Disc 1 | ||||||
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1. |
| 4:16 | ||||
We had an apartment in the city.
Me and my husband liked living there. It's been years since the kids have grown, a life of their own, left us alone. John and Linda live in Omaha. Joe is somewhere on the road. We lost Davy in the Korean war. I still don't know what for, don't matter any more. You know that old trees just grow stronger, and old rivers grow wilder every day, but old people, they just grow lonesome waiting for someone to say, "Hello in there. Hello" Me and my husband, we don't talk much anymore. He sits and stares through the backdoor screen. And all the news just repeats itself like some forgotten dream that we've both seen. Someday I'll go and call up Judy. We worked together at the factory. Ah, but what would I say when she asks what's new? Say, "Nothing, what's with you? Nothing much to do." You know that old trees just grow stronger, and old rivers grow wilder every day, ah, but old people, they just grow lonesome waiting for someone to say, "Hello in There. Hello." So if you're walking down the street sometime and you should spot some hollow ancient eyes, don't you pass them by and stare as if you didn't care. Say, "Hello in there. Hello." |
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2. |
| 2:44 | ||||
Do you wanna dance, and hold my hand?
Tell me you're my lover man. Oh baby, do you wanna dance? We could dance under the moonlight, hug and kiss all through the night. Oh baby, tell me, do you wanna dance with me baby? Do you, do you, do you, do you want to dance? Do you, do you, do you want to dance? Do you, do you, do you, do you want to dance with me baby? Ah, that's right, ah, ah, aaaaaaaah. Do you want to dance under the moonlight? Hug me, kiss me, baby, all through the night. Oh baby, baby, baby, baby, baby, baby, tell me, do you want to dance? Oh, do you, do you, do you, do you want to dance? Do you want to dance? Do you, do you, do you, do you want to dance with me baby? You got to dance with me baby. Please dance with me baby |
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3. |
| 4:37 | ||||
From a distance the world looks blue and green
And the snow capped mountains, wide From a distance the ocean meets the stream And the eagle takes to flight From a distance, there is harmony And it echoes through the land It's the voice of hope, its the voice of peace It's the voice of every man From a distance, we all have enough And no one is in need And there are no guns, no bombs, and no disease No hungry mouths to feed From a distance we are instruments Marching in the common band Playing songs of hope, playing songs of peace They're the songs of every man God is watching us...God is watching us... God is watching us...from a distance From a distance there is harmony And it echoes through the land And its the hope of hopes, its the love of loves Its the heart of every man Its the hope of hopes, its the love of loves This is the song of every man And God is watching us...God is watching us God is watching us, from a distance Oh God is watching us...God is watching us God is watching us...from a distance... |
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4. |
| 2:53 | ||||
Spring is here and the sky is so very blue.
Whoa-o-o-o, birds all sing as if they knew, today's the day we'll say, "I do," and we'll never be lonely anymore. Because we're goin' to the chapel and we're gonna get married, goin' to the chapel and we're gonna get married, gee, I really love you and we're gonna get married, goin' to the chapel of love. Bells will ring and the sun is gonna shine. Yeah, yeah, yeah, I'm gonna be his, he's gonna be mine. We're gonna love until the end of time, and we'll never be lonely anymore. Because we're goin' to the chapel and we're gonna get married, goin' to the chapel and we're gonna get married, gee, I really love you and we're gonna get married, goin' to the chapel of love. One more time around, oh. Goin' to the chapel and we're, oh, gonna get married, goin', goin' to the chapel, baby; we're gonna get married, married, oh, gee, I really love you, c'mon baby, we're gonna get married, married, goin' to the chapel of love. Oooh, a one more time, we're goin' to the chapel of love. C'mon, c'mon and let me hear it, goin' to the chapel of love, love, love. shooby doo-whop, wa da Bette: "That is the pits ending to a really terrific song!" Man: "That is the worst ending I've ever heard!" |
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5. |
| 3:56 | ||||
Walking along the beach last night
who do you think I spy? A girl with ebony fire eyes. Soft and low do she cry. Now what could be such a source of pain? I so boldly inquire. Pointing finger Havana way, these three words which transpire: She told me that only in Miami is Cuba so far away. Only in Miami. My story, she goes this way. Fish may fly through the purple keys, golden birds take to air. I am bound to the earth, it seems. My life can be so unfair. Only in Miami is Cuba so far away. Only in Miami is Cuba so far away. Standing on the shoreline waiting, everyone anticipating. I can hear the broken hearted say: Only in Miami is Cuba so far away. And she cries for her child without a mother. And she cries for her son without a father. And she cries for herself without a lover. Can't face another day. Chase the blues away. I thought I heard her mumble as she turned away: Only in Miami is Cuba so far away. Only in Miami is Cuba so far away. Standing on the shoreline waiting, everyone anticipating. I can hear the broken hearted say: Only in Miami is Cuba so far away. Only in Miami is Cuba so far away. Only in Miami is Cuba so, Only in Miami is Cuba so, Only in Miami Ba Cuba so, Standing on the shoreline waiting, everyone anticipating. I can hear the broken hearted say: Only in Miami is Cuba so far away. Standing on the shoreline waiting, everyone anticipating. I can hear the broken hearted say: Only in Miami is Cuba so far away. Standing on the shoreline waiting, everyone anticipating. I can hear the broken hearted say: Only in Miami is Cuba so far away. Standing on the shoreline waiting, everyone anticipating. I can hear the broken hearted say: Only in Miami is Cuba so far away . . . |
