bad as one it's the loneliest number since the number one "no" is the saddest experience you'll ever know yes, it's the saddest experience you'll ever know because one is the loneliest number that you'll ever do one is the loneliest number that you'll ever know it's just no good anymore since you went away now i spend my time just making rhymes of yesterday because one is the loneliest number that you'll ever do one is the loneliest number that you'll ever know one is the loneliest number one is the loneliest number one is the loneliest number one is the loneliest number that you'll ever do one is the loneliest number much, much worse than two one is a number divided by two |
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| from Till Bronner - Rio (2008) | |||||
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from Magnolia (매그놀리아) by Jon Brion [ost] (2000)
Once upon a time is how it always goes
but I'll make it brief what was started out with such excitement now I'd gladly end end with relief in what now has become a familiar motif: That nothing is good enough for people like you who have to have someone take the fall and something to sabotage-- determined to lose it all Critics at their worst could never criticize the way that you do no, there's no one else, I find, to undermine or dash a hope quite like you and you do it so casually, too Cause nothing is good enough for people like you who have to have someone take the fall and something to sabotage-- determined to lose it all Ladies and gentlemen-- here's exhibit A didn't I try again? And did the effort pay? Wouldn't a smarter man simply walk away? It doesn't really help that you can never say what you're looking for but you'll know it when you hear it, know it when you see it walk through the door So you say-- so you've said many times before But nothing is good enough for people like you who have to have someone take the fall and something to sabotage-- determined to lose it all |
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from Aimee Mann - Bachelor No.2 Or, The Last Remains Of The Dodo (2000)
Once upon a time
Is how it always goes But I'll make it brief What was started out With such excitement Now I gladly end with relief In what now has become a familiar motif That nothing is good enough For people like you Who have to have someone take the fall And something to sabotage Determined to lose it all Critics at their worst Could never criticize The way that you do No, there's no one else I find To undermine or dash a hope Quite like you And you do it so casually, too 'Cause nothing is good enough For people like you Who have to have someone take the fall And something to sabotage Determined to lose it all It doesn't really help That you can never say What you're looking for But you'll know it when you hear it Know it when you see it Walk through the door So you say, so you've said Many times before But nothing is good enough For people like you Who have to have someone take the fall And something to sabotage Determined to lose it all Nothing is good enough.... |
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from Aimee Mann - Bachelor No.2 (2001)
Once upon a time
Is how it always goes But I'll make it brief What was started out With such excitement Now I gladly end with relief In what now has become a familiar motif That nothing is good enough For people like you Who have to have someone take the fall And something to sabotage Determined to lose it all Critics at their worst Could never criticize The way that you do No, there's no one else I find To undermine or dash a hope Quite like you And you do it so casually, too 'Cause nothing is good enough For people like you Who have to have someone take the fall And something to sabotage Determined to lose it all It doesn't really help That you can never say What you're looking for But you'll know it when you hear it Know it when you see it Walk through the door So you say, so you've said Many times before But nothing is good enough For people like you Who have to have someone take the fall And something to sabotage Determined to lose it all Nothing is good enough.... |
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4:26 |
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from Shaken And Stirred by David Arnold [ost] (1997)
Nobody does it better
Makes me feel sad for the rest Nobody does it half as good as you Baby, you're the best I wasn't looking, but somehow you found me I tried to hide from your love light But like heaven above me, the spy who loved me Is keeping all my secrets safe tonight Nobody does it better Sometimes I wish someone could Nobody does it quite the way you do Do you have to be so good The way that you hold me whenever you hold me There's some kind of magic inside you That keeps me from runnning but just keep it coming How'd you learn to do the things you do Nobody does it better Makes me feel sad for the rest Nobody does it half as good as you Baby baby, oh baby, you're the best Baby, you're the best Baby, you're the best (Baby, you're the best) Baby, you're the best (Baby, you're the best) Baby, you're the best (Baby, you're the best) Baby, you're the best (Baby, you're the best) |
