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| 1. |
| 5:02 | 
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so the man was tired and the car was starved
and the sun was setting no the moon was tired and the cow was carved i remember every second forget what you don't know yet forget what you don't know yet forget what you don't know yet yeah i saw the way you talk to your cell phone forget what you don't know yet forget what you don't know yet forget what you don't know yet then i thought about the man with the shotgun so the man took a shotgun out of the trunk waited on the hood with the headlights on radio was playing christmas songs later on he thought he saw something realized he never saw anything now he drives with his headlights off forget what you don't know yet forget what you don't know yet forget what you don't know yet yeah i saw the way you climbed out the window forget what you don't know yet forget what you don't know yet forget what you don't know yet and now you never answer your cell phone |
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| 2. |
| 5:07 |
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sometimes i wanna sleep in the street
but it feels a little funny without you down in the basement feeling the pavement holding my stomach and sometimes i can't believe my own feet so i found another permanent address sold the old mattress keeping the changes talking to strangers i knew i could forget you that's what i'm gonna do now i'm staring at a stop sign just like the last time hey you're everything you dreamed you'd be what a civilized way to be angry locked in the attic, starting to panic wait, that's me always it's the same situation it's got to be somebody's fault but i never know what to do so let's say we put the blame on you standing in a phone booth waiting for the punch line trying not to call you just like the last time sometimes i wanna sleep in the street but it feels a little funny without you down in the basement feeling the pavement holding my stomach in and sometimes i can't believe my own feet so i found another permanent address sold the old mattress keeping the changes talking to strangers i knew i could forget you that's what i'm gonna do now i'm staring at a stop sign just like the last time |
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| 3. |
| 4:26 |
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saw her at a red light
headlights flashing like shooting stars in the fast lane like an airplane never saw the tail light windshield cracked like an insight was a long flight but i'm alright now i can tell you're falling it's nice to know i can tell you're falling it's nice to know oh no there you go now i won't be home for the late show sorry about the window what a nice throw sometimes i can see that you finally got me where you want me guess i can't complain though 'cause i can't go home i can tell you're falling it's nice to know i can tell you're falling it's nice to know |
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| 4. |
| 3:11 |
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The crew is bedded down for the night, and here's an announcement from mission control."
"Hello Apollo 11 Houston, we've got the network all configured for the TV, you can, eh, start any time you want, over." "Okay, we'll, eh, reconfigure the TV for that." "This is Apollo Control Houston at eighty-seven hours and thirty-one minutes now into the flight of Apollo 11. The Apollo 11 space craft continues on its frontside pass above the moon. We're now less than ten minutes away from, eh, loss of signal. The Apollo 11 crew are currently in their rest period. We've, eh, received, eh, no indication yet that any of the three crew members are actually sleeping, eh, although all three appear to be in a very restful mode." "This is Apollo Control at sixty-one hours thirty-nine minutes. We've had no further conversation with the crew since our last, eh, report. Our flight surgeon says there is no indication at this time that they have begun to sleep. But we expect they'll be, eh, getting to sleep here shortly. Coming up in, eh, less than 10 seconds now we'll be crossing into the sphere of influence of the moon, and our displays will shift from earth reference to moon reference. At sixty-one hours forty-one minutes this is Apollo Control Houston." |
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| 5. |
| 5:23 |
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"When you drive, you practice mindfulness of driving. It is possible. When you stop at a red light, you look at the red light and smile. You look at the red light, you smile, and you breathe in and out, and sit back, relaxingly. Breathing in, I calm myself. Breathing out, I smile."
"And the red light become a friend, become a bell of mindfulness. Something unpleasant become something pleasant. We have the habit energy of wanting to arrive. That is why we want to go as quickly as possible. But according to this practice, we arrive at every moment. Life can be found only in the present moment. Everything that we look for must be found in the present moment. Peace. Joy. Happiness. Buddha. The kingdom of God." "What is our final destination? If we abandon the present moment, our final destination may be our death. We don't want to arrive there, we want to go in the direction of life." "This concludes Tape 1, A Retreat on the Practice of Mindfulness. Our program continues with Tape 2." |
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| 6. |
| 4:33 |
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it was five o'clock 'cause i checked my watch
when i woke back up on the subway and i missed my stop it was 10 blocks back but i liked my seat so i kept it and i'm still surprised that you stayed with me 'till my first mistake of the century it was so extreme i controlled my dreams with the radio and the late show |
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| 7. |
| 1:58 |
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"The number you have reached, 9, 1, 1, has been changed..."
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| 8. |
| 4:54 |
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you look so mysterious
but you sound so serious you should have told me on the phone i'm sorry i'm sorry i don't know what i'm saying i guess you tried to let me know by leaving notes on the stereo it's not the typical way to go i'm sorry i'm sorry i don't know what i'm saying 'cause i found myself back in the bachelor scene feel like an astronaut in a submarine if i fall asleep i could fall out of bed maybe the helmet helps but it hurts my head let's not get hysterical maybe you need a sabbatical you get so angry when you're wrong i'm sorry i'm sorry i don't know what i'm saying you know it came as quite a shock to find your note in the cereal box and why'd you have to change the locks i'm sorry i'm sorry i don't know what i'm saying and i found myself back in the bachelor scene feel like an astronaut in a submarine if i fall asleep i could float out of bed maybe the ceiling helps but it hurts my head cause i found myself back in the bachelor scene feel like an astronaut in a submarine if i fall asleep i could fall out of bed maybe the helmet helps but it hurts my head |
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| 9. |
| 4:00 |
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time in london now exactly 3:30 in the morning so quite a little while to go so i'm sure you'll enjoy some sleep perhaps watch a movie and enjoy some food not much more to tell you really um there are um start again you can't feel anything unless you're paying attention and if you're in a situation like breaking your leg in a burning building then your attention is on getting out of that building and only once your outside does the leg begin to hurt so in many of these situations what"
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10. |
| 4:14 |
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tell me something stupid
auction off my diary life is getting esoteric let me in your movie each time i walk out the door someone mixes metaphors life is so much cleaner on the page it's like the morning when i'm dreaming and everything is so pristine it's just a seven hour movie and i'm in every scene let me in my t.v. get this tape to tori got to have a subplot when i sell them my life story maybe i should write it first and do the living later 'cause life is so much cleaner on the page it's like the time i lost my body and then i saw it on t.v. somehow it shed a whole dimension but it still looked like me (hey! that looks like me!) each time i write lines for it someone improvises it life is so much cleaner on the page life is so much cleaner on the page |
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