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6. |
| 4:53 | ||||
"When he held me in his arms,
when he held me in his arms and said, "Baby, baby, baby, you are the only one for me." When a man loves a woman, can't keep his mind on nothing else. He'll trade the world for the good thing he found. Yeah, if she's bad, he can't see it. She can do no wrong. Turn his back on his best friend if he put her down. When a man loves a woman, spend his very last dime tryin' to hold on to what he needs. He'll give up all his comforts, go out and sleep out in the rain, if she says, "Baby, that is how it's gonna be." When a man loves a woman, gives her everything that he has, tryin' to hold on to her precious love, cryin, "Baby, baby please don't treat me bad." When a man loves a woman down deep in his soul, she can bring him such misery. Yeah, she's bad, but, oooh, he's the last one to know. Lovin' eyes don't ever see. So, this man says he loves me, he loves me. He gives me everything, everything, everything that he has, tryin' to hold on to my precious love, cryin', "Baby, baby, baby, don't you, don't you treat me, treat me bad." Ohhhh . . . yeah. When a man loves a woman he can do her no wrong. He could never hold another girl. Oh, you tell me you love me, baby, and gonna hold me tight. Baby, baby, this is a man's world. No, no. Oh, baby, a change is gonna come down in this man's world. |
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7. |
| 3:33 | ||||
Some say love it is a river
that drowns the tender reed Some say love it is a razor that leaves your soul to bleed Some say love it is a hunger and an endless aching need I say love it is a flower and you it's only seed It's the heart afraid of breaking that never learns to dance It's the dream afraid of waking that never takes the chance It's the one who won't be taken who cannot seem to give And the soul afraid of dying that never learns to live When the night has been too lonely and the road has been too long And you think that love is only for the lucky and the strong Just remember in the winter far beneath the bitter snows Lies the seed that with the sun's love in the spring Becomes the rose |
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8. |
| 2:37 | ||||
"Oh, hi! Is Miss Otis in?"
"Miss Otis regrets she's unable to lunch today." Miss Otis regrets she's unable to lunch today, madam. Miss Otis regrets she's unable to lunch today, mmmmmm. And she's sorry to be delayed, but last evening down at lover's lane she strayed, madam. Miss Otis regrets she's unable to lunch today. When she woke up and found that her dream of love was gone, madam, she ran to the man who had lead her so far astray. And from under her velvet gown she drew a gun and shot her lover down, madam. Miss Otis regrets she's unable to lunch today. When the mob cam and got her and dragged her from the jail, madam, they strung her up on the willow across the way. And the moment before she died she lifted up her lovely head and cried, madam. Miss Otis regrets she's unable to lunch. Miss Otis regrets she's unable to lunch today. |
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9. |
| 4:42 | ||||
Well I'm leaving my family
I'm leaving all my friends My body's at home But my heart's in the wind And the clouds are like headlines Upon a new front page sky My tears are salt water The moon's full and high And I know Joe Conrad would be proud of me Many before me been called by the sea To be up in the crow's nest singing my saying Shiver me timbers let's all sail away And the fog lifting The sand shifting I'm drifting on out Old Captain Ahab got nothing on me Swallow me, don't follow me I'm traveling alone The water's my daughter I skip like a stone And the fog lifting The sand shifting I'm drifting on out Old Captain Ahab got nothing on me Swallow me, don't follow me I'm traveling alone The water's my daughter I skip like a stone Won't you please call my family Tell them not to cry My goodbyes are written By the moon in the sky Say nobody knows me I've got no reason to stay Shiver me timbers I'm sailing away La, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, laaaa |
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10. |
| 4:52 | ||||
Ohhhh, oh, oh, oh, ohhh.
It must have been cold there in my shadow, to never have sunlight on your face. You were content to let me shine, that's your way. You always walked a step behind. So I was the one with all the glory, while you were the one with all the strain. A beautiful face without a name for so long. A beautiful smile to hide the pain. Did you ever know that you're my hero, and everything I would like to be? I can fly higher than an eagle, for you are the wind beneath my wings. It might have appeared to go unnoticed, but I've got it all here in my heart. I want you to know I know the truth, of course I know it. I would be nothing without you. Did you ever know that you're my hero? You're everything I wish I could be. I could fly higher than an eagle, for you are the wind beneath my wings. Did I ever tell you you're my hero? You're everything, everything I wish I could be. Oh, and I, I could fly higher than an eagle, for you are the wind beneath my wings, 'cause you are the wind beneath my wings. Oh, the wind beneath my wings. You, you, you, you are the wind beneath my wings. Fly, fly, fly away. You let me fly so high. Oh, you, you, you, the wind beneath my wings. Oh, you, you, you, the wind beneath my wings. Fly, fly, fly high against the sky, so high I almost touch the sky. Thank you, thank you, thank God for you, the wind beneath my wings |
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11. |
| 2:16 | ||||
He was a famous trumpet man from out Chicago way.