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| from M.O.D.O.K. (Original Soundtrack) (모도크) by Aimee Mann, Patton Oswalt [ost] (2021) | |||||
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| from M.O.D.O.K. (Original Soundtrack) (모도크) by Aimee Mann, Patton Oswalt [ost] (2021) | |||||
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| from M.O.D.O.K. (Original Soundtrack) (모도크) by Aimee Mann, Patton Oswalt [ost] (2021) | |||||
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from Aimee Mann - Whatever (2001)
So he's retired
Lives with his sister in a furnished flat He's got this suit that He'll never wear outside without a hat His hair is white but he looks half his age He looks like Jimmy Stewart in his younger days And honestly I might be stupid to think Love is love, but I do And you've waited so long And I've waited long enough for you My mother's calling From where she's living up in Troy, Vermont She tries to tell me A father figure must be what I want I've always thought age made no difference Am I the only one to whom that's making sense? And honestly I might be stupid to think Love is love, but I do And you've waited so long And I've waited long enough for you The day I met him he was raking leaves In his tiny yard Of course I know that We've only got ten years or twenty left But to be honest I'm happy with whatever time we get Depending on whichever book you read Sometimes it takes a lifetime to get what you need And honestly I might be stupid to think Love is love, but I do And you've waited so long And I've waited long enough for you |
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3:28 |
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from Magnolia (매그놀리아) by Jon Brion [ost] (2000)
Oh, for the sake of momentum
I've allowed my fears to get larger than life And it's brought me to my current agendum Whereupon I deny fulfillment has yet to arrive And I know life is getting shorter I can't bring myself to set the scene Even when it's approaching torture I've got my routine Oh, for the sake of momentum Even though I agree with that stuff about seizing the day But I hate to think of effort expended All those minutes and days and hours I have frittered away. And I know life is getting shorter I can't bring myself to set the scene Even when it's approaching torture I've got my routine But I can't confront the doubts I have I can't admit that maybe the past was bad And so, for the sake of momentum I'm condemning the future to death So it can match the past. when I can't confront the doubts I have I can't admit that maybe the past was bad And so, for the sake of momentum I'm condemning the future to death So it can match the past. |
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| from M.O.D.O.K. (Original Soundtrack) (모도크) by Aimee Mann, Patton Oswalt [ost] (2021) | |||||
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| from M.O.D.O.K. (Original Soundtrack) (모도크) by Aimee Mann, Patton Oswalt [ost] (2021) | |||||
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| from M.O.D.O.K. (Original Soundtrack) (모도크) by Aimee Mann, Patton Oswalt [ost] (2021) | |||||
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from Aimee Mann - @#%&! Smilers (2008)
The day you left and you called me bitch
I called you selfish, better pull that switch Put my son on amphetamines He came home crying and there's your proof Crying 'bout nothing but a missing tooth I did the right thing. You shade the truth almost everyday Phone calls at night “it's going to be ok” Are you saddened, baby, under the bridge? Are you saddened, baby, on Lake Street? Black marker on cardboard Little drawing of a medicine wheel But everything that's good you steal Everything that's good you steal Maybe you'll wake up in jail alone And hold the handle of the one pay phone And do the right thing Like I once tried but I bent the truth A five dollar dent for a little lost tooth There's a payback in front of me Because once you were like a walking high Breaking in motion through the parking lot Are you saddened, baby, under the bridge? Are you saddened, baby, on Lake Street? Black marker on cardboard Little drawing of a medicine wheel Everything that's good you steal Everything that's good you steal Words of encouragement are just as real Saving my faith does have a smooth group appeal Are you saddened, baby, under the bridge? Are you saddened, baby, on Lake Street? Black Marker on cardboard Little drawing of a medicine wheel Everything that's good you steal Everything that's good you steal Everything that's good you steal From me |
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| from M.O.D.O.K. (Original Soundtrack) (모도크) by Aimee Mann, Patton Oswalt [ost] (2021) | |||||
