Paul Simon - Greatest Hits/ Shining Like A National Guitar [compilation] (2000) by Paul Simon (보컬) on maniadb.com

The Mississippi delta
Was shining like a national guitar
I am following the river, down the highway
Through the cradle of the Civil War

I'm going to Graceland, Graceland
In Memphis, Tennessee
I'm going to Graceland
Poorboys and pilgrims with families
And we are going to Graceland

My traveling companion is nine years old
He is the child of my first marriage
But I've reason to believe
We both will be received
In Graceland

She comes back to tell me she's gone
As if I didn't know that
As if I didn't know my own bed
As if I'd never noticed
The way she brushed her hair from her forehead

And she said losing love
Is like a window in your heart
Everybody sees you're blown apart
Everybody sees the wind blow

I'm going to Graceland
Memphis, Tennessee
I'm going to Graceland
Poorboys and Pilgrims with families
And we are going to Graceland

And my traveling companions
Are ghosts and empty sockets
I'm looking at ghosts and empties
But I've reason to believe
We all will be received
In Graceland

There is a girl in New York City
Who calls herself the human trampoline
And sometimes when I'm falling, flying
Or tumbling in turmoil I say
Whoa, so this is what she means
She means we're bouncing into Graceland

And I see losing love
Is like a window in your heart
Everybody sees you're blown apart
Everybody sees the wind blow

In Graceland, in Graceland
I'm going to Graceland
For reasons I cannot explain
There's some part of me wants to see Graceland
And I may be obliged to defend
Every love, every ending
Or maybe there's no obligations now
Maybe I've a reason to believe
We all will be received
In Graceland

Whoa-oh-oh-oh, in Graceland, in Graceland,in Graceland
I'm going to Graceland

A man walks down the street,
He says, Why am I soft in the middle now?
Why am I soft in the middle?
The rest of my life is so hard!
I need a photo-opportunity,
I want a shot at redemption!
Don't want to end up a cartoon,
In a cartoon graveyard .....

Bonedigger, Bonedigger,
Dogs in the moonlight.
Far away, my well-lit door.
Mr. Beerbelly, Beerbelly,
Get these mutts away from me!
You know, I don't find this stuff amusing anymore ....

If you'll be my bodyguard,
I can be your long lost pal!
I can call you Betty,
And Betty, when you call me,
You can call me Al!

A man walks down the street,
He says, Why am I short of attention?
Got a short little span of attention,
And whoa, my nights are so long!
Where's my wife and family?
What if I die here?
Who'll be my role-model?
Now that my role-model is ....
Gone ...... gone,
He ducked back down the alley,
With some roly-poly, little bat-faced girl.
All along .... along ....
There were incidents and accidents,
There were hints and allegations .....

If you'll be my bodyguard,
I can be your long lost pal!
I can call you Betty,
And Betty, when you call me,
You can call me Al!
Call me Al ......

A man walks down the street,
It's a street in a strange world.
Maybe it's the Third World.
Maybe it's his first time around.
He doesn't speak the language,
He holds no currency.
He is a foreign man,
He is surrounded by the sound, sound ....
Cattle in the marketplace.
Scatterlings and orphanages.
He looks around, around .....
He sees angels in the architecture,
Spinning in infinity,
He says, Amen! and Hallelujah!

If you'll be my bodyguard,
I can be your long lost pal!
I can call you Betty,
And Betty, when you call me,
You can call me Al!
You can call me Al ......

More Lyrics

No I would not give you false hope
On this strange and mournful day
But the mother and child reunion
Is only a motion away, oh, little darling of mine.

I can't for the life of me
Remember a sadder day
I know they say let it be
But it just don't work out that way
And the course of a lifetime runs
Over and over again

No I would not give you false hope
On this strange and mournful day
But the mother and child reunion
Is only a motion away, oh, little darling of mine.