He had a boogie style that no one else could play. He was the top man at his craft, but then his number came up and he was gone with the draft. He's in the army now. He's blowin' reveille. He's the boogie woogie bugle boy of company B. They made him blow a bugle for his Uncle Sam. It really brought him down because he could not jam. The captain seemed to understand, because the next day the cap' went out and drafted the band. And now the company jumps when he plays reveille. He's the boogie woogie bugle boy of company B. A root, a toot, a toodlie-a-da-toot. He blows it eight to the bar in boogie rhythm. He can't blow a note unless a bass and guitar is playin' with him. And the company jumps when he plays reveille. He's the boogie woogie bugle boy of company B. He was some boogie woogie bugle boy of company B. And when he played his boogie woogie bugle he was busy as a busy bee. And when he played he made the company jump eight to the bar. He's the boogie woogie bugle boy of company B. Andata toodliata-toodliata toot toot he blows it eight to the bar. He can't blow a note if a bass and guitar isn't with him. And the company jumps when he plays reveille. He's the boogie woogie bugle boy of company B. He puts the boys to sleep with boogie every night, and wakes 'em up the same way in the early bright. They clap their hands and stamp their feet, 'cause they know how it goes when someone gives him a beat. Woah, woah, he wakes 'em up when he plays reveille. The boogie woogie bugle boy of company B. A root, a toot, a toodli-a-da to toot toot toot he's blowin' eight to the bar. Yeah, he can't blow a note if a bass and guitar isn't, woah, with him. And the company jumps when he plays reveille. He's the boogie woogie bugle boy of company B. |
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12. |
| 4:05 | ||||
Bette: "Well, you know, when they asked me to come on and . . .
I can't believe it! The last, the last guest. The last fool Mr. Carson will have to suffer gladly. You are the wind beneath my wings. Oh, well he is." Quarter to three. There's no one in the place except you and me. So set 'em up, Joe. Got a little story I think you should know. We're drinkin', my friend, to the end of a sweet episode. Make it one for my baby and one more for the road. Got the routine. So drop another nickel in the machine. Oh, gee, I'm feelin' so bad. Wish you'd make the music so dreamy and sad. You could tell me a lot. But it's not in a gentleman's code. Let's make it one for my baby and one more for the road. You may not know it, but buddy you're a kind of poet. And you've had a lot of things to say. And when I'm gloomy you always listen to me, until it's talked away. Well, that's how it goes. And John I know you're getting anxious to close. So, thanks for the cheer. I hope you didn't mind me bending your ear. For all of the years, for the laughs, for the tears, for the class that you showed, make it one for my baby and one more for the road. That long long road. Johhny: "Thank you, Bette. Ah." |
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13. |
| 2:56 | ||||
And I am all alone.
There is no one here beside me. And my problems have all gone. There is no one to deride me. But you got to have friends. The feeling's oh so strong. You got to have friends to make that day last long. I had some firends but they're gone, somethin' came and took them away. And from the dusk 'til the dawn here is where I'll stay. Standing at the end of the road, boys, waiting for my new friends to come. I don't care if I'm hungry or poor, I'm gonna get me some of them. 'Cause you got to have friends. Da, da, da, da, da, da, da, da, da, friends. That's right you, oh you, yeah you, I said you gotta have some friends, I'm talkin' about friends, that's right, friends. Friends, friends, friends. I had some firends, oh, but they're all gone, gone, someone came and snatched them away. And from the dusk until the very dawn, you know, here is where I gotta stay, here is where I gotta stay. And I'm standing at the end of a real long road and I'm waiting for my new friends to come. I don't care if I'm hungry or freezin' cold, I'm gonna get me some of them. 'Cause you gotta have friends, that's right, friends, friends. I gotta me my, I gotta me my, I gotta me my, look around and see all of my friends. Oh, friends, that's right, friends, friends, friends, friends, friends, friends, oh, friends, you gotta have friends . . . |
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14. |
| 3:13 | ||||
There are places I remember
all my life, though some have changed. Some forever, not for better. And some have gone, and some remain. All these places have their moments with lovers and friends I still can't recall. Some are dead and some are living. In my life I love them all. But of all these friends and lovers, there is no one compares with you. And these memories lose their meaning when I think of love as something new. Though I know I'll never ever lose affection for people and things that went before, I know I'll often stop and think about them. In my life I love you more. Though I know I'll never ever lose affection for people and things that went before, I know I'll often stop and think of them. But in my life I loved you more. I love you more. I love you more. |