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| from M.O.D.O.K. (Original Soundtrack) (모도크) by Aimee Mann, Patton Oswalt [ost] (2021) | |||||
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| from M.O.D.O.K. (Original Soundtrack) (모도크) by Aimee Mann, Patton Oswalt [ost] (2021) | |||||
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| from M.O.D.O.K. (Original Soundtrack) (모도크) by Aimee Mann, Patton Oswalt [ost] (2021) | |||||
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3:34 |
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from I Am Sam (아이 엠 샘) [ost] (2002)
Picture yourself in a boat on a river
With tangerine trees and marmalade skies Somebody calls you, you answer quite slowly, A girl with kaleidoscope eyes Cellophane flowers of yellow and green, Towering over your head Look for the girl with the sun in her eyes, And she's gone Lucy in the sky with diamonds Lucy in the sky with diamonds Lucy in the sky with diamonds Follow her down to a bridge by a fountain Where rocking horse people eat marshmallow pies, Everyone smiles as you drift past the flowers That grow so incredibly high. Newspaper taxis appear on the shore Waiting to take you away Climb in the back with your head in the clouds And you're gone Lucy in the sky with diamonds Lucy in the sky with diamonds Lucy in the sky with diamonds Picture yourself on a train in a station With plasticine porters with looking glass ties Suddenly someone is there at the turnstile The girl with the kaleidoscope eyes Lucy in the sky with diamonds Lucy in the sky with diamonds Lucy in the sky with diamonds.................... |
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| from Aimee Mann - Lost In Space (2005) | |||||
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3:26 |
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from Aimee Mann - Lost In Space (2005)
Lost in space
A bubble drifting Into a place Where planets shift and The moon's erased Its features lift in the glare But I'm the stuff Of happy endings Though mostly bluff Belief suspending But close enough For just pretending to care And I'm pretending to care When I'm not even there Gone, but I don't know where Well, she's the face And I'm the double Who keeps the pace And clears the rubble And, lost in space Fills up the bubble with air By just pretending to care Like I'm not even there Gone, but I don't know where You split like a cell And then cannot tell The line from its parallel So baby, beware I'm just pretending to care Like I'm not even there Gone, but I don't know where Gone, but I don't know where Gone, but I don't know where |
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from Aimee Mann - @#%&! Smilers (2008)
Macka wants to ride on the Mouse and the Tilt-A-Whirl
Canada is looking for a smile from a pin-up girl But I ain't looking for nothing Just spend the money I made I ain't gotta do nothing today Everybody's waiting for their thing just to come along They all got something they can pin all their feelings on But I ain't looking for nothing Just spend the money I made I ain't looking for nothing today I got high on the Ferris Wheel Didn't like how it made me feel So alone Another cog in the loading zone Macka went on home when the fireworks and rides were done Canada got busted with a girl who was way too young But I wasn't looking for nothing Not trouble, money or thrills ‘Cause when you're looking for nothing Babe, it's not the speed that kills Oh, I'm not looking for nothing Just spend my money and go I'm not looking for nothing To put me in the rodeo |
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from Aimee Mann - I`M With Stupid (1996)
(Five six seven fifty)
You fucked it up You should've quit Till circumstances Had changed a bit You fucked it up You jumped the gun I swore you off but You climbed back on And when you said Of course you know Could I be blamed If I'd wished it so I don't think so You fucked it up Or was it you 'Cause when you said it I said it too What of it And all that stuff I knew before Just turned into Please love me more Please love me more Please love me more Please love me more Please love me more Please love me more Please love me |
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5:32 |
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from Aimee Mann - Live At St. Anne (2004)
(Five six seven fifty)
You fucked it up You should've quit Till circumstances Had changed a bit You fucked it up You jumped the gun I swore you off but You climbed back on And when you said Of course you know Could I be blamed If I'd wished it so I don't think so You fucked it up Or was it you 'Cause when you said it I said it too What of it And all that stuff I knew before Just turned into Please love me more Please love me more Please love me more Please love me more Please love me more Please love me more Please love me |
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