I just can t believe it's so
Though it seems strange to say
I never been laid so low
In such a mysterious way
And the course of a lifetime runs
Over and over again

But I would not give you false hope
On this strange and mournful day
When the mother and child reunion
Is only a motion away

Oh the mother and child reunion
Is only a motion away
Oh the mother and child reunion
Is only a moment away

Moves like a fist through traffic
Anger and no one can heal it
Shoves a little bump into the momentum
It's just a little lump
But you feel it
In the creases and the shadows
With a rattling deep emotion
The cool, cool river
Sweeps the wild, white ocean

Yes Boss. The government handshake
Yes Boss. The crusher of language
Yes Boss. Mr. Stillwater,
The face at the edge of the banquet
The cool, the cool river
The cool, the cool river

I believe in the future
I may live in my car
My radio tuned to
The voice of a star
Song dogs barking at the break of dawn
Lightning pushes the edge of a thunderstorm
And these old hopes and fears
Still at my side

Anger and no one can heal it
Slides through the metal detector
Lives like a mole in a motel
A slide in a slide projector
The cool, cool river
Sweeps the wild, white ocean
The rage of love turns inward
To prayers of devotion
And these prayers are
The constant road across the wilderness
These prayers are
These prayers are the memory of God
The memory of God

And I believe in the future
We shall suffer no more
Maybe not in my lifetime
But in yours I feel sure
Song dogs barking at the break of dawn
Lightning pushes the edges of a thunderstorm
And these streets
Quiet as a sleeping army
Send their battered dreams to heaven, to heaven
For the mother's restless son
Who is a witness to, who is a warrior
Who denies his urge to break and run

Who says: Hard times?
I'm used to them
The speeding planet burns
I'm used to that
My life's so common it disappears
And sometimes even music
Cannot substitute for tears

The problem is all inside your head she said to me
The answer is easy if you take it logically
I'd like to help you in your struggle to be free
There must be fifty ways to leave your lover

She said it's really not my habit to intrude
Furthermore, I hope my meaning won't be lost or misconstrued
But I'll repeat myself at the risk of being crude
There must be fifty ways to leave your lover
Fifty ways to leave your lover

You just slip out the back, Jack
Make a new plan, Stan
You don't need to be coy, Roy
Just get yourself free
Hop on the bus, Gus
You don't need to discuss much
Just drop off the key, Lee
And get yourself free

She said it grieves me so to see you in such pain
I wish there was something I could do to make you smile again
I said I appreciate that and would you please explain
About the fifty ways

She said why don't we both just sleep on it tonight
And I believe in the morning you'll begin to see the light
And then she kissed me and I realized she probably was right
There must be fifty ways to leave your lover
Fifty ways to leave your lover

You just slip out the back, Jack
Make a new plan, Stan
You don't need to be coy, Roy
Just get yourself free
Hop on the bus, Gus
You don't need to discuss much
Just drop off the key, Lee
And get yourself free

Well, I'm accustomed to a smooth ride
Or maybe I'm a dog who's lost its bite
I don't expect to be treated like a fool no more
I don't expect to sleep through the night
Some people say a lie's a lie's a lie
But I say why
Why deny the obvious child?
Why deny the obvious child?
And in remembering a road sign
I am remembering a girl when I was young
And we said These songs are true
These days are ours
These tears are free
And hey
The cross is in the ballpark
The cross is in the ballpark
We had a lot of fun
We had a lot of money
We had a little son and we thought we'd call him Sonny
Sonny gets married and moves away
Sonny has a baby and bills to pay
Sonny gets sunnier
Day by day by day by day
Doh, doh, doh, doh
Doh, doh, doh, doh
Well, I've been waking up at sunrise
I've been following the light across my room
I watch the night receive the room of my day
Some people say the sky is just the sky
But I say
Why deny the obvious child?
Why deny the obvious child?
Sonny sits by his window and thinks to himself
How it's strange that some rooms are like cages
Sonny's yearbook from high school
Is down from the shelf
And he id-ly thumbs through the pages
Some have died
Some have fled from themselves
Or struggled from here to get there
Sonny wanders beyond his interior walls
Runs his hand through his thinning brown hair
Well, I'm accustomed to a smooth ride
Or maybe I'm a dog who's lost its bite
I don't expect to be treated like a fool no more
I don't expect to sleep through the night
Some people say a lie's is just a lie
But I say
the cross is in the ballpark
Why deny the obvious child

words by Paul Simon; music by Paul Simon and Forere Motlobeloa)

It was a slow day
And the sun was beating
On the soldiers by the side of the road
There was a bright light
A shattering of shop windows
The bomb in the baby carriage
Was wired to the radio

These are the days of miracle and wonder
This is the long distance call
The way the camera follows us in slo-mo
The way we look to us all
The way we look to a distant constellation
That's dying in a corner of the sky
Therse are the days of miracle and wonder
And don't cry baby, don't cry
Don't cry

It was a dry wind
And it swept across the desert
And it curled into the circle of birth
And the dead sand
Falling on the children
The mothers and the fathers
And the automatic earth
These are the days of miracle and wonder
This is the long distance call
The way the camera follows us in slo-mo
The way we look to us all
The way we look to a distant constellation
That's dying in a corner of the sky
Therse are the days of miracle and wonder
And don't cry baby, don't cry
Don't cry

It's a turn-around jump shot
It's everybody jump start
It's every generation throws a hero up the pop charts
Medicine is magical and magical is art
The Boy in the Bubble
And the baby with the baboon heart

And I believe
These are the days of lasers in the jungle
Lasers in the jungle somewhere
Staccato signals of constant information
A loose affiliation of millionaires
And billionaires and baby
These are the days of miracle and wonder
This is the long distance call
The way the camera follows us in slo-mo
The way we look to us all
The way we look to a distant constellation
That's dying in a corner of the sky
Therse are the days of miracle and wonder
And don't cry baby, don't cry
Don't cry

Rene and Georgette Magritte
With their dog after the war
Returned to their hotel suite
And they unlocked the door
Easily losing their evening clothes
They danced by the light of the moon
To the Penguins, the Moonglows
The Orioles, and The Five Satins
The deep forbidden music
They'd been longing for
Rene and Georgette Magritte
With their dog after the war

Rene and Georgette Magritte
With their dog after the war
Were strolling down Christopher Street
When they stopped in a men's store
With all of the mannequins dressed in the style
That brought tears to their immigrant eyes
Just like The Penguins, the Moonglows
The Orioles, and The Five Satins
The easy stream of laughter
Flowing through the air
Rene and Georgette Magritte
With their dog apres la guerre
Side by side
They fell asleep
Decades gliding by like Indians
Time is cheap
When they wake up they will find
All their personal belongings
Have intertwined
Oh Rene and Georgette Magritte
With their dog after the war
Were dining with the power elite
And they looked in their bedroom drawer
And what do you think
They have hidden away
In the cabinet cold of their hearts?
The Penguins, the Moonglows
The Orioles, and The Five Satins
For now and ever after
As it was before
Rene and Georgette Magritte
With their dog after the war

The first thing I remember
I was lying in my bed
I couldn't of been no more
Than one or two
I remember there's a radio
Comin' from the room next door
And my mother laughed
The way some ladies do
When it's late in the evening
And the music's seeping through

The next thing I remember
I am walking down the street
I'm feeling all right
I'm with my boys
I'm with my troops, yeah
And down along the avenue
Some guys were shooting pool
And I heard the sound
Of a cappella groups, yeah
Singing late in the evening
And all the girls out on the stoops, yeah

Then I learned to play some lead guitar
I was underage in this funky bar
And I stepped outside to smoke myself a "J"
And when I came back to the room
Everybody just seemed to move
And I turned my amp up loud and I began to play
And it was late in the evening
And I blew that room away

The first thing I remember
When you came into my life
I said I'm gonna get that girl
No matter what I do
Well I guess I'd been in love before
And once or twice I been on the floor
But I never loved no one
The way that I loved you
And it was late in the evening
And all the music seeping through

Whoa------I got time on my hands tonight
You're the girl of my dreams
When I'm near you my future seems bright

OO------I want you to be my girl
I want you to be my movie
I am Sal Mineo and I need you so
Sweet Bernadette

Whoa------You got style from your hair to
your heels
Though my words may be jumbled
Still I'm telling you just how it feels

I love you

SAL & BERNADETTE
I love you
And the breeze that wraps around you

SAL
Satin summer nights

BERNADETTE
Satin summer nights

SAL & BERNADETTE
A girl I can't forget

SAL
Whoa------You're the smile of the moon
Bernadette

SAL & BERNADETTE
Dom Dom Dom Doo
Well-a well I'm home
Dom Dom Dom Doo
Well-a well I'm home

SAL
Wop, Wop, Wop, Wop
Come with me
There's a place I want you to see

When the leaves are dark
I've got a hiding place in Central Park
And the sky is a coat of diamonds

There's a wooden cross over my bed
The city is lit with candles
They're shining for you Bernadette.

Whoa, Whoa, Whoa, Whoa
OO OO, Bernadette

SAL & BERNADETTE
Dom Dom Dom Doo
Well-a well I'm home
Dom Dom Dom Doo
Well-a well I'm home


SAL
Wop, Wop, Wop, Wop, Wop.




Lead, Background Vocal, Hi String and
Acoustic Guitar-Paul Simon
Background Vocal-Milton Cardona
Background Vocal-Ray De La Paz
Background Vocal-Myrna Gomila
Background Vocal-Kevin Harrison
Background Vocal-Teana Rodriguez
Celeste, Synthesizer, Vibes,
Glockenspiel-Oscar Hernandez
Guitar-Paul Livant
Guitar-Vincent Nguini
Tenor Saxophone-Bill Holloman
Piano-Horace Ott
Bass-John Beal
Bell Tree-Bobby Allende
Drums, Guitar Case Kick Drum-Robby Ameen

Slip slidin' away
Slip slidin' away
You know the nearer your destination
The more you're slip slidin' away

I know a man
He came from my home town
He wore his passion for his woman
Like a thorny crown
He said Delores
I live in fear
My love for you's so overpowering
I'm afraid that I will disappear

Slip slidin' away
Slip slidin' away
You know the nearer your destination
The more you're slip slidin' away

I know a woman
Became a wife
These are the very words she uses
To describe her life
She said a good day
Ain't got no rain
She said a bad day's when I lie in bed
And think of things that might have been

Slip slidin' away
Slip slidin' away
You know the nearer your destination
The more you're slip slidin' away

And I know a father
Who had a son
He longed to tell him all the reasons
For the things he'd done
He came a long way
Just to explain
He kissed his boy as he lay sleeping
Then he turned around and headed home again

Slip slidin' away
Slip slidin' away
You know the nearer your destination
The more you're slip slidin' away

God only knows
God makes his plan
The information's unavailable
To the mortal man
We work our jobs
Collect our pay
Believe we're gliding down the highway
When in fact we're slip slidin' away

Come on take me to the mardi Gras
Where the people sing and play
Where the dancing is elite
And there's music in the street
Both night and day

Hurry take me to the Mardi Gras
In the city of my dreams
You can legalize your lows
You can wear your summer clothes
In the New Orleans

And i will lay my burden down
Rest my head upon that shore
And when i wear that starry crown
I won't be wanting and more

Take your burdens to the Mardi Gras
Let the music wash your soul
You can mingle in the street
You can jingle to the beat
of jelly roll

a-wa) O kodwa u zo-nge li-sa namhlange
(a-wa a-wa) Si-bona kwenze ka kanjani
(a-wa a-wa) Amanto mbazane ayeza

She's a rich girl
She don't try to hide it
Diamonds on the soles of her shoes

He's a poor boy
Empty as a pocket
Empty as a pocket with nothing to lose
Sing Ta na na
Ta na na na
She got diamonds on the soles of her shoes
She got diamonds on the soles of her shoes
Diamonds on the soles of her shoes
Diamonds on the soles of her shoes

People say she's crazy
She got diamonds on the soles of her shoes
Well that's one way to lose these
Walking blues
Diamonds on the soles of her shoes

She was physically forgotten
Then she slipped into my pocket
With my car keys
She said you've taken me for granted
Because I please you
Wearing these diamonds

And I could say Oo oo oo
As if everybody knows
What I'm talking about
As if everybody here would know
Exactly what I was talking about
Talking about diamonds on the soles of her shoes

She makes the sign of a teaspoon
He makes the sign of a wave
The poor boy changes clothes
And puts on after-shave
To compensate for his ordinary shoes

And she said honey take me dancing
But they ended up by sleeping
In a doorway
By the bridges and the lights on
Upper Broadway
Wearing diamonds on the soles of her shoes

And I could say Oo oo oo
And everybody here would know
What I was talking about
I mean everybody here would know exactly
What I was talking about
Talking about diamonds

People say I'm crazy
I got diamonds on the soles of my shoes
Well that's one way to lose
These walking blues
Diamonds on the soles of your shoes

I met my old lover
On the street last night
She seemed so glad to see me
I just smiled
And we talked about some old times
And we drank ourselves some beers
Still crazy afler all these years
Still crazy after all these years

I'm not the kind of man
Who tends to socialize
I seem to lean on
Old familiar ways
And I aint no fool for love songs
That whisper in my ears
Still crazy after all these years
Still crazy after all these years

Four in the morning
Crapped out
Yawning
Longing my life away
I'll never worry
Why should l?
Its all gonna fade

Now I sit by my window
And I watch the cars
I fear I'll do some damage
One fine day
But I would not be convicted
By a jury of my peers
Still crazy
Still crazy
Still crazy after all these years

When I think back
On all the crap I learned in high school
It's a wonder
I can think at all
And though my lack of education
Hasn't hurt me none
I can read the writing on the wall

Kodachrome
You give us those nice bright colors
You give us the greens of summers
Makes you think all the world's a sunny day, oh yeah!
I got a Nikon camera
I love to take a photograph
So Mama, don't take my Kodachrome away

If you took all the girls I knew
When I was single
And brought them all together for one night
I know they'd never match
My sweet imagination
And everything looks worse in black and white

Kodachrome
You give us those nice bright colors
You give us the greens of summers
Makes you think all the world's a sunny day, oh yeah!
I got a Nikon camera
I love to take a photograph
So Mama, don't take my Kodachrome away

Mama, don't take my Kodachrome away

Mama, don't take my Kodachrome away

Mama, don't take my Kodachrome away

Mama, don't take my Kodachrome
Mama, don't take my Kodachrome
Mama, don't take my Kodachrome (away)

Mama, don't take my Kodachrome
Mama, don't take my Kodachrome
Mama, don't take my Kodachrome (away)

Mama, don't take my Kodachrome
(Leave your boy so far from home)
Mama, don't take my Kodachrome (away

Words & music by paul simon

When I was a little boy, (when I was just a boy)
And the devil would call my name (when I was just a boy)
I'd say "now who do,
Who do you think you're fooling? " (when I was just a boy)
I'm a consecrated boy (when I was just a boy)
I'm a singer in a sunday choir
Oh , my mama loves, she loves me
She get down on her knees and hug me
Like she loves me like a rock
She rocks me like the rock of ages
And loves me
She love me, love me, love me, love me

When I was grown to be a man (grown to be a man)
And the devil would call my name (grown to be a man)
I'd say "now who do,
Who do you think you're fooling? " (grown to be a man)
I'm a consummated man (grown to be a man)
I can snatch a little purity
My mama loves me, she loves me
She get down on her knees and hug me
Like she loves me like a rock


She rocks me like the rock of ages
And loves me
She love me, love me, love me, love me
And if I was president (was the president)
The minute congress call my name (was the president)
I'd say "who do,
Who do you think you're fooling? (who do you think you're fooling)

I've got the presidential seal (was the president)
I'm up on the presidential podium
My mama loves me
She loves me
She get down on her knees and hug me
Like she loves me like a rock
She rocks me like the rock of ages
And loves me

Fade out:
She love me, love me, love me, love me
(loves me like a rock)

The mama pajama rolled out of bed
And she ran to the police station
When the papa found out he began to shout
And he started the investigation
It's against the law
It was against the law
What the mama saw
It was against the law

The mama looked down and spit on the ground
Everytime my name gets mentioned
The papa said oy if I get that boy
I'm gonna stick him in the house of detention
Well I'm on my way
I don't know where I'm going
I'm on my way

I'm taking my time
But I don't know where
Goodbye to Rosie the queen of Corona
See you, me and Julio
Down by the schoolyard
See you, me and Julio
Down by the schoolyard
Me and Julio down by the schoolyard

In a couple of days they come and take me away
But the press let the story leak
And when the radical priest
Come to get me released
We was all on the cover of Newsweek
And I'm on my way
I don't know where I'm going
I'm on my way

I'm taking my time
But I don't know where
Goodbye to Rosie the queen of Corona
See you, me and Julio
Down by the schoolyard
See you, me and Julio
Down by the schoolyard
Me and Julio down by the schoolyard

> One and one-half wandering Jews
Free to wander wherever they choose
Are traveling together
In the Sangre de Christo
The Blood of Christ Mountains
Of New Mexico
On the last leg of a journey
They started a long time ago
The arc of a love affair
Rainbows in the high desert air
Mountain passes
Slipping into stone
Hearts and bones
Hearts and bones
Hearts and bones
Thinking back to the season before
Looking back through the cracks in the door
Two people were married
The act was outrageous
The bride was contagious
She burned like a bride
These events may have had some effect
On the man with the girl by his side
The arc of a love affair
His hands rolling down her hair
Love like lightning shaking till it moans
Hearts and bones
Hearts and bones
Hearts and bones
And whoa whoa
She said why?
Why don't we drive through the night
And we'll wake up down in
Mexico
Oh I
Oh, I I don't know nothin' about nothin'
About Mexico
And tell me why
Why won't you love me
For who I am
Where I am
He said: cause that's not the way the world is baby
This is how I love you baby
This is how I love you baby
One and one-half wandering Jews
Returned to their natural coasts
To resume old acquaintances
Step out occasionally
And speculate who had been damaged the most
Easy time will determine if these consolations
Will be their reward
The arc of a love affair
Waiting to be restored
You take two bodies and you twirl them into one
Their hearts and their bones
And they won't come undone
Hearts and bones
Hearts and bones
Hearts and bones

A passenger traveling quietly conceals
himself
With a magazine and a sleepless pillow
Over the crest of the mountain the moon
begins its climb
And he wakes to find he's in rolling
farmland

The farmer sleeps against his wife
He wonders what their life must be
A Trailways bus is heading south
Into Washington, D.C.

A mother and child, the baby maybe two months old
Prepare themselves for sleep and feeding.
The shadow of the Capitol dome slides across his face
And his heart is racing with the urge to freedom.

The father motionless as stone,
A shepherd resting with his flock,
The Trailways bus is turning west-
Dallas via Little Rock.

WAHZINAK
O my darling, darling Sal
The desert moon is my witness.
I've no money to come East,
But I know you'll soon be here

LAZARUS
We pull into downtown Dallas by the side of
the Grassy Knoll
Where the leader fell and a town was broken.
Away from the feel and flow of life for so many years
He hears music playing and Spanish spoken

The border patrol outside of Tucson boarded the bus

BORDER PATROLMAN
Any aliens here? You better check with us,
How about you son?
You look like you got Spanish blood.
Do you 'Habla Ingles,' am I understood?

SAL
Yes, I am an alien, from Mars.
I come to earth from outer space.
And if I traveled my whole life
You guys would still be on my case
You guys would still be on my case

LAZARUS
But he can't leave his fears behind,
He recalls each fatal thrust
The screams carried by the wind,
Phantom figures in the dust
Phantom figures in the dust
Phantom figures in the dust.


Lead Vocal, Acoustic Guitar-Paul Simon
Vocal-Sara Ramirez
Guitar-Vincent Nguini
Guitar, Acoustic Guitar Solo-Arlen Roth
Pedal Steel-Robby Turner
Bass-Bakithi Kumalo
Trumpet-Bill Holloman
Accordion-Mike Ramos
Fender Rhodes-Oriente Lopez
Shaker-Crusher Bennett
Drums-Shannon